Quotes & Sayings About Writing Our Story

Our history has moved in that direction slowly at times but unmistakably thanks to generations of Americans who refused to give up or back down.Now you are writing a new chapter of that story. This campaign [2016] is about making sure there are no ceilings, no limits on any of us. And this our moment to come together. — Hillary Clinton

A writer out of loneliness is trying to communicate like a distant star sending signals. He isn't telling, or teaching, or ordering. Rather, he seeks to establish a relationship with meaning, of feeling, of observing. We are lonesome animals. We spend all our live trying to be less lonesome. And one of our ancient methods is to tell a story, begging the listener to say, and to feel, "Yes, that's the way it is, or at least that's the way I feel it. You're not as alone as you thought." To finish is sadness to a writer, a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done. — John Steinbeck

And yet it was also true that the tumor could not be removed by our doctor, and as a result of that a strange medication had been given him that enabled my brother to become even more of an enigma than he was before, and as a result of that there came to exist not only the machine and the inertia that came with it, but a change of perspective among the townsfolk that was a result of their interactions with the various phases of my brother. And so it was that when the flood began to rear its terrible head, not only was there the inertia that we all had to deal with, but a sense of the sublime that we had begun to feel for the waters which had roared upon the horizon. — Justin Dobbs

It isn't enough to have had an interesting or hilarious or tragic life. Art isn't anecdote. It's the consciousness we bring to bear on our lives. For what happened in the story to transcend the limits of the personal, it must be driven by the engine of what the story means. — Cheryl Strayed

Even their contemporaries felt that the relationship of Elizabeth and Robert transcended the details on practicality. There had to be some explanation for their lifelong fidelity, and those contemporaries put it down to 'synaptia', a hidden conspiracy of the stars, whose power to rule human lives no-one doubted: 'a sympathy of spirits between them, occasioned perhaps by some secret constellation', in the words of the historian William Camden, writing at the beginning of the seventeenth century. Theirs was a relationship already rooted in history and mythology. And that moment when Elizabeth heard she had come to the throne encapsulated much about their story. If our well-loved picture of Elizabeth's accession is something of a fantasy - if the reality is on the whole more interesting - you might say the same about our traditional picture of her relationship with Robert Dudley. — Sarah Gristwood

We can carry the burden of hurt throughout our lives. We can make the hurt that we have experienced the defining aspect of our stories of ourselves. That means that somebody else gets to say who we are, somebody else gets to decide how we feel, and somebody else gets to decide how we see the world. Forgiveness not only frees us from the burden of someone else's opinion of us, but it allows us the opportunity to really write a story of ourselves that we can love, enjoy, relish, and live into. — Desmond Tutu

The fierce poet of the Middle Ages wrote, "Abandon hope, all ye who enter here," over the gates of the lower world. The emancipated poets of to-day have written it over the gates of this world. But if we are to understand the story which follows, we must erase that apocalyptic writing, if only for an hour. We must recreate the faith of our fathers, if only as an artistic atmosphere. If, then, you are a pessimist, in reading this story, forego for a little the pleasures of pessimism. Dream for one mad moment that the grass is green. Unlearn that sinister learning that you think is so clear, deny that deadly knowledge that you think you know. Surrender the very flower of your culture, give up the very jewel of your pride, abandon hopelessness, all ye who enter here. — G.K. Chesterton

We come to the page with too many expectations. Each poor little story is like a trembling donkey upon which we heap tons of weight. We don't just want a good book, we want a bestseller. If it isn't perfect, we hate it. If it isn't 100% right, it's 1000% wrong. Problem: we care too damn much. It's all or nothing with us and that's the kind of dichotomy that shanks our happiness right in the kidneys. So: care less. Ease off the stress stick. Have more fun with what you're doing. When your kids and dogs play in the mud, you can either freak out that they're too dirty, or you can laugh and jump in the mud, too. So, fuck it: jump in the damn mud already. — Chuck Wendig

Remember that writing things down makes them real; that it is nearly impossible to hate anyone whose story you know; and, most of all, that even in our post-postmodern era, writing has a moral purpose. With twenty-six shapes arranged in varying patterns, we can tell every story known to mankind, and make up all the new ones - indeed, we can do so in most of the world's known tongues. If you can give language to experiences previously starved for it, you can make the world a better place. — Andrew Solomon

If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life. — Raymond Carver

Africa's story has been written by others; we need to own our problems and solutions and write our story. — Paul Kagame

All around us God is writing a grand story of His love and He invites us to let our lives fill the pages. — Kristen McNulty

Your story is not a picture of life; it lacks the elements of truth. And why? Simply because you run straight on to the end; because you do not analyze. Your heroes do this thing or that from this or that motive, which you assign without ever a thought of dissecting their mental and moral natures. Our feelings, you must remember, are far more complex than all that. In real life every act is the
resultant of a hundred thoughts that come and go, and these
you must study, each by itself, if you would create a living
character. 'But,' you will say, 'in order to note these fleeting
thoughts one must know them, must be able to follow them in their capricious meanderings.You have simply to make use of hypnotism, electrical or human, which gives one a two-fold being, setting free the witness-personality so that it may see, understand, and remember the reasons which determine the personality that acts. — Jules Verne

One of the illnesses that often afflicts leaders is myopia. We begin to think that the story we are living and writing is the story. We become laser focused on our own goals, accomplishments, and responsibilities. But a habit of faith takes the pressure off. It reminds you that there is a bigger story of which yours is only one part. It allows us to stop worrying about what others are saying about us and instead consider what God might be saying to us. — Brad Lomenick

I started drawing at a very young age. Writing a story wasn't satisfying, but to actually draw our own world - it's like controlling your own dreams. — Daniel Clowes

When I began to write our story down, I thought I was writing a record of hate, but somehow the hate has got mislaid and all I know is that in spite of her mistakes and her unreliability, she was better than most. It's just as well that one of us should believe in her: she never did in herself. — Graham Greene

We write our personal story as intermittent authors; the narrator is always searching for a unitive point of view. We strive to perceive oneself from a unified perspective, but it is virtually impossible to do so. Human perception of the self is an illusion. We constantly sift through shifting memories. We experience the present under the fragrance cast by the past and under the illusionary aura of the future. — Kilroy J. Oldster

Books that take us to an exotic place and never let the grit of that place get under our fingernails...are far less successful. One leaves the places of the book and never feels like one's really gotten one's imaginative passport stamped. — Andrew Lazo

At some point we must stop editing everyone else' story and start writing our own. — John E. Carson

I begin my life. I live again. I meet a young girl called Valeria. She smiles easily. She laughs tender sounds that pull at my heart. I'm too young to be profound but she makes me feel so safe. So cherished. I am thirty years old. I bump into a woman I knew when she was a girl. Valeria looks annoyed to see me. She lives in the future. Where the world is turning. I live within the past. Where the people are trapped and screaming and alone. I live within the past when Valeria and I were in love. She's waiting for the cab to come, her foot tapping against the sidewalk. Her eyes glancing at her watch every few minutes. I'm eager to reunite our lives through some kind of friendship. I'm so eager to know her again, as she was when she was a child. But Valeria lives within the future. I live within the past. Have the two ever gotten along? Have they ever even met? — F.K. Preston

Every human being carries with them the stories of their ancestors, the story of their generation, and the rudiments of pliable clay to build future storylines that will shape their community of kindred souls. Storytelling unites us as a species and supplies texture to our lives. By listening to other people's stories and by sharing our personal story, we deftly weave the threads that compose the sacred hoop of the tribe. — Kilroy J. Oldster

All the stories give unique inspiration. — Lailah Gifty Akita

The ordinary stories of our ordinary lives have extraordinary gifts coded within them ... — Christina Baldwin

How to avoid cliche at the root of conception? Practice sincerity. If we've come by ... material honestly, through our own personal experience or imagination, we may rightly claim it as our own ... The way to make material your own is to look for it in yourself ... It should be a story that only you can tell, as only you can tell it. — Peter Selgin

When you think about archaeology, archaeology is the only field that allows us to tell the story of 99 percent of our history prior to 3,000 B.C. and writing. — Sarah Parcak

Everyone asks me how I got started into writing. I wish I had some cool story to tell, but the truth is pretty lame. My wife and I were having a drink on our back porch and I mentioned a concept I'd been mulling over. She suggested that I write it down, and so I figured I'd make a few notes and get it out of my system. No matter how I tried though, it just wouldn't let me write it in any other way than a story. Believe me when I say I tried, but 63,000 words later I realized that I needed a chart to track the plot and personas to maintain character consistency. So I just gave up and let it write itself from that point on.

As far as I'm concerned now, I'm just hanging on and trying to keep up. — Jason Faris

I can't imagine a mental life, a spiritual existence, not inextricably bound up with language of a formal, mediated nature. Telling stories, choosing an appropriate language with which to tell the story: This seems to me quintessentially human, one of the great adventures of our species. — Joyce Carol Oates

We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write. — Neil Gaiman

Myths grew from the ancient tradition of passing on knowledge orally, the only means of doing so before writing.
They're narratives of human existence. They helped our ancestors interpret reality, solve problems, and guided social behavior. They structured natural and social information into patterns using symbols, and embedded fact into story form. This increased their impact, making information meaningful and personally involving - not just cold, detached facts. — Alan Joshua

We write because the blank piece of paper and the pen are there. We write because this is our addiction and we are proud of it. Our habit, our drug, our crutch. Whatever you wish to call it. We write because since an early age we felt it deep in our souls and in our bones. The poem must be written, the story must be told and the new myths and Gods are waiting for you to bring them forth from out of the darkness and to bring them into the light of being. You are a creator, so create. You are the writer. So write. — R.M. Engelhardt

We make our lives bigger or smaller, more expansive or more limited, according to the interpretation of life that is our story. — Christina Baldwin

Life is a great Book. We are writing the history of our time. — Lailah Gifty Akita

Make up a story ... For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief's wide skirt and the stitch that unravels fear's caul. — Toni Morrison

The only thing worth writing about is people. People. Human beings. Men and women whose individuality must be created, line by line, insight by insight. If you do not do it, the story is a failure. [ ... ] There is no nobler chore in the universe than holding up the mirror of reality and turning it slightly, so we have a new and different perception of the commonplace, the everyday, the 'normal', the obvious. People are reflected in the glass. The fantasy situation into which you thrust them is the mirror itself. And what we are shown should illuminate and alter our perception of the world around us. Failing that, you have failed totally. — Harlan Ellison

God is writing His story on the pages of our lives. — Rick Anderson

God writes the story of our lives with the pen strokes of our own free choices. — Peter Kreeft

When I began writing The Night Bookmobile, it was a story about a woman's secret life as a reader. As I worked it also became a story about the claims that books place on their readers, the imbalance between our inner and outer lives, a cautionary tale of the seductions of the written word. It became a vision of the afterlife as a library, of heaven as a funky old camper filled with everything you've ever read. What is this heaven? What is it we desire from the hours, weeks, lifetimes we devote to books? What would you sacrifice to sit in that comfy chair with perfect light for an afternoon in eternity, reading the perfect book, forever? — Audrey Niffenegger

First-person narrators can't die, so as long as we keep telling the story of our own lives we're safe. Ha bloody fucking Ha. — Pat Barker

We all love stories, even if they're not true. As we grow up, one of the ways we learn about the world is through the stories we hear. Some are about particular events and personalities within our personal circles of family and friends. Some are part of the larger cultures we belong to - the myths, fables, and fairy tales about our own ways of life that have captivated people for generations. In stories that are told often, the line between fact and myth can become so blurred that we easily mistake one for the other. This is true of a story that many people believe about education, even though it's not real and never really was. It goes like this: Young children go to elementary school mainly to learn the basic skills of reading, writing, and mathematics. These skills are essential so they can do well academically in high school. If they go on to higher education and graduate with a good degree, they'll find a well-paid job and the country will prosper too. — Ken Robinson

Ideas never stop, dear S, they're everywhere, in everything - all we have to do is be open to them. And stories tend to arrive with their plots intact and reveal the plots in the writing. Often you think you've got a plot only to find, once you start writing, it's doing something else altogether. And the short story is the form most suited to the spatial moment, which is why it so touches us as a form, I think, with our lives so made up every day of the momentousness of the ordinary moment. — Ali Smith

Rhythm, repetition, making patterns
these are not only important devices for shaping the strange and abstract instrument/object we call a poem or a story, but they are craved as well because of our primordial need for reassurance, the sense of security we get from moving over the known. A mystery doesn't lose power in revisiting. Writing is not just to know, it is also to console. We need to be reminded that we are part of the obscure rhythm of birth and decade. It is the humming that matters. — Breyten Breytenbach

We are so programmed to feel that our emotions are the most important thing in the Universe ... We write, produce and act in the story of me. And then we write reviews - and read them and get more depressed. All we can do is let go, and that comes from training. And then we spend less and less time in the darker spaces. — Krishna Das

I think we're always in the process of writing and rewriting the story of our lives, forming our experiences into a narrative that makes sense. Much of that work involves demythologizing family myths and cultural myths - getting free of what we have been told about ourselves. — Sam Keen

We must carefully cultivate the voice that speaks to us because an internal voice is the ultimate narrator of our charming and delightful personal story or the documentarian of our tragic and disgraceful plotlines. Stories that we tell ourselves become our functional reality, which format structures the concourse of the nested emotional control panel that guides and girds us through the din of the present. — Kilroy J. Oldster

A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy wants to go home to Kansas. George Milton wants a farm of his own. Amelia Sedley wants to marry her darling George and live happily ever after. The end of the story, according to the famous author, is when the character either gests what he wants or realizes he's never going to get it. Or sometimes, she said, like Scarlett O'Hara in Gone With the Wind, realizes she doesn't actually want what she thought she wanted all along.
pg. 324 of Bewitching — Alex Flinn

The story comes, and it is pure story. That's all I set out to write. But I don't believe that we can write any kind of story without including, whether we intend to or not, our response to the world around us. — Madeleine L'Engle

Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears' stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors' saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family's history as well as scrawl out our personal story. — Kilroy J. Oldster

As a rule the tales which get abroad in the world are false ... People always exaggerate things. More so, when months and years have passed and the place is distant do they relate any story they please, or even it put down in writing, so that at least it becomes established fact ... Anyhow, it is a world that is full of lies, and we shall make no mistake if we make up our minds that what we hear is really not at all strange and unusual but merely exaggerated in the telling. — Yoshida Kenko

What draws us into a story and keeps us there is the firing of our dopamine neurons, signaling that intriguing information is on the way. — Lisa Cron

Our willingness to write truthfully brings the story to life. — Alan Watt

Until recently we've only been able to speculate about story's persuasive effects. But over the last several decades psychology has begun a serious study of how story affects the human mind. Results repeatedly show that our attitudes, fears, hopes, and values are strongly influenced by story. In fact, fiction seems to be more effective at changing beliefs than writing that is specifically designed to persuade through argument and evidence. — Jonathan Gottschall

Myths are the prototype for all stories. When we write a story on our own it can't help but link up with all sorts of myths. Myths are like a reservoir containing every story there is. — Haruki Murakami

Our eyes are not viewers, they're also projectors that are running a second story over the picture that we see in front of us all the time. Fear is writing that script, and the working title is 'I'll never be enough' — Jim Carrey

Literature might be called the art of story, and story might in turn be called a universal language, for every culture we know of has a tradition of storytelling. No doubt stories have touched your life, too, from bedtime stories you may have heard as a child to news stories you see on TV or read in a newspaper. We might even say that a major goal of living is to created the story of our own lives, a story we hope to take pleasure and pride in telling. — Andrea A. Lunsford

God gave music the power to carry his light into the darkness. That's a mighty privilege. It means intentionally telling stories and writing songs that bear truth that outlasts the songs themselves. If I did this in hopes of thunderous applause and piles of cash, I would have quit years ago. But there are moments on the stage when I sense something magical, a connection with the band and the audience, when our stories intersect and suddenly we're wading in an ancient river. Suddenly the song is secondary to the greater story being told through each of us. — Andrew Peterson

When we're unaware that we share the power to co-create reality with the universe itself, that power slips away from us, causing our dream to become a nightmare. We begin to feel we're the victims of an unknown and frightening creation that we're unable to influence, and events seem to control and trap us. The only way to end this dreadful reality is to awaken to the fact that it too is a dream - and then recognize our ability to write a better story, one that the universe will work with us to manifest. — Alberto Villoldo

I know if I died tonight, I would die a happy man at peace with myself knowing Gloria's story would finally be told - a mysterious and astonishing story that defies the timeworn precepts of modern psychology and psychiatry - where insanity, genius, the metaphysical, and the mystery of life come together to beguile and confound our contemporary understanding of the mind and its limitless powers to heal.
Dr. Adam Jaxon — Linden Morningstar

Throughout our lives, after all, we look for a story of our origins, to tell us why we were born and why we have lived. — Umberto Eco

For my little dog, Pip, who joined our family during the writing of
this story. Thanks for rescuing me. — Jackie Braun

You're saying we can write our own destiny," I said, feeling too jaded and stubborn in the moment to believe it.
"I am saying," he said carefully, "that this is not the end of the story. Not the way I am writing it. — Karina Halle

We are all writing the story of our life. We want to know what it's "about," what are its themes and which theme is on the rise. We demand of it something deeper, or richer, or more substantive. We want to know where we're headed not to spoil our own ending by ruining the surprise, but we want to ensure that when the ending comes, it won't be shallow. We will not have done something. We will not have squandered our time here. — Po Bronson

Our job as writers is to be as curious as a child, to see things for the first time, and to never assume. We must always be willing to surrender our idea of the story to allow the larger story to emerge. We are seeking to understand the nature of things, the underlying forces at work. — Alan Watt

We have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me
just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable ... — Amal El-Mohtar

I felt let down when I could see the writer too much at work on a character because it reminded me forcefully that of course I don't have a writer working on my story, guiding me to safety, bending the laws of reality for me, bringing me in a hero to rescue me or transporting me to a happier life by the stroke of her pen. No writer is writing me a better journey. No writer is guiding me through my misunderstandings and muddles and wrong turns to reach my happy ending. And then I realize I am the writer. ...we all write out our own lives. — Samantha Ellis

I think, as writers, our first responsibility is to writing an honest story. Tell the story you want to tell, without pulling your punches. — Lynn Coady

The writing of a book may be a solitary business, it is done alone. The writer sits down with paper and pen, or typewriter, and, withdrawn from the world, tries to set down the story that is crying to be written. We write alone, but we do not write in isolation. No matter how fantastic a story line may be, it still comes out of our response to what is happening to us and to the world in which we live. — Madeleine L'Engle

The operation would be in a week...I didn't know if I would survive. How I longed to go back to reading! There was nowhere I longed to be more than the university campus. I was preparing for a master's on fantasy literature. I was interested in why the country's literature did not include this distinctive genre. I had this great passion for studying and writing, which they explained in my household with the story of the umbilical cord. When I was born, and at my father's request, my elder sister buried my umbilical cord in the courtyard of her primary school. My father attributed my {brother's} academic failure to the fact that my mother buried his umbilical cord in the garden of our house. — Hassan Blasim

I want to lay under the blanket of sky and laugh while the stars wink and we write our story. — A.D. Posey

You're suggesting I should write of our experience? How? If I set down every word of the exchange between us during an hour, it would be unintelligible unless I wrote the story of my life to explain it. — Doris Lessing

Teens want to read something that isn't a lie; we adults wish we could put our heads under the blankets and hide from the scary story we're writing for our kids. — Paolo Bacigalupi

Storytelling is at the heart of life ... In finding our own story, we assemble all the parts of ourselves. Whatever kind of mess we have made of it, we can somehow see the totality of who we are and recognize how our blunderings are related. We can own what we did and value who we are, not because of the outcome but because of the soul story that propelled us. — Marion Woodman

What if God, in giving us life, invites us to collaborate in writing the story of our lives? — Adam Hamilton

In writing practice, there's no direction. You enter your own mind and follow it where it takes you. We have a great need to connect with our own mind and our own true self. And all of us have a story to tell. — Natalie Goldberg

Nothing that happens is meant to happen or not meant to happen. The 'meant' is the story we tell ourselves that allows us to make sense of what is fundamentally senseless. Does this make our lives less important? Only if that's the story you want to tell yourself. Where do the stories end? They don't. It's stories all the way down. And all the way up. — Billy Marshall Stoneking

Some writers might tell you that writing is like a piece of magic - a process of creating something out of nothing, and I guess I used to think about it that way too a long long time ago. But as I've lived my life and loved and lost friends and family, and seen dreams smashed and resurrected, and marveled at the pettiness, drear ambition and ignorance of the herd of which I am a part, I can no longer say that a poem or a story or a script comes from nothing. If it's any good, if it has any power, any potent emotional body, then it's something that a writer has paid for, not only in time, but in all the anxiety that accompanies living and those small fret-filled acts of becoming present that make it possible for us to see beyond our little patch of immediacy. It's not just a reaching out, but a reaching in, into the depths of our being from whence we've sprung. — Billy Marshall Stoneking

I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it). — Umberto Eco

I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why.
I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten. — Frederick Buechner

Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history. — Edward Rutherfurd

All throughout our lives, we selectively draw on selected shavings of life events and reflect upon them through consciousness, creating an arranged catalogue of senses, faculties, and mental activities that compose our personal life story. — Kilroy J. Oldster

If I'm serious, yes, I'd like to have done what Shakespeare did ... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it. — Michael Morpurgo

In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers. — Pat Conroy

We are each the protagonist of our life story. — E.L. Tenenbaum

Overall, I was generally "delighted" with the book's story -- writing, theme, plot, etc. Seriously, though, I really did revel in it. After all, "what is a book for if not for our enjoyment? — Chris Mentillo

Stories heal us because we become whole through them. In the process of writing, of discovering our story, we restore those parts of ourselves that have been scattered, hidden, suppressed, denied, distorted, forbidden, and we come to understand that stories heal. — Deena Metzger

Four years ago the clocks started turning back. I open my eyes and see nothing. I feel nothing below or above me. I feel the absence of things. The absence of my flesh, my bones, my body, my mind. All that is left is awareness. I see nothing but the absence of colour. It's not a black darkness. It's simply nothing. The interior of a black hole. I recall news of a black hole lingering along the edges of our solar system. All that time ago. Four years ago. When the clocks started turning back. I hear nothing. Until there is a something. A small thing. A voice. I listen. There are more voices. The sounds are human. How long has it been since I've heard a human? The sounds scratch along my now present attention. They carve into my hearing. They are horrid, wretched things. Voices screaming. Growing loud and desperate. How many voices? Billions. This is the birth of our species. We are born screaming. It's all we know to do. We have screamed for eternity. Within this empty space. — F.K. Preston

What is important is the story. Because when we are all dust and teeth and kicked-up bits of skin - when we're dancing with our own skeletons - our words might be all that's left of us. — Alexandra Fuller

It would have been better to do what everyone else does, neither taking life too seriously nor seeing it as merely grotesque, choosing a profession and practicing it, grabbing one's share of the common cake, eating it and saying, "It's delicious!" rather than following the gloomy path that I have trodden all alone; then I wouldn't be here writing this, or at least it would have been a different story. The further I proceed with it, the more confused it seems even to me, like hazy prospects seen from too far away, since everything passes, even the memory of our most scalding tears and our heartiest laughter; our eyes soon dry, our mouths resume their habitual shape; the only memory that remains to me is that of a long tedious time that lasted for several winters, spent in yawning and wishing I were dead — Gustave Flaubert

So much of a novelist's writing ... takes place in the unconscious: in those depths the last word is written before the word appears on paper. We remember the details of our story, we do not invent them. — Graham Greene

Telling our personal story reveals the shape shifting landscape of our mind. — Kilroy J. Oldster

If we can't forget, how can we forgive? I believe that forgiving can't be done by willpower alone. I can will myself to write out my own memories and feelings. I can will myself to imagine onto the page how someone else may have felt. I can will myself to research someone else's life in order to better understand what happened. But I don't think I can forgive by simply willing to forgive. Forgiving happens to us when our hearts are ready. Sometimes it takes the form of working on our own story until quietly, often surprisingly, we simply let go of the hurt. Sometimes forgiving makes it possible to pick up the pieces of a broken relationship and begin again. Sometimes it means letting a relationship go. We can't forgive through willpower. What we can do is work toward readiness of heart. Writing as a spiritual practice can be that kind of work.
When our heart is ready, we often don't even know it until forgiveness happens within us. It is a gift. — Pat Schneider

We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don't usually serve us up whole scenes complete with dialogue. So I suppose I'm saying that I like to work from what a character is likely to remember, from a more interior place. — Lydia Davis

One of my book-reading friends used the term "our story unfolds" when describing a paper he was writing. He became somewhat less of a friend right at that moment. — Tommy Greenwald

The elasticity of our dreams can take us to unspoken worlds, but our innate horror of the unknown is what weighs us down. Fight it.


Travel to the isolated coils of smoldering dust trapped in our dusky sky or explore the unseen timeless vibration of dancing particles that fashions existence. Whatever choice you make can change your life forever. The same applies to a story. Words are the atoms of a tale, and together they compose a universe. — H.S. Crow

Many people seem to think that art is a luxury to be imported and tacked on to life. Art springs out of the very stuff that life is made of. Most of our young authors start to write a story and make a few observations from nature to add local color. The results are invariably false and hollow. Art must spring out of the fullness and richness of life. — Willa Cather

If the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don't understand rather than in what we do. He will be interested in possibility rather than probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves - whether they know clearly what it is they act upon or not. — Flannery O'Connor

Because of an instability at my own core, it comforts me to live, fixed, within a story. If reading is our consolation for having been allotted only one life, I find that writing oneself into a fictional world is even more comforting. — Norman Lock

In the most basic way, writers are defined not by the stories they tell, or their politics, or their gender, or their race, but by the words they use. Writing begins with language, and it is in that initial choosing, as one sifts through the wayward lushness of our wonderful mongrel English, that choice of vocabulary and grammar and tone, the selection on the palette, that determines who's sitting at that desk. Language creates the writer's attitude toward the particular story he's decided to tell. — Donald E. Westlake

Our lives are a novel being written. We are its author. Every action we encounter and every person we meet has a role and a place in our ultimate story. It is in our control to decide the level of how, who and what impacts us and how large a role we decide to assign each. — Mark W. Boyer

We spent 10 years writing our first fiction story and truly hope people like it. — Tony D'Urso

Writers are like actors too. For every story we create, we must get under the skin of the characters and role play with our writing. — Jyoti Arora