Terri Windling Quotes & Sayings

Happiness is a talent like any other. It's another art form. Some people are good at it, some people aren't. — Terri Windling

The simple truth is that being a creative artist takes courage; it's not a job for the faint of heart. It takes courage each and every time you put a book or poem or painting before the public, because it is, in fact, enormously revealing. — Terri Windling

I was a great fan of Jim Henson. — Terri Windling

I only laid the cobbles for the streets of Bordertown; it took all of us, an entire community, to bring the city to life. And that's as it should be. Community, friendship, art: stirred together, they make a powerful magic. Used wisely, it can save your life. I know that it saved mine. — Terri Windling

When I was younger, I was in love with everything about the British Isles, from British folklore to Celtic music. That was always where my passions were as a young girl, and so I studied folklore as a college student in England and Ireland. — Terri Windling

Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan - punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish. — Terri Windling

I've only been living in England for the last 10 years, if you don't count my student years. — Terri Windling

Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road ... — Terri Windling

I have a great respect for the academics who are working with the source material. My hat's off to them. — Terri Windling

Robert Jordan, whether he's writing with passion or not, I don't know. — Terri Windling

So let us praise the distinctive pleasures of re-reading: that particular shiver of anticipation as you sink into a beloved, familiar text; the surprise and wonder when a book that had told one tale now turns and tells another; the thrill when a book long closed reveals a new door with which to enter. In our tech-obsessed, speed-obsessed, throw-away culture let us be truly subversive and praise instead the virtues of a long, slow relationship with a printed book unfolding over many years, a relationship that includes its weight in our hands and its dusty presence on our shelves. In an age that prizes novelty, irony, and youth, let us praise familiarity, passion, and knowledge accrued through the passage of time. As we age, as we change, as our lives change around us, we bring different versions of ourselves to each encounter with our most cherished texts. Some books grow better, others wither and fade away, but they never stay static. — Terri Windling

But for me, really, the written word is always stronger than film. — Terri Windling

For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day ...
To me, it's all art, inside the studio and out. At least it is if we approach our lives that way. — Terri Windling

We're all misfits here," he says, almost proudly. "That's why I started this squat, after all. For people like us, who don't fit in anywhere else. Halfies and homos and hopeless romantics, the outcast and outrageous and terminally weird. That's where art comes from, Jimmy, my friend. From our weirdnesses and our differences, from our manic fixations, our obsessions, our passions. From all those wild and wacky things that make each of us unique. — Terri Windling

I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like ... except for Show Tunes. — Terri Windling

Filmmaking can be a fine art. — Terri Windling

I wish I could have known Barbara Bodichon
and her whole vibrant circle of smart, fearless women friends. I'd like to gather them all around the dinner table, along with a few smart, fearless friends of my own. We'd open a bottle of wine and sit back to to hear their stories
marveling at all the things that have changed, and commiserating about all the things that haven't. And then we'd tell them thank you. We'd tell them that we never take for granted the rights they fought so hard for. And that we hope we, too, can make the world just a little better for the ones who follow after. — Terri Windling

I'm also looking for gems that the average reader might have missed. — Terri Windling

The first job I was offered was as an editorial assistant. I think it was the best thing for me, in terms of being a storyteller by nature, to have spent years being an editor because I learned so much from it. — Terri Windling

It's my birthday, by the way, and as of 2:05 this morning (the time of my birth in the middle of a snow storm on the Fort Dix army base in New Jersey) I'm 52 years old. I decided to say that because there's such pressure in our culture for women ... well, for everybody ... to stay perpetually young. And that's never going to change if we (women especially) don't embrace, enjoy, and take pride in each and every age that we pass through. I'm not young, I'm half a century old, and grateful to have made it this far. And I have this to say to the young women coming on behind me: 52 feels pretty damn good! — Terri Windling

Fairy tales were not my escape from reality as a child; rather, they were my reality
for mine was a world in which good and evil were not abstract concepts, and like fairy-tale heroines, no magic would save me unless I had the wit and heart and courage to use it widely. — Terri Windling

What I find interesting about folklore is the dialogue it gives us with storytellers from centuries past. — Terri Windling

There have been a number of us working very, very hard to bring myth and fairy tales into public consciousness, through fantasy literature and other media. I hope we're succeeding in some small way. — Terri Windling

Since fantasy isn't about technology, the accelleration has no impact at all. But it's changed the lives of fantasy writers and editors. I get to live in England and work for a New York publisher! — Terri Windling

New York always feels more like my hometown than the places where I actually grew up (which weren't far from New York), perhaps because I did my artistic "growing up" while working in this crazy, wonderful city back in my twenties. Although I love the quieter, slower, nature-rich life I live now in the sheep-dotted hills of Devon, there are ways in which I still feel more truly myself here in New York, more than anywhere else. Even after all this time in the desert and on Dartmoor. Strange, isn't it? — Terri Windling

Some years ago, I read an article about two people in the arts (alas, I can't remember who they were) who'd been married for many, many years. Asked for the secret of their long partnership, they said: "We fell straight into conversation when we met, and we haven't come to the end of that conversation yet."
I can't think of a better model for marriage than that. Or of a narrative more romantic ... — Terri Windling

There's that old adage about how there's only seven plots in the world and Shakespeare's done them all before. — Terri Windling

I'm working on a very long series of paintings based on desert folklore. — Terri Windling

There are plenty of bad editors who try to impose their own vision on a book. ( ... )
A good novel editor is invisible. — Terri Windling

When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into. — Terri Windling

I find myself most drawn to: art that has arisen from a deeply personal conversation between the artist and the work at hand. It is art that walks perilously close to the Edge, that crosses the river of blood into Faerie, that flies so high it is scorched by the sun, and then returns to tell the tale to us. It is art that needed to be written, or painted, or sung, or woven, or otherwise shaped. It is art gifted by the Mystery to the maker ... and then, in turn, gifted to us. — Terri Windling

Charles de Lint creates a magical world that's not off in a distant Neverland but here and now and accessible, formed by the "magic" of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I've long lost count of the number of times I've heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. — Terri Windling

Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around. — Terri Windling

Don't be afraid to be weird, don't be afraid to be different, don't worry too much about what other people think. Whatever it is that's original in you and your work might sometimes make you feel uncomfortable. That probably means you're on the right track, so just keep going.
Dare to be foolish. — Terri Windling

Our lives are our mythic journeys, and our happy endings are still to be won. — Terri Windling

Snow-melt in the stream: Mama Nature turning winter's storms into nourishment for the soil, fecundity, and beauty. This is what I must now learn to do with the stormy weather I've been passing through: turn it into beauty, turn it into art, so new life can germinate and bloom.
One example of a creative artist who does this is my friend Jane Yolen, who wrote her exquisite book of poems The Radiation Sonnets while her husband was undergoing treatment for the cancer that would eventually claim his life. This is what all artists must do: take whatever life gives us and "alchemize" it into our art (either directly and autobiographically, as in Jane's book, or indirectly; whatever approach works best), turning darkness into light, spinning straw into gold, transforming pain and hardship into what J.R.R. Tolkien called 'a miraculous grace. — Terri Windling

I divide my time between homes in Arizona and England, six months a year in each place. — Terri Windling

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! — Terri Windling

In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest. — Terri Windling

Once upon a time, they say, there was a girl ... there was a boy ... there was a person who was in trouble. And this is what she did ... and what he did ... and how they learned to survive it. This is what they did ... and why one failed ... and why another triumphed in the end. And I know that it's true, because I danced at their wedding and drank their very best wine. — Terri Windling

The fairy tale journey may look like an outward trek across plains and mountains, through castles and forests, but the actual movement is inward, into the lands of the soul. — Terri Windling

Although I've written a few (a very few) poems over the years, I am not a natural poet ... and I remain in awe of people who are. The ability to evoke deep emotion, reveal a new facet of the world, or condense an entire story into the limited space and form of a poem (or likewise, of a good song lyric, or the text for a children's picture book) seems like pure magic to me. — Terri Windling

[T]he incomparable Diana Wynne Jones, one of the finest mythic fiction writers of our age, who left us too early (due to cancer) two days ago. I'm so grateful to her for the extraordinary books she has left behind, which have inspired a whole generation of younger writers. She was writing brilliant YA fantasy before the genre (as we know it now) even existed; she was writing enchanting "wizard school" books long before Harry Potter was a gleam in Rowling's eye; and her knowledge of how to weave mythic/folkloric themes into contemporary fiction was second to no one's. Diana will be terribly missed, but through her magical stories, her light will stay on. — Terri Windling

I'm an artist, I'm not an academic folklorist. — Terri Windling

Once upon a time fairy tales were told to audiences of young and old alike. It is only in the last century that such tales were deemed fit only for small children, stripped of much of their original complexity, sensuality, and power to frighten and delight. — Terri Windling

One of the best things about folklore and fairy tales is that the best fantasy is what you find right around the corner, in this world. That's where the old stuff came from. — Terri Windling

A good novel editor is invisible. — Terri Windling

I'd had no particular interest in the Southwest at all as a young girl, and I was completely surprised that the desert stole my heart to the extent it did. — Terri Windling

My book collection is primarily in America, since that's where I've lived most of my life. — Terri Windling

I wanted to be a scientist. But I had no math skills. — Terri Windling

I love so many books and authors that it's hard to name just a few, but I'm always particularly excited when new books by Alice Hoffman, John Crowley, Joanne Harris, Elizabeth Knox, and Patricia McKillip come out. (And, of course, books by Ellen [Kushner], and Holly [Black], and the rest of the Bordertown crew!) I'm impatiently looking forward to Susanna Clarke's next book too.
Aside from writing and reading, my favorite things to do are paint, walk in the countryside with my dog, and listen to music
especially when it's live and it's played by friends. Fortunately there's a lot of live music where I live. — Terri Windling

Read the folklore masters. Go to galleries. Walk in the woods. That's what you need to be an artist or storyteller. — Terri Windling

We've always lived in dark times. There has always been a range of human experience from the sublime to the brutal, and stories reflect it. It's no less brutal now; each age has its horrors. — Terri Windling

These days I live in a magical little village on Dartmoor in Devon, England, and my "special spot" is a moss-covered rock in a circle of trees in the woods behind my house.
I often go into the woods, or walk through the fields and hills nearby, when I need inspiration, or to work out a plot problem, or come up with an idea. I think better on my feet, particularly when there is beautiful countryside around me and a dog at my side.
When I was younger and lived in big cities, I had special places there too. There's magic everywhere, if you look. — Terri Windling

Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century. — Terri Windling

I'd like to encourage people to please keep reading-and most importantly, to please keep trying new writers. The only way we can bring fresh new material into the field is if people go out and buy it. — Terri Windling

Trickster foxes appear in old stories gathered from countries and cultures all over the world
including Aesop's Fables from ancient Greece, the "Reynard" stories of medieval Europe, the "Giovannuzza" tales of Italy, the "Brer Fox" lore of the American South, and stories from diverse Native American traditions. — Terri Windling