Art Which Celebrates Quotes & Sayings

Back then when Chomsky and Herman wrote, the left, myself among them, all knew that something terrible was happening in Vietnam, though most now claim to remember otherwise. — James Donald

It's rare to find a consistently creative or insightful person who is also an angry person. They can't occupy the same space, and if your anger moves in, generosity and creativity often move out. It's difficult to use revenge or animus to fuel great work. — Seth Godin

I don't think art is propaganda; it should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it. — Keith Haring

For so long Versace couture was identified with celebrities and music, which I love. But at the same time it could overwhelm the clothes. — Donatella Versace

What a conception of art must those theorists have who exclude portraits from the proper province of the fine arts! It is exactly as if we denied that to be poetry in which the poet celebrates the woman he really loves. Portraiture is the basis and the touchstone of historic painting. — August Wilhelm Von Schlegel

A Conrad student informed me in Scotland that Africa is merely a setting for the disintegration of the mind of Mr. Kurtz.
Which is partly the point. Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind? But that is not even the point. The real question is the dehumanization of Africa and Africans which this age-long attitude has fostered and continues to foster in the world. And the question is whether a novel which celebrates this dehumanization, which depersonalizes a portion of the human race, can be called a great work of art. — Chinua Achebe

Fury is an entirely appropriate response to a system that sends young people to kill other young people in a war that never should have been waged. Yet the American Right is forever trying to pathologise anger as something menacing and abnormal, dismissing war opponents as hateful and, in the latest slur, wild-eyed. This is much harder to do when victims of wars begin to speak for themselves: no one questions the wildness in the eyes of a mother or father who has just lost a son or daughter, or the fury of a soldier who knows that he is being asked to kill, and to die, needlessly. — Naomi Klein

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. — Grant H. Kester

Never tolerate a toxic person in your organization. — Peter Diamandis

This death to the logic of emotional commitments of our chance moment in the world of space and time, this recognition of, the shift of our emphasis to, the universal life that throbs and celebrates its victory in the very kiss of our own annihilation, this amor fati, 'love of fate,' love of the fate that is inevitably death, constitutes the experience of the tragic art ... — Joseph Campbell

Modern romance, like Greek tragedy, celebrates the mystery of dismemberment, which is life in time. The happy ending is justly scorned as a misrepresentation; for the world, as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved. — Joseph Campbell

It is much more difficult to know what is fair than what is unfair — Michael Josephson

Eakins rejected gentlemen athletics as his theme. Instead, he took a subject that had been the stuff of illustrated weeklies and the penny press and turned it into fine art. Eakins celebrates not fire from heaven but honest sweat, not genius but hard work. — Barry S. Strauss

An elegant simplicity is an understated, organic aesthetic that contrasts with the excess of consumerist lifestyles. Drawing from influences ranging from Zen to the Quakers, it celebrates natural materials and clean, functional expressions, such as are found in many of the hand-made arts and crafts from this community. — Duane Elgin

A French politician once wrote that it was a peculiarity of the French language that in it words occur in the order in which one thinks them. — Ludwig Wittgenstein

What is so incredible and essential about an authentic cultural scene is it rejects a value system based on consumption and productivity and instead celebrates creation, critical thought, aesthetics and expression. That can't be mass marketed. — Claire Vaye Watkins

And one has to understand that braveness is not the absence of fear but rather the strength to keep on going forward despite the fear. — Paulo Coelho

But it never really occurred to me to ask myself whether this was what I wanted too, — J.P. Delaney

I try to make art which celebrates doubt and uncertainty. Which provokes answers but doesn't give them. Which withholds absolute meaning by incorporating parasite meanings. Which suspends meaning while perpetually dispatching you toward interpretation, urging you beyond dogmatism, beyond doctrine, beyond ideology, beyond authority. — Sherrie Levine