R.G. Collingwood Quotes & Sayings

as if any one but a fool imagined that he could compress a thing like art or religion or science into an epigram which could be lifted from its context and, so lifted, continue to make sense. Giving and collecting definitions is not philosophy but a parlour game. The writer's definition of religion (as of art and so forth) is coextensive with this entire book, and will nowhere be found in smaller compass. Nor will it be found in its completeness there; for no book is wholly self-explanatory, but solicits the co-operation of a reasonably thoughtful and instructed reader. Religion, — R.G. Collingwood

Thus natural science is not a way of knowing the real world; its value lies not in its truth but in its utility; by scientific thought we do not know nature, we dismember it in order to master it. — R.G. Collingwood

...philosophy does not, like exact or empirical science, bring us to know things of which we were simply ignorant, but brings us to know in a different way things which we already knew in some way; and indeed it follows from our own hypothesis; for if the species of a philosophical genus overlap, the distinction between the known and the unknown, which in a non-philosophical subject-matter involves a difference be-tween two mutually exclusive classes of truths, in a philosophical subject-matter im- plies that we may both know and not know the same thing; a paradox which disappears in the light of the notion of a scale of forms of knowledge, where coming to know means coming to know in a different and better way. — R.G. Collingwood

Every kind of language is... specialized form of bodily gesture, and in this sense it may be said that the dance is the mother of all languages... an original language of total bodily gesture.

This "original" language of total bodily gesture is thus the one and only real language, which everybody who is in any way expressing himself is using all the time. What we call speech and the other kinds of language are only parts of it which have undergone specialized development. — R.G. Collingwood

The failure of art is, as we have said, not a complete failure. Substantial truth is revealed to us, we are not cheated of that; but it is revealed only in the equivocal form of beauty, submerged, so to speak, in the flood of aesthetic emotion. It is only because truth is revealed in it that the emotion is aesthetic; but emotional truth, truth in the guise of beauty, is not truth at all in the formal sense Art asserts nothing; and truth as such is matter of assertion. To be itself, it demands logical form. Art fails us because it does not assert. It is pregnant with a message that it cannot deliver. To — R.G. Collingwood

Art is the cutting edge of the mind, the perpetual out-reaching of thought into the unknown, the act in which thought eternally sets itself a fresh problem. So play, which is identical with art, is the attitude which looks at the world as an infinite and indeterminate field for activity, a perpetual adventure. All life is an adventure, and the spirit of adventure, wherever it is found, can never be out of place. It is true that life is much more than this; it is never, even its most irresponsible moments, a mere adventure; but this it is; and therefore the spirit of play, the spirit of eternal youth, is the foundation and beginning of all real life. 1 — R.G. Collingwood

Rational truth - and all truth is rational - is essentially that which can justify itself under criticism and in discussion. — R.G. Collingwood

The progressive intellectualization of language, its progressive conversion by the work of grammar and logic into a scientific symbolism, ... represents not a progressive drying-up of emotion, but its progressive articulation and specialization. ... We are acquiring new emotions and new means of expressing them. — R.G. Collingwood