All The Real Girl Quotes & Sayings

Real fairy tales are not for the fainthearted. Children get eaten by witches and chased by wolves; women fall into comas and are tortured by evil relatives. Somehow all that pain and suffering is worthwhile, though, when it leads to the ending: happily ever after. Suddenly it no longer matters if you got a B- on your midterm in French or you're the only girl in the school who doesn't have a date for the spring formal. Happily ever after trumps everything. But what if ever after could change? — Jodi Picoult

I felt I was makin' progress until yesterday morning. Now, you got some fucked up idea in your head about what happened and you gotta get this Sadie, so listen. It's important. Because I want that girl. That's who I'm doin' all this for 'cause that girl is the real you. The one who loses control and takes what she wants and gives back without racking up the debt. And she doesn't give a fuck about what her actions say and what people will think. — Kristen Ashley

But sitting here beside this girl as unknown to him now as outer space, waiting for whatever she might say to unfreeze him, now he felt like he could see the edge or outline of what a real vision of hell might be. It was of two great and terrible armies within himself, opposed and facing each other, silent. There would be battle but no victor. Or never a battle- the armies would stay like that, motionless, looking across at each other and seeing therein something so different and alien from themselves that they could not understand, they could not hear each other's speech as even words or read anything from what their faces looked like, frozen like that, opposed and uncomprehending, for all human time. Two hearted, a hypocrite to yourself either way. — David Foster Wallace

Not every girl has a bad-boy problem. Some of my friends get into relationships constantly. Others cheat all the time, or run away. Some get jealous. Some think they are too undateable to even try. Our dating pool is a circus of fuckups, misfits, and past mistakes that we keep on making. The brand of baggage you're carrying on your back is the issue. But most of all, I think we fear the same thing. I think that thing is love. Real love. Think of your first love. Think of how Bambi-like you were, prancing around all excited and in love with everything. Then think of how that happiness was beaten to death with a hatchet, spit on, shit on, leaving you cold. If you watch something you care about get destroyed, you're not going to want to go back to that place, no matter how pleasant it ever was. — Alida Nugent

The little blue book was rattling around in my purse. I took it out and turned to the last thing he had said ("You stupid broad et cetera). Underneath was written Girl backs down
cries
manhood vindicated. Under "Real Fight With Girl" was written Don't hurt (except whores). I took out my own pink book, for we all carry them, and turning to the instructions under "Brutality" found:
Man's bad temper is the woman's fault. It is also the woman's responsibility to patch things up afterwards.
There were sub-rubrics, one (reinforcing) under "Management" and one (exceptional) under "Martyrdom." Everything in my book begins with an M. — Joanna Russ

I LOST MY OWN BOY, Treelore, right before I started waiting on Miss Leefolt. He was twenty-four years old. The best part of a person's life. It just wasn't enough time living in this world. He had him a little apartment over on Foley Street. Seeing a real nice girl name Frances and I spec they was gone get married, but he was slow bout things like that. Not cause he looking for something better, just cause he the thinking kind. Wore big glasses and reading all the time. He even start writing his own book, bout being a colored man living and working in Mississippi. — Kathryn Stockett

I found a place that I hoped would be obscure, over on one side, in the back, and went to it without genuflecting, and knelt down. As I knelt, the first thing I noticed was a young girl, very pretty too, perhaps fifteen or sixteen, kneeling straight up and praying quite seriously. I was very much impressed to see that someone who was young and beautiful could with such simplicity make prayer the real and serious and principal reason for going to church. She was clearly kneeling that way because she meant it, not in order to show off, and she was praying with an absorption which, though not the deep recollection of a saint, was serious enough to show that she was not thinking at all about the other people who were there. — Thomas Merton

In my own case, I had to train myself out of that phony smile, which is like a nervous tic on every teenage girl. And this meant that I smiled rarely, for in truth, when it came down to real smiling, I had less to smile about. My 'dream' action for the women's liberation movement: a smile boycott, at which declaration all women would instantly abandon their 'pleasing' smiles, henceforth smiling only when something pleased them. — Shulamith Firestone

I had to revise all my feelings once again. I pulled out the dregs of affection from the glass of misunderstanding to rebuild my faith. I had to reinvent the cause for love, as it were. It was something I had to draw inside me, a real portrait of her, not just the inspiration but the girl as a whole, with all her shortcomings to be able to love her again. — Anuradha Bhattacharyya

It's not just money. Part of it is, but not all. You greasers have a different set of values. You're more emotional. We're sophistocated- cool to the point of not feeling anything. Nothing is for real with us. You know sometimes I'll catch myself talking to a girl-friend, and realise i don't mean half of what I'm saying. I don't really think a beer blast on the river bottom is supercool, but I'll rave about one to a girl-friend just to be saying something. — S.E. Hinton

He held her and rocked her, believing, rightly or wrongly, that Ellie wept for the very intractability of death, its imperviousness to argument or to a little girl's tears; that she wept over its cruel unpredictability; and that she wept because of the human being's wonderful, deadly ability to translate symbols into conclusions that were either fine and noble or blackly terrifying. If all those animals had died and been buried, then Church could die
(any time!)
and be buried; and if that could happen to Church, it could happen to her mother, her father, her baby brother. To herself. Death was a vague idea; the Pet Sematary was real. In the texture of those rude markers were truths which even a child's hands could feel. — Stephen King

It seems to be the fashion nowadays for a girl to behave as much like a man as possible. Well, I won't! I'll make the best of being a girl and be as nice a specimen as I can: sweet and modest, a dear, dainty thing with clothes smelling all sweet and violety, a soft voice, and pretty, womanly ways. Since I'm a girl, I prefer to be a real one! — Mrs. George De Horne Vaizey

It was a curious game. This curiousness was evidenced, for example, in the fact that the young man, even though he himself was playing the unknown driver remarkably well, did not for a moment stop seeing his girl in the hitchhiker. And it was precisely this that was tormenting. He saw his girl seducing a strange man, and had the bitter privilege of being present, of seeing at close quarters how she looked and of hearing what she said when she was cheating on him (when she had cheated on him, when she would cheat on him). He had the paradoxical honor of being himself the pretext for her unfaithfulness.
This was all the worse because he worshipped rather than loved her. It had always seemed to him that her inward nature was real only within the bounds of fidelity and purity, and that beyond these bounds she would cease to be herself, as water ceases to be water beyond the boiling point. — Milan Kundera

In water so fine, a few minutes of bad memory all but disappear downstream, washed away by ten thousand belly busters, a million cannonballs. Paradise was never heaven-high when I was a boy but waist-deep, an oasis of cutoff blue jeans and raggedy Converse sneakers, sweating bottles of Nehi Grape and Orange Crush, and this stream. I remember the antidote of icy water against my blistered skin, and the taste of mushy tomato and mayonnaise sandwiches, unwrapped from twice-used aluminum foil. I saw my first water moccasin here, and my first real girl, and being a child of the foot washers I have sometimes wondered if this was my Eden, and my serpent. If it was, I didn't hold out any longer than that first poor fool did. — Rick Bragg

You guys (Boko Haram) are trying so hard to convince everybody that you're such badasses. But all you've done with this kidnapping is highlight who the real badasses are, the kids you kidnapped. Compared to a teenager who knows that her desire for an education could get her dragged into a snake infested jungle to be sold as a bribe to some demented, stick-chewing cartoon villain but still gets up and goes to class everyday, fully aware of that danger - compared to their courage - I'd say Boko Haram is a bunch of little girls. But, you know what? You don't deserve that compliment. — Jon Stewart

I would sink into the relief I felt from having friends like these girls. Smart. Patient. Good daughters and sisters. That's who I ran with. That being said, I still went through the young-girl rites of passage, including being kicked out of the group. Almost every girl goes through this weird living nightmare, where you show up at school and realize people have grown to hate you overnight. It's a Twilight Zone moment when you can't figure out what is real. It is a group mind-fuck of the highest kind, and it makes or breaks you. I got through it by keeping my head down, and a few weeks passed and all the girls liked me again. We all pretended it never happened. There should be manuals passed out to teach girls how to handle that inevitable one-week stretch when up is down and the best friend who just slept over at your house suddenly pulls your hair in front of everyone and laughs. — Amy Poehler

Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back. — John Green

I focus on my favorite daydream, the one where I return from London at the end of the summer and am all glamorous and drop-dead gorgeous and every girl in my school is completely jealous when Quinn McKeyan asks me to Fall Homecoming because he can't resist my charm.
Hey, it's my daydream. I can dream what I want to.
The thing is, Quinn's face keeps getting replaced in my head by Dante's.
Since I've had a mad crush on Quinn from the time we started kindergarten all the way through our junior year last year, that's saying something.
Every daydream I've had for eleven years has been of him. I'm a very loyal daydreamer. And I suddenly feel like I'm cheating on my imaginary boyfriend, a boy who happens to be real, but who has been dating my best friend Becca for the past two years. And no. Becca has no idea that I'm secretly in love with her boyfriend. It's the one secret that I've kept from her. — Courtney Cole

No personality as strong as Zelda's could go without getting criticisms and as you say she is not above reproach. I've always known that. Any girl who gets stewed in public, who frankly enjoys and tells shocking stories, who smokes constantly and makes the remark that she has "kissed thousands of men and intends to kiss thousands more," cannot be considered beyond reproach even if above it. But Isabelle I fell in love with her courage, her sincerity and her flaming self respect and it's these things I'd believe in even if the whole world indulged in wild suspicions that she wasn't all that she should be.
But of course the real reason, Isabelle, is that I love her and that's the beginning and end of everything. You're still a Catholic but Zelda's the only God I have left now. — F Scott Fitzgerald

Oh, are you doing magic? Let's see it, then."
She sat down. Ron looked taken aback.
"Er - all right."
He cleared his throat.
"Sunshine, daisies, butter mellow,
Turn this stupid, fat rat yellow."
He waved his wand, but nothing happened. Scabbers stayed gray and fast asleep.
"Are you sure that's a real spell?" said the girl. "Well, it's not very good, is it? I've tried a few simple spells just for practice and it's all worked for me. I've learned all our course books by heart, of course. — J.K. Rowling

It's done with ink on a piece of paper. That girl isn't lying there on the counter. She's thousands of miles away, doesn't even know we're alive. If this was a real girl, all I'd have to do for a living would be to stay home and cut out pictures of big fish. — Kurt Vonnegut

In his Petersburg world people were divided into two quite opposite sorts. One
the inferior sort: the paltry, stupid, and, above all, ridiculous people who believe that a husband should live with the one wife to whom he is married, that a girl should be pure, a woman modest, and a man, manly, self controlled and firm; that one should bring up one's children to earn their living, should pay one's debts, and other nonsense of the kind. These were the old-fashioned and ridiculous people. But there was another sort of people: the real people to which all his set belonged, who had above all to be well-bred, generous, bold, gay, and to abandon themselves unblushingly to all their passions and laugh at everything else. — Leo Tolstoy

Yes! I hate everything about this country. Like, I hate fat white Americans. All the people who are crunched into the middle of America, the real fat and meat of America, are these racist conservative white people who live on their farms. Those little teenage girls who work at Kmart and have a racist grandma - that's really America — Azealia Banks

I'm a real blue jeans girl, I wear jeans all the time and I couldn't live without them. Jeans and blazers. — Gwyneth Paltrow

You've always been one of many," she said brutally. "There are dozens of us Howard girls, all with good breeding, all well taught, all pretty, all young, all fertile. They can throw one after another on the table and see if one is lucky. It's no real loss to them if one after another is taken up and then thrown aside. There's always another Howard girl conceived, there's always another whore in the nursery. You were one of many before you were even born. If he does not cleave to you then you go back to William, they find another Howard girl to tempt him, and the dance starts all over again. — Philippa Gregory

Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at ... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic. — Joe Queenan

Listen Chica-" Carlos says when we're driving to my mom's store
"don't call me that anymore" I tell him
"what do you want me to call you, then?"
I shrug "whatever. Just not Chica"
Carlos holds his hand up "what do you want me from me? You want me to tell you lies? Okay. Kara, without you i'm nothin'. Kara, you own my heart and soul. Kara,, i love you. Is that what you to hear?
"yes"
"No guy who actually says those things really mean them"
"I bet your brother says them to Brittney and means them"
"that's because he's lost all common sense. I though you the one girl who didn't fall for my bull"
"I don't. Consider my wanting you as my real boyfriend a lapse of judgement," I tell him "But i'm over it — Simone Elkeles

Let them know the real me. All my weaknesses. Yes, I'll make plans to do that. Right on the heels of your announcement that Izzy Goodnight isn't a girl anymore but a twenty-six-year-old woman who likes her nipples pinched. — Tessa Dare

MAMBO SUN"

"Beneath the bebop moon
I want to croon with you
Beneath the Mambo Sun
I got to be the one with you

My life's a shadowless horse
If I can't get across to you
In the alligator rain
My heart's all pain for you

Girl you're good
And I've got wild knees for you
On a mountain range
I'm Dr. Strange for you

Upon a savage lake
Make no mistake I love you
I got a powder-keg leg
And my wig's all pooped for you

With my hat in my hand
I'm a hungry man for you
I got stars in my beard
And I feel real weird for you

Beneath the bebop moon
I'm howling like a loon for you
Beneath the mumbo sun
I've got to be the one for you — Marc Bolan

The striking thing about 'New Girl' is that under all the comedy, there's something about the emotions and reactions that feels very real - much more real than other sitcoms. Like - maybe everybody is sort of laid bare in different ways. — Elizabeth Meriwether

I found the world of the Little House books to be so much less confusing, not just because it was "simpler," as plenty of people love to insist, but because it reconciled all the little contradictions of my modern girlhood. On the Banks of Plum Creek clicked with me especially, with its perfect combination of pinafores and recklessness. (I will direct your attention to the illustration on page 31 of my Plum Creek paperback, where you will note how fabulous Laura looks as she pokes the badger with a stick; her style is casual yet feminine, perfect for precarious nature adventures!) At an age when I found myself wanting both a Webelos uniform and a head of beautiful Superstar Barbie hair, On the Banks of Plum Creek was a reassuring book. Being a girl sometimes made more sense in Laura World than it did in real life. — Wendy McClure

In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else. — Leo Tolstoy

In all the time I'd known her, I'd hardly touched her. But her hand on mine felt so right and real, so powerful in its own weird way. It didn't make sense to me why this one girl affected me like that. — Sibylla Matilde

I'm not a real makeup girl - you see me in lots of makeup on 'Housewives,' but I'm really all about skin. Take it from me: Wash, moisturize, and never neglect the neck. — NeNe Leakes

I'll tell you why I keep my scrapbooks. It's in case my real father shows up .I never met him, don't even know his name ... I've got this feeling he's out there searching for me. When he bursts through the door and tells me he's spent a fortune on detectives looking all over the world for me, I'm not going to sit there like a dumb cluck when he asks me what I've been doing. I'm going to yank out my eleven scrapbooks filled with my experiences and inner-most thoughts on life lived in three time zones in America. I was a Girl Scout for three months when we lived in Atlanta. I couldn't get those square knots down for anything, but I got the big concept. Be prepared. Addie always told me, It's more important to get the big concept than to be an expert in the small stuff. — Joan Bauer

I know about love. I know about wanting and dreaming and wishing with every piece of your soul. I know enough to recognize the parts that are real and the parts that are only fantasy.' ... 'Like when she cries and my heart tears into little shreds and all I can think about is making her forget the source of her saddness.' ... 'Thats real.' ... 'And fantisy?' 'Believing she might ever feel the same way.' ... 'Why didn't you tell her? The girl you love. Why didn't you tell her how you feel?' ... 'Because,' ... 'she doesn't want to know. — Tera Lynn Childs

Bullets sound like hornets when they pass too close to your head. After a while, the world closes down. You can't hear much, you can't see much, just the way ahead, the next slat, the next open gate. All you know is running; the only place that's real is away. — Sarah Zettel

I tell young girls, "The world is going to exploit and manipulate your sexuality. If you benefit from that financially, then you are part of the problem." That said, I thought all those parents flipping out over the Video Music Awards were ridiculous - women have been twerking in clubs for 20, 30 years. There's a real lack of awareness about what's going on across many layers of our culture. — Rosalind Wiseman

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life. — Ryan Gosling

I don't know why I didn't have this sixth sense or whatever it is all along, but part of me thinks maybe it means I'm growing up, evolving into a real superhero. Like maybe the world knew I couldn't handle it before, but now, now I'm finally becoming me an the world know sit -- or maybe I'm just learning to listen to myself. — Kelly Thompson

... his intention was pure. He didn't know why, but he liked a girl and he felt compelled to do something about it. That's how it all starts. And as that drive grows, it's the gateway to real emotion. Emotion that moves mountains and starts wars and makes mix tapes and buys airbrushed lovers' T-shirts at the beach and writes horrible songs with simple guitar chords. But it's the gateway to love and passion and rage and fear and jealousy and envy and self-hatred. — Hilary Winston

All you have to do is speak up.
Tell him straight up: "I need you here to protect and provide for us, to give us security in our lives, to help raise these children, to set an example for this boy, who needs to see what real men do, and for this girl, who needs to know what a real man is so she can find one of her own someday. I need you to be the head of this family."
Lay it out like this, and your requirements will trump his mother's every time. — Steve Harvey

Even the girl he'd danced with had thought it was some marvelous trick. She had been enveloped in real, bright fire and she had tipped back her head and laughed, the tumble of her black hair becoming a crackling waterfall of light, the heels of her shoes striking sparks like glittering leaping dust all over the floor, her skirt trailing flame as if he were following a phoenix tail. Magnus had spun and swung with her, and she'd thought he was marvelous for a single moment of bright illusion.
But, like love, fire didn't last. — Cassandra Clare

What makes you a real girl or boy is that no one laughs at you. If you are imitation or unreal, the rules give you a right to exist provided you do what the real ones or brutes say. What makes you into me or Charles Morgan is that the rules allow all the girls to be better than me and all the boys better than Charles Morgan. — Diana Wynne Jones

I love you. I know the real you too. You think I don't but how easily you forget I was the one who bailed you out of trouble over and over again as kids. I didn't ask the perfect Ashton to be my girlfriend when I was fourteen years old. I asked the only Ash I'd ever known. You changed all on your own. I'm not going to lie. I was proud of the girl you had become. My world was complete. I had the perfect family, perfect girl, perfect future. I let myself forget the other girl you once were. — Abbi Glines

For all my life, I had been passive when faced with dangers. I was stunned as I swam to find that I had, for the first time in my history, asserted myself and been truly heard - respected. It felt monumental, I was buzzing with adrenaline. It was as if I'd become someone else entirely.

I had escaped a kidnapper. It finally felt real. My body unclenched tension in the balmy pool.

I was proud of the strength I'd found. I was the one who asserted he take me back; I caused him to listen. I was no longer a passive Doll Girl, trapped. This was me learning I could trust my voice - I'd used it, and it finally worked! I was triumphant. This escape showed me: I had grown, and grown vividly. — Aspen Matis

Well now I'm no hero, that's understood. All the redemption I can offer girl, is beneath this dirty hood. With a chance to make it good somehow, hey what else can we do now? Except roll down the window, and let the wind blow back your hair. Well the night's busting open, these two lanes will take us anywhere. We got one last chance to make it real. — Bruce Springsteen

When I arrived back at Intro to Basic Art again later that week, I thought for a moment we had a new student who didn't know about the assigned seats. Sitting at my table was a girl in a long flowered dress, very vintage-hippie. She actually was wearing real flowers in her hair, and hardly any make up. I sat down, ready to explain to this poor lost soul that the seat was already taken, when I looked again and realized it was the same girl. I ended up not saying anything at all; I couldn't think of anything that wouldn't be rude or just plain stupid. — J.M. Richards

The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me. — Andreas Deja

if god is real, she put all of herself into this girl. she vowed to unleash a woman so violently herself, the sky would collapse every time she came to orgasm. — Taylor Rhodes

It's only that the answers in most stories are boring because they are supplied by the real world rather than, well, something better. Something more stimulating. Sit down with the Greeks and the Romans, and the boring answers get more interesting. Seasons because a girl and a crocus. Death because a girl and an apple. The moon because a girl keeps driving her daft chariot into the sea.
It's all down to girls, one way or another. — Catherynne M Valente

At school, the news that Pia Kolvenbach was moving to England and that her parents were divorcing had circulated with lightening speed. Suddenly I was no longer ostracized for being the Potentially Exploding Girl, but the new attention was worse. I could tell that the girls who sidled up to me and asked with faux-sympathetic smiles whether it was true were doing it on the basis of discussions they had heard between their own parents, to who they would report back like scouts. Soon there would be nothing left of me at all, nothing real: I would be a walking piece of gossip, alternatively tragic and appalling and, worse of all, a poor thing. — Helen Grant

[H]e asked Renee, "What does rock and roll have today that it didn't have in the sixties?" Renee said, "Tits," which in retrospect strikes me as not a bad one-word off-the-dome answer at all. The nineties fad for indie rock overlapped precisely with the nineties fad for feminism. The idea of a pop culture that was pro-girl, or even just not anti-girl
that was a 1990s mainstream dream, rather than a 1980s or 2000s one, and it was real for a while. Music was not just part of it but leading the way
hard to believe, hard even to remember. But some of us do. — Rob Sheffield

The raft finally got here," he said.
Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. "You just noticed?"
"But if it only shows up for guys you like-"
"Don't push your luck, Leo Valdez," she said. "I still hate you."
"Okay."
"And you are not coming back here," she insisted. "So don't give me any empty promises."
"How about a full promise?" he said. "Because I'm definitely-"
She grabbed his face and pulled him into a kiss, which effectively shut him up.
For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheeck from Piper, but that didn't count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would've short-circuited.
Calypso pushed him away. "That didn't happen."
"Okay." His voice sounded an octave higher than usual. — Rick Riordan

A plaster girl with intense glass eyes sat astride a bicycle pedaling at the maddest pace; though its wheel spokes spun hypnotically, the bicycle of course never budged: all that effort and the poor girl going nowhere. It was a pitifully human situation, and one that Sylvia could so exactly identify with herself that she always felt a real pang. — Truman Capote

Oooh, intrigue?' Sylvie said playfully. 'Want to know a secret? I am someone else. Nobody knows the real me.'
Jess opened the door, sick of being toyed with, wanting to get away. Her voice was flat. 'You're a girl. It's the same for all of us. — Kirsty Eagar

I hate period films - and there are plenty of them - where they say, "Let's not do contemporary language because the audience won't understand it;" "let's not make the girls wear corsets, because it's not sexy" and all that sort of thing. Gradually it disintegrates into a no man's land: you don't really believe it's a period scene and it doesn't feel like it's now because it's not now. You don't feel it's quite real and you don't believe in it. — Mike Leigh

Now that is the real thing, the straight goods from the mass unconscious, friend; that little girl is a witch. There's just no place for her to function in this society. She'd have seen the devil, if she hadn't been brought up on The Bionic Man and all those Star Trek reruns. — William Gibson

You look at me and see the girl,who lives inside the golden world,but don't believe, that's all there is to see,you'll never know the real me. — Mariah Carey

And when had a critical eye ever helped me, really? Nobody likes the girl who points out all the inherent sexism on The Bachelor. But people are charmed byt the girl kvelling about nail art, boba tea, and the homeopathic benefits of ayahuasca. — Mindy Kaling

Adam has always had ... heroic tendencies."
I touched Adam's arm. "He's my hero."
There was another pause ...
"That is the most romantic thing I've ever heard you say," Bran said. "Be careful, Adam, or you'll turn her into a real girl."
Adam looked at me. "I like her just the way she is, Bran." And he meant it, greasy overalls, broken fingernails, and all. — Patricia Briggs

It's because she doesn't love being lonely. When a girl loses her virginity, though, it may hurt, but it's real. It might be the realest, most private thing you could ever see in another person. You wonder who she'll be in that moment, when you finally get past all the pretend. — Joe Hill

I'm the perfect girl. You read about me in Maxim or whatever. I tell dirty jokes like I'm one of the guys, and I'm sitting there in my panties and bra so you can see I'm a piece of ass in the bargain. Except I'm real, so I come with all kinds of complications. — Garth Ennis

And I am always flattered," Rusty continued, "but I love my sister. Not in an 'I love my sister and I want to make out with her' way, that would be terrible and disturbing, but in an 'I love my sister, and I'm not going anywhere near the girl she likes' way. Be a big mess. Life is hard for me, with all my irresistible sexual magnetism. It's a real problem, almost as bad as the fact that my steps are now the number one crying spot in Sorry-in-the-Vale. I have to maintain control of the situation at all times or my life would devolve into a nonstop romantical frenzy". — Sarah Rees Brennan

Rose leaned against the bathroom door. Here it was - her real life, the truth of who she was, barreling down on her like a bus with bad brakes. Here was the truth - she wasn't the kind of person Jim could fall in love with. She wasn't what she'd made herself out to be - a cheerful, uncomplicated girl, a normal girl with a happy, orderly life, a girl who wore pretty shoes and had nothing more pressing on her mind that whether ER was a rerun this week. The truth was in the exercise tape she didn't have time to unwrap, let alone exercise to; the truth was her hairy legs and ugly underwear. Most of all, the truth was her sister, her gorgeous, messed-up, fantastically unhappy and astoundingly irresponsible sister. — Jennifer Weiner

And how could she ever open her mouth to tell him, in the guise of reminiscing, I haven't been on a ferry in twelve years. Once upon a time I was a girl and my name was Dottie and I was seventeen and in love and I was real. I had a life that I loved and it was beautiful and the boy was beautiful and here I am again but once was enough, once is all you get to ask for, once is about all I can survive. — Bob Shacochis

None of us really cheer for glory, prizes, tourneys. None of us, maybe, know why we do it at all, except it is like a rampart against the routine and groaning afflictions of the school day. You wear that jacket, like so much armor, game days, the flipping skirts. Who could touch you? Nobody could. My question is this: The New Coach. Did she look at us that first week and see past the glossed hair and shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else? Could she see past all of that to something else, something quivering and real, something poised to be transformed, turned out, made? See that she could make us, stick her hands in our glitter-gritted insides and build us into magnificent teen gladiators? — Megan Abbott

Maybe it's not a lesson so much as it's a magic trick. You can make a little girl into anything if you say the right words. Take her apart until all that's left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you're lucky. If that's what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what's said to you, doing what's done to you, copying until it comes so natural that even when you're all alone you keep on cawing hello pretty bird at the dark. — Catherynne M Valente

No, I was never that kind of guy. I believed in true romance; one-night stands are always going to leave you feeling cold and empty. I was always looking for the real thing, romance, and all that. I love being married. I never liked the idea of going to bars and chasing girls. Some guys might enjoy that, but I always wanted to find that one special woman, which I did when I met Jenna. — Channing Tatum

I've worked with a lot of great glamorous girls in movies and the theater. And I'll admit, I've often thought it would be wonderful to be a femme fatale. But then I'd always come back to thinking that if they only had what I've had - a family, real love, an anchor - they would have been so much happier during all the hours when the marquees and the floodlights are dark. — Eve Arden

Not exactly. I see a girl who wants to present someone special to the world. Someone beautiful. The pinnacle of beauty. But she has lost her hold on reality. Real beauty isn't thin. It isn't size two, unless you happen to be four foot ten. What the world sees when they look at you is someone who believes self-worth is all about how she looks, and that very often means that what she's missing is love. Not someone else's love. But love and respect for herself. — Ellen Hopkins

Yup, you're in a strange position, all right. You're in love with a girl who is no more, jealous of a boy who's gone forever. Even so, this emotion you're feeling is more real, and more intensely painful, than anything you've ever felt before. And there's no way out. No possibility of finding an exit. You've wandered into a labyrinth of time, and the biggest problem of all is that you have no desire at all to get out. Am I right? — Haruki Murakami

We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party. — David Gordon Green

And I remembered now, too, my inadvertent youthful condescension, when the woman had said, apologizing for some information she couldn't recall, "I still remember the coat I wore when I was five, but I have no idea what I ate for breakfast today." I'd laughed and smiled in warm sympathy. How sweet, I had thought, she remembers her coat. She must have loved it not to have forgotten. But the coat wouldn't ask any effort of preservation. Feeling ninety, and no longer five, there would be the real effort. Telling that five-year old girl, in her beautiful coat, You're all finished. Submerged. Obsolete.
We are ghosts of ourselves, and of others, and all of these ghosts appear perfectly real. — Susan Choi

Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They're nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don't get it, I'm sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It's true. — Haruki Murakami

Soon he was picturing little girls with mischievous green eyes and pigtails asking him to play tea. Of course he'd bring real food to the tea party. None of that pretend food bullshit for his little girls.
By the time Haley had stopped for breakfast he'd been calmer about everything. He'd already decided to ignore that breakup nonsense. It was just ridiculous and he knew sooner or later Haley would realize that so they could get started on making their all girl baseball team. — R.L. Mathewson

All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess. — Guido Palau

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood. — L.M. Montgomery

This is the ultimate narcissistic white-girl game. I would picture how I would handle the attack differently. Or the same. Inevitably, I'd think about my own death, which next to staring at your face in a magnifying mirror is probably the worst thing you can do for yourself. The ambulance-chasing aspect combined with the Monday-morning quarterbacking of it all is the luxury afforded to those of us left untouched by trauma. Sometimes I would use these tragedy-porn shows to unlock deep feelings or cut through the numbness. I would read terrible stories to punish myself for my lucky life. Some real deep Irish Catholic shit. Either way, it was all gross and all bad for my health. — Amy Poehler

Real orgies are never so exciting as pornographic books. In a volume by Pierre Louys all the girls are young and their figures perfect; there's no hiccoughing or bad breath, no fatigue or boredom, no sudden recollections of unpaid bills or business letters unanswered, to interrupt the raptures. Art gives you the sensation, the thought, the feeling quite pure
chemically pure, I mean, ... not morally. — Aldous Huxley

All over the world, girls are raised to be make themselves likeable, to twist themselves into shapes that suit other people. Please do not twist yourself into shapes to please. Don't do it. If someone likes that version of you, that version of you that is false and holds back, then they actually just like that twisted shape, and not you. And the world is such a gloriously multifaceted, diverse place that there are people in the world who will like you, the real you, as you are. — Chimamanda Ngozi Adichie

She was at the age when she looked as much like an overgrown boy as a girl. And on that subject why was it that the smartest people mostly missed that point? By nature all people are of both sexes. So that marriage and the bed is not all by any means. The proof? Real youth and old age. Because often old men's voices grow high and reedy and the take on a mincing walk. And old women sometimes grow fat and their voices get rough and deep and the grow dark little mustaches. — Carson McCullers

I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles. — Deborah Reber

You think you're special? I promise you, you're not! That goddamned piece of stone is supposed to keep you safe while I try to figure out how to fix all the crap I've fucked up. I need you to have that rock, Morrison, because how am I supposed to do my job if I'm worrying about you? Sure, great, you gave the fucking thing to a beautiful woman, guess that makes you a real hero, doesn't it? Just like you're supposed to be, the handsome cop saving the girl. Good for goddamned you, Morrison, but what the hell am I supposed to do if something happens to you? I'm trying to protect you, Morrison, because I don't know what
— C.E. Murphy

Seriously, why didn't Brody or I know about the neighbors? It's not like I'm a dog. I'm not going to hump them in public." At Mike's look, he flushed. "For God's sake, I was twenty years old and drunk. The girl wasn't even real. It was a mannequin and it was all Brody's idea. — Marie Harte

I think of this girl, this bright light coming from such a dark place. I know that the things she believes about God and the Bible and hope and all that are very real to her. They're not nice sayings on Twitter just to fill a box. They're the things she truly believes.
I'm not sure I'm ready to rejoice, and I'm not quite ready to pray.
The cool thing is that Marvel knows this. She knows this and doesn't seem to mind. — Travis Thrasher

Very few people actually saw Andy's films like Chelsea Girls where he filmed seven hours, ran it on two screens, where each scene was in a different room at the Chelsea Hotel with these people he called 'Superstars who were basically super-exhibitionists - the guy in one room high on LSD talking about masturbation, Brigid Berlin in another room playing a lesbian and shooting up people with amphetamines right through their jeans, it was all real and they were really doing it (though Brigid is now a proper lady), but you know Andy really did pre-date reality TV. — Bob Colacello

I paid my dues. I have crawled to gigs. I have served people coffee. I worked hard selling all these records out the back of my car. Girl, I'm ready to sell one the real way now. — Valerie June

Don't say that. Don't even joke about it! The idea of ten weeks with a single, locked-down girlfriend - even the fake kind - gives me all over body hives. Sue me for making a face about that. I don't think you've thought any of this through. It would involve all of our friends, parents - even if we don't use my real name - text messaging, emails - and a lot of time. Time is something I don't have to burn. Plus, it would kill the variety of ... of ... yeah ... girl fun in my summer," I imply, wondering if she'll call my bluff. The only real summer varieties I score are the extra odd jobs I pick up at the rink.
She turns bright red and I have to hide my smile.
"Disgusting," she snorts and reverts back to rubbing her temples. — Anne Eliot

Do I look like a commitment sort of girl to you?"
"You look like trouble," he grinned. "When I was growing up, my mother used to tell me to never trust a redhead."
I frowned. "There are only two reasons she'd say something like that." Caleb raised his eyebrows. "And they are?"
"Your father either slept with one, or she is one."
I buzzed under his crooked smile. It extended all the way to his eyes this time.
"I like you," he said.
"That's swell, Boy Scout. Real swell. — Tarryn Fisher

Mari remembered what she had read in the young girl's eyes the moment she had come into the refectory: fear.
Fear. Veronika might feel insecurity, shyness, shame, constraint, but why fear? That was only justifiable when confronted by a real threat: ferocious animals, armed attackers, earthquakes, but not a group of people gathered together in a refectory.
But human beings are like that,' she thought. 'We've replaced nearly all our emotions with fear. — Paulo Coelho

It is real, all of it, he thought, the wars, the intrigues, the great bloody game, and me in the center of it ... me, the dwarf, the monster, the one they scorned and laughed at, but now i hold it all, the power, the city, the girl. this was what i was made for, and gods forgive me, but i do love it ... and her. and her. (tyrion lannister) — George R R Martin

And what, you think you can fix me?" she asks, turning in her stool to face me, shifting her body closer, so close I can smell the liquor on her warm breath as she whispers, "Think you can make me whole again? Save me from the world? Save me from myself? Fill me up, maybe fuck the feeling back into me, like the big, strong, man you are? Make me a real woman, instead of a broken little girl?"
There's a sickening sweetness to her voice that sends a chill down my spine. If I never heard a thinly veiled 'fuck you' before, that was certainly one for the books. I move closer to her, uncomfortably so, cocking my head slightly as I lean in, watching as her body tenses. She thinks I'm about to kiss her, my mouth just inches from hers, before I stop, my voice gritty as I say, "On the contrary, Scarlet, I don't think you need to be fixed at all."
"No?"
"No," I say. "I think you're perfect the way you are. — J.M. Darhower

Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don't ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl's pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn't that a heartwarming story? Restores my faith in just about everything. — Don DeLillo

So ... Now that we got that over with, let's get back to love at first sight, Evan said.
Not infatuation at first sight ... Love. With a capital L, he clarified.
Love? Heeb asked, playfully pretending not to know the concept.
Yeah. The real thing. The conviction that if you had this one woman, all other women would become irrelevant. You'd never again be unhappy And you'd give up anything to have her and keep her.
You've experienced that?
Only once. And I haven't stopped thinking about it ever since.
Tell me more.
Sometimes I think that I still chase women just to forget about her. Because I know I can never have her. But I can't seem to forget about her, no matter what girl I'm chasing ... No one can possibly compare ...
Who is she?
Delilah, Evan said wistfully.
Delilah?, asked Heeb, intrigued
Delilah Nakova, Evan replied, with a hint of awe and reverence in his voice. — Zack Love

Is it better to have loved and lost than to have never loved at all...
But is it? Is it really better to know a thing you love only to lose it?
If I'd known then what I know now...
But that's the thing, isn't it? When you're living a thing...you don't know. You take it for granted, like a dog being petted, assuming it will somehow go on forever.
If I'd known what I know now...
I'd have touched everything in sight, everything I could get my hands on. I'd have grabbed the nearest girl I could find and not even caring how crazy she thought me, touched my hands to her face just to know what that feels like.
Is it better to have loved and lost than to have never loved at all?
I, never having loved before, have no real answer to that question. — Lauren Baratz-Logsted

At the heart of his paper was the notion that fairy tales relieved us of our need for order and allowed us impossible, irrational desires. Magic was real, that was his thesis. This thesis was at the very center of chaos theory - if the tiniest of actions reverberated throughout the universe in invisible and unexpected ways, changing the weather and the climate, then anything was possible. The girl who sleeps for a hundred years does so because of a single choice to thread a needle. The golden ball that falls down the well rattles the world, changing everything. The bird that drops a feather, the butterfly that moves its wings, all of it drifts across the universe, through the woods, to the other side of the mountain. The dust you breathe in was once breathed out. The person you are, the weather around you, all of it a spell you can't understand or explain. — Alice Hoffman

If I could fall in love with a girl, it'd be her. Those ifs are dangerous. You try them on in your head like dresses, so easy to slide in and out of. If I kissed girls, I'd kiss her. If we kissed, it'd go like this. At some point I dropped the if like a slip and just wore the feeling, nothing between it and my skin. When I kiss her. When it happens. All of it took place in my head, in silence, locked tight in skull bone and the frantic synaptic whispers between neurons, no clues popping out except the passive-aggressive haircut, the incriminating poem.
That's the problem with writers. Too much imagination.
The greater part of me knew it couldn't be real, but the hopeful part, which is more concentrated and condensed, rich in nine essential delusions, thought: It's not all in your head. — Leah Raeder

There was this girl," I said. "l mean-" All of a sudden I felt flustered, and added, "We were just friends."
"No such thing."
"We were."
"Look. Despite what you may have heard, people have sex all the time with people they don't love, or particulary care about, or sometimes can't even stand. So why in the world do people say that it's just friends, like it doesn't mean as much, if you're not having sex? Real friendship is true and forever and with all your heart. It's not Relationship Lite. — Emily Horner