You're Too Old For Me Quotes & Sayings

And if at whiles the bubble, blown too thin,
Seem nigh on bursting, - if you nearly see
The real world through the false, - what do you see?
Is the old so ruined? You find you 're in a flock
O' the youthful, earnest, passionate - genius, beauty,
Rank and wealth also, if you care for these:
And all depose their natural rights, hail you,
(That 's me, sir) as their mate and yoke-fellow,
Participate in Sludgehood — Robert Browning

You are aware, I suppose, that I lived through two years of torture? Two years in hell, so I can stand before you now. Or lean before you, twisted as an old tree root. A crippled, shambling, wretched mockery of a man, eh, Lord Hoff? Let us be honest with one another. Sometimes I lose control of my own leg. My own eyes. My own face." He snorted. "If you can call it a face. My bowels, too, are rebellious. I often wake up daubed in my own shit. I find myself in constant pain, and the memories of everything that I have lost nag at me, endlessly." He felt his left eye twitching. Let it twitch. "So you can see how, despite my constant efforts to be a man of sunny temper, I find that I despise the world, and everything in it, and myself most of all. A regrettable state of affairs, for which there is no remedy. — Joe Abercrombie

Ll the merry little elves can go hang themselves
My faith is as cold as can be
I'm stacked high to the roof, and I'm not without proof
If you don't believe me, come see.
You think i'm blue I think so too
In my words you'll find no guile
The game's gotten old The deck's gone cold
And i'm gonna have to put you down for a while
The game's gotten old The deck's gone cold
I'm gonna have to put you down for a while
-Bob Dylan, Huck's Tune — Bob Dylan

I was normal, I reminded myself. Just a regular seventeen-year-old girl, about to face against a werewolf with nothing more than ... Okay, well, I did have a big-ass sword and a ghost. That had to count for something.
I glanced over at Elodie. She was staring into the woods, looking vaguely bored.
"Um, hi," I said. "Werewolf headed this way. Are you even a little concerned about that?"
She smirked at me and gestured toward her glowing body. I read her lips: "Already dead."
"Right. But if I get killed, too, you and I are so not becoming ghost BFFs."
Elodie gave me a look that said there was no danger of that happening. — Rachel Hawkins

Decker grinned, taking the cup and then blowing over it. "What';; you give me for my silence?"

Austin flipped him off. "I won't kick your ass."

"You can try , old man."

"You're getting closer to the big number, too."

Decker grinned. "I'm twenty-nine. You're thirty-eight. Those are two different big numbers, bro. Just saying."

"Fuck you."

"No thanks. I prefer my bedmates with a little less chest hair. — Carrie Ann Ryan

No 'Middlemarch' for me," said Miss Barbara, with a wave of her hand. "I am too old for that. That means I've read it, my dear - the way an experienced reader like me can read a thing - in the air, in the newspapers, in the way everybody talks. No, that's not like going into a new neighborhood - that is getting to the secrets of the machinery, and seeing how everything, come the time, will run down, some to ill and harm, but all to downfall, commonplace, and prosiness. I have but little pleasure in that. And it's pleasure I want at my time of life. I'm too old to be instructed. If I have not learned my lesson by this time, the more shame to me, my dear." "But, Miss Barbara, you don't want only to be amused. Oh no: to have your heart touched, sometimes wrung even - to be so sorry, so anxious that you would like to interfere - to follow on and on to the last moment through all their troubles, still hoping that things will take a good turn." — Mrs. Oliphant

One day he [Wagner] was batting against a young pitcher who had just come into the league. The catcher was a kid, too . The pitcher threw Honus a curve ball, and he swung at it and missed and fell down. Looked helpless as a robin. I was kind of surprised, but the guy sitting next to me poked me in the ribs and said, 'Watch this next one.' Those kids figured they had the old man's weakness, you see, and served him up the same dish - as he knew they would. Well, Honus hit a line drive so hard the fence in left field went back and forth for five minutes. — Burleigh Grimes

You were faster than me. Better than me. I was too old and cautious. Any decent person who knos waht warfare is can never go into battle with a whole heart. But you didn't know. We made sure youo didn't know. You were reckless and brilliant and young. It's waht you were born for. — Orson Scott Card

Recalling those gone times, old memories lit by the fire of the new, I did not this time wonder how long it would last; I was too smart for that now. Take what you get, and don't think. Of course it could never be that easy, but there were moments, like now, that I could successfully pretend that it was, and I had no inclination to try to peer past those moments. I'm not one who wants to know the future: at the best it spoils the present, with longing or dismay, and at the worst, well. Who really wants to find out how tight the sling is, for your own very personal ass, who wants to know how deep the shit will really be. Not you. Not me either. Because it's rarely bliss saved up, is it, when you finally get there. I'll take my now, waking with a lover's scent on me, around me, take my hopes before they're maybe tragedy; a good morning is a good morning, even if it leads to apocalypse at night. — Kathe Koja

All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she'd fall off the goddam horse, but I didn't say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it's bad if you say anything to them.
When the ride was over she got off her horse and came over to me. "You ride once, too, this time," she said.
"No, I'll just watch ya. I think I'll just watch," I said. — J.D. Salinger

I'm twenty-three years old, I'm working graveyard in the fucking mine and I been there since I was sixteen. I'll be thee until it kills me or I'm too fucking old. I ain't got no out. I don't mind that. I got Emma and I got the kids and I got the Moose until I'm too damn old for that too. But someone reached down and put lightning bolts in your legs, Saul. Someone put thunder in your wrist shot and eyes in the back of your fucking head. You were made for this game. So you gotta give this a shot for all of us who're never gonna get out of Manitouwadge. — Richard Wagamese

Unbelievable. A five-year-old held me captive in a bed where I could do nothing but listen, mesmerized by her litany of observations, opinions, and requests, and praying for some way to escape. She gave me quite the disgusted look too with that last bit. Sort of along the lines of, "What in the hell is wrong with you, Uncle Ethan?" And really, I had to agree with her five-year-old logic too. A hell of a lot was wrong with me. — Raine Miller

The voice of grief is rather convincing, isn't it? It tells you you're "too old," "not good enough," or "not worthy enough" for another chance at life, that starting over is impossible. This voice in your head is the first thing you hear in the morning and the last thing you hear at night. It drives with you to work. It stays with you at lunch. Its message is so consistent that because of its repetitive power, you may be inclined to believe it. But, as persuasive as the voice of grief is, everything it says is a lie.
It's all a pack of lies.
Do you want the truth? If you do, then start listening to life calling to you inside your grief.
How? Every time you are yearning to be held and loved, to laugh again, listen to your yearning. Do not listen to your fear . . . Listen to life calling you, "I am here, come on over. Take a chance on me. I am your life, and you're all that I've got. — Christina Rasmussen

You admire, Vacerra, only the poets of old and praise only those who are dead. Pardon me, I beseech you, Vacerra, if I think death too high a price to pay for your praise. — Martial

For me the poem and the poetry open mic isn't about competition and it never will be. Honestly? It's wrong. The open mic is about 1 poet, one fellow human being up on a stage or behind a podium sharing their work regardless of what form or style they bring to it. In other words? The guy with the low slam score is more than likely a far better poet-writer than the guy who actually won. But who are you? I ? Or really anyone else to judge them? The Poetry Slam has become an overgrown, over used monopoly on American literature and poetry and is now over utilized by the academic & public school establishments. And over the years has sadly become the "McDonalds Of Poetry". We can only hope that the same old stale atmosphere of it all eventually becomes or evolves into something new that translates to and from the written page and that gives new poets with different styles & authentic voices a chance to share their work too. — R.M. Engelhardt

She died."
I had to prompt him.
"Soon after?"
"In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital."
"Poor girl."
"All past. All under the sea."
"You make it seem present."
"I do not wish to make you sad."
"The scent of lilac."
"Old man's sentiment. Forgive me."
There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way.
"Is this why you never married?"
"The dead live."
The blackness of the trees. I listened for footsteps, but none came. A suspension.
"How do they live?"
And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke.
"By love. — John Fowles

Presently Arnaud folded the paper napkin, in the same careful way he always folded a table napkin, and said I ought to follow Chantal's suggestion and get a job in teaching a nursery school. (So Maman had mentioned that to Mme. Pons, too) I should teach until I had enough working time behind me to claim a pension. It would be good for me in my old age to have an income of my own. Anything could happen. He could be killed in a train crash or called up for a war. My father could easily be ruined in a lawsuit and die covered with debts. There were advantages to teaching, such as long holidays and reduced train fares.
"How long would it take?" I said. "Before I could stop teaching and get my pension."
"Thirty-five years," said Arnaud. "I'll ask my mother. She had no training, either, but she taught private classes. All you need is a decent background and some recommendations. — Mavis Gallant

Quadruple crap. Why couldn't I control myself? Why did he have this effect on me? "Are you compelling me right now?"
To my surprise, his smile held an edge of sadness. "That would give you a much needed excuse, but I am afraid I am not."
Curse my body for reacting to his. As long as I kept him out of my heart, I would be okay.
"I think it a bit too late for that, my dear."
"You're using old man speak again." I made a face. "It's creepy."
He chuckled. "I'll try to remember that, but I haven't been around humans much in the past hundred years. It's hard to keep up with the changes in common dialect."
"Let's keep on topic, Jett. You were going to teach me how to control my mind. — Christie Rich

People aren't locked doors. You can get through to them if you want.
But no one did. No one reached out a hand to Tulip. Nobody tried to touch her. I hear them whispering and they sicken me. 'Bus seats!' grumbles Mrs Bodell. 'Locker doors!' complain the teachers. 'Chicken sheds!' say the farmers. 'Greenhouses! Dustbins!' moan the neighbours. And Mum says, 'A lovely old hotel!'
But what about Tulip?
I shall feel sorry for Tulip all my life.
And guilty, too.
Guilty. — Anne Fine

I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you. — Sarah Erdman

When we try to understand something, more often than not, we kill it, and now I can feel the dangers of this encroaching on me: cynicism, bitterness, and infinite sadness...It's impossible to live if you're too aware, too thoughtful. Take nature for example: everything that lives happily and too a ripe old age is not very intelligent. Tortoises live for centuries, water's immortal, and Milton Friedman's still alive. — Martin Page

Do you know anyone who would be willing to die to save those five-thousand serial killers?"
"No. Everyone I know is too smart for that!"
"Yet Someone did die to save all of the serial killers, and all of the old women, and all of the soldiers, and all of the babies that the world has ever known. That one is Jesus Christ. He died for you and for me. He died for everyone, because in this world our sin has condemned us to death, and the only way that we can be saved was for someone who was Himself without sin to be willing to die in our place."
Molly was silent. Her bright smile had faded, and she felt tears well up in her eyes. — Joyce Swann

Oh, Draven. You're my hero too! If not for you, that mean old boar would have eaten me alive. (Simon)
Get off me, you nimble-pated gelding. (Draven) — Kinley MacGregor

You're never too old for me to look out for you and to make sure that every guy knows that if he tries to screw you over, I will shoot him."
"Okay," I say, looking up at Asher. "If you screw me over, my dad will shoot you. — Aurora Rose Reynolds

Isn't it so weird how the number of dead people is increasing even though the earth stays the same size, so that one day there isn't going to be room to bury anyone anymore? For my ninth birthday last year, Grandma gave me a subscription to National Geographic, which she calls "the National Geographic." She also gave me a white blazer, because I only wear white clothes, and it's too big to wear so it will last me a long time. She also gave me Grandpa's camera, which I loved for two reasons. I asked why he didn't take it with him when he left her. She said, "Maybe he wanted you to have it."
I said, "But I was negative-thirty years old." She said, "Still." Anyway, the fascinating thing was that I read in National Geographic that there are more people alive now than have died in all of human history. In other words, if everyone wanted to play Hamlet at once, they couldn't, because there aren't enough skulls! — Jonathan Safran Foer

At times one wanders, doubting the facts, even when one has discovered the secrets of the good life. To be sure, my solution is not the ideal.
But when you don't like your own life, when you know that you must change lives, you don't have any choice, do you? What can one do to become
another?Impossible. One would have to cease being anyone, forget oneself for someone else, at least once.But how? Don't bear down too hard on me.
I am like that old beggar who wouldn't let go of my hand one day on a cafe terrace: Oh, sir,he said, its not just that I am no good, but you lose
track of the light.Yes, we have lost track of the light, the mornings, the holy innocence of those who forgive themselves. — Albert Camus

Does he think to scare me? Arya kissed him where his nose should be and plucked the grave worm from his eye to eat it, but it melted like a shadow in her hand.
The yellow skull was melting too, and the kindliest old man that she had ever seen was smiling down on her. "No one has ever tried to eat my worm before," he said. "Are you hungry, child?"
Yes, she thought, but not for food. — George R R Martin

Grow up!"
Lauren felt as if he had slapped her. Infuriated past reason, she struck back at his ego. "You're absolutely right!" she blazed. "That's what I should do.Beginning today I'm going to grow up and start practicing what you preach! I'm going to sleep with any man who appeals to me. But not with you. You're much too old and too cynical for my taste.Now get out of here! — Judith McNaught

Stop strokin' that gun, Kyle," Gator said. "You're makin' me nervous. I'm thinkin' you're about to make love to the damn thing."
"She is purty," Kyle said, giving the gun one last caress, his eye watching the truck ahead. "Slow down a little, and let them get ahead of us, Gator."
"What if they put up a roadblock?" Jonas asked.
Ryland opened one eye. "We'll cross that bridge when we come to it. Can the chatter and let me sleep. We've got swimming to do and I'm getting too old for this shit."
"Do they have sharks off this coast?" Jonas asked.
Sam snickered. "You and those sharks, Jonas."
"I have nightmares, man," Jonas protested.
"I'll feed you to a damn shark if you don't let me sleep," Ryland drawled.
Kadan and Nico exchanged amused glances.
Ryland opened both eyes. "I heard that. I'm not that old. — Christine Feehan

From Cherish Tomorrow ... "I want you," she said softly.
His jaw became rigid with disapproval. "I'm too damned old for you."
"You're perfect." She touched the hardness of one cheek with loving fingers.
"You're too young for me!"
She shrugged. "I'll get older." — Carole Mortimer

You needed to know that what we had was forever. Bethy, it was forever with me when I was eighteen years old. You were all I could see then, and you're all I can see now. I've been waiting for you, sweetheart, to heal and to come back to me. But all you had to do was tell me you wanted forever, too. I would move heaven and earth to make that happen. — Abbi Glines

Hey you ! out there in the cold
Getting lonely, getting old, can you feel me
Hey you ! Standing in the aisles
With itchy feet and fading smiles, can you feel me
Hey you ! don't help them to bury the light
Don't give in without a fight.
Hey you ! out there on your own
sitting naked by the phone would you touch me
Hey you ! with your ear against the wall
Waiting for someone to call out would you touch me
Hey you ! would you help me to carry the stone
Open your heart, I'm coming home
But it was only a fantasy
The wall was too high as you can see
No matter how he tried he could not break free
And the worms ate into his brain.
Hey you ! out there on the road
Always doing what you're told, can you help me
Hey you ! out there beyond the wall
Breaking bottles in the hall, can you help me
Hey you ! don't tell me there's no hope at all
Together we stand, divided we fall. — Pink Floyd

My old therapist warned me that avoidance is a dysfunctional way to interact with people you care about, but now I'm starting to understand what he meant when he said it could hurt them, too. Maybe it's time I figure out a better way to deal with my problems. Maybe Artful Dodger isn't working so well for me anymore. — Jenn Bennett

Ahoy there, Lord Pegleg!" cried the Fool. "Why are you hopping on one foot?"
"And what would you have do on one foot?" the man asked. "Pirouette? Besides, if I were to untie my other foot I would move too fast for anyone to see me. Why, I would trip over the equator in one stride."
"That's pretty quick," the Fool said.
"If you think that's quick," the man replied, "you should have seen me before the old arthritis set in. — Eric Metaxas

To hell with your money
No no come on I belong to the family now see I know how it is with a young fellow he has lots of private affairs it's always pretty hard to get the old man to stump up for I know haven't I been there and not so long ago either but now I'm getting married and all specially up there come on don't be a fool listen when we get a chance for a real talk I want to tell you about a little widow over in town
I've heard that too keep your damned money
Call it a loan then just shut your eyes a minute and you'll be fifty
Keep your hands off of me you'd better get that cigar off the mantel — William Faulkner

It was the sea that made me begin thinking secretly about love more than anything else; you know, a love worth dying for, or a love that consumes you. To a man locked up in a steel ship all the time, the sea is too much like a woman. Things like her lulls and storms, or her caprice, or the beauty of her breast reflecting the setting sun, are all obvious. More than that, you're in a ship that mounts the sea and rides her and yet is constantly denied her. It's the old saw about miles and miles of lovely water and you can't quench your thirst. Nature surrounds a sailor with all these elements so like a woman and yet he is kept as far as a man can be from her warm, living body. That's where the problem begins, right there - I'm sure of it. — Yukio Mishima

Oh, pride, pride. I was so wrong. It defeated me. It simply proved insurmountable. There was so much, oh, far too much for me. I mean, there's the weather, there's the water and the land, there are the animals, and the buildings, and the past and the future, there's space, there's history. There's this thread or something caught between my teeth, there's the old woman across the way, did you notice she switched the donkey and the squirrel on her windowsill? And, of course, there's time. And place. And there's you, Mrs. D. I wanted to tell part of the story of part of you. Oh, I'd love to have done that."
"Richard. You wrote a whole book."
"But everything's left out of it, almost everything. And then I just stuck on a shock ending. Oh, now, I'm not looking for sympathy, really. We want so much, don't we?"
"Yes. I suppose we do."
"You kissed me beside a pond."
"Ten thousand years ago."
"It's still happening. — Michael Cunningham

When she was settled in the car beside Tyler, Maddy folded her hands on her lap. "I've got two
things I want to ask you."
"Sure. Shoot."
"If I were, like, ten years older and had actual breasts, would you go for me?"
"Jesus, Maddy."
"I don't have a crush on you or anything. I sort of did when we first moved here, but I got over it.
You're too old for me, and I'm not ready for a serious relationship, or sex."
"Damn right you're not."
"But when I am ready, I want to know if a guy would go for me. Theoretically. — Nora Roberts

Is your future faery bride too ugly for you?"
Rhys leaned back against the head rest and studied the seat
back in front of him. "That's not it."
"Too old or too young?"
"No."
I rolled my eyes, but smiled. This was why he was upset. He
hadn't landed the perfect bride-to-be. "Her pretty faery wings
aren't the right shade of sparkly lavender and pink?"
His eyes flashed with anger. "Actually, she doesn't have faery
wings."
"She doesn't?"
"No. As a matter of fact, the dragon oracle tells me the girl I'm
supposed to marry, the one destined to someday become the queen
of the faery realm, isn't a faery at all."
Okay, that was surprising. Not a faery?
"She isn't?" I said. "Then who is she?"
His expression was severe as he turned to look me right in the
eye.
"You," he said — Michelle Rowen

Okay," I began. "You're too old for me. You're scary. It's creepy that you were so all over my mom and now you're all over me. — Lili St. Crow

Without me, she can live a long, full life. She can be happy. I must leave her, in fact, for her own good.'
I didn't much like the way Francis put that. Parents are always trying to make you do things for your own good. Not boyfriends. With boyfriends, the relationship is supposed to be equal. They're supposed to let you make your own decisions.
But I couldn't tell Cathy about Francis's undead love-weasel ways. Anyway, this was more proof that Francis really was too old for. It truly was for her own good. Agreeing with Francis gave me a stomachache, so I sat there and made a face. — Justine Larbalestier

Good-bye, Mrs Bartholemew," said tom, shaking hands with stiff politeness; "and thank you very much for having me."
"I shall look forward to our meeting again," said Mrs Bartholemew, equally primly.
Tom went slowly down the attic stairs. Then, at the bottom, he hesitated: he turned impulsively and ran up again - two at a time - to where Hatty Bartholemew still stood ...
Afterwards, Aunt Gwen tried to describe to her husband that second parting between them. "He ran up to her, and they hugged each other as if they had known each other for years and years, instead of only having met for the first time this morning. There was something else, too, Alan, although I know you'll say it sounds even more absurd ... Of course, Mrs Bartholemew's such a shrunken little old woman, she's hardly bigger than Tom; anyway: but, you know, he put his arms right round her and he hugged her good-bye as if she were a little girl. — Philippa Pearce

THE COUNTY CLERK: "So there I was sitting in front of Jed's store over in Cunt Lick my peter standing up straight as a jack pine under my Levis just a-pulsin' in the sun ... Weell, old Doc Scranton walks by, a good old boy too, there's not a finer man in this valley than Doc Scranton. He's got a prolapsed asshole and when he wants to get screwed he'll pass you his ass on three feet of in-tes-tine ... If he's a mind to it he can drop out a piece of gut reaches from his office clear over to Roy's Beer Place, and it go feelin' around lookin' for a peter, just a-feelin' around like a blind worm ... So old Doc Scranton sees my peter and he stops like a pointin' dog and he says to me, 'Luke, I can take your pulse from here. — William S. Burroughs

I will not die for a long time." Joseph tugged at his gray beard. "My beard goes white, but there's a lot of life in me yet."
"Don't be so sure, Abba," Joshua said.
Joseph dropped the bowl he was working on and stared into his hands. "Run away and play, you two," he said, his voice little more than a whisper.
Joshua stood and walked away. I wanted to throw my arms around the old man, for I had never seen a grown man afraid before and it frightened me too. "Can I help?" I said, pointing to the half-finished bowl that lay in Joseph's lap.
"You go with Joshua. He needs a friend to teach him to be human. Then I can teach him to be a man. — Christopher Moore

It's kind of like you, Bonnie. You cut off your long hair too. Just like Rapunzel."
"That's right, Katy. That's because a mean old witch locked me up at Tower Records, and I had to wait for my boyfriend to get out of jail and come rescue me."
"What the fu - heck are you talking about?" Finn asked, amending his curse at the last minute for the sake of the little girl who was hanging on every word.
A little snort escaped out of my nose at the incredulous look on his face, and Katy giggled.
"Bonnie Rae," Finn choked out, finally laughing, "can we please change the subject? — Amy Harmon

Zippers are primal and modern at the very same time. On the one hand, your zipper is primitive and reptilian, on the other mechanical and slick. A zipper is where the Industrial Revolution meets the Cobra Cult, don't you think? Ahh. Little alligators of ecstasy, that's what zippers are. Sexy, too. Now your button, a button is prim and persnickety. There's somethin' Victorian about a row o' buttons. But a zipper, why a zipper is the very snake at the gate of Eden, waitin' to escort a true believer into the Garden. Faith, I should be sewin' more zippers into me garments, for I have many erogenous zones that require speedy access. Mmm, old zipper creeper, hanging head down like the carcass of a lizard; the phantom viper that we shun in daytime and communicate with at night. — Tom Robbins

My grandfather would have loved to have met you," he told her huskily. "He would have called you 'She Moves Trees Out of His Path.' "
She looked lost, but his da laughed. He'd known the old man, too.
"He called me 'He Who Must Run into Trees,'" Charles explained, and in a spirit of honesty, a need for his mate to know who he was, he continued, "or sometimes 'Running Eagle.' "
" 'Running Eagle'?" Anna puzzled it over, frowning at him. "What's wrong with that?"
"Too stupid to fly," murmured his father with a little smile. — Patricia Briggs

Honey, before I became the man who was to marry Olivia Hamilton, I was capable of taking care of myself. I can take care of you, too, for that matter. If you should ever decide to trust me." With that he turned the key. The old pickup's engine rumbled to life and he backed out kicking up fresh gravel.

Livie bristled. She knew he thought her an overindulged debutante, but there was more to her than just being Buckmaster Hamilton's daughter and damned if she wasn't going to prove it to him. If he gave her the chance. — B. J. Daniels

While I thus cogitate in disquiet and perplexity, half submerged in dark waters of a well in an Arabian oasis, I suddenly hear a voice from the background of my memory, the voice of an old Kurdish nomad: If water stands motionless in a pool it grows stale and muddy, but when it moves and flows it becomes clear: so, too, man in his wanderings. Whereupon, as if by magic, all disquiet leaves me. I begin to look upon myself with distant eyes, as you might look at the pages of a book to read a story from them; and I begin to understand that my life could not have taken a different course. For when I ask myself, 'What is the sum total of my life?' somthing in me seems to answer, 'You have set out to exchange one world for another-to gain a new world for yourself in exchange for an old one which you never really possessed.' And I know with startling clarity that such an undertaking might indeed take an entire lifetime. — Muhammad Asad

He watched her drink the soup. "You're getting bored with me, aren't you?"
She smiled slyly. "No. I have never found you boring, Mirar. In fact, I've always found you a little too interesting for my own good."
He chuckled. So. There it was. The invitation. He had noted the way she sometimes looked at him. Thoughtful. Curious. Admiring. The spark of attraction was still there for her. Was it for him?
He thought back to other times circumstances had brought them to each other's beds and felt an old but familiar interest flare. Yes, he thought. It's still there. — Trudi Canavan

That year I was going to take you up in the Rockies. No more of that. We'll have to choose Old Flat Top because I don't want Violet getting all tired out with a long climb. And I don't want me getting all tired out either. The rest of you are tough enough." Grandfather looked up to see that every Alden was looking at him. The four shining faces answered him. There were four nods. "You do have the strangest ideas, Benny," said Jessie. "What put that into your head?" "Well," said Benny, "I've been reading about that place in school." "About Flat Top?" asked Violet. "Oh, you have, have you?" said Henry. "You chose Flat Top yourself?" "Right," said Benny. "I don't want to climb too much myself. I get lame." Mr. Alden said, "Well, my answer is yes. Old Flat Top is easy enough for all of us, and yet it is interesting all the way up. And we'll all be able to get a good rest on the smooth top." "Just like airplanes landing on an airplane carrier," said Benny. — Gertrude Chandler Warner

Are you going to put on your old cheer uniform?"
Ryan was a little too excited by the thought of me in a costume, so I squashed that idea, and fast.
"In your dreams."
"Not exactly." Ryan grinned wickedly. "In my dreams you're usually dressed like Wonder Woman."
Ugh. I wondered how long it would take for him to start in on the superhero crap. Obviously, not long. I was not amused, but Ryan seemed to think
himself hilarious. I could also tell by the look on his face that he was quite confident he'd have me in costume one day. "Never gonna happen," I
assured him. "Ever."
And of course he responded with that classic, cocky smile. "Just like you were never gonna be my girlfriend, right? — Kelly Oram

You took advantage of Amelia," Merripen said.
"Not that it matters," Cam said in Romany, "but how did you find out?"
Merripen's huge hands flexed as if longing to rip him apart. Lucifer himself could not have had blacker, more burning eyes. "Speak in English," he said harshly. "I don't like the old language."
Frowning in curiosity, Cam readily complied.
"The maids were talking about it," Merripen replied. "I heard them standing outside my door. You dishonored one of my family."
"Yes, I know," Cam said quietly.
"You're not good enough for her."
"I know that, too." Watching him intently, Cam asked, "Do you want her for yourself, chal?"
Merripen looked mortally offended. "She's a sister to me."
"That's good. Because I want her for my wife. — Lisa Kleypas

My dear friend, what is this our life? A boat that swims in the sea, and all one knows for certain about it is that one day it will capsize. Here we are, two good old boats that have been faithful neighbors, and above all your hand has done its best to keep me from "capsizing"! Let us then continue our voyage - each for the other's sake, for a long time yet, a long time! We should miss each other so much! Tolerably calm seas and good winds and above all sun - what I wish for myself, I wish for you, too, and am sorry that my gratitude can find expression only in such a wish and has no influence at all on wind or weather! — Friedrich Nietzsche

Oh, ants, my sisters, good old honeydew-seekers! From close up you are sticky and shiny and gristly; and your nymphs have parasitic red mites stuck to them. You are too intent upon your chewing and gathering to listen to me, but I tell you that despite my warm feelings I really do not like you, and I cannot feel sorry for you in any way because there are too many of you and you are not cute at all. You eat too much of my forests; you are a rebellious tribe, and I will destroy you; I will poison your nests with sweet-smelling traps. — William T. Vollmann

So how does she know?
If you stay, I'll do whatever you want. I'll quit the band, go with you to New York. But if you need me to go away, I'll do that, too. Maybe coming back to your old life would just be too painful, maybe it'd be easier for you to erase us. And that would suck, but I'd do it. I can lose you like that if I don't lose you today. I'll let you go. If you stay.
That was my vow. And it's been my secret. My burden. My shame. That I asked her to stay. That she listened ...
I wasn't about to tell her about the promise I'd made. A promise that in the end, I was forced to keep.
But she knew.
No wonder she hates me.
In a weird way, it's a relief. I'm so tired of carrying this secret around. I'm so tired of feeling bad for making her live and feeling angry at her for living without me and feeling like a hypocrite for the whole mess. — Gayle Forman

Sorry. You don't think he's hot?" She waited for my answer, but I was too busy choking. I just shook my head no. "That boy makes me want to turn into a jaguar." "A what?" "A jaguar. You know, a woman who goes after younger men?" She wiggled her eyebrows. "You mean a cougar?" I laughed. "Yeah, yeah, that's it. I knew it was one of those feline animals." Shoving a cookie in her mouth, a devilish grin slowly crept across her face. "What?" I asked nervously, unsure I wanted to hear the answer. "I was just thinking about that sexy, young man and what he could do to this old pussy - cat. — Beth Ehemann

A young musician asked Mozart, 'Herr Mozart, it has been suggested to me that I write a symphony. Would you be good enough to tell me how to go about it?' Mozart thought for a moment and gently suggested, 'You are still too young to write symphonies. Why not try ballads first?' 'You wrote symphonies when you were ten years old,' argued the young man indignantly. 'Ah, yes, but I didn't ask how,' replied Mozart. Absolutely. Mozart — Ashwin Sanghi

I'm too old for change," she explained. "I'm too old to pursue good health and new relationships. The past breathes for me. It is my life. You are young, Dr. Scarpetta. Someday you will see what it is like to look back. You will find it inescapable. You will find your personal history drawing you back into familiar rooms where, ironically, events occurred that set into motion your eventual estrangement from life. You will find the hard furniture of heartbreak more comfortable and the people who failed you friendlier with time. You will find yourself running back into the arms of the pain you once ran away from. It is easier. That's all I can say. It is easier." "Do — Patricia Cornwell

Men and women, both straight and gay, who don't consider sexuality in measuring the worth of another human being. These aren't radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it's all right for you to like me too. — Armistead Maupin

If someone had taken that book out of my hand said, You're too old for this maybe I'd never have believed that someone who looked like me could be in the pages of the book that someone who looked like me had a story. — Jacqueline Woodson

By contrast, my wife at fifty-two yeas old seems to me just as attractive as the day I first met her. If I were to say this out loud, she would say, 'Douglas, that's just a line. No one prefers wrinkles, no one prefers grey.' To which I'd reply, 'But none of this is a surprise. I've been expecting to watch you grow older ever since we met. Why should it trouble me? It's the face itself that I love, not that face at twenty-eight or thirty-four or fourty-three. It's that face.'
Perhaps she would have liked to hear this but I had never got around to saying it out loud. I had always presumed there would be time and now, sitting on the edge of the bed at four a.m., no longer listening out for burglars, it seemed that it might be too late. — David Nicholls

Eragon said, I have a new name for pain. What's that? The Obliterator. Because when you're in pain, nothing else can exist. Not thought. Not emotion. Only the drive to escape the pain. When it's strong enough, the Obliterator strips us of everything that makes us who we are, until we're reduced to creatures less than animals, creatures with a single desire and goal: escape. A good name, then. I'm falling apart, Saphira, like an old horse that's plowed too many fields. Keep hold of me with your mind, or I may drift apart and forget who I am. I will never let go of you. — Christopher Paolini

Late-Flowering Lust

My head is bald, my breath is bad,
Unshaven is my chin,
I have not now the joys I had
When I was young in sin.
I run my fingers down your dress
With brandy-certain aim
And you respond to my caress
And maybe feel the same.
But I've a picture of my own
On this reunion night,
Wherein two skeletons are shewn
To hold each other tight;
Dark sockets look on emptiness
Which once was loving-eyed,
The mouth that opens for a kiss
Has got no tongue inside.
I cling to you inflamed with fear
As now you cling to me,
I feel how frail you are my dear
And wonder what will be--
A week? or twenty years remain?
And then--what kind of death?
A losing fight with frightful pain
Or a gasping fight for breath?
Too long we let our bodies cling,
We cannot hide disgust
At all the thoughts that in us spring
From this late-flowering lust. — John Betjeman

I know this sounds like quite a pile. I know, too, that some of you will wonder why I don't just buy a Kindle. I see your point, but the trouble is that to do so would be to forgo the pleasure of the moment when, years in the future, sand falls from the pages of an old book, and you suddenly remember the Isle of Wight and A Passage to India, a Greek island and The Map of Love, or whatever. For me, a ghostly trace of Ambre Solaire rising from the pages of a sun-bleached paperback is a way back to the past: to favourite stories as much as to favourite beaches. — Rachel Cooke

Don't be shy, dear. I'm too old for you to be embarrassed by me. — Olga Goa

Ah! If you have a self-will in your hearts, pray to God to uproot it. Have you self-love? Beseech the Holy Spirit to turn it out; for if you will always will to do as God wills, you must be happy. I have heard of some good old woman in a cottage, who had nothing but a piece of bread and a little water, and lifting up her hands, she said, as a blessing, "What!? all this, and Christ too?" What is "all this," compared with what we deserve? And I have read of someone dying, who was asked if he wished to live or die; and he said, "I have no wish at all about it." "But if you might wish, which would you choose?" "I would not choose at all." "But if God bade you choose?" "I would beg God to choose for me, for I would not know which to take." Oh happy state! to be perfectly acquiescent, to lie passive in His hand, and know no will but His. — Charles Haddon Spurgeon

I want to protect you. I want to spoil you. I want to have children with you and spoil them too. I want to grow old with you. And at the end of our lives, you will have no doubt you were loved and adored by me for every second. — Kresley Cole

Many wild foods have their charms, but the dearest one to my heart - my favorite fruit in the whole world - is the thimbleberry. Imagine the sweetest strawberry you've ever tasted, crossed with the tartest raspberry you've ever eaten. Give in the texture of silk velvet and make it melt to sweet juice the moment it hints your tongue. Shape it like the age-old sewing accessory that gives the fruit its name, and make it just big enough to cup a dainty fingertip. That delicious jewel of a fruit is a thimbleberry. They're too fragile to ship and too perishable to store, so they are one of those few precious things in life that can't be commoditized, and for me they always symbolize the essence of grabbing joy while I can. When it rains in thimbleberry season, the delicate berries get so damp that even the gentlest pressure crushes them, so instead of bringing them home as mush, I lick each one of my fingers as soon as it is picked. These sweet berries are treasure beyond price... — Sarah A. Chrisman

If you stay, I'll do whatever you want. I'll quit the band, go with you to New York. But if you need me to go away, I'll do that, too. I was talking to Liz and she said maybe coming back to your old life would be too painful, that maybe it'd be easier for you to erase us. And that would suck, but I'd do it. I can lose you like that if I don't lose you today. I'll let you go. If you stay. — Gayle Forman

Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They're nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don't get it, I'm sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It's true. — Haruki Murakami

Having a fling with you doesn't appeal to me. You're handsome, but you're too inexperienced and too arrogant to be good in bed. Having ridden many horses doesn't make you a good rider; it just proves that you can't recognize a good one or don't know how to keep her. You're too young for me, and in ten years, when you improve, I will be too old for you. So let's not speak of this again. A thin, high-pitched sound came from the wall. Miko was snickering. — Ilona Andrews

Jack the Orderly: I've come for your tv. You've been using too much juice. Another 10,000 kilowatts again this month. Beats me how an old, homicidal loony can use that much power. — Earl Mac Rauch

People stopping you in the street, though, is very different from being hounded by the press, which is the kind of attention that celebrities get, and I'm probably too old for that kind of thing to happen anyway. I think it happens more when you're dating all sorts of different very handsome actors or something. They want gossip and scandal, and they know they're not going to get it from me because I'm too old to be scandalous. Of course, they could read the book - although it's not really a scandalous book. — Grace Coddington

There you are. The sight of the changing world is miraculous and heartbreaking, both at the same time.
But so it is for me too. The heartbreaking side of growing old is not in the things around one but in oneself. — Simone De Beauvoir

I don't let anyone touch me," I finally said.
Why not?"
Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. ( ... ) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette. — Janet Fitch

I was reading a poem by my idol, Wallace Stevens, in which he said, 'The self is a cloister of remembered sounds.' My first response was, Yesss! How did he know that? It's like he's reading my mind. But my second response was, I need some new sounds to remember. I've been stuck in my little isolation chamber for so long I'm spinning through the same sounds I've been hearing in my head all my life. If I go on this way, I'll get old too fast, without remembering any more sounds than I already know now. The only one who remembers any of my sounds is me. How do you turn down the volume on your personal-drama earphones and learn how to listen to other people? How do you jump off one moving train, marked Yourself, and jump onto a train moving in the opposite direction, marked Everybody Else? I loved a Modern Lovers song called, 'Don't Let Our Youth Go to Waste,' and I didn't want to waste mine. — Rob Sheffield

My son is 12 now, and is really getting into girls. A lot. But the thing about twelve year old boys is that they don't possess what I like to call that ... discretionary gene yet. We were walking home from the ballfield the other day and there was a woman walking towards us who was ... gifted. I saw them, and I saw him see them. But she was too close for me to go, "Dude, shut up." She hadn't walked two feet behind us and he goes "God dang, did you see the SIZE of those things?" And all I could say was "Yeah, I did!" — Bill Engvall

My dear child,' said the old gentleman, moved by the warmth of Oliver's sudden appeal, 'you need not be afraid of my deserting you, unless you give me cause.'
I never, never will, sir,' interposed Oliver.
I hope not,' rejoined the old gentleman; 'I do not think you ever will. I have been deceived before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless, and more strongly interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature. — Charles Dickens

In my childhood I was obsessed with cameras but could not afford one. After much persuasion my father Harivansh Rai Bachchan bought me a box camera which I treasured for years. Initially I clicked trees and nature and as I grew up started noticing prettier things-motorbike, sleek cars and cool girls. But the hamartia of life is when you desire something you cannot afford it and when you are able to afford it you are too old to use it. Now I don't need all gadgets but it's satisfying to know that at least I can afford them. — Amitabh Bachchan

Lately I have been feeling hulihudu. And everything around me seemed to be heimongmong. These were words I had never thought about in English terms. I suppose the closest in meaning would be "confused" and "dark fog."
But really, the words mean much more than that. Maybe they can't be easily translated because they refer to a sensation that only Chinese people have, as if you were falling headfirst through Old Mr. Chou's [Mr. Sandman's] door, then trying to find your way back. But you're so scared you can't open your eyes, so you get on your hands and knees and grope in the dark, listening for voices to tell you which way to go.
I had been talking to too may people ... to each person I told a different story. Yet each version was true, I was certain of it, at least at the moment I told it. — Amy Tan

Careful old-timer, your age is showing."
"Hey, I'm only thirty-two. I'm in my prime, woman!"
She harrumphed. "Well, I'm a mere twenty-five and you're way too old for me."
Jay's eyes smoldered as he whispered, "My experience is your gain. — Anne Rainey

Menoceus wants his father."
"Bob is crying because he wants his mother to stop calling him that crap-ass name. It's all right Bob. Daddy's got you now. I'm saving you fromMommy's bad naming taste. I'd be crying, too, if my mom named me after an idiot."
"Menoeceus is a great name."
"For an old man or a feminine hygeine product. Not for my son. And next time I get to name the kid and it won't be something that sounds like meningitis. — Sherrilyn Kenyon

How old are you?" I asked, my head cocked to the side.
"Nineteen."
It was too much to resist. "And how long have you been nineteen?"
He looked at me like I had a screw loose.
"Since I haven't been eighteen?"
"So you'be been on this planet for nineteen years?"
"That's usually what an age implies. — Heather Hildenbrand

Hale." Kat sighed. "The headmaster's car? Really? That's not to cliched for you?"
What can I say?" He shrugged. "I'm an old-fashioned guy. Besides, it's a classic for a reason." He leaned against the window. "It's good to see you, Kat."
Kat didn't know what to say. It's good to see you, too? Thanks for getting me kicked out? Is it possible you've gotten even hotter? I think I might have missed you? — Ally Carter

An old Cherokee is teaching his grandson about life. "A fight is going on inside me," he said to the boy. "It is a terrible fight and it is between two wolves. One is evil - he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego." He continued, "The other is good - he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you - and inside every other person, too." The grandson thought about it for a minute and then asked his grandfather, "Which wolf will win?" The old Cherokee simply replied, "The one you feed." - CHEROKEE LEGEND — Arianna Huffington

When I naturally write a story and I feel that the guy (is) sitting across the table from the girl and flirting with her ... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles. — Woody Allen

Look at the two of us, barely out of childhood and already we're too old-fashioned for this changing world. Is it possible to be born old? Because I certainly feel it sometimes. How can we hope to stand against unstoppable progress; how can we possibly win a war against the forces of science?"
Oskan snorted.
"Which question do you want me to answer first? Born old? Yes, right now I feel ninety. And as for the rest, we're not fighting progress or science, they're both ideas that belong to people. Ideas that should help us to understand the beauty of our world and improve the lives of everything that lives in it. But the Empire has kidnapped them, and progress of its sort means sweeping aside everything that isn't new, whether good or bad. And to the Empire science is just a means of creating more efficient ways of killing people. — Stuart Hill

You needn't play, Mr. Weston," Emma said. "I only agreed to play for Lizzie's sake, so . . ." "Oh, come, Miss Smallwood. Please tell me you don't shun all things athletic as you did as a girl." A teasing light shone in his eyes. "Afraid you'll lose?" Emma huffed. "I am not afraid to lose. I know I shall. This isn't chess, after all." One eyebrow rose. "Oh, ho! A shot to the heart. The lady recalls soundly trouncing me, I see. Then you must give me a chance to redeem myself." He set aside his hat and adopted a ready stance, bouncing lightly from foot to foot. He looked fifteen years old all over again. Emma felt a grin lift a corner of her mouth. "Oh, very well. But promise not to laugh too hard." "I promise. — Julie Klassen

We could start, perhaps, with the seemingly simple question, What is History? Any thoughts, Webster?' 'History is the lies of the victors,' I replied, a little too quickly. 'Yes, I was rather afraid you'd say that. Well, as long as you remember that it is also the self-delusions of the defeated. Simpson?' Colin was more prepared than me. 'History is a raw onion sandwich, sir.' 'For what reason?' 'It just repeats, sir. It burps. We've seen it again and again this year. Same old story, same old oscillation between tyranny and rebellion, war and peace, prosperity and impoverishment.' 'Rather a lot for a sandwich to contain, wouldn't you say?' We laughed far more than was required, with an end-of-term hysteria. 'Finn?' '"History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation." ' 'Is it, indeed? Where did you find that?' 'Lagrange, sir. Patrick Lagrange. He's French. — Julian Barnes

Kiana loved birds," Breena told him late one dusky evening. "When she was just a few summers old, she would run beneath them as they flew, her chubby arms stretched out as if tmo take flight alongside them." She sniffed and wrapped her arms around her stomach. "A few weeks before the attack, she told me that she was still going to fly one day. 'I look at the birds, and I see freedom,' she said. 'To soar above the hurt of the world, to be too high for the wars of men to touch you: that is what it means to fly. — Elizabeth Wilson

Do you mind not intoning the responses, Jeeves?" I said. "This is a most complicated story for a man with a headache to have to tell, and if you interrupt you'll make me lose the thread. As a favour to me, therefore, don't do it. Just nod every now and then to show that you're following me."
I closed my eyes and marshalled the facts.
"To start with then, Jeeves, you may or may not know that Mr Sipperley is practically dependent on his Aunt Vera."
"Would that be Miss Sipperley of the Paddock, Beckley-on-the-Moor, in Yorkshire, sir?"
"Yes. Don't tell me you know her!"
"Not personally, sir. But I have a cousin residing in the village who has some slight acquaintance with Miss Sipperley. He has described her to me as an imperious and quick-tempered old lady ... But I beg your pardon, sir, I should have nodded."
"Quite right, you should have nodded. Yes, Jeeves, you should have nodded. But it's too late now. — P.G. Wodehouse

If you can get a twelve year-old kid to go listen to Thelonius Monk, what more do you want? Do you want a big pile of cash, too? That's a home run for me. — Jimmy Chamberlin

It's an old church and smells like a museum - in a good way, a survived-lots-of-shit-and-still-standing kind of way. Something about the stained-glass windows works for me too. If I were to get all deep on you, I could say the idea of all those broken pieces being made into something so damn pretty appeals to me. Good thing I'm not that profound. (54) — Chevy Stevens

It's hard for me to sit still. Now if you'll sit me in front of a great old movie, I'll sit still, because I love that, too. — Patty Loveless

One of the things that bugs me about the Western Literary Tradition is that the conventions of narrative in particular seem to confine the stories you can tell about characters to tropes of bone-headed action and old models of psychological realism. And as readers, too, we have been conditioned to understand characters as - and forgive me for saying it out loud - what the market says they should be. Namely, safe, clean, proper. — Lidia Yuknavitch

I didn't want it to be this way."
"Yes, you did," she said, "because it is."
"I just want to be with someone normal," he said. "I just want to have a normal life."
"Excuse me," she said.
"You're a little crazy," he said. "You're too old to act the way you do. You've got to grow up. You've got to take care of yourdelf. I'm afraid for you. You can't think that people are going to take care of you all the time. — Candace Bushnell

A Native American wisdom story tells of an old Cherokee who is teaching his grandson about life. "A fight is going on inside me," he said to the boy. "It is a terrible fight and it is between two wolves. One is evil - he is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other is good - he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you - and inside every other person, too." The grandson thought about it for a minute and then asked his grandfather, "Which wolf will win?" The old Cherokee simply replied, "The one you feed. — Kristin Neff

Nathaniel's trying to get hold of it right now.
All very well, but could he use - Wait a minute! The radiant features of the boy contorted, slipped out of true, as if the condoling intelligence had drawn back in shock; an instant later they were as perfect as before. Let's get this straight. He told you his name?
Yes. Now
I like that ... I like that! He's been giving me gyp for years, simply because I could have spilled the beans, and now he's telling any old broad he meets, free of charge! Who else knows? Faquarl? Nouda? Did he deck his name out in neon lights and parade it round the town? I ask you! And I never told anyone!
You let it slip last time I summoned you.
Well, apart from that.
But you could have told his enemies, couldn't you, Bartimaeus? You'd have found a way to harm him if you'd really wished it. And Nathaniel knows that too, I think. I had a talk with him. — Jonathan Stroud

What are you looking for?" he asked. A car alarm was going off in the distance, and he cringed as if the sound were deafening.

"A ride," she answered. Some of the cars were too new, others too old. She finally stopped in front of a black sedan, nice enough, but not one of the models with fancy security and keyless entry.

"Break that for me," she said, nodding at the driver's side door.

"The window?" asked August, and she gave him a look that said yes, obviously the window, and he gave her a look that said I don't commit petty crimes very often before he slammed his elbow into the glass to shatter it. — Victoria Schwab