Writing Structure Quotes & Sayings

Life is a cracked surface at best. Fiction is a nice edifice. / every word/sentence/paragraph gives a writer an opportunity to reinforce or deliberately crack the edifice by screwing with meaning, structure, grammar, the fourth wall, etc. / different types and degrees of cracking produce different arrangements of order and chaos. — K.J. Bishop

The State of the Union has become, under presidents of both parties, a political pep rally degrading to everyone. The judiciary and uniformed military should never attend. And Congress, by hosting a spectacle so monarchical in structure (which is why Thomas Jefferson sent his thoughts to Congress in writing) deepens the diminishment of the legislative branch as a mostly reactive servant of an overbearing executive. — George F. Will

I love writing songs. One of the toughest things is structure; it just works when you use verse, chorus, verse, chorus, bridge. And as soon as you become aware of that formula, you start to have a bad conscience when you write with that particular structure. — Rivers Cuomo

It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know. — Don DeLillo

All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out. — Walter Mosley

When I decided to stop using quotation marks, it presented technical challenges: you have to conceive of dialogue differently and structure it differently for this to work. So I had a new problem, which makes writing interesting again. — Catherine Brady

But in a way it's like looking at old photographs of yourself. There comes a point at which the record needs to be updated, because you've shed too many links with what you were. He doesn't quite know how it happened; all he knows is that he doesn't recognize himself in those stories any more, though he remembers the bursting feeling of writing them, something in himself massing and pushing irresistibly to be born. He hasn't had that feeling since; he almost thinks that to remain a writer he'd have to become one all over again, when he might just easily become an astronaut, or a farmer. It's as if he can't quite remember what drove him into words in the first place, all those years before, yet words are what he still deals in. I suppose it's a bit like marriage, he said. You build a whole structure on a period of intensity that's never repeated. It's the basis of your faith and sometimes you doubt it, but you never renounce it because too much of your life stands on that ground. — Rachel Cusk

When you write a book, you want to have fidelity to the character. Characters and their emotions guide the structure of the novel. The author is aware that there's a certain amount of information she/he has to provide in order to satisfy the reader, knowing that she/he has set something up that must be paid off, but this payment must be made while maintaining fidelity to the characters. — David Bezmozgis

The wordlessness of depression is a galling experience. You can't phone your friends, writing an e-mail is beyond you, you can't put pen to paper. The disease is a crash course in meaninglessness, lack of structure, the collapse of form. — Gwyneth Lewis

Structure is, for me, the most fun challenge about writing novels. — Heidi Julavits

It's good.' She chirps the last bit as if that were all to say about a book: It's good or it's bad. I liked it or I didn't. No discussions of the writing, the themes, the nuances, the structure. Just good or bad. Like a hot dog. — Gillian Flynn

I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel like working with smaller units feels more natural to the way I write poems. — Anna Journey

I concentrate on character, theme, language, structure, voice. It actually surprises me that no matter what I write, people declare it "intently political." I'm just writing about the world I know, as it is. Wounds and griefs included. — Barbara Kingsolver

I'm terrible at story and structure, but I'm not so bad at writing dialogue. — Steve Buscemi

The interesting thing about that is one of the greatest critics of socialism and leftwing writings was Robert Michels who wrote a series of essays called "The Iron Law of Oligarchy" and in these essays he discusses how no matter what sorts of freedoms are advertised or put into a society structure, that all societies, all form of governments - whether they be a Roman republic, whether they be a democracy, whether they be a Russian communist system, whatever, a tribe ... a tribal council - all of the continuously, throughout the ages, have all converted back into an oligarchy. — Immortal Technique

The church wasn't an organization in the first century. They weren't writing checks or buying property. The church has matured and developed over the years. But for some reason, the last thing to change is the structure of leadership. — Andy Stanley

Let us narrow the arguments down further. In certain respects, the theme of supplementarity is certainly no more than one theme among others. It is in a chain, carried by it. Perhaps one could substitute something else for it. But it happens that this theme describes the chain itself, the being-chain of a textual chain, the structure of substitution, the articulation of desire and of language, the logic of all conceptual oppositions taken over by Rousseau ... It tells us in a text what a text is, it tells us in writing what writing it, in Rousseau's writing it tells us Jean-Jacque's desire etc ... the concept of the supplement and the theory of writing designate textuality itself in Rousseau's text in an indefinitely multiplied structure - en abyme. — Jacques Derrida

When I first started, I didn't really know how to structure a play. I could write dialogue, but I just sort of failed beyond that, and kind of went wherever I wanted to go. — Sam Shepard

I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books ... so that a reader may study the work with pleasure as well as the world that it describes. — Annie Dillard

Writing a novel, in an unplanned and unpredictable way, makes you engaged; it takes you into yourself, and it becomes something between you and the character for a moment, and then you move back into the structure of the book. I love those moments, because they are completely unbidden. — David Bezmozgis

I went on steadily trying to 'find out how to'; but I wrote two or three novels without feeling that I had made much progress. It was not until I wrote "Ethan Frome" that I suddenly felt the artisan's full control of his implements. When "Ethan Frome" first appeared I was severely criticized by the reviewers for what was considered the clumsy structure of the tale. I had pondered long on this structure, had felt its peculiar difficulties, and possible awkwardness, but could think of no alternative which would serve as well in the given case: and though I am far from thinking "Ethan Frome" my best novel, and am bored and even exasperated when I am told that it is, I am still sure that its structure is not its weak point. — Edith Wharton

'Hound Dog' took like twelve minutes. That's not a complicated piece of work. But the rhyme scheme was difficult. Also the metric structure of the music was not easy. 'Kansas City' was maybe eight minutes, if that. Writing the early blues was spontaneous. You can hear the energy in the work. — Jerry Leiber

Instead of writing backwards over what had happened, giving structure and meaning to his story, he wrote forwards, slipping into troubling futures. — Alan McCluskey

A novelist's job is almost to be a stupid as possible, except in the cunning moment when you need to structure something, when you need to be very intelligent indeed. The rest of the time, you need almost an empty mind, where you can let any image in, follow it along, and allow an emotional charge, almost the way actors and singers can work. The more instinct you have as a novelist, and the less intelligence, the better. — Colm Toibin

There isn't a grand plan at work in the progression of the books with respect to the line. I do want the books to be different from each other, certainly, but I'm more aware of that on the level of theme or structure. I can tell when I'm writing the last of a particular type of poem because the writing is too easy and I start to feel queasy. — Matthea Harvey

I find it hard to write with writers sometimes because of their way of writing. Some are heavily focused on structure, but I have more of a 'Let's go with it' mindset. I like to be creative, and when I hear something that inspires me, I'll come up with a melody, a lyric to that melody, and take it from there. I try to keep it open. — Jess Glynne

Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand. — Caridad Svich

I don't sit down at nine in the morning and begin writing and then take a break for lunch and stop at four. I have no structure like that. I am at my computer constantly, more or less attached to it. I live on-line and hate being off-line and don't care how unhealthy it is. — Augusten Burroughs

I like to synthesize; I hate analysis. I don't like to take a subject and break it down into parts; I like to take disparate parts and put them all together and see what happens. I believe the old saw that the whole is more than the sum of its parts. Of course, it may also be less. But it's the parts that interest me; it's not the whole. — Gilbert Sorrentino

You've got to work. It's about structure. It's about discipline. It's all these deadly things that your school teacher told you you needed ... You need it.
Jo speaking to Charlie Rose re: writing — J.K. Rowling

Even the slash fiction, that's a great way to learn to work. No one really does three-act structure, but just trying to put words that make somebody else turned on, that's going to teach you more about writing than any writing college you can go to. — Steven Moffat

In playwriting, you've got to be able to write dialogue. And if you write enough of it and let it flow enough, you'll probably come across something that will give you a key as to structure. I think the process of writing a play is working back and forth between the moment and the whole. The moment and the whole, the fluidity of the dialogue and the necessity of a strict construction. Letting one predominate for a while and coming back and fixing it so that eventually what you do, like a pastry chef, is frost your mistakes, if you can. — David Mamet

I am imbued with the notion that a Muse is necessarily a dead woman, inaccessible or absent; that a poetic structure - like the canon, which is only a hole surrounded by steel - can be based only on what one does not have; and that ultimately one can write only to fill a void or at the least to situate, in relation to the most lucid part of ourselves, the place where this incommensurable abyss yawns within us. — Michel Leiris

She chirps the last bit as if that were all to say about a book: It's good or it's bad. I liked it or I didn't. No discussions of the writing, the themes, the nuances, the structure. Just good or bad. — Gillian Flynn

Writing essays and teaching composition have helped me immensely in writing poetry, because they've forced me to focus on the structure of ideas. — Aaron Belz

I think what I wanted to do was meet someone who knew more than me about songwriting structure and progressions and middle eights and things that more traditional writers write and I don't usually employ. — Bat For Lashes

Writing fiction is: Imagination and structure first and foremost - then revision, revision, revision! Then, revision! — Will Ottinger

Indeed, tone or voice is what you get when, larynxlike, you breathe through structure. — Lawrence Weschler

What makes writing a memoir difficult is harder to quantify. Is it learning to know when you're ready to talk about something? Is it seeing the structure in a lumpen mass of fact? Is it finding out what you were really like as other people saw you? Yes to each. — Darin Strauss

But today, something begins to shift. I see that there might be some way I can take the raw material of my life and transform it into something that has order and structure. I can make sense of what, until now, has been senseless. — Dani Shapiro

I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. — Italo Calvino

Though there is one part of writing that is solid and you do it no harm by talking about it, the other is fragile, and if you talk about it, the structure cracks and you have nothing. — Ernest Hemingway,

It never ceases to amaze me how prosaic, pedestrian, unimaginative people can persistently pontificate about classical grammatical structure as though it's fucking rocket science. These must be the same people who hate Picasso, because he couldn't keep the paint inside the lines and the colors never matched the numbers. — Abbe Diaz

I'm always writing something. There's always some structure sitting around someplace. There's always things on the computer, things scratched on score paper, legal tablets full of lyrics. It's never not buzzing around me all the time. I'm always doing it. — J. D. Souther

Sondheim is my god; I love the man. I learned a great deal about writing from his work, his lyrics, and his structure. — Richard LaGravenese

In words, as fashions, the same rule will hold;
Alike fantastic, if too new, or old:
Be not the first by whom the new are tried,
Nor yet the last to lay the old aside. — Alexander Pope

This is the very structure of sports journalism: deification and damnation, death and resurrection, failure and redemption. You succeed so you can falter so you can succeed again. We need a rise and a fall. We need hubris and retribution and recovery. — Will Leitch

The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power. — Judith Butler

He managed to do this 'tour de force' of styles without ever breaking the narrative structure of the chapter he was writing. It is the most brilliant parody of writing styles that I have ever read. — Frederick Lenz

I began to write fiction on the assumption that the true enemies of the novel were plot, character, setting and theme, and having once abandoned these familiar ways of thinking about fiction, totality of vision or structure was really all that remained. — John Hawkes

My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language ... Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world
qualities that stick to the writing from the start, unless one finds some way of evading them. — Italo Calvino

Writing can be a frightening, distressing business, and whatever kind of structure or buffer is available can help a lot. — Aimee Bender

Writing is a profession that has no real career structure and your best advice when you hit a difficulty is probably going to come from another writer one or two rungs on the career ladder ahead of you. — Sara Sheridan

Every inch of my writing career has been influenced by my screenwriting education. I was lucky enough to go to film school at USC, and I got a crash course in how to tell a story efficiently. I learned structure, pace, my style, how to know your audience, and most importantly, how to take criticism and edits properly. — Victoria Aveyard

'What It Is' was based on this class I've been teaching for 10 years - I wanted to write a book about writing that didn't mention stuff like story structure, protagonists, and all those things that we know about only because they already exist in stories. — Lynda Barry

For the philosopher, language, thought, and passion are the same. Ideas are personal to a philosopher; they express their human passion and articulate their novel ideas in language. Ideas are more than mere concepts, trifles that the philosophical mind toys with. Ideas provide both the structure and inner vitality that holds great thinkers' conceptual structure together. — Kilroy J. Oldster

I think in some ways, acting and writing are the same. You're getting inside the skin of someone else; you're creating their language and their actions. As a writer, you have to see the whole picture and the structure, and you have to understand every character. — Finn Wittrock

We started when we're around 13 writing it - maybe 14. I'm a little older than Evan Goldberg is, like, only like six months. But like, I would say, like, the general structure of the movie, like, the series of events is very similar to what it was when we first wrote it. — Seth Rogen

In writing music, the structure of each piece is a very important factor. — Leo Ornstein

When I decided to take writing seriously, I did a lot of reading and analyzing of the books I liked, and came up with what I thought were pretty sound plotting and structure basics. — George Stephen

The trace I leave to me means at once my death, to come or already come, and the hope that it will survive me. It is not an ambition of immortality; it is fundamental. I leave here a bit of paper, I leave, I die; it is impossible to exit this structure; it is the unchanging form of my life. Every time I let something go, I live my death in writing. — Jacques Derrida

The structure of a 'writing schedule' is only there as a frame. You provide the image, the emotion, and the sentiment in your own time. — Margaret Aranda

In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. — Don DeLillo

(2002) In Rome, month upon month, I struggled with how to structure the book about my father (He already had the water, he just had to discover jars). At one point I laid each chapter out on the terrazzo floor, eighty-three in all, arranged them like the map of an imaginary city. Some of the piles of paper, I imagined, were freestanding buildings, some were clustered into neighborhoods, and some were open space. On the outskirts, of course, were the tenements
abandoned, ramshackled. The spaces between the piles were the roads, the alleyways, the footpaths, the rivers. The bridges to other neighborhoods, the bridges out ... In this way I could get a sense if one could find their way through the book, if the map I was creating made sense, if it was a place one would want to spend some time in. If one could wander there, if one could get lost. — Nick Flynn

Writing is a particular kind of frustration, which is why when I was making the structure for the novel I visualized it for myself with a color-coded board so I could see it. — Rebecca Miller

Writing is such an industry now. In many ways, that's a good thing, in that it removes all the muse-like mystique and makes it a plain old job, accessible to everyone. But with industry comes jargon. I was aware that jargon was starting to fill those growing shelves of Writer's Self Help books, not to mention the blogosphere. Wherever I looked, the writing of a script was being reduced to A, B, C plots, Text and Subtext, Three Act Structure and blah, blah, blah. And I'd think, that's not what writing is! Writing's inside your head! It's thinking! It's every hour of the day, every day of your life, a constant storm of pictures and voices and sometimes, if you're very, very lucky, insight. — Russell T. Davies

When it comes to the college essay, feel free to break some rules. Many still apply, of course: you need to watch your grammar and spell everything correctly. Sentence structure still matters. But the formula that got you A's in English can be a straitjacket when you're writing your college essay. — Cassie Nichols

Writing is one way to explore new ideas and by doing so blunt the sense of personal unrest and discontent. Writing assist us recognize, explore, and accept the patent absurdity of life. Writing facilitates thinking; the reagent substances we produce through writing augment our expanding system of ideas. Writing boldly triggers a chain reaction in our philosophical structure and thus writing can operate to transform who we are. — Kilroy J. Oldster

At one point I had a very complicated plan to use the game of chess as a generating structure for writing. I prepared for a long time. I finally wrote two chapters and stopped. It was too complicated and too difficult to write. And who would've read it? — Dumitru Tepeneag

Edwards's stark presentation of the immanent consciousness of Separation enters the structure of her poems. Each word is a cipher, through its sensible sign another sign hidden. The recipient of a letter, or combination of letter and poem from Emily Dickinson, was forced much like Edwards' listening congregation, through shock and through subtraction of the ordinary, to a new way of perceiving. Subject and object were fused at that moment, into the immediate feeling of understanding. This re-ordering of the forward process of reading is what makes her poetry and the prose of her letters among the most original writing of her century. — Susan Howe

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

I like the story writing process. I usually use someone who has been trained for structure to take the story that I actually want, place those elements in the right places. — Curtis Jackson

A lack of narrative structure, as you know, will cause anxiety. — John Dufresne

I think that computer programming shows in my writing. Often when I write about computer programmers I'll write about the way that they see the world and they structure the world. — Walter Mosley

I am often told that the model of balance for the novelist should be Dante, who divided his territory up pretty evenly between hell, purgatory, and paradise. There can be no objection to this, but also there can be no reason to assume that the result of doing it in these times will give us the balanced picture it gave in Dante's. Dante lived in the thirteenth century, when that balance was achieved by the faith of his age. We live now in an age which doubts both fact and value, which is swept this way and that by momentary convictions. Instead of reflecting a balance from the world around him, the novelist now has to achieve one from a felt balance inside himself. — Flannery O'Connor

I liked the challenge of writing in a very concise structure in which both meaning and form are important. — Jeffery Deaver

Though it's marvelously entertaining, and I had fantastic fun writing the book, it's not terribly easily, the material, and it's not all that familiar ... although we think it is familiar. The processes of the wonderful narratives are very intricate. It's about the charm - the spellbinding charm - of ingenuity, and it's not so easy to remember the plots or the structure or even the names. — Marina Warner

I would describe my style of songwriting as classic. I learned very early on and have stuck to the core principles of song structure regardless of which genre I'm writing in. — Wendy Starland

Will and George were doing well in business, and Joe was writing letters home in rhymed verse and making as smart an attack on all the accepted verities as was healthful.

Samuel wrote to Joe, sayings, "I would be disappointed if you had not become an atheist, and I read pleasantly that you have, in your age and wisdom, accepted agnosticism the way you'd take a cookie on a full stomach. But I would ask you with all my understanding heart not to try to convert your mother. Your last letter only made her think you are not well. Your mother does not believe there are many ills uncurable by good strong soup. She puts your brave attack on the structure of our civilization down to a stomach ache. It worries her. Her faith is a mountain, and you, my son, haven't even got a shovel yet. — John Steinbeck

Writing is the way I make sense of a chaotic world. I see the tumultuous backdrop of humanity around me, and I feel it is my duty (mainly to myself) to create a sense of meaning and understanding in such an atmosphere. It's all about timing. In a world without order, I create order. Sequence and structure, even in the busiest of places, allow me to be at peace. — Leigh Hershkovich

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

The angel we named God banned representations of himself, even the writing of his name, trying to halt the process of literalization - but in the end it became inevitable. The angel found himself at the head of a corporation, run by Young Turks who wouldn't respect the line management structure: They rewrote his memos to make the law more rigorous, more confined, more human. He got ousted in a boardroom coup and kicked upstairs. He hadn't realized the power of corporeality, that the minds of men would of necessity alter the mind of their God. Being a deity meant taking on a lot of your subjects' qualities - both profound and trivial. — Michael Marshall Smith

I've always wrestled with the difference between plot and structure, and after re-reading a lot of writing books I realized I wasn't alone. — Jeff VanderMeer

I've never taken any classes or had formal training in writing novels. At its most basic, I learned how to structure a novel. — Dennis Green

Writing is the great skill, the creative skill. The acting is more an interpretative skill. And the thrill for me is the moment when I think of something. And then the challenge is how to get that funny idea to work in terms of the structure and that kind of thing, which is - and that's what I really love doing. — John Cleese

J. R. R. Tolkien, the near-universally-hailed father of modern epic fantasy, crafted his magnum opus The Lord of the Rings to explore the forces of creation as he saw them: God and country, race and class, journeying to war and returning home. I've heard it said that he was trying to create some kind of original British mythology using the structure of other cultures' myths, and maybe that was true. I don't know. What I see, when I read his work, is a man trying desperately to dream.
Dreaming is impossible without myths. If we don't have enough myths of our own, we'll latch onto those of others - even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it's human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight. — N.K. Jemisin

Then I realized the vital necessity of art. Human life, yes, you nurse people, you clean house, you market, but then comes the moment of solace and flight. i sit and write and summon other friends, other forms of life, other experiences, and the voyage and the exploration, the delving into character, the vast expanse of life's possibilities and potentialities, contemplation of future travels, of dazzling friendships, all this then makes the chores and the sacrifices beautiful because they are diverted toward some beautiful aim, they become part of the structure of a work of art. — Anais Nin

You can find me in the melodies, the chord progressions, the song style and structure. The lyrical places you fine me most are in the lyrics that 'show' more than 'tell.' I like to describe what the listener is seeing and let them make up the middle rather than telling them. — Kristian Bush

If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it. — Poppy Z. Brite

There've been times when I have existential conversations with myself, and I've thought about leaving and trying to apply my education better. But ultimately it doesn't really matter. Learning how to write, learning how to write papers and structure, that's been very helpful for writing. — Rashida Jones

I think a construction project for me is like writing a novel. I can't do the project unless I can envision sort of the whole structure and see what the end result might be. — David Bergen

Once I came to really understand the mechanics of three-act structure, my life got a great deal easier. It doesn't tell you how to write your book, but it helps you understand why things aren't working, or what kind of beat needs to come next. — Marcus Sakey

In the multiplicity of writing, everything is to be disentangled, nothing deciphered; the structure can be followed, 'run' (like the thread of a stocking) at every point and at every level, but there is nothing beneath: the space of writing is to be ranged over, not pierced; writing ceaselessly posits meaning ceaselessly to evaporate it, carrying out a systematic exemption of meaning. In precisely this way literature (it would be better from now on to say writing), by refusing to assign a 'secret', an ultimate meaning, to the text (and to the world as text), liberates what may be called an anti-theological activity, an activity that is truly revolutionary since to refuse to fix meaning is, in the end, to refuse God and his hypostases
reason, science, law. — Roland Barthes

Computer programming is really a lot like writing a recipe. If you've read a recipe, you know what the structure of a recipe is, it's got some things up at the top that are your ingredients, and below that, the directions for how to deal with those ingredients. — Larry Wall

It was unavoidable, my writing. I feel I had no choice in the matter, no more than I had about an unfortunate bone structure and a healthy head of hair. — Maureen Howard

I try to write every day until the book is done, but the exact process depends on the story and its structure. Sometimes, if the story is more linear, I write it from beginning to end. — Nicholas Sparks

When you write what you know, you stay in control. One of the first things I encourage my writing students to do is to lose control - say what they want to say, break structure. — Natalie Goldberg

I recognize this in my writing process. A consistent writing structure opens the door to amazing insights. I recognize the truth of this in my daily habits. When I set my keys in the place I, with practice, always set my keys ... I do not lose them. In many instances an ordered external structure can be an invitation for an extraordinarily unfettered, creative and unbounded inner structure. — Mary Anne Radmacher

The tragic fear and pity may be aroused by the Spectacle; but they may also be aroused by the very structure and incidents of the play - which is the better way and shows the better poet. The Plot in fact should be so framed that even without seeing the things take place, he who simply hears the account of them shall be filled with horror and pity at the incidents; which is just the effect that the mere recital of the story in Oedipus would have on one. To produce this same effect by means of the Spectacle is less artistic, and requires extraneous aid. — Aristotle.

A terrific exercise is to take a paragraph of someone's writing who has a really strong style, and using their structure, substitute your own words for theirs, and see how they achieved their effects. — Janet Fitch