You Don't Know The Real Me Quotes & Sayings

Maybe I could love you someday."
If you ever do," he said, "come and let me know. You know where to find me."
Her teeth were chattering harder. "I can't lose you, Simon. I can't."
You never will. I'm not leaving you. But I'd rather have what we have, which is real and true and important, than have you pretend anything else. When I'm with you, I want to know I'm with the real you, the real Clary."
She leaned her head against his, closing her eyes. He still felt like Simon, despite everything; still smelled like him, like his laundry soap. "Maybe I don't know who that is."
But I do. — Cassandra Clare

But you don't really mean to say that you couldn't love me if my name wasn't Ernest?
GWENDOLEN: But your name is Ernest.
JACK: Yes, I know it is. But supposing it was something else? Do you mean to say you couldn't love me then?
GWENDOLEN (glibly): Ah! that is clearly a metaphysical speculation, and like most metaphysical speculations has very little reference at all to the actual facts of real life, as we know them. — Oscar Wilde

We all have scars." Nathaniel looked him straight in the eyes. "Only some of us wear ours on the inside. They don't change who we are, only who we might've been. They change the way we see the world around us. People like you and me, we know bad things happen. We know what real pain is, and we know that sometimes there really is a monster under the bed. We don't have the luxury the rest of the world does. We can't pretend those things aren't real, that life is all sunshine and rainbows. We know different, we've seen too much to believe otherwise. Wear your scars as a badge of honor. They show the world you were strong enough to survive. Don't let them make you feel like you need to hide. — Lynley Wayne

You're certifiable, you do know that, yes?" Austin commented with a strange look.

"Well, coming from the school's resident sociopath, I take that as high praise."

"Don't make me get my pipe bombs."

Oh God, he was actually joking with me. I was in. In where, I had no idea, but I was definitely in somewhere. And he was smiling-- a real, non-adverb laced smile. And damn, he had dimples. I was doomed. So doomed. — Chris O'Guinn

Hana?" Lena says softly. "Are you okay?"
That single stupid question breaks me. All the metal fingers relax me at once, and the tears they've been holding back come surging up at once. Suddenly I am sobbing and telling her everything: about the raid, and the dogs, and the sounds of skulls cracking underneath regulator's nightsticks. Thinking about it again makes me feel like I might puke. At a certain point, Lena puts her arms around me and starts murmuring things into my hair. I don't even know what she's saying, and I don't care. JUst having her here - solid, real, on my side - makes me feel better than I have in weeks. Slowly I manage to stop crying, swallowing back the hiccups and sobs that are still running through me. I try to tell her that I've missed her, and that I've been stupid and wrong, but my voice is muffled and thick — Lauren Oliver

That's what I was thinking about before you came. I was thinking about your mattering business. I feel like, like, how you matter is defined by the things that matter to you. You matter as much as the things that matter to you do. And I got so backwards, trying to make myself matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do."
"You don't even know why you need to be world-famous; you just think you do. — John Green

This was what I came to found. The conquest of loneliness was the missing link that was one day going to make a decent novelist out of me. If you are out here and cannot close off the loves and hates of all that back there in the real world the memories will overtake you and swamp you and wilt your tenacity. Tenacity stamina ... close off to everything and everyone but your writing. That s the bloody price. I don t know maybe it's some kind of ultimate selfishness. Maybe it's part of the killer instinct. Unless you can stash away and bury thoughts of your greatest love you cannot sustain the kind of concentration that breaks most men trying to write a book over a three or four year period. — Leon Uris

If beauty is pain - let me get lost in it. If you're my salvation - I want to earn it. If love is all I have to give - then let me give it. You. It's all for you."
Gabe's eyes opened and locked in on mine.
"How can I prove that what I feel is real? You ask for truth I give you lies. You ask for joy I make you cry. But I don't want to lose you. Not like this. Not when I've left your heart in such a mess. Give me one chance - I'm letting go of the past - but I need you here to know."
"If beauty is pain - let me get lost in it. If you're my salvation - I want to earn it. If love is all I have to give - then let me give it. You, it's all for you." He paused, hitting the last few notes, and the song ended.
Gabe's smile lit up the room.
But I was frozen in place.
Me. He'd sung that to me. — Rachel Van Dyken

Ja-nee, there had been some good times at the academy over Scrabble boards. Of course, the long evenings had always ended in recriminations when one or other recruit insisted that 'pzxtrri' was a word, and the others had told him to prove it, and he'd said Fine, give me a dictionary, and they'd said You know we don't have a dictionary, and he'd said Then shut your face, and they'd said Make me, and he'd gone for his service pistol. But before the inevitable arrival of the dog unit with the pepper spray, there had been some real friendships made. — Tom Eaton

But the truly brilliant geocachers?"
"Yeah?" he says. "What about us?"
"They know it by its real name. Terra Firma."
"Terra Firma," he repeats. At last, he slips his backpack off his shoulder. I know what he's looking for.
I take a breath. "You don't need your GPS for this cache."
His eyes don't move off mine; he's watching me so carefully. "You don't, huh?"
"Nope," I say.
Some things are meant to be kept - what you learn from experiences good or bad, smiles from an orphaned girl, a boy who is your compass pointing to your True North. So I look at Jacob full in the face with nothing obscuring him. Or me. And then I step closer to him. And closer. And closer yet.
"Here I am," I tell him. "Here I am. — Justina Chen

I say Bertie old man I am in love at last. She is the most wonderful girl Bertie old man. This is the real thing at last Bertie. Come here at once and bring Jeeves. Oh I say you know that tobacco shop in Bond Street on the left side as you go up. Will you get me a hundred of their special cigarettes and send them to me here. I have run out. I know when you see her you will think she is the most wonderful girl. Mind you bring Jeeves. Don't forget the cigarettes. - Bingo. — P.G. Wodehouse

I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that. — Emma Stone

We women, me and you. Tell me something real. Don't just say I'm grown and ought to know. I don't. I'm fifty and I don't know nothing. What about it? Do I stay with him? I want to, I think. I want ... well, I didn't always ... now I want. I want some fat in this life."
"Wake up. Fat or lean, you got just one. This is it."
"You don't know either, do you?"
"I know enough to know how to behave."
"Is that it? Is that all it is?"
"Is that all what is?"
"Oh shoot! Where the grown people? Is it us?"
"Oh, Mama." Alice Manfred blurted it out and then covered her mouth.
Violet had the same thought: Mama. Mama? Is this where you got to and couldn't do it no more? The place of shade without trees where you know you are not and never again will be loved by anybody who can choose to do it? Where everything is over but the talking?
- Violet Trace and Alice Manfred — Toni Morrison

You know good and well that you don't want a problem like that, you gon' make someone around me catch a body like that. Ohhh, don't do it! Please don't do it. Cause one of us goes in and we all go through it. And Drizzy got the money, so Drizzy gonna pay it. Those my brothers, I aint even gotta say it, that's just something they know — Drake

I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me. — Richard Ayoade

Dear Margot,
You say that we had to break up because you don't want to go to college with a boyfriend, and you want your freedom, and you don't want to be held back. But you know and I know that's not the real reason You broke up with me because we had sex anf you were scared of getting close to me.
Josh — Jenny Han

Christ's version of kindness:
I know you are hurt. I contributed to that. Maybe, I should have said more. Done more. Listened. I am sorry for my part in the situation. I am sorry if I caused you any pain or confused you with my actions or words. How can I help you move on? I want you to have peace in your life. Let's end this by communicating.
The world's perverted version of kindness:
You caused your own pain. You get what you get. Get over it and move on. Maybe, one day you will figure out what happiness really means. By the way, I am not responsible for giving it to you. Nor, do I have to put up with people that don't bring me joy or who I can't trust. I am only responsible for myself. I will pray for you because I am a good Christian. — Shannon L. Alder

Reading all my old love letters was disorienting. You remember thinking the thoughts and writing the words but, man, you can't TOUCH those feelings. Its like they belonged to someone else. Someone you don't even know. I'm aware, in an intellectual way. That I felt all those things about him, but this emotions are far away now.
What's so strange to me is that I can't even force my heart back to that place where I felt that all consuming passion. That makes me feel distant from myself. Who WAS I then? Will I ever be able to get back to that place? Reading the letters again made me wonder: Which is the real me? The one who saw the world in that emotionally saturated way, or the me who sees it the way I do now? — Bill Shapiro

I read a story about some old opera singer once, and when a guy asked her to marry him, she took him backstage after she had sung a real triumph, with all the people calling for her, asked, 'Do you think you could give me that?' That story hit me right, man. I know no guy ever made me feel as good as an audience. I'm really far into this now, really committed. Like, I don't think I'd go off the road for long now, for life with a guy no matter how good. Yeah, it's the truth. Scary thing to say though, isn't it? — Janis Joplin

I don't know why you want to hang out when I'm half asleep?"
Cooper leaned over and kissed me softly. His lips sucked at my bottom lip for a second before he pulled back and relaxed into the corner of the couch. "You pout when you sleep."
"Huh?"
"Like an angry little pout," he said, demonstrating with his lips. "It's the hottest thing I've ever seen. I thought you might give me a real talking to like my old gym teacher. Man, did that bitch hate me."
"I'm sure she had her reasons."
Cooper snorted. "Of course, you'd take a stranger's side over the guy who's feeding you."
"Maybe you called her a bitch forty times."
"Yeah, there was that. — Bijou Hunter

A smile curved his lips.
Stunned, she stood there unable to move as she saw the one thing she'd never thought to see form him. A real, full-blown smile. The man was absolutely gorgeous.
"My God, you have dimples."
His smile vanished instantly. "I know."
"No, no, no, no, no!" she said, reaching up to touch his cheek. "Don't you dare hide those. They're beautiful."
He dodged her touch. "They look stupid."
She let out an aggravated breath. "They are sexy as all get-out. Trust me. Dimples like those will definitely get you laid. — Sherrilyn Kenyon

I was a big dreamer and never particularly good at anything
a real dilemma. I wasn't terrible. I was just ... okay. If you're terrible, you can write everybody off, like, "I don't know what the hell those idiots are doing?" I knew what those idiots were doing. And I knew that they did it better than me. — Mike Birbiglia

Freedom isn't an illusion; it's perfectly real in the context of sequential consciousness. Within the context of simultaneous consciousness, freedom is not meaningful, but neither is coercion; it's simply a different context, no more or less valid than the other. It's like that famous optical illusion, the drawing of either an elegant young woman, face turned away from the viewer, or a wart-nosed crone, chin tucked down on her chest. There's no "correct" interpretation; both are equally valid. But you can't see both at the same time.
"Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don't talk about it. Those who've read the Book of Ages never admit to it. — Ted Chiang

She looks at me as we walk under a streetlight. "You're really handsome, you know that?"
I don't know what to say. I don't think anyone uses the word handsome anymore. I feel humbled by it. Because it's old and grandmothers say it, it seems classy and real and I feel ... handsome. It makes me smile. — A.S. King

My music already has this oldish kind of quality to it, like you don't necessarily know what era it was recorded in, so it all kind of felt surreal and weird. Night after night when I played live, I was really trying to figure it out in real time, and I still don't know what effect I'm going for or what effect I actually achieve. Looking back, I feel like it would be arrogant of me not to appreciate the fact that I've been able to do whatever I want and still have an audience come see me. — Ariel Pink

Also, please don't think I've forgotten about your outstanding service record, or about all the invaluable contributions that you've made to the company. Fire, the wheel, agriculture..It's an impressive list, old timer. A jolly impressive list. Don't get me wrong.
But well ... to be frank, we've had our problems , too. There's no getting away from it. Do you know what I think? A lot of it stems from? I'll tell you ...
It's your basic unwillingness to get on with the company. You don't seem to want to face up to any real responsibility, or to be your own boss. Lord knows you've been given plenty of opportunities. We've offered you promotion time and time again, and each time you've turned us down ...
To be frank, you're not really trying are you? — Alan Moore

I've wandered through the real world, and written myself through the darkness of the streets inside me. I see people walking through the city and wonder where they've been, and what the moments of their lives have done to them. If they're anything like me, their moments have held them up and shot them down.
Sometimes I just survive.
But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.
That's when the stories show up in me.
They find me all the time.
They're made of underdogs and fighters. They're made of hunger and desire and trying to live decent.
The only trouble is, I don't know which of those stories comes first.
Maybe they all just merge into one.
We'll see, I guess.
I'll let you know when I decide. — Markus Zusak

You don't see the real me. You don't know what all I've done.- Rush Finlay — Abbi Glines

I'll tell you why I keep my scrapbooks. It's in case my real father shows up .I never met him, don't even know his name ... I've got this feeling he's out there searching for me. When he bursts through the door and tells me he's spent a fortune on detectives looking all over the world for me, I'm not going to sit there like a dumb cluck when he asks me what I've been doing. I'm going to yank out my eleven scrapbooks filled with my experiences and inner-most thoughts on life lived in three time zones in America. I was a Girl Scout for three months when we lived in Atlanta. I couldn't get those square knots down for anything, but I got the big concept. Be prepared. Addie always told me, It's more important to get the big concept than to be an expert in the small stuff. — Joan Bauer

You don't get it. They gave me beauty and song, and then I was left in the woods to grow up for sixteen years before being handed over to you. I don't know anything about ruling. I don't even really know what taxes are. I was in the woods in the real world. In the dreamworld, I hid like a mouse and then organized balls and parties. — Liz Braswell

She glanced up at him. "Why does it matter? Why do you care?"
He'd been staring at her hands again, but jerked his gaze up to hers as if surprised by the question. He answered quickly, almost automatically. "I am a law enforcement officer. I found your aunt and saw what... that animal" -- he seemed to struggle with the words -- "I saw what he did. And we don't know why."
Ceelie nodded. "So this is how you'd treat anyone whose case you got involved with?"...
He leaned across the space that divided them, cupping his left hand around her jaw and pulling her toward him as if she were fragile, breakable. His kiss was soft, a pressure of lips, a slight parting, a promise of more. His stubble scratched her chin.
"That's the real answer." His voice was so soft the air around him seemed to soak it up. "And don't ask me what it means because I'll be damned if I know. — Susannah Sandlin

You've probably never had a real man." My body presses forward as she stands her ground. "No one was strong enough to deal with your penis envy."
"Penis envy?"
"Yeah, sweetheart." I reach my hand to cup her cheek. "You live in a man's world. You fight harder, stand straighter, and battle for your place." I see the flash in her eyes that lets me know I hit a chord. "I don't need you to assert your shit, babe. I'll own you. You won't want to have control because I'll make it so fucking good that you'll beg me to take it. — Corinne Michaels

Hey! One of Edilio's soldiers just came staggering in from the gas station. He says someone attacked, took the place over."
That silenced the argument.
Sam, with exquisite contempt, turned to his girlfriend and said, "You want to go deal with it, Astrid?"
Astrid flushed red.
"No? I didn't think so. Guess it will be up to me then."
He left silence in his wake.
"Maybe we better pass some laws real quick so Sam can save our butts legally," Howard said.
"Howard, go get Orc," Albert said.
"Now you're giving me orders, Albert?" Howard shook his head. "I don't think so. Not you or her," he said, jerking a thumb at Astrid. "You may not think much of me, you two, but at least I know who saves our butts. And if I got to take orders from someone, it'll be the someone who just walked out of here. — Michael Grant

He had always wanted to write music, and he could give no other identity to the thing he sought. If you want to know what it is, he told himself, listen to the first phrases of Tchaikovsky's First Concerto
or the last movement of Rachmaninoff's Second. Men have not found the words for it, nor the deed nor the thought, but they have found the music. Let me see that in one single act of man on earth. Let me see it made real. Let me see the answer to the promise of that music. Not servants nor those served; not altars and immolations; but the final, the fulfilled, innocent of pain. Don't help me or serve me, but let me see it once, because I need it. Don't work for my happiness, my brothers
show me yours
show me that it is possible
show me your achievement
and the knowledge will give me courage for mine. — Ayn Rand

I realized that with Chance and me, there were no secrets. Or at least none that I could otherwise explain.
I said, "I trust you more than I trust my own family, you know that?"
"Well, they don't set the bar real high." He smiled at me, a silly, playful smile. The kind of smile shared by people with a lot of history. — Barbra Annino

Katniss?" He drops my hand and I take a step, as if to catch my balance.
"It was all for the Games," Peeta says. "How you acted."
"Not all of it," I say, tightly holding onto my flowers.
"Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says.
"I don't know. The closer we get to District Twelve, the more confused I get," I say. He waits, for further explanation, but none's forthcoming.
"Well, let me know when you work it out," he says, and the pain in his voice is palpable. — Suzanne Collins

I was sitting at the bar of the Hegira that night when Ginny came in. The barkeep, an ancient sad-eyed patriarch named Jose, had just poured me another drink, and I was having one of those rare moments any serious drunk can tell you about. A piece of real quiet. Jose's cheeks bristled because he didn't shave very often, and his apron was dingy because it didn't get washed very often, and his fingernails had little crescents of grime under them. The glass he poured for me wasn't all that clean. But the stuff he poured was golden-amber and beautiful, like distilled sunlight, and it made the whole place soothing as sleep - which drunks know how to value because they don't get much of it. — Stephen R. Donaldson

Very well, let's see. I'm very sympathetic about your having left Raffin. I think you're brave to have defied Randa as you did with that Ellis fellow; I don't know if I could've gone through with it. I think you have more energy than anyone I've ever encountered, though I wonder if you aren't a bit hard on your horse. I find myself wondering why you haven't wanted to marry Giddon, and if it's because you've intended to marry Raffin, and if so, whether you're even more unhappy to have left him than I realized. I'm very pleased you've come with me. I'd like to see you defend yourself for real, fight someone to the death, for it would be a thrilling sight. I think my mother would take to you. My brothers, of course, would worship you. I think you're the most quarrelsome person I've ever met. And I really do worry about your horse. — Kristin Cashore

I have no right to make you love me, or to love you. But I do know that love is something that is tested and mended over time.

"I don't know if purely romantic love can last through anything (it is so based on feelings and attraction, both of which are fickle at times), but I think friendship can, and when the romantic love and friendship get blurred together into one it makes 'relationship cement,' I think." - Stay by Jennifer Silverwood

"And then, real love I think comes later. When you really get to know someone and how they think and feel, when you can't imagine if something were to happen to them. When you trust them and want to spend all your time doing nothing with them, when you want to grow old together." - Stay by Jennifer Silverwood — Jennifer Silverwood

Yes! Yes. Thank you. I'm on my way right now, so I'll see you later, you know, like, in five minutes. And I'll just wait in the car - you can send them out so we don't take up any more of your time. So say hi to Clark for me, you know, since I might not get a chance to talk to you from the car. But thanks so much for watching the kids for me, and I'll see you later . . . in five."

There was a pause. Then Angela's voice piped up, as enthusiastic as ever.

"Okay, see you later in five!"

Oh great, Becky thought as she jogged back to her car. Now Angela would be using that phrase, convinced it was a real idiom. And it would be all Becky's fault. As if the poor lady didn't have enough communication problems as it was, what with the excessive exclaiming. — Shannon Hale

You're out of your mind," she said, plopping down on the side of the bed. "For real. I don't think I've ever met anyone as single-minded as you." "You probably never will. That's just how it is. You have sex with me, the compulsion goes away, and we won't need to do it ever again, won't even have to talk to each other ever again. That's the best part." "You know, I'm sure this is your best attempt at seduction, but even with all this suave finesse, I am not going to have sex with you." He grunted. "You will. — Shay Rucker

I don't think schooling of any sort really prepares you for real life. I don't know if art school would have prepared me to draw comics. Half of the people I know in comics went to art school, half of them didn't. Some of them went and dropped out. — Dave Gibbons

Why are you trying to be something you're not?"
I shrugged, "People change, get used to it Alex. It's not like you know me anyway."
He nodded, "You've got that right. I just hope you haven't lost yourself in the process ... it would be a real shame if you couldn't find your way back."
I frowned at him, "And what the hell is that supposed to mean Alex?"
He studied my eyes intently, "I just don't want you to forget who you truly are ... because I liked that girl. — Joanne McClean

There's a crack in my mind,
That I don't know how to heal.
There are demons in my head,
People tell me are not real.

The voices are my own,
Speaking words I don't believe.
Convincing me I'm worthless,
And that everyone will leave.

You want me to be better,
Don't you think I want the same?
But you've convinced yourself it's nothing,
Or that I'm the one to blame.

So I'll tell you that I'm 'fine,'
Because that's all you want to hear.
And I'll conceal it with a smile,
While hiding all the fear.

I'll bury all the feelings,
And I'll cut out all the pain.
But that won't mean I'm healed,
I've just chosen to not 'complain.'

Because being sad was only half of it,
And it was not the half to kill.
The downfall began when I started to feel nothing,
When I slowly lost my will. — Jeannine Allison

I wanted love and goodness in this which is living death,' I said. 'It was impossible from the beginning, because you cannot have love and goodness when you do what you know to be evil, what you know to be wrong. You can only have the desperate confusion and longing and the chasing of phantom goodness in its human form. I knew the real answer to my quest before I ever reached Paris. I knew it when I first took a human life to feed my craving. It was my death. And yet I would not accept it, could not accept it, because like all creatures I don't wish to die! And so I sought for other vampires, for God, for the devil, for a hundred things under a hundred names. And it was all the same, all evil. And all wrong. Because no one could in any guise convince me of what I myself knew to be ture, that I was damned in my own mind and soul. — Anne Rice

You're a real cutie. I don't know who you are or who you belong to but while you're with me I'll give you a name."
He wagged his tail.
"Binky."
The tail stopped wagging and Jo gave a little smile, the first one since Rachel had walked out. "Don't you like Binky?"
He stared at her.
"Fluffy?"
A low growl.
"Binky it is. — Barbara Elsborg

And I don't know where to find Ashley Danfield and all the other lovely commentators who show me live courtroom trials. To me, you know, I'm obsessed with it. Like I think maybe if I wasn't an actor I'd be a litigator. But, you know, it's always just shocking to see what happens in real life because most of the things that you see on those trials if you tried to write them into a TV series you would say oh gosh, no one would believe that would ever happen. But yet they always do in real life. — Debra Messing

I know that life is busy and hard and that there's crushing pressure to just settle down and get a real job and khaki pants and a haircut. But don't. Please don't. Please keep believing that life can be better, brighter, broader because of the art that you make. Please keep demonstrating the courage that it takes to swim upstream in a world that prefers putting away for retirement to putting pen to paper, that chooses practicality over poetry, that values you more for going to the gym than going to the deepest places in your soul. Please keep making your art for people like me, people who need the magic and imagination and honesty of great art to make the day-to-day world a little more bearable. — Shauna Niequist

I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture.
Speaking for myself, I used to hear "buildings" ... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces.
I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion. — Nick Coleman

Nobody, anywhere, has any real sense what is actually going on." This doesn't seem to get a very good reaction from the crowd - no doubt I'm scowling as I say it, but still. I continue: "I don't either, but at least I know I don't. I'm sorry but you people aren't like me." This is me trying to take the edge off. Being friendly. "You haven't done the shit I've done. — Patrick Somerville

I think maybe they come out into the grounds in nightwear. But no, in typical anorexic stype they have read the fashion magazines literally. This is their version of thin girls in strappy clothes.
The girl in the petticoat talks to me, as Emma has done on occsasion, in a rather grand style, as if she is a 'lady' of some substance and I a visiting guest.
Do they chat much about clothes? I ask Emma in the car.
She shakes her head.
So, does she, Emma, see the difference between underwear or nightwear and 'going out' clothes?
'Yes,' she says, her voices strained again. 'But it's one of the things you don't know properly when you're ill and confused. You see these pictures and the people in the magazines are real for you. — Carol Lee

It [writing] has enormous meta-cognitive implications. The power is this: That you cannot only think in ways that you could not possibly think if you did not have the written word, but you can now think about the thinking that you do with the written word. There is danger in this, and the danger is that the enormous expressive and self-referential capacities of the written word, that is, the capacities to keep referring to referring to referring, will reach a point where you lose contact with the real world. And this, believe me, is very common in universities. There's a technical name for it, I don't know if we can use it on television, it's called "bullshit." But this is very common in academic life, where people just get a form of self-referentiality of the language, where the language is talking about the language, which is talking about the language, and in the end, it's hot air. That's another name for the same phenomenon. — John Rogers Searle

And I don't know, you're at that age, if a bunch of grownups are telling you something or encouraging you, it just ... it started to feel real. That Ben had molested me, because otherwise, why were all these adults trying to get me to say he had? And my parents would be all stern: It's OK to tell the truth. It's OK to tell the truth. And so you told the lie that they thought was the truth. — Gillian Flynn

I thought it was just him," she says, ignoring him. "But then I found out I had the same effect, which means the Society did something to my head too."
Gage's eyes close, horror washing over him. "You really do love him."
"Yes. No. I don't know." Her cries start up again, piercing his heart. "Gage, help me."
"I love you," he says, holding her closer. "That's real. — Laura Kreitzer

You're scared," he said quietly.
"Scared?" I scoffed. "Of what?"
"Of anything real. And what we have is real. You love me and it terrifies you."
"I don't love you," I lied.
He grabbed my face then, dragging me closer with both hands. "You love me. I know you do. I know it because I can see it in your eyes ... in the way you look at me." He inhaled. "It's the same way I look at you. — Sophie Jordan

Normally my sister, Sadie, or some of our other initiates from Brooklyn House would've come with me. But they were all at the First Nome, in Egypt, for a weeklong training session on controlling cheese demons(yes, they're a real thing; believe me, you don't want to know) — Rick Riordan

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

Real liars don't lie about anything," Hanna said. "They just lie. 'About' is a word liars use to justify their lying, to make it seem like a localized problem." "You've made quite a study," Grace said, trying to sound light and wry. "But I still don't know," Hanna said. "And that upsets me. With a liar, you can never know the whole truth, ever. You can't ever be sure that this version is the real version. There is no end, no bottom. Sometimes I wonder if the whole thing was a hoax. — Rebecca Scherm

DFW: I think there are different people on the page than in real life. I do six to eight drafts of everything that I do. Um, I am probably not the smartest writer going. But I also
and I know, OK, this is gonna fit right into the persona
I work really really hard. I'm really
you give me twenty-four hours? If we'd done this interview through the mail? I could be really really really smart. I'm not all that fast. And I'm really self-conscious. And I get confused really easily. When I'm in a room by myself alone, and have enough time, I can be really really smart. And people are different that way. You know what I mean? I may not
I don't think I'm quite as smart, one-on-one with people, when I'm self-conscious, and I'm really really confused. And it's like, My dream would be for you to write this up, and then to send it to me, and I get to rewrite all my quotes to you. Which of course you'll never do ... — David Lipsky

It's entirely possible to get to know someone without actually seeing them in person. In fact, it's better like that because none of the superficial stuff gets in the way. You really get to know a person. And it's easier to express yourself when you're writing things down. At least it is for me. I like to order my thoughts, and delete them if they don't make any sense. You can't do that in real life. — Cat Clarke

I thought I knew what loneliness was before he found me, but I had no clue. You don't know what real loneliness is until you've known the opposite. — Rick Yancey

I knew I had him in the first round. Almighty God was with me. I want everyone to bear witness, I am the greatest! I'm the greatest thing that ever lived. I don't have a mark on my face, and I upset Sonny Liston, and I just turned twenty-two years old. I must be the greatest. I showed the world. I talk to God everyday. I know the real God. I shook up the world, I'm the king of the world. You must listen to me. I am the greatest! I can't be beat! — Muhammad Ali

This is real. So real I feel it everywhere, like a million tiny vibrations under my skin. This ... this urgency to protect you ... " My breath burst in and out, and my voice thickened with the messy, unfiltered truth. "It's a crazy need inside me, driving me to be near you, to watch over you, to undo the hurt I put in your eyes. I don't fucking know what it is, but I feel it now, spinning me around - around you - and knocking me way the fuck off track. — Pam Godwin

He leans over and snarls, "Yo' mama."
I grin. "She's yo' mama too, and I'm telling her you said that."
He opens up his arms, taunting me, "Do it. I'll tell her the real story about the dried basil leaves in your sock drawer."
The motherfucker. "It was yours! I was hiding it for you!"
He shrugs. "She don't know that. — Belle Aurora

And you thought you'd honk Shay off real good by asking the man at the top of her Most Hated list." "She doesn't hate you." "Could've fooled me." "Well, you haven't fooled anybody, least of all me." Miss Lucy's eyes, magnified by the bottle glasses, narrowed knowingly. Travis looked toward the darkening sky and clamped his jaw. "Don't know what you're talking about." "Don't be contrary with me, Travis McCoy. I've known you since you were running around this place in nothing but a diaper. You're still in love with Shay. — Denise Hunter

What if I can't do this, Gregori?" She sounded close to tears. "What if I can never do this?"
"No one is making you do anything, ma petite," he replied gently, kissing her stomach. "We are just exploring possibilites."
"But,Gregori," she tried to protest, attempting to bring his head back up so that he could see her very real fear for him, for their life together.
"If I cannot persaude you otherwise, mon amour, I am not much of a lifemate, now am I?" The words were muffled in the tight silky curls, the intriguing little triangle at the apex of her thighs.
"You don't understand,Gregori." Savannah closed her eyes against the waves of fire racing through her. "It's me who is no real lifemate.I don't know how to please you, and I'm so afraid of this."
"Relax,bebe." He breathed warm air against her, inhaled her scent. "You please me far more than you will ever know. — Christine Feehan

Carson leaned back in his chair. "You're still gorgeous, if you don't mind me saying. I like this natural look. I didn't know what to expect when you agreed to meet. I've only seen you at the club, so I had no idea what you'd wear outside in the real world, but I like it. I don't know about the baseball team itself, but the cap is good. And you're even more stunning without all the makeup." He gave her a once-over, allowing his eyes to roam before he stopped at her eyes and gave her another wink. — Rachel Blaufeld

I ask, "You think you'd ever forget it entirely? Your world?" "I don't know. I could see it getting to the point where it didn't feel real anymore. Because it isn't. The only thing that's real in this moment is this city. This room. This bed. You and me." - — Blake Crouch

Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care.
Bob Porter: Don't... don't care?
Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now.
Bob Slydell: I beg your pardon?
Peter Gibbons: Eight bosses.
Bob Slydell: Eight?
Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired. — Mike Judge

She pulled me into a hug and I squeezed her so tight we lost our breaths.
"I love you, Soph." She pulled back from me, her eyes wide and searching. "I'll see you really soon."
"I know," I said, forcing my smile. "And I love you too."
She tapped my nose and dropped her voice to a conspiratorial whisper.
"We're the real love story here, you know that, don't you?"
I wiped a tear from my cheek. "I know that, Mil. I've always known that. — Catherine Doyle

You look at me and see the girl,who lives inside the golden world,but don't believe, that's all there is to see,you'll never know the real me. — Mariah Carey

Don't make this harder than it already is. I like her so much it's killing me, but I don't know how to be the guy she wants me to be."

"Yes, you do. Real relationships are just like bull riding. You have to be willing to risk getting hurt, and you have to hang it all out, and never give up no matter how scary or hard it gets. You know how to do it. You're just too much of a coward to try. — D.R. Graham

I don't know everything about life and marriage and happiness. But I do know what love is. And I do know that when love is real, and when love is in its strongest form, it is the most powerful thing on this earth. It kills, saves lives, heals wounds, and most of all, brings hope. That is what you have done for me, Lily. You have brought me hope."
-James Potter — Mordred

So what are you supposed to do with it?"
He eyed her incredulously. "For real? It's called a butt plug. What do you think you're supposed to do with it?"
She scratched her nose and nodded, trying not to let the apprehension show. "Okay. I'll do it. But if it hurts, just let me know and I'll take it out, stat. Don't be a hero."
He gaped at her and shook his head. "Aw, no. Sweetie. That's not for me. — Christine Bell

I say, "Well then I don't know if it was real,
and that makes me feel like I'm going insane again."
"Absolutely it was real. It was a real, partial picture. Because it ended preemptively, things you would have learned about him in the relationship, you are instead learning in the breakup. You have learned that he has a desperate desire for intimacy
and then a desperate desire for the cave.
He will get lonely there eventually and come back."
"To me?"
He doesn't pause. "To someone new."
"And I'll have to watch another girl?"
"You will have to, but you will also know
what lies ahead for that poor girl. — Emma Forrest

The first problem of any kind of even limited success is the unshakable conviction that you are getting away with something, and that at any moment now they will discover you. It's Imposter Syndrome, something my wife Amanda christened The Fraud Police.

In my case, I was convinced that there would be a knock on the door, and a man with a clipboard (I don't know why he carried a clipboard, in my head, but he did) would be there, to tell me it was all over, and they had caught up with me, and now I would have to go and get a real job, one that didn't consist of making things up and writing them down, and reading books I wanted to read. — Neil Gaiman

Am I a fruitcake? I don't know. Perception is reality, so if I sit here and say, "I'm not a fruitcake, I'm a lemon cake," it doesn't matter. What you see me as in your world is what I am; it doesn't matter what I am - do you know what I mean? To me, I know what my real problems are - and they're certainly not about cake. And that's just the way it is. — Macy Gray

He glanced over at me. 'Scared? Of Reggie? What, she thinks he might force her to give up caffeine for real or something?'
'No,' I said.
'Of what, then?' he asked.
I paused, only just now realizing that the subject was hitting a little close to home. 'You know, getting hurt. Putting herself out there, opening up to someone.'
'Yeah,' he said, adding some cheese straws to the car, but risk is just part of relationships. Sometimes they work, sometimes they don't.'
I picked up a box of cheese straws, examinig it. 'Yeah,' I said. 'But it's not all about chance, either.'
'Meaning what?' he asked, taking the box from me and adding the rest.
'Just that, if you know ahead of time that there might an issue that dooms everything- like, say, you're incredibly controlling and independent, like Harriet- maybe it's better to acknowledge that and not waste your time. Or someone else's. — Sarah Dessen

I'm just a girl from Flatbush, Bo. There's nothing special here.""You're so wrong.""I know what people think. To friends and family I'm sweet and helpless. To guys I'm a body.""Your body is spectacular. I'm not going to pretend I don't see that. But I can have any body. You've lit something inside me. And it's you, not your assets.""You don't know me. We've hardly scratched the surface.""That's why I need time. I want to know your story, your dreams, your longings. Every part I see makes me want more." He was speaking her own desire to understand him, because his real self called to her more strongly than anyone she'd known , even people she'd known for years. — Kristen Heitzmann

I laughed. "I don't care if you're nice or not. I just want you to be you. No more pretending. I think it's time we all got to know the real Logan Lyke."
"What if I don't know who the real me is?" he asked.
"Then I guess you better find yourself," I smiled. — Micalea Smeltzer

Either you're lying again or you're as stupid as you look. You ditch me first year for him when you were a girl. You ditch me second year for him when you were a boy. You lie and cheat and steal for him while he treats you like crap, and I help you and care for you and worship you like a queen while you treat me like crap! What does that guy have that I don't? What makes him so lovable and me so unworthy? Know how many times I've asked myself that question, Sophie? How many times I've studied him like a book or sat in the dark picturing every last shred of him, trying to understand why he's more of a person than me? Or why the moment he's gone, you take a ring from the School Master - or Raphael or Michelangelo or Donatello or whatever you want to call him to make yourself feel better - just because he looks like you want him to look and says what you want to hear? When you could have had someone who's honest and kind and real? — Soman Chainani

His eyes widened. "Pain? Darling, you haven't yet experienced the pain I can inflict when I've been played for a fool. I'm in awe at your gall to try and fool me."
Bree went still as panic froze her. Oh, God. No.
"Ah, the light bulb finally goes off," he purred against her face; his voice low and
cold.
Even knowing who he was, and the family he came from, Bree could say that deep inside, she'd never felt any real fear of him.
She did now. He knew. The look on his face told her he knew that she had lied about him being her baby's father. Frantically, she grasped for any foothold she could find. "I don't know what you're talking-"
"DON'T!" he snapped, grabbing the sides of her face. — E. Jamie

Harper, I ... "
You don't have to say it."
I don't?"
I know."
You know what?"
I lean against him, nestling in the crook of his arm. I talk into his neck. I don't need to be able to see to find the parts of him I know.
That morning in the trailer, when we had it to ourselves, and you made me breakfast, I wondered whether you would tell me you loved me, if you'd ever tell me, and I looked at you, and I thought you were going to say it, but instead you went off on a tangent about boysenberry jam."
And?"
And it was funny. And it was close enough to the real thing for me. Just sitting there with you like that."
Boysenberry jam?"
Boysenberry jam."
Harper," he whispers into my hair.
Yeah?"
I boysenberry jam you. — Dana Reinhardt

Think about what it is you're after."
"Understanding," she said slowly.
"Good," Bill said. "What else?"
A nervous energy was coursing through her, as if she was on the brink of something important. "I want to find out why Daniel and I were cursed. And I want to break that curse.I want to stop love from killing me so that we can finally be together-for real."
"Whoa,whoa,whoa." Bill started waving his hands like a man stranded on the side of a dark road. "Let's not get crazy. This is a very long-standing damnation you're up againat here. You and Daniel,it's like ... I don't know, you can't just snap your pretty little fingers and break out of that. You gotta start out small. — Lauren Kate

Is it better to have loved and lost than to have never loved at all...
But is it? Is it really better to know a thing you love only to lose it?
If I'd known then what I know now...
But that's the thing, isn't it? When you're living a thing...you don't know. You take it for granted, like a dog being petted, assuming it will somehow go on forever.
If I'd known what I know now...
I'd have touched everything in sight, everything I could get my hands on. I'd have grabbed the nearest girl I could find and not even caring how crazy she thought me, touched my hands to her face just to know what that feels like.
Is it better to have loved and lost than to have never loved at all?
I, never having loved before, have no real answer to that question. — Lauren Baratz-Logsted

He felt a psychosomatic rush of emptiness before he spoke. "Since we are getting to the real point, I am not stupid John. And it would be foolish to think me ignorant. Isn't this about the Science Nation interview? Isn't this because I mistakenly used the word "soul?" Isn't this about you and the others thinking somewhere along the lines, I had gained an imaginary soul? We all know when you gain a soul, you lose a mind. Don't we john?"
John hesitated briefly staring at Roma. "I believe so yes. Souls are luxuries for speculative minds. Real scientists can't afford such luxuries. They have the world to save."
Roma narrowed his eyes. "Or destroy. — Dew Platt

I just don't trust any of it. Every time I read something about how there's been another ridiculous climb of the Dow Jones, there's a part of me that goes, "This can't be good." None of this is real money. You know what I mean? It's not like there's actually more of anything. It's just ideas. When people are getting richer and richer but they're not actually producing anything, it can't end well. — Louis C.K.

Why am I telling you this?" he went on. "A secret's only a secret as long as you keep it. Once you tell someone it loses all its power--for good or for ill--like that, it's just another piece of information. But a real mystery can't be solved, not completely. It's always just out of reach, like a light around the corner; you might catch a glimpse of what it reveals, feel its warmth, but you can't know the heart of it, not really. That's what gives it value: It can't be cracked, it's bigger than you and me, bigger than everything we know. Those tight-ass suits can keep their secrets, they don't add up to anything. This deep in the game, pal, I'll take mystery every time. — Mark Frost

I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way. — Lauren Graham

Some say I loved her to the point of madness, bordering on obsession. She said I put her on a pedestal that her real self couldn't attain. Perhaps they're all right. Perhaps I am mad. And if that's the case, to be frank, I don't give a damn. What I know is that she sets me on fire, and if you were to perform an intradermal test on me, you'd know when she was in it because you'd see the trails of blaze she left behind. Because that's what I feel at the mere thought of her, and I'd rather live my life in flames than be numb without her." He paused, and I let out a breath, but then he said one last thing. "Come back to me, my little Road Runner, my world is cold and boring without you. — Claire Contreras

Over the years, I've made good money in real estate, and for some reason, this hurts Stephen's feelings. He's not a churchman, but he's extremely big on piety and sacrifice and letting you know what fine values he's got. As far as I can tell, these values consist of little more than eating ramen noodles by the case, getting laid once every fifteen years or so, and arching his back at the sight of people like me
that is, people who have amounted to something and don't smell heavily of thrift stores. — Wells Tower

You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do. — John Green

This date. You're really giving me a chance, right? I need for you to be open to things and not just playing along because I said I would keep chasing. I need a real chance because you've got me all messed up inside."

Staring up at Cooper, I held his gaze and forced a smile. "I like you a lot. I don't think we make any sense, but I wish we did."

"We could though," he said, taking my hand. "You're scared of all the surface stuff. The tats and the way I mouth off, but that's surface. On the inside, I know you're special. It's why I need a chance."

"I'm going on the date."

Sighing, Cooper frowned. "Because I said I would basically stalk you until you said yes."

"I don't expect anything from tonight. Good or bad. I just want to see what happens. I'm giving you a chance. — Bijou Hunter

I don't know what it is about you that makes me want you so fucking bad.'
They may not be the words a girl longs to hear, but I cherish them. Because they're real and real is better than a pretty lie. — Nyrae Dawn

We're going to be married and hardly touch each other and have to work and work and never have any fun and we're just going to be okay with it because that's how life is and that's how relationships go, but I don't want that. I want our marriage to be ... fun. I love joking around while we fool around. I want to hold hands everywhere we go. I want to make out in the back of a movie theater, steal kisses in coffee shops, have sex over every inch of our apartment or house or wherever we live. And I'm scared marriage will change the fun part of our relationship. The part that keeps us young, keeps us in love, and I'm terrified you'll wake up when you're fifty and realize you're stuck with the decision you made when you were twenty-seven, and we haven't touched in months, we don't go out. I just want to know when that happens ... that you'll still ... you'll still love me. — Cassie Mae

- I miss you, Daddy. I know you do. I miss you, too, sweetheart, more than you'll ever know. I don't think I've ever been happier than I was with you. I wish I could have saved you, Amy. - But you did. You saved me. You were just a little girl, alone in the world. I never should have let them take you. I tried, but not hard enough. That's the real test, you know. That's the true measure of a man's life. I was always too afraid. I hope you can forgive me. A — Justin Cronin

You think I like this?" I say defensively. "Trust me, I don't need this headache in my life." I swallow a mouthful of beer. "Hey. You know Twilight?" He blinks. "Excuse me?" "Twilight. The vampire book." His wary eyes study my face. "What about it?" "Okay, so you know how Bella's blood is extra special? Like how it gives Edward a raging boner every time he's around her?" "Are you fucking with me right now?" I ignore that. "Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he's attracted to his mother or some shit? Or is there actually a biological reason why we're drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?" "Are you seriously dissecting Twilight right now?" God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club. — Elle Kennedy

Yeah. I guess we were both willing to do that, Gavin. I was ready to take that plunge and never look back. Never. I was ready to risk everything for you, to push away the overwhelming fear I had because I knew you and I are worth it. We fell in love in a second. I was barely able to blink, and you had my entire world upside-down. I was scared you weren't ... real. I was scared no one could be as magnetic as you are to me. It still scares me. You still scare me." Pausing, Emily shook her head.
"Then I saw Gina, and all my fears came back. My heart wanted to believe you, but my head wouldn't allow it after I'd already taken that risk on us. I'm so sorry, Gavin. I don't know what else to say other than I love you and need you with everything inside me — Gail McHugh

If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far. — Olivia Colman

I don't know if people feel this way, but I think by nature that when you start off as a young pop singer, they assume that you're a bit pampered, prissy, and precious, or that you live in a bubble and not in the real world. For me that's not the case. — Debbie Gibson