Quotes & Sayings About A Woman's Voice

The woman raised her voice. "I said, what are you doing?"
Tommy kept typing and looked up. "Pardon me, I was ignoring you. What did you say?"
"What are you doing?" She repeated.
"It's a note. Let me read it for you. 'Couldn't anyone else see that they were all slaves of Satan? I had to cleanse the world of their evil. I am the hand of God. Why else would security have let me into the building with an assault rifle in my suitcase? I am a divine instrument.' " Tommy paused and looked up. "That's all I have so far, but I'll guess I end it with an apology to my mom. What do you think?"
She smiled as if hiding gas pains and handed him an envelope. — Christopher Moore

Lena's voice grew cold. "I don't understand you. I don't understand people like you, who always choose to blame the woman. If there's two people doing something wrong and one of them's a girl, it's got to be her fault, right? — Paula Hawkins

The Historian and the Man of Science alike may be said to traffic with the dead. Cuvier has imparted flesh and motion and appetites to the defunct Megatherium, whilst the living ears of M.M. Michelet and Renan, of Mr. Carlyle and the Brothers Grimm, have heard the bloodless cries of the vanished and given them voices. I myself, with the aid of the imagination, have worked a little in that line, have ventriloquised, have lent my voice to, and mixt my life with, those past voices and lives whose resuscitation in our own lives as warnings, as examples, as the life of the past persisting in us, is the business of every thinking man and woman. — A.S. Byatt

Roarke glanced over at the monitor briefly, saw Eve on screen facing a woman who'd tried to make herself her twin. The hair, the eyes.
She didn't come close, he thought, then forced himself to look away from the beat of his heart, and work to save her.
Roarke tuned it out, all of it. Just the sound of Eve's voice - not the words, just the sound of her voice - was all he let in as he worked to lift the most important lock of his life. — J.D. Robb

Listen to me," he said, his voice even and intense, "and listen well, because I'm only going to say this once. I desire you. I burn for you. I can't sleep at night for wanting you. Even when I didn't like you, I lusted for you. It's the most maddening, beguiling, damnable thing, but there it is. And if I hear one more word of nonsense from your lips, I'm going to have to tie you to the bloody bed and have my way with you a hundred different ways, until you finally get it through your silly skull that you are the most beautiful and desirable woman in England, and if everyone else doesn't see that, then they're all bloody fools. — Julia Quinn

Now, remembering Daniel's blustering description of Grant's weekend companion, Justin controlled a grin. "Daniel mentioned you were bringing-an artist."
Grant recognized, as few would have, the gleam of humor in Justin's eyes. "I'm sure he did," he returned in the same conversational tone. "I haven't congratulated you yet on ensuring the continuity of the line."
"And saving the rest of us from the pressure to do so immediately," Shelby finished.
"Don't count on it," a smooth voice warned.
Gennie looked up to see a blond woman descending the steps, carrying a bundle in a blue blanket.
"Hello,Grant. It's nice to see you." Serena cradled her son in one arm as she leaned over to kiss Grant's cheek. "It was sweet of you to answer the royal summons. — Nora Roberts

There was a whole cut of the movie where Tom Holland decided to try a woman's voice for the voice of Chucky, proceeding from the logic that it worked with Mercedes McCambridge voicing the voice of Satan in "The Excorsist" so he thought he would give it a try. It didn't really work. Chucky just sounded kind of gay.We brought that back in Seed of Chucky. — David Kirschner

Current relationship status?" Her voice cut like an arctic chill blowing through the room.
"If you mean me, then you're not my type. If you mean my dad, he's single, but I don't think you're his type either," I said with a small smile. Mercy didn't find it amusing. A small blue vein in her forehead started throbbing like crazy ... "Actually, come to think of it, I don't think he has a type. I've never seen him with a woman.
Mercy, I hate to break it to you, but there's a very real possibility my dad is gay. — Jus Accardo

Lauren could smell the starch that kept Jared's shirtfront crisp, which blended intoxicatingly with tobacco and champagne. When he spoke in confidential tones to the silly woman, Lauren could feel the vibration of his voice in his chest. The bank director's wife moved away, and still Jared retained his possessive hold on her. His hand trembled slightly as his thumb moved upward and lightly stroked the side of her breast. Or did she only imagine it? Lauren thought she would die from the constriction in her chest that pounded up into her throat and sought release in a small moan.
Another guest walked toward them. Slowly, reluctantly, the strong fingers were withdrawn, leaving behind an imprint on Lauren's skin as scorching as a brand. — Sandra Brown

Well," a female voice said. "What have we here?"
"Here," Bethany said, responding to the woman's rhetorical question, "we have a teenager. And she's pissed. — Jennifer Lynn Barnes

You've no idea what it's like, Captain Drake, to be a woman. To be told all your life that everything you want is foolish and that you're useless except as a broodmare. First it was simple. 'Don't climb that tree, Serenity. Ladies never do such.' Then it was, 'Don't run, it's not ladylike. Don't raise your voice. Don't speak your thoughts. Don't laugh too loudly, don't eat too much, don't cut your hair, don't wear those colors.' My whole life is don't. Now I'm too old to even be a broodmare. (Serenity) — Kinley MacGregor

His voice dropped to a low murmur, and he leaned down so that he was almost whispering in her ear. "You see, there's this woman."
She wasn't going to look at him. She wasn't.
"Normally, one might say that there was a beautiful woman - but I don't think she qualifies as a classical beauty. Still, I find that when she's around, I'd rather look at her than anyone else."
He set two fingers against her cheek, and Minnie sucked in a breath. She was not going to look at him. He'd see the longing in her eyes, and then ...
"There's something about her that draws my eye. Something that defies words. Maybe it's her hair, but I tried to tell her that, and she told me I was being ridiculous. I suppose I was. Maybe it's her lips. Maybe it's her eyes, although she so rarely looks at me. — Courtney Milan

He caressed her face and gave her that long, careful stare, then, in a calm, steady voice, said, "Listen to me, California. I know you're a strong woman and all, but you need to let me lead." Charley's heart stopped. Let him lead. Let him lead. Yes. She could do that. For once in her life - okay, for ten minutes - she didn't have to be the boss or the handyman or the plumber or the activity planner. Or the short order cook, or the chauffeur, or the banker, or the disciplinarian. "Okay," Charley said. "I'll try." Remy — Natalie Baszile

Josey?" She heard her mother's voice in the hall, then the thud of her cane as she came closer. "Please don't tell her I'm here," the woman in the closet said, with a strange sort of desperation. Despite the cold outside, she was wearing a cropped white shirt and tight dark blue jeans that sat low, revealing a tattoo of a broken heart on her hip. Her hair was bleached white-blond with about an inch of silver-sprinkled dark roots showing. Her mascara had run and there were black streaks on her cheeks. She looked drip-dried, like she'd been walking in the rain, though there hadn't ... — Sarah Addison Allen

) "Do you hear his voice as you hear me? Is it a voice outside your head?"
"It's difficult to explain. It isn't a voice like anything I've ever heard before. It isn't a man or a woman, it's God."
"How do you know?"
"Because the voice says so. And I believe it."
"Does it talk to you or does it talk about you or others?"
"It talks to me."
"Does it call your name?"
"Yes ... It says something like: "Cain, listen. There's something I want you to tell the others. Tell them they must love themselves. Tell them they are beautiful.""
"Who are the others?"
"Black people."
"You mean God is talking to the black people through you."
"I mean God is black. — Olga Nunez Miret

A woman's voice ululated on the sound system, somewhere between an Islamic call to prayer and orgasm with a drumbeat. — James S.A. Corey

Whenever anyone has called me a bitch, I have taken it as a compliment. To me, a bitch is assertive, unapologetic, demanding, intimidating, intelligent, fiercely protective, in control - all very positive attributes. But it's not supposed to be a compliment, because there's that stupid double standard: When men are aggressive and dominant, they are admired, but when a woman possesses those same qualities, she is dismissed and called a bitch.
These days, I strive to be a bitch, because not being one sucks. Not being a bitch means not having your voice heard. Not being a bitch means you agree with all the bullshit. Not being a bitch means you don't appreciate all the other bitches who have come before you. Not being a bitch means since Eve ate that apple, we will forever have to pay for her bitchiness with complacence, obedience, acceptance, closed eyes, and open legs. — Margaret Cho

Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history. — Helene Cixous

Candy. He spoke of candy. Was he still in the child's world where candy stood for something sweet enough to hold back tears? I had grown older, and had lost enthusiasm for childish delights. I wanted what every teenager wants
freedom to develop into a woman, freedom to have full control over my life! Though I tried to tell him this, my voice had dried up along with my tears. — V.C. Andrews

Adam swore harshly. "New werewolves are dangerous, woman. Especially when they are cold and hungry." He looked at Mac, and his voice changed completely, the heat and anger gone, "Mercy, come here."
I didn't look down to see what he'd noticed in Mac's face. I took a step, but Mac was wrapped around my left leg. I stopped before I fell. "Uhm. I'm a little stuck for the moment. — Patricia Briggs

If I were anyone else ... your opera singer ... the woman across the hall ... would you have apologized?"
He looked confused. "No ... but you are neither of those women. You deserve better."
"Better," she repeated, frustrated. "That's just my point! You and the rest of society believe that it's better for me to be set upon a pedestal of primness and propriety - which might have been fine if a decade on that pedestal hadn't simply landed me on the shelf. Perhaps unmarried young women like our sisters should be there. But what of me?" Her voice dropped as she looked down at the cards in her hands. "I'm never going to get a chance to experience life from up there. All that is up there is dust and unwanted apologies. The same cage as hers" - she indicated the woman outside - "merely a different gilt. — Sarah MacLean

I did so want to hear a singer. I miss the sound of a woman's voice, the way they look and smell. — J.A. Willoughby

Look!You want to see? See! Feast your eyes, glut your soul on my cursed ugliness! Look at Erik's face! Now you know the face of the voice! You were not content to hear me, eh? You wanted to know what I looked like? Oh, you women are so inquisitive! Well, are you satisfied? I'm a good-looking fellow, eh? ... When a woman has seen me, as you have, she belongs to me.She loves me forever! I am a kind of Don Juan, you know! ... Look at me! I am Don Juan Triumphant!
-Erik in The Phantom of the Opera — Gaston Leroux

Are you decent?" a woman's voice called, pushing the door cautiously ajar.
"Nay, but we're clothed," Cian purred. — Karen Marie Moning

We all must choose," she proclaimed. "Man or woman, young or old, lord or peasant, our choices are the same." Her voice made Jon Snow think of anise and nutmeg and cloves. She stood at the king's side on a wooden scaffold raised above the pit. "We choose light or we choose darkness. We choose good or we choose evil. We choose the true god or the false. — George R R Martin

Her face literally glowed, blazing with so much anger, Jason could see her skull beneath her skin. Jason's mind was getting blurrier, but he knew something didn't seem right. Then the moment passed, and Her Highness looked like a normal elegant woman again, with a cordial smile and a soothing voice. "Jason. What an interesting name," she said, her eyes as cold as the Chicago wind. "I think we'll have to make a special deal for you. Come, children. Let's go shopping. — Rick Riordan

I went to work in a woman's home in Los Angeles as a mother's helper. I worked there about two years. Went to school with all rich kids. I was the only poor kid in the school, and I was already insecure. But my voice saved me because I sang in school, and I was real popular because of my voice. — Georgia Holt

But the same spirits of analogy will authorise me to assert that ours are the most tender. Man is more robust than woman, but he is not longer-lived; which exactly explains my view of the nature of their attachment. Nay, it would be too hard upon you, if it were otherwise. You have difficulties, and privations, and dangers enough to struggle with ... It would be too hard indeed (with a faltering voice) if woman's feelings were to be added to all this! — Jane Austen

One needs a Seer's Vision and an Angel's voice to be of any avail. I do not know of any Indian man or woman today who has those gifts in their most complete measure. — Sarojini Naidu

Spittle flew from Jango's lips as he shouted at the man in a woman's voice that sounded like it was made of cyanide and sugar that had been laced with the patter of blood dripping on an abattoir floor, This is the truth about The Killer, ain't it baby? You're just a big ol' bag of screams under all that big, bad muscle, ain't you? — Cedric Nye

Miss Kinsley regarded him with the look of disgust girls reserved for snails and frogs. "Any man who would suggest to a young woman that she should elope rather than listen to her papa's advice can only be up to no good."
"Elope?" Oliver queried, his eyes narrowing on Miss Kinsley. "This scoundrel proposed marriage to you?"
"Now, Miss Kinsley," Nathan began in his best placating voice, "we both know it wasn't like-"
"Quiet!" Oliver snapped at him. "Or I swear not even Maria will keep me from throttling you."
Nathan swallowed. Hard. — Sabrina Jeffries

What words can express her [the white woman's] humiliation when, at the close of this long conflict, the government which she had served so faithfully held her unworthy of a voice in its councils, while it recognized as the political superiors of all the noble women of the nation the negro men just emerged from slavery, and not only totally illiterate, but also densely ignorant of every public question. — Susan B. Anthony

Before he had time to figure it out, his walkie-talkie crackled and a voice came on. He punched a button. "Sheriff here. What's up?"
"Someone called about a public disturbance behind schmitty's bar," a woman's voice reported. "Cathy use the proper code number," Billy growled. "There ain't no number for a guy acting like a cockroach!" the woman yelled. "he climbed into their Dumpster and he's wallowing in the trash. — Kerrelyn Sparks

Nick could see the gun shaking in Alan's hand now, in tight, terrified spasms. "Last night we put a magician in the river," Alan said, his voice low and intense as if he was making a promise."Maybe we should send you to join him."
"You know the rules," the woman whispered. "Don't shoot the messenger."
Nick interrupted, leaning down to speak in her ear. "Do they say 'Don't cut the messenger in half with your great big sword'? — Sarah Rees Brennan

What furniture can give such finish to a room as a tender woman's face? And is there any harmony of tints that has such stirring of delight as the sweet modulation of her voice? — George Eliot

So ... Now that we got that over with, let's get back to love at first sight, Evan said.
Not infatuation at first sight ... Love. With a capital L, he clarified.
Love? Heeb asked, playfully pretending not to know the concept.
Yeah. The real thing. The conviction that if you had this one woman, all other women would become irrelevant. You'd never again be unhappy And you'd give up anything to have her and keep her.
You've experienced that?
Only once. And I haven't stopped thinking about it ever since.
Tell me more.
Sometimes I think that I still chase women just to forget about her. Because I know I can never have her. But I can't seem to forget about her, no matter what girl I'm chasing ... No one can possibly compare ...
Who is she?
Delilah, Evan said wistfully.
Delilah?, asked Heeb, intrigued
Delilah Nakova, Evan replied, with a hint of awe and reverence in his voice. — Zack Love

Oliver heard Louis' voice before he saw him. "Beautiful women?" he was saying. Then the door opened and the woman reappeared, holding the wooden lion between her arms. "Where are they? Have they come to see the
Oliver!"
"Hello, Louis," Oliver said.
Louis pointed at him. "He's no beautiful woman!" he said. Then he noticed Sophie and Julia and his whole attitude changed. He dropped his voice to a husky tone. "Why, hello there, ladies. — Zeinab Alayan

A healthy sex life. Best thing in the world for a woman's voice. — Leontyne Price

Tell me, Tyler. Is it just sex?"
I shake my head. "Woman, the way I feel is not just coming from how much I want to fuck you."
"Or how much I want you to fuck me," she tosses back, with a naughty little lilt to her voice that tells me all her worries have been assuaged.
"Exactly. There's way more to this, and you know it. — Lauren Blakely

As they reached the steps to the house, the door opened. A woman in a gray dress and white apron glared at them.
Taken aback, Delia faltered.
Mr. Livingston leaned over. "Don't mind Mrs. Graves, my housekeeper," he said in a low voice full of humor, obviously meant to reassure her. "That's her normal expression. She only smiles once a year on Christmas. — Debra Holland

When I got home, I seemed in a dream. My windows looked upon hers; I remained all the day looking at them, and all the day they were closed and dark. I forgot everything for this woman; I slept not, I eat nothing. That evening I fell into a fever, the next morning I was delirious, and the next evening I was DEAD!'
'Dead!' cried his hearers.
'Dead!' answered the narrator, with a conviction in his voice which words alone cannot give; 'dead as Fabian, the
cast of whose dead face hangs from that wall!'
'Go on,' whispered the others, holding their breath.
The hail still rattled against the windows, and the fire had so nearly died out, that they threw more wood on the feeble flame which penetrated the darkness of the studio and cast a faint light upon the pale face of him who told the story. (The Dead Man's Story — James Hain Friswell

him. I also recall the great poster for Ana Christie with Greta Garbo, based on a Eugene O'Neill play. 'Garbo Talks' it said. In that film, a series of inns were shown to stimulate our expectations, then there was mist, then a horse in the mist, then finally a woman arrived from Sweden and walked across the stage. Ferrari. Was it Greta Garbo? Borges. Yes, she arrived at the bar and slowly strolled past a very long table. We all expected her to talk - we were waiting to hear Greta Garbo's voice, her never-heard-before voice. What we did hear was a hoarse voice that said, 'Give me a whisky.' It made us shiver with emotion. That was her first talkie. — Jorge Luis Borges

The soft contralto notes of a woman's voice are born in the immediate region of the heart. — Alfred De Musset

An intercom popped on and Paris dais, "Knock. Knock."
Static and then a woman's voice said, "Who's there?"
Kat raised a brow at me, and I shrugged.
"The interruption cow," Paris said, glancing at Luc, who shook his head.
From the intercom, "The inter-"
"Moooooo!" Pars dais, snickerin.
Kat giggled.
Archer rolled his eyes and shook his head.
There was an audible huff from the intercom. "That was stupid. The gate is opening. Give ist a sec."
"That was pretty lame" I said.
Paris chuckled. "I saw it on the Internet. Made me laugh. I got more. Want to hear them?"
"No." My rebuttal was joined by Archer's. Something we agreed on. Huh. Go figure.
"Too bad." Paris eased forward as the gated split, spreading wide. "That wasn't even my best one. — Jennifer L. Armentrout

A man's voice was saying, "Odette seems a little off tonight."
"You think?" answered a woman.
"Less confident than last night's," said the man. "I wonder if she's injured." A loud put-upon sigh. "Not to mention that the swans sound more like a herd of elephants."
Oh, come on, Grigori wanted to say: You spoiled, spoiled people. The dancer was wonderful, just like the swan-girls, doing their best to deliver them magnificence. If she was "slightly off", it was nothing Grigori had been able to notice. These people - himself included - were all so thoroughly indulged, could they not simply accept the wonder of it, sitting in this lush, gilded theater while a live orchestra accompanied so much physical exquisiteness? And this man thought he had the right to be disappointed! That these people expected so much, that they could expect that much, and not be ashamed of their petty disappointments. — Daphne Kalotay

I believe it is woman's right to have a voice in all the laws and regulations by which she is to be governed; whether in Churchor State; and that the present arrangements of society, on these points, are a violation of human rights, a rank usurpation of power, a violent seizure and confiscation of what is sacredly and inalienably hers
and thus inflicting upon woman outrageous wrongs, working mischief incalculable in the social circle, and in its influence on the world producing only evil, and that continually. — Angelina Grimke

That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, 'To be born a woman is to know-
Although they do not talk of it at school -
That we must labor to be beautiful. — W.B.Yeats

The only thing he was sorry for was slamming the door and perhaps raising his voice to the woman who'd been like a mother to him since the passing of his parents. Perhaps she hadn't really deserved his reaction, but he was, justifiably, weary of their meddling and hearing about his father's will. Apparently no suitable maiden was going to appear on his doorstep. He seemed to be looking for a needle in a haystack. — Lisa M. Prysock

A woman with a voice like that should have the face of an angel, the body of a Greek sculpture, and the skills of a courtesan. Chances were, she was a haggard old crone.
The hulking workman began to gather his tools. "I hope ye and yer pa know what ye're doin'. Fop or no, no man takes well to losin' his belongings."
"Psht," the woman said airily. "It's not as if we plan on knocking him in the head and peeling his pockets."
That was something,at least, Dougal thought grimly. — Karen Hawkins

There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man
and I am in this category
can fall in love with a woman only if he knows next to nothing about her. — Orhan Pamuk

Sophie isn't leaving," Quentin asserted, his voice pure steel. "That woman sheds grace and light in every room she enters. Any man with a functional brain would try to catch a fragment of that grace and cherish it, rather than push her aside. I'm not sending her away. Were it in my power, I would cut the moon out of the sky and give it to her on a silver platter." Her notebook dropped from her nerveless fingers, splatting open on the tile floor. Quentin whirled around to see her standing in the doorway. If he was embarrassed to have been overheard, he gave no sign of it. On the contrary, his eyes that had been sparking with anger gentled the instant he saw her. She glanced away, rocked by the protective expression on Quentin's face. It shot straight to a vulnerable part deep inside and enveloped her with a sense of well-being. No man had ever spoken so passionately on her behalf, and a rush of wild, electrifying emotions stirred inside. — Elizabeth Camden

Ned looked down gravely at the sword in his hands. "This is no toy for children, least of all for a girl. What would Septa Mordane say if she knew you were playing with swords?"
"I wasn't playing," Arya insisted. "I hate Septa Mordane."
"That's enough." Her father's voice was curt and hard. "The septa is doing no more than is her duty, though gods know you have made it a struggle for the poor woman. Your mother and I have charged her with the impossible task of making you a lady. — George R R Martin

For men like him, to fuck or rape a whore is not an achievement. Putting his filth into a hole that has already served hundreds before him does not engender the slightest masculine pride. Isn't that right, my sang-e saboor? You should know. Men like him are afraid of whores. And do you know why? I'll tell you, my sang-e saboor: when you fuck a whore, you don't dominate her body. It's a matter of exchange. You give her money, and she gives you pleasure. And I can tell you that often she's the dominant one. It's she who is fucking you." The woman calms down. Her voice serene, she continues, "So, raping a whore is not rape. But raping a young girl's virginity, a woman's honor! Now that's your creed! — Atiq Rahimi

Ghosts can haunt damned near anything. I have heard them in the breathy voice of a song and seen them between the covers of a book. They have hidden in trees so that their faces peer out of the bark, and hovered beneath the silver surface of water. They disguise themselves as cracks in concrete or come calling in a delirium of fever. On summer days they keep pace like the shadow of our shadow. They lurk in the breath of young girls who give us our first kiss. I've seen men who were haunted to the point of madness by things that never were and things that should have been. I've seen ghosts in the lines on a woman's face and heard them in the jangling of keys. The ghosts in fire freeze and the ghosts in ice burn. Some died long ago; some were never born. Some ride the blood in my veins until it reaches my brain. Sometimes I even mistake myself for one. Sometimes I am one. — Damien Echols

What happen to ladies first?" Lilly teased, just trying to expel her nervous energy. She knew what the answer was but she just needed something to keep her busy for a few minutes before she saw the man she had once loved with every fiber of her being.
"I don't know what idiot thought it was smarter to let a woman enter a room before him. How does he know if it is safe for her to enter if he doesn't not check it out himself? It's actually a much more caring act to go before her, therefore ensuring that nothing will harm her," Decebel explained, his tone of voice at first sounded with disgust and then it was almost tender when he finished speaking. — Quinn Loftis

Those of us directed towards the right were lined up in threes with much shooting and beating. I was in the first row, at the platform's edge. Suddenly, we see a group of older women and women with children nearing the road, under the platform. In the first row I see my mother supported on both sides by two friends. She too becomes aware of me. And out of the throat of this reticent, soft-spoken woman who I don't remember ever raising her voice, breaks out a terrible, desperate, piercingly loud, howling shout: 'GYURIKA!!! — Azriel Feuerstein

On the table in front of me are two baskets. In one is a hunk of cheese, and in the other, a knife the length of my forearm. Behind me, a woman's voice says, "Choose." "Why?" I ask. "Choose," she repeats. I look over my shoulder, but no one is there. I turn back to the baskets. "What will I do with them?" "Choose!" she yells. — Veronica Roth

She walked to the front door. 'Hello?'
'Hello,' a woman's voice said.
'Are you a Witness?'
'I swear to God I didn't see a thing. — Anne Lamott

The old woman's voice echoed through his mind, like she'd been lurking in the shadows as the centuries passed, just waiting.
'A woman with violet eyes will signal the beginning and ending of your life. — Lisa Kessler

I heard someone walk out of the alley behind me, and my body went tense and tight, despite my weariness. Then a young woman's voice said, in a passable British accent, "The Little People are easily startled, but they'll soon be back. And in greater numbers."
I sagged in sudden, exhausted relief. The bad guys hardly ever quote Star Wars. — Jim Butcher

...the word "fine". As in "I'm fine", "it's fine", "that looks fine", etc. For a man the word fine has, tops, three or four meanings and that's only because of the fairly recent edition of "Dang, girl! You look fine!" Otherwise "fine" would range somewhere between satisfactory and of superior quality. For a woman the word "fine" has like seventy meanings and depending on voice inflexion can actually mean 'If I'm questioned again I'll stab you in your sleep'. — Aaron Blaylock

When I entered and shut the door, the Darkling gave me a small bow. "How are you, Alina?"
"I'm fine," I managed.
"She's fine!" hooted Baghra. "She's fine! She cannot light a hallway, but she's fine."
I winced and wished I could disappear into my boots.
To my surprise, the Darkling said, "Leave her be."
Baghra's eyes narrowed. "You'd like that, wouldn't you?"
The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. "Baghra has her own way of doing things," he said.
"Don't patronize me, boy!" Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he'd caught himself.
"Don't chide me, old woman," he said in a low, dangerous voice. — Leigh Bardugo

How do you want to die?" the giant asked in a booming voice. He began to circle her as well. She moved with him, assessing. "Any way you please, assuming it's quick," she replied. "You?" "Slow. Making love to a beautiful woman." "What if I just give you a kiss before I kill you? — Lizzy Ford

Braden! How the hell are ya?!" said the guy with the teeth, grabbing Braden's hand and pumping it up and down almost frantically. He looked like a demented Ken doll.

"You're looking quite dashing tonight, Braden," said the cold-looking woman in an even colder voice. "Isn't he, Felicity?" she asked the sullen young woman. I had never seen a more inappropriately named person in my life. She would have made Wednesday Addams look like Doris Day. — N.M. Silber

What is this bluestocking?"
"A woman who fancies herself a member of the intelligentsia." He lowered his voice. "It's against the laws of nature."
Alexsey lifted his brows. "Why are you whispering? Afraid of bluestockings, are you?"
"All smart men are. — Karen Hawkins

No man has ever truly mastered the way to a woman's heart." Garin's voice was kinder this time. "And anyone who thinks he has doesn't deserve her. — Brittany Fichter

She's an awful woman," said Hermione in a small voice. "Awful. You know, I was just saying to Ron when you came in . . . we've got to do something about her." "I suggested poison," said Ron grimly. — J.K. Rowling

CJ's peace was restored.
Momentarily.
"Oh shit shit shit," a woman said. Her voice rippled with the kind of panic CJ expected from the bride today, but her husky undertones were too low for her to be any of his female relatives.
Perhaps the confessional hadn't been a gift from God after all.
"If that's what you need to do, but not right now, please," CJ said.
Her shriek splintered his last hopes for peace. "Ohmigod!" his intruder gasped.
"Not generally, but hey, if that's what you want to call me, I'm game. — Jamie Farrell

It doesn't matter to me whether I write in a man's voice or a woman's, or first or third person for that matter. Those choices come down to the story and I just go with it. — Nicholas Sparks

She turns to me sharply. "To live _is_ to fight," she snaps. "To preserve life is to fight _everything_ that man stands for." She takes an angry huff of air. "And now her, too, with all the bombs. I fight them every time I bandage the blackened eye of a woman, every time I remove shrapnel from a bomb victim."
Her voice has raised but she lowers it again. "That's my war," she says. "That's the war I'm fighting. — Patrick Ness

Years ago I sang on a track using that voice and someone asked, 'Who is that terribly depressed man' ... But Patrick loved it. He said, 'You sound like a young boy, like a child, like an old woman, like an old man,' and really, we all have all of those things inside of us. I don't do any vocal gymnastics to make the voice better as I age. If it comes out rougher, then it's true to what's happening. Singing is who I am. I didn't train for it, any more than I trained for anything else I did. I probably should take better care of myself physically, but it goes against the grain. — Lisa Gerrard

No man sings as beautifully as when his song is accompanied by a woman's voice. — Roman Payne

There's something very sinister about a woman who is predatory but has an absurd voice working as a disservice to her. — Claudia Black

mong the hundred thousand mysterious influences which a man exercises over a woman who loves him, I doubt if there is any more irresistible to her than the influence of his voice. I am not one of those women who shed tears on the smallest provocation: it is not in my temperament, I suppose. But when I heard that little natural change in his tone my mind went back (I can't say why) to the happy day when I first owned that I loved him. I burst out crying. — Wilkie Collins

Russ decided the best defense was a good offense. "I'm Russell Van Alstyne, Millers Kill chrief of police." He held out his hand. She shook firm, like a guy.
"Clare Fergusson," she said. "I'm the new priest at Saint Alban's. That's the Episcopal Church. At the corner of Elm and Church." there was a faint testiness in her voice. Russ relaxed a fraction. A woman priest. If that didn't beat all.
"I know which it is. There are only four churches in town." He saw the fog creeping along the edges of his glasses again and snatched them off, fishing for a tissue in his pocket. "Can you tell me what happened, um ... " What was he supposed to call her? "Mother?"
"I go by Reverend, Chief. Ms. is fine, too."
"Oh. Sorry. I never met a woman priest before."
"We're just like the men priests, except we're willing to pull over and ask directions. — Julia Spencer-Fleming

- and there, on the table under her bedroom window, lies the voice that has set her dreaming again. Fragments of a life lived a long, long time ago. Across a hundred years the woman's voice speaks to her - so clearly that she cannot believe it is not possible to pick up her pen and answer. — Ahdaf Soueif

He sat down and played again that piece of Scriabin's that Lydia thought he played so badly, and as he began he had a sudden recollection of that stuffy, smoky cellar to which she had taken him, of those roughs he had made such friends with, and of the Russian woman, gaunt and gipsy-skinned, with her enormous eyes, who had sung those wild, barbaric songs with such a tragic abandon. Through the notes he struck he seemed to hear her raucous, harsh and yet deeply moving voice. Leslie Mason had a sensitive ear. — W. Somerset Maugham

For a long moment there was only the sound of her soft, half-gasping little breaths, and the thud of his heart, loud in his ears. He had never felt this ... this liberation, this unfettered contentment. Not with another woman, not after a hard day of accomplishment, not after a brilliant business maneuver, not even after beating his brothers at anything. His body was wrung out with physical satisfaction, his mind fely fogged and sluggish, but his head ...
'If this be madness,' came Francesca's weak voice from behind the shining veil of her hair, 'lead me to Bedlam.'
'Perhpas tomorrow. I don't think I can make it further than the bed. — Caroline Linden

Brian's face broke out in a wide grin as he slapped Roarke on the back. "That's a woman, isn't it?"
"Delicate as a rose, my Eve. Fragile and quiet natured." He grinned himself when he heard her curse, loud and vicious. "A voice like a flute."
"And you're sloppy in love with her."
"Pitifully. — J.D. Robb

Because misogynists are the best of men." All the poets reacted to these words with hooting. Boccaccio was forced to raise his voice: "Please understand me. Misogynists don't despise women. Misogynists don't like femininity. Men have always been divided into two categories. Worshipers of women, otherwise known as poets, and misogynists, or, more accurately, gynophobes. Worshipers or poets revere traditional feminine values such as feelings, the home, motherhood, fertility, sacred flashes of hysteria, and the divine voice of nature within us, while in misogynists or gynophobes these values inspire a touch of terror. Worshipers revere women's femininity, while misogynists always prefer women to femininity. Don't forget: a woman can be happy only with a misogynist. No woman has ever been happy with any of you! — Milan Kundera

I try not to look obvious as I wait for Mom's answer. I feel as if I am on the edge of a knife, my feet being sliced by the blade, teetering toward one side or the other.
"Oh, of course!" Mom exclaims, her voice trilling with laughter. "How could I have forgotten?"
And now I know. Really know. This woman is not my mother. I don't know who she is, but I know absolutely who she is not. — Beth Revis

We did the usual beauty, grace, anti-dirt spell, voice of a songbird, the works ... it is never that kind of beauty that we gift. It is a spell. You are the most beautiful woman in the world to your true love. To everyone else, well ... that's up to nature. But, you are decently pretty. I don't know why you are complaining. — T.T. Escurel

You must have been tortured by the memory of everything Jack didn't even know to want. Friends, school, grass, swimming, rides at the fair ... " "Why does everyone go on about fairs?" Ma's voice is all hoarse. "When I was a kid I hated fairs." The woman does a little laugh. Ma — Emma Donoghue

I stare down into her eyes, smoky and glistening in the light stealing through the window.

Eyes you can fall into and keep falling.

She isn't the mother of my son, she isn't my wife, we haven't made a life together, but I love her all the same, and not jsut the version of Daniela that exists in my head, in my history. I love the physical woman underneath me in this bed here and now, wherever this is, because it's the same arrangement of matter--same eyes, same voice, same smell, same taste...

It isn't married-people lovemaking that follows.

We have fumbling, groping, backseat-of-the-car, unprotected-because-who-gives-a-fuck, protons-smashing-together sex. — Blake Crouch

I myself have seen this woman draw the stars from the sky; she diverts the course of a fast-flowing river with her incantations; her voice makes the earth gape, it lures the spirits from the tombs, send the bones tumbling from the dying pyre. At her behest, the sad clouds scatter; at her behest, snow falls from a summer's sky. — Tibullus

To have to hear a woman's voice, and start to make a choice just based on that, is difficult. — Dean Cain

Mat gaped at them as they reined in before him and the others. "Is this...? Is this all of you?" they were little more than a hundred. Red saw and realized that somehow he had know that they would be.
"It takes more than bravery to bind a man to the Horn." Arthur Hawkwing's voice was deep and carrying, a voice used to giving commands.
"Or a woman," Birgitte said sharply.
"Or a woman," Hawkwing agreed. "Only a few are bound to the Wheel, spun out again and again to work the will of the Wheel in the Pattern of the Ages. You could tell him, Lews Therin, could you but remember when you wore flesh. — Robert Jordan

But aside from those curling green tendrils, the gown was the bright pink of ... of ... of ... All comparisons failed Oliver. It wasn't the bright pink of anything. It was a furious shade of pink, one that nature had never intended. It was a pink that did violence to the notion of demure pastels. It didn't just shout for attention; it walked up and clubbed one over the head. It hurt his head, that pink, and yet he couldn't look away. The room was small enough that he could hear the first words of greeting. "Miss Fairfield," a woman said. "Your gown is ... very pink. And pink is ... such a lovely color, isn't it?" That last was said with a wistful quality in the speaker's voice, as if she were mourning the memory of true pink. — Courtney Milan

Of course, Storm-Lord! But why would a god marry a poor farm girl?" asked one of the bound novices, his voice thin and chirping as an insect.
"All things must eventually mate," I shrugged, "having been cast into a man's flesh I must do as flesh does. And it hardly matters whether one mates with a woman or a rock or a river - the end result is the same. Once all the world wed stones and trees - but this is a degenerate age, and no one keeps to tradition. — Catherynne M Valente

Inside, he had forgotten what it was like to hear a woman's voice, listen to the sort of complaints that only women could have. Bad haircuts. Rude store clerks. Chipped nails. Men wanted to talk about things: cars, guns, snatch. They didn't discuss their feelings unless it was anger, and even that didn't last for long because generally they started doing something about it. — Karin Slaughter

Something started thumping rhythmically against the door. Julianne hiccoughed and stared in horror, fearing whoever was in there would fling it open.
A man grunted again and again.
Georgette frowned. "Is he ill?"
The door thumped harder. A woman started making repetitive high-pitched noises, sounding like a squealing pig.
Julianne frowned. "What are they - hic - doing?"
"We must leave," Anne whispered.
The thumping turned into banging, and the man's grunting grew louder. "Feel my mighty sword."
"He has a sword?" Georgette asked.
The woman behind the door screamed.
Georgette gasped. "He killed her."
"I'm coming," the man said.
"Not inside me," the woman said in a curt voice. "I don't want a brat."
Julianne dropped the candle and clapped her hand over her mouth. She'd thought a bed was required. As she stared at the door, she tried to figure out how the amorous couple had managed, but she failed. — Vicky Dreiling

We have no faith in ourselves. I have never met a woman who, deep down in her core, really believes she has great legs. And if she suspects that she might have great legs, then she's convinced that she has a shrill voice and no neck. — Cynthia Heimel

Sleep pressed upon him with an urgency that became resistless. And April Bell was calling to him. Her voice came clearly to him, above all the subdued murmur of traffic noises. It was a ringing golden chime, more penetrating than the occasional beep of a driver's horn or the far clamor of a streetcar. It shimmered out of the dark, in waves of pure light as green as her malachite eyes. Then he thought he could see her, somehow, far across the slumberous town. Only she wasn't a woman. — Jack Williamson

Is it my imagination, or are your admirers making snide comments about your sanity?" This time, Phillip's voice sounded in my ear.
"Apparently, you agree with them" I murmured back.
"If the hammer fits ... " Phillip trailed off.
"Says the man who likes to throw people off his riverboat," Owen cut in.
"You've been holding out on me, Philly," I chimed in again. "That sounds like fun."
"See?" Phillip said in a smug voice. "Your crazy woman agrees with me, Owen. — Jennifer Estep

An intercom popped on and Paris said, "Knock. Knock."
Static and then a woman's voice said, "Who's there?"
"The interrupting cow," Paris said, glancing at Luc, who shook his head.
"Moooooo!" Paris said, snickering. — Jennifer L. Armentrout

But this world is changing. Perhaps by the time you are old enough to marry the world will hear a woman's voice. Perhaps she will not have to swear to obey in her wedding vows. Perhaps one day a woman will be allowed to both love and think. — Philippa Gregory

the Eight Percent Rule to McCann. "It's really very simple," he said, using the same melodic voice he used to pet and stroke the jury. "I have to convince one juror out of twelve to vote with us. One of twelve is eight percent, give or take. Not that I need to convince him our client is innocent, understand. I just need to establish an intimate partnership with that one fellow or lady in a crowd who is contrary. The man or woman who has an ax to grind. My theory, and you saw it happen twice, is that in any group of people forced to be together, at least eight percent of them will go against the majority if for no other reason than to shove it up their ass - if they have an authority figure they can trust to be on their side. I am that leader in the courtroom. — C.J. Box

Och, away now, Ruari. You'll be telling us you're not knowing who that woman is next! Man, man, that's an awful affliction." A grey-bristled, weather-beaten face beamed back at him.

"And isn't it you that's making the drives in her car at the dead of night, too?" A female voice joined in from behind the sweets jars: "Oh my, Ruari ... 'tis a terrible thing the guilt of the carnal pleasures!"

"I haven't had any carnal pleasures ... I simply got a lift home. You're terrible, right enough," he defended himself. — Robertson Tait

That reminds me of a song," said Emilia. The women laughed; the men groaned. But the fire was blazing and the night was long, and folk will want entertainment after the tedium of a day's work. Emilia's song detailed the amorous adventures of a water horse who fell in love - if love was the right word - with a series of young women who passed beside the lake in which the creature dwelled and from which he emerged in the form of a good-looking young man of exactly the right sort to catch a young woman's fancy. She had a clear voice and a pleasing timbre, and every local knew the chorus, whose euphemisms about mounting and galloping embarrassed me. We did not sing these sorts of songs in the Barahal house. Rory caught right on and sang the chorus as if born to it. In the laughter and pounding of tables that followed, I said, to no one in particular, "I thought kelpies drowned and then devoured their victims!" The words, innocently spoken, only caused the gathered folk to laugh even — Kate Elliott

The beauty and magnitude of a diva's voice resides, so the iconography suggests, in her deformity. Her voice is beautiful because she herself is not-and her ugliness is interpreted as a sign of moral and social deviance. Reading biographies of divas, I can't ignore the repeated references to physical flaws-for example, Benedetta Pisaroni's "features horribly disfigured by small-pox," prompting spectators to shut their eyes "so as to hear without being condemned to see." Audiences speculated that Maria Malibran was not anatomically a woman, but an androgyne or hermaphrodite-an aberrant physique to match her voice's magic power. — Wayne Koestenbaum