Zuibun Quotes & Sayings
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Top Zuibun Quotes

There's the fact of her being a hundred and four years old. I keep saying that's her age, but actually I'm just guessing. We don't really know for sure how old she is, and she claims she doesn't remember, either. When you ask her, she says,
"Zuibun nagaku ikasarete itadaite orimasu ne."
... (footnote) Zuibun nagaku ikasarete itadaite orimasu ne
"I have been alive for a very long time, haven't I?" Totally impossible to translate, but the nuance is something like: "I have been caused to live by the deep conditions of the universe to which I am humbly and deeply grateful. P. Arai calls it the "gratitude tense," and says the beauty of this grammatical construction is that "there is no finger pointed to a source." She also says, "It is impossible to feel angry when using this tense. — Ruth Ozeki

Even if Mary gives birth to a child who is not her husband's, if she has a shining pride, they become a holy mother and child. — Osamu Dazai

Beauty puts a face on God. When we gaze at nature, at a loved one, at a work of art, our soul immediately recognizes it and is drawn to the face of God. — Margaret Brownley

Modern music is as dangerous as narcotics. — Pietro Mascagni

I don't think we will ever go the way of Zimbabwe, but people are concerned. — Helen Suzman

I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements. — Jane Lindskold

Mistakes, scandals, and failures no longer signal catastrophe. The crucial thing is that they be made credible, and that the public be made aware of the efforts being expended in that direction. The marketing immunity of governments is similar to that of the major brands of washing powder. — Jean Baudrillard

Photography transformed subject into object, and even, one might say, into a museum object: in order to take the first portraits the subject had to assume long poses under a glass roof in bright sunlight; to become an object made one suffer as much as surgical operation; then a device was invented, a kind of prosthesis invisible to the lens, which supported and maintained the body in its passage to immobility: this headrest was the pedestal of the statue I would become, the corset of my imaginary essence. — Roland Barthes

But what had happened, had happened, and it was no longer possible to right anything. — Milan Kundera