Young Adults Book Quotes & Sayings

Perhaps a modern society can remain stable only by eliminating adolescence, by giving its young, from the age of ten, the skills, responsibilities, and rewards of grownups, and opportunities for action in all spheres of life. Adolescence should be a time of useful action, while book learning and scholarship should be a preoccupation of adults. — Eric Hoffer

The annual award of $5,000 goes to an author for a meritorious book published in the previous year for children or young adults. Scott O'Dell established this award to encourage other writers
particularly new authors
to focus on historical fiction. He hoped in this way to increase the interest of young readers in the historical background that has helped to shape their country and their world. — Scott O'Dell

With the 'Hazelwood High' trilogy, I wasn't sure I was writing a trilogy. I would just write one book, then another, and then another, because the young adults who wrote me told me that they wanted to read more. — Sharon Draper

I remember as a very young child being warned that libraries and bookstores were quiet places where noise wasn't allowed. Here was yet another thing the adults had gotten wrong, for these book houses pulsed with sounds; they just weren't noisy. The books hummed. The collective noise they made was like riding on a large boat where the motor's steady thrum and tickle vibrated below one's sneakers, ignorable until you listened, then omnipresent and relentless, the sound that carried you forward. Each book brimmed with noises it wanted to make inside your head the moment you opened it; only the shut covers prevented it from shouting ideas, impulses, proverbs, and plots into that sterile silence. — Wendy Welch

My book group has one rule: no books for adults. We read young adult fiction only. — Lev Grossman

As an advocate for kids for over twenty years, I have watched things change since I was in school. Thankfully, this book made me face what I intuitively knew was real but pretended wasn't: The youth of our culture have been deeply wounded by our collective neglect and adult-driven self-focus. Young people need adults to understand what they are going through and people to care about them without a personal agenda. This book was very helpful to me, and my attitude toward teens will never be the same. — Doug Fields

This book is not for parents who want to raise a perfect child. You can probably make that kind of kid, but I don't think you should. I've met more than my share of young prodigies - kids who were pushed to skip grades, memorize Latin names for every insect, and greet all adults with firm handshakes. They're weird, and not in a good way, like a corgi wearing a tuxedo: sure it's cute, but does it truly know joy? — Brett Berk

This book blew me away. Kelly Parra writes with the keen eye of an artist. Graffiti Girl is warm, gutsy, and true-to-life - an unflinching, honest portrayal of young adults. A seamless and impressive debut. — Anne Frasier

Some say it is the elements of hope and wonder in children's books that make them special. But there are many dark young adult novels these days. Adults loved Harry Potter, though it was written for the young. In the end, it is probably up to the reader of any age to decide if this book is for him or her. — Katherine Paterson

Merlin: "Grown-ups have developed an unpleasant habit lately, I notice, of comforting themselves for their degradation by pretending that children are childish. I trust we are free of this?"
Arthur: "Everybody knows that children are more intelligent than their parents."
Merlin: "You and I know it, but the people who are going to read this book do not.
Our readers of that time ( ... ) have exactly three ideas in their magnificent noodles. The first is that the human species is superior to others. The second, that the twentieth century is superior to other centuries. And the third, that human adults of the twentieth century are superior to their young. ( ... ) — T.H. White

Acting on desire is more like a craft, a science, an art. It takes careful mindful practice. Be patient and quiet. Listen, observe, take notes. Figure out what you want, privately, and then choose to want it, publicly. Put your desire out in the open. I want to go swimming. I want to bake bread. I want to paint a picture. I want to build a chair. I want to write a book. You act and then you fail. Over and over. And it's better to start failing when you're young, when all you lose is an ice-cream cone or a basketball game or an afternoon of fun. When you're older, the stakes are higher. If adults don't know how to want, then they lose a love, a career, a life. — David Barringer

I had been writing comic books for years and I was doing them to please a publisher, who felt that comics are only read by very young children or stupid adults. And therefore, we have to keep the stories very simplistic. And that was the thing I hated. — Stan Lee

A lot of young viewers, but I also have a lot of older viewers. This chapter is for my older fans - those of you who are slightly more mature. If any kids are reading this book, turn the page now. This chapter is not appropriate for children. It's for adults who experience adult situations, such as eating dinner before 6:00 and struggling to read menus in dim lighting conditions. Many adults, myself included, have trouble reading menus when they go out to eat at restaurants because the font is way too small. I know there are products to help with this problem, like reading and magnifying glasses, but I have a better idea. Make the font size larger. There should be a worldwide standard for menu font size. I've included a sample menu below with a suitable font size. You'll notice — Ellen DeGeneres

LOUIS SACHAR is the author of the New York Times #1 bestseller Holes, winner of the Newbery Medal, the National Book Award, and the Christopher Award. He is also the author of Stanley Yelnats' Survival Guide to Camp Green Lake; Small Steps, winner of the Schneider Family Book Award; and The Cardturner, a Publishers Weekly Best Book, a Parents' Choice Gold Award recipient, and an ALA-YALSA Best Fiction for Young Adults book. His books for younger readers include There's a Boy in the Girls' Bathroom, The Boy Who Lost His Face, Dogs Don't Tell Jokes, and the Marvin Redpost series, among many others. — Louis Sachar

As adults, we've seen so much before that we often turn the pages of a picture book without really looking. Young children tend to look more carefully. — Anthony Browne