Kliph Nesteroff Quotes & Sayings

Groucho Marx shot back angrily, "The Sandy McPhersons and Yonny Yohnsons were not a minority being subjected to oppression, restriction, segregation or persecution. — Kliph Nesteroff

One night while Joan Rivers was bombing at the Duplex in the Village, Lenny Bruce walked in and caught her act. He sent a note backstage: 'You're right and they're wrong. — Kliph Nesteroff

No small part of the club's audience consisted of would-be comics, as well as the leading comics of the day. In fact, there were so many gagsters around that it was difficult to know who was part of the act and who was just sitting in. — Kliph Nesteroff

He printed business cards celebrating his shift. They read, 'Ars gratia pecuniae.' Translated, it meant, 'Art for money's sake. — Kliph Nesteroff

Bob Hope was a blackface comedian. He abandoned it only because he was late for a gig: 'I missed the streetcar to this theater one night and I didn't have time to put the blackface on. Mike Shea, who booked all the theaters, said, "Don't ever put that stuff on your face anymore because your expressions after a joke are priceless. — Kliph Nesteroff

Every night was improv. — Kliph Nesteroff

Mel Brooks was a young fan at the time: 'Eddie Cantor was very important to me. Very influential on my work. The sketches were fast and furious - and Cantor was great at supporting the other guy in the sketch. It was Cantor who was making it all work for me. — Kliph Nesteroff

Jack Paar took a vacation at the end of May 1958 and Johnny Carson filled in, hosting The Tonight Show for the very first time. It was a historical moment that at the time was dismissed. 'With Carson navigating, it was wholesome, intelligent and mostly dull,' wrote Variety. 'The experience of his helmship will never go down as memorable either for a Carson appearance or for an edition of the show. — Kliph Nesteroff

Frank Fay turned into the most consistent stand-up comic of the late 1920s and essentially changed the art form. Crowds and critics eventually came to accept a man standing alone, cracking wise. No longer did Fay bill himself as a 'Nut Monologist. — Kliph Nesteroff

Burlesque had stock routines and it was no big deal if one comic had the same act as another. But no one expected interchangeable burlesque routines to find a home on a national broadcast. Other comedy teams like Wheeler & Woolsey and Howard & George had done versions of "Who's on First?" prior to Bud and Lou, but Abbott & Costello now got all the credit. — Kliph Nesteroff

Theater owners dodged construction costs, cutting corners and employing nonunion labor. Shoddy methods caused the death of vaudeville comedian Rube Dickinson in Kansas City. Booked at a brand-new venue, Dickinson stepped outside to have a smoke and was standing underneath the large wooden marquee advertising him when it collapsed. As the marquee caved, so too did his head - killed under the weight of his own name. — Kliph Nesteroff

Frank Fay [...] became renowned as the first of the great comic emcees - and in many minds the first stand-up comedian. — Kliph Nesteroff

European fascism changed comedy in America. Jack Benny explained, 'During World War II, attitudes changed. Hitler's ideology of Aryan supremacy put all ethnic humor in a bad light. When the black man's fight for equal rights and fair play became an issue after the War, I would no longer allow Rochester to say or do anything that an audience would consider degrading.' Benny's attitude toward race relations was enlightened. Starting in 1940 he refused to play any segregated venue. In the 1960s when his agent scheduled a world tour, Benny chastised him for booking a gig in apartheid South Africa and refused to appear. — Kliph Nesteroff

The Mob essentially created the term 'stand-up comic' - according to eighty-six-year-old comedian Dick Curtis: 'The Outfit used to manage fighters. A stand-up fighter is a guy that is a puncher. A stand-up guy was a guy who was tough and you could depend on. The Outfit managed fighters and they managed clubs that booked comics, so the term found its way into the lexicon of nightclubs. A guy who just stood there and punched jokes - joke, joke, joke - he was a stand-up comic. — Kliph Nesteroff

He hit the circuit in 1917 as 'Frank Fay, Nut Monologist,' and resistance was immediate. Variety critically stated, 'Fay needs a good straight man, as before, to feed his eccentric comedy.' A comedian standing alone onstage? Unheard of. Doesn't this guy know anything about showbiz? To stand still and tell jokes was a foreign move. To perform without some kind of gimmick was considered amateurish. — Kliph Nesteroff

You Bet Your Life's sponsor, Chrysler, was convinced only a Commie would dare promote racial equality. — Kliph Nesteroff

Movies, vaudeville, burlesque, the local stock companies - all survived together. Then radio came in. For the first time people didn't have to leave their homes to be entertained. — Kliph Nesteroff

At the turn of the century, parishioners attacked vaudeville as a sinful venture. Organized boycotts adversely affected ticket sales. Benjamin Franklin Keith's wife was deeply religious and prodded her husband to follow church directives. Comedian Fred Allen said, 'Mrs. Keith instigated the chaste policy, for she would tolerate no profanity, no suggestive allusions, double-entendres or off-color monkey business. — Kliph Nesteroff