Your My Boy Blue Quotes & Sayings

There was always another boy, and then another, and another — Melissa De La Cruz

Morgon of Hed met the High One's harpist one autumn day when the trade-ships docked at Tol for the season's exchange of goods. A small boy caught sight of the round-hulled ships with their billowing sails striped red and blue and green, picking their way among the tiny fishing boats in the distance, and ran up the coast from Tol to Akren, the house of Morgon, Prince of Hed. There he disrupted an argument, gave his message, and sat down at the long, nearly deserted tables to forage whatever was left of breakfast. The Prince of Hed, who was recovering slowly from the effects of loading two carts of beer for trading the evening before, ran a reddened eye over the tables and shouted for his sister. — Patricia A. McKillip

I have an African gray parrot; her name is Eli. We thought she was a boy. And a blue-streaked lory named Marco. He's 10. And a yellow and green parakeet, Petey. He's very cute, but he's getting old. — Roz Chast

Years later Magnus would return to London and Camille Belcourt's side, and find it not all that he had dreamed. Years later another desperate Herondale boy with blue, blue eyes would come to his door, shaking with the cold of the rain and his own wretchedness, and this one Magnus would be able to help. — Cassandra Clare

And Avery looks up at just that moment and sees the blue-haired boy glancing his way.
Some of us applaud. Others look away, because it hurts too much. — David Levithan

It's important to marry someone, she said. Not because you need them to complete you or because you ought to be someone's wife by hook or by crook. It's just that worlds want to combine, they want to marry, and they use people to do it, the way you mix medicine in with something sweet, so it's easy to swallow. That's why we have to have all those silly things: a frilly dress and something blue and a bachelor party and a priest. Just so that a boy and a girl can live together and make babies? Posh. Because the big worlds inside us are mating, and they need the pomp. — Catherynne M Valente

For crissakes, you're the frickin' poster boy for DarkRiver with your 'Gee, shucks, I'm harmless' act."
Dorian was used to being ribbed about his looks. With his blond hair and blue eyes, he looked more like a surfer hanging out for the right wave than blooded DarkRiver sentinel.
"Look who's talking, Miss Bikini Babe 2067. — Nalini Singh

When I was a boy during Thatcher, you watched elections and wept in disbelief as the whole country turned blue, Scotland turned red, and we still got the Tories. — John Niven

Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she'd cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . .
"I smell something sweet," she said. She'd been gazing up at the ceiling. Now her eyes wandered
down and landed on Kell. "Hello, flower boy. — V.E Schwab

To her complete surprise, Robbie wrapped his arms around her waist and pressed his cheek against her apron. He smelled of sunshine, river water, and sun-warmed blackberries. Ada's eyes filled. "I'm sorry about your ma and pa. And I'm sorry I made you sad." It was easy to see why Wyatt set such store by this boy. He was a treasure. She held him by the shoulders and smiled into his bright blue eyes. "You are a wonderful boy, Robbie Whiting, and I can never be sad when you're around." He smiled, and she swallowed the lump in her throat. — Dorothy Love

Each soul has its appointed doom. How is it you dare to raise a mortal boy so high - high enough to flout the gods? Bring godhead where a man may reach out and take it? growls Enlil, and lightning splits a clear blue sky. — Janet Morris

From the great trees the locusts cry
In quavering ecstatic duo-a boy
Shouts a wild call-a mourning dove
In the blue distance sobs-the wind
Wanders by, heavy with odors
Of corn and wheat and melon vines;
The trees tremble with delirious joy as the breeze
Greets them, one by one-now the oak
Now the great sycamore, now the elm. — Hamlin Garland

Oh no! Akri-Nicky! You okay? The Simi didn't know it was her favorite blue-eyed demon boy when she hit him so hard so as to protect his precious akra-mama. Oh no! You still living and breathing and not broken? 'Cause if you not, can the Simi eat your dead, meaty remains? Please, please, please? Maybe some of them bones, too, 'cause the marrow can be quite tasty in its own right. Simi. — Sherrilyn Kenyon

Monkey John looked at the dead boy. "By God, life is cheap up here on the goddamned Canadian River."
"Cheap," Blue Duck answered. "And it might get cheaper. — Larry McMurtry

They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stirring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. — Suzanne Collins

The thirteen-year-old boy's cheeks were flushed with the wine that his father, half as a joke, had forced upon him. He burrowed into the silken quilts and let his head fall back on the pillow, his breath warm and heavy. The tracery of blue veins under his close-cropped hair throbbed around his earlobes, and the skin was so extraordinarily transparent that one could almost see the fragile mechanism inside. Even in the half-light of the room, his lips were red. And the sounds of breathing that came from this boy, who looked as though he had never experienced anguish, seemed to be the mocking echo of a sad folksong. — Yukio Mishima

Hey. Do you want a cracker?" a velvet voice asked me.
I didn't look up, I wasn't sure if he was even talking to me. Why would an attractive senior be talking to me?
"Hey, I'm talking to you," he said, a chuckle in his voice.
I slowly lifted my head peering at him from under my long lashes. His dark brown hair swept across his forehead, and his deep blue eyes made me gasp. He wore the ultimate laid back style, a white t-shirt and jeans. All he needed was a black leather jacket, and he would be the bad boy from my book. The smile on his face was breathtaking and I found myself unable to speak. — Felicia Tatum

Things did get better after that, though never like they were before the small blue baby boy was put into the earth. Catherine's mother wasn't a girl anymore, singing at any chance like she used to. She was old with a young face, walking slowly and watching the trees when she could stop and lean on her broom. Catherine thought that her brother was always with her ma, never quite letting her go, and it made her ma tired to carry him, too. — Rachel Devenish Ford

A bright haze seemed to lie over everything, and she had a feeling of unreality, but the scene itself looked almost unbelievably wholesome, like something out of a commercial. Just your average family sitting down to eat turkey, she thought. One slightly flustered aunt, worried that the peas will be mushy and the rolls burnt, one comfortable uncle-to-be, one golden-haired teenage niece and her baby sister. One blue-eyed boy-next-door type, one spritely girlfriend, one gorgeous vampire passing the vegetables. A typical American household. — L.J.Smith

You're going to wear that?" Jackson lifted his chin, indicating my outfit. I glanced down at myself. Seeing nothing wrong with my blue jeans, hiking boots, and long-sleeved purple Henley with the top four buttons undone. I returned Jackson's scowl with a frown. "And what's wrong with what I'm wearing?" "Your shirt is half undone, your boobs are busting out, and those jeans are awfully tight." I crossed my arms under my chest and glared at my brother. "Are you calling me fat?" "No. I'm saying that outfit doesn't leave much to the imagination. I don't want that Winston boy getting ideas." Meanwhile, I wanted Duane to get lots of ideas. — Penny Reid

She lifted the tails of his elegant silk evening shirt. "Some that don't reach my knees?"
He cleared his throat. He liked her wrapped in his shirt, surrounded by him. "Well, actually, as Joshua knows, that is one of your annoying habits. You like to run around in my shirts. You think they are much more comfortable than your own clothes."
Alexandria regarded him with wide blue eyes. "Oh, I do, do I? I take it you grumble about it."
"Often, to Josh. We laugh together about the idiosyncrasies of women. He thinks you look cute in my shirts."
"And what would give a little boy an idea like that?"
He looked unrepentant. "I might have mentioned it a time or two."
His golden eyes slid over her body, making her aware of her bare skin beneath his shirt, of every curve of her body, of the fact that they were completely alone in some secret chamber of his home.
"It is true, after all. You do look cute in my shirt. — Christine Feehan

Officer Downing pulls into the driveway next to Mom's car. Of course she's home. I don't know why I even wasted hope that she wouldn't be. Maybe because I'm eighteen, which means they don't bother calling your parents to the scene. But even if I'm not a victim of the law, I'm a victim of the small-town grapevine. A victim of flashing blue lights, whispered scorn, and heads shaking in disapproval. And, boy, do I feel like a victim, because not only is she home, she's standing on the front porch, arms crossed. Waiting.
Officer Downing opens the back door to the low-budget cop car that smells like vinyl, BO, and humiliation. I step out. He hands me my backpack, which Rachel was so kind to bring out when we dropped Rayna off at Galen's house. She was also kind enough not to kill me for showing up at her house with a cop. — Anna Banks

I went out for a film where they wanted seven brothers and one sister, so I was there for half a day while they were waiting for 'Archie' to read for a boy ... I've had drivers come to pick me up in England looking for a blond, blue-eyed Scottish boy. — Archie Panjabi

While she strode rapidly through the ward to the door at the other end, she was able to see that every bed or cot held an infant or a small child in whom the human template had been wrenched out of pattern, sometimes horribly, sometimes slightly. A baby like a comma, great lolling head on a stalk of a body... then something like a stick insect, enormous bulging eyes among stiff fragilities that were limbs... a small girl all blurred, her flesh guttering and melting - a doll with chalky swollen limbs, its eyes wide and blank, like blue ponds, and its mouth open, showing a swollen little tongue. A lanky boy was skewed, one half of his body sliding from the other. A child seemed at first glance normal, but then Harriet saw there was no back to its head; it was all face, which seemed to scream at her. — Doris Lessing

Ultimately, Roger learned only of the encounter with the urban bees. The boy remained thoroughly fascinated by what he heard nonetheless, his blue-eyed stare never once straying from Holmes; his visage passive and accepting, his eyes wide, Roger's pupils stated fixed on those venerable, reflective eyes, as though the boy were seeing distant lights shimmering along an opaque horizon, a glimpse of something flickering and alive existing beyond his reach. And, in turn, the gray eyes that focused sharply on him - piercing and kind at the same instant - endeavoured to bridge the lifetime that separated the two of them, attempting to do so as brandy was sipped, and the vial's glass grew warmer against soft palms, and that seasoned, well-lived voice somehow made Roger feel much older and more worldly than his years. — Mitch Cullin

Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums. That's Mama! Inej had cried. Yes, Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart. That — Leigh Bardugo

I need to tell you a story.'

What about?

Zachariah, Zachariah, my foundling boy. 'A boy. A boxer, a fighting man. A brother. No. About brothers, sisters. Foundlings, laid-in-the-streets. Fights, fighting. A boy, it all begins with the boy. My love. A wolf. Peter and the Wolf! Oh dear! I am very crazy! Let me - I must tell you this story.'

Why?

'I'm frightened.'

Of?

'Fractals. Patterns.'

Ah, says the fish, looking at Rachel with his wise eyes. Chaos!

'Yes,' thinks Rachel. 'Chaos. Fearful symmetry.'

Go home, says the fish, flipping over, flashing in light, and diving down into the great blue sea. — Emma Richler

Nobody dast blame this man. You don't understand: Willy was a salesman. And for a salesman, there's no rock bottom to the life. He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue riding on a smile and a shoeshine. And when they start not smiling back - that's an earthquake. And then you get yourself a couple spots on your hat and your finished. Nobody dast blame this man. A salesman is got to dream boy, it comes with the territory. — Arthur Miller

Then she blinked, because his eyes were the wrong color - blue instead of hazel.
And she realized, in that moment when she'd said screw it to her hesitations and trepidations and
had let her heart lead the way, she'd imagined herself kissing Vaughn.
"Oh, boy," she said, with a ragged, panicky exhale.
"I know. I felt that, too," Tyler said.
She was officially screwed. — Julie James

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

The God of Imagination lived in fairytales. And the best fairytales made you fall in love. It was while flicking through "Sleeping Beauty" that I met my first love, Ivar. He was a six-year-old bello ragazzo with blond hair and eyebrows. He had bomb-blue eyes and his two front teeth were missing.
The road to Happily Ever After, however, was paved with political barbed wire. Three things stood in my way.
1. The object of my affection didn't know he was the object of my affection.
2. The object of my affection preferred Action Man to Princess Aurora.
3. The object of my affection was a boy and I wasn't allowed to love a boy. — Diriye Osman

So much depends upon the transparent G-tube erupting from the gut of the blue-lipped boy. So much depends upon this observer of the universe" ... "And you say you don't write poetry. — John Green

In the next hour, as he lay dying, he thought only of that moment of serenity, kneeling next to the church where he had been a boy before he grew into a man and realized the clarity of strength, his knees damp in the wet ground and in his palm the blue and red and purple glass.

As he lay dying, his flesh ripped like fabric, his blood flowing freely like the rain that came so often, he thought only of those beautiful shards of glass and the weight that they carried, and he found it difficult to comprehend that while he held those small holy things, how something so big and so powerful and so violent could have been so silent as it crept up behind him. — Michael Farris Smith

Are you being a good boy for your mum?"
Conor's grandma pinched Conor's cheeks so hard he swore she was going to draw blood.
"He's been very good, Ma," Conor's mother said, winking at him from behind his grandma, her favorite blue scarf tied around her head. "So there's no need to inflict quite so much pain. — Patrick Ness

Now the red eyes and the light above seemed to bore into Charles, and again the pupils fo the little boy's eyes contracted. When the final point of black was lost in blue he turned away from the red eyes, looked at Meg, and smiled sweetly, but the smile was not Charles Wallaces smile. — Madeleine L'Engle

He raised a hand in response and tossed the ear of corn into the wagon. Then he
returned to his fantasy, imagining himself running the livery instead of working there, making the decisions, placing orders, selecting new horses, agreeing to board others, and
hiring a boy to muck out the stalls and pitch hay.
In his daydream, he no longer lived in the back room. He came home at night to a small house he'd bought with his earnings. Inside, a woman waited for him. A wife. In his fantasy her hair was as golden as the ear of corn he tossed into the wagon and her
eyes as blue as the cloudless sky overhead. Catherine smiled at him and he could hear as well as see her say his name. "Jim! Welcome home. — Bonnie Dee