Quotes & Sayings About Writing Less Is More

I like to take writing retreats within a day's drive of home. Less travel time means more time for writing, which is the name of the game here. — Kate Klise

The more practice you have, the less stressful writing is. — Edwidge Danticat

The radicals assumed that acting was more important than speaking. Talking and writing books, Winstanley insisted, is 'all nothing and must die; for action is the life of all, and if thou dost not act, thou dost nothing.' It is a thought worth pondering by those who read books about the seventeenth-century radicals, no less than by those who write them. Were you doers or talkers only? Bunyan asked his generation. What canst thou say? — Christopher Hill

So I have to create the whole thing afresh for myself each time. Probably all writers now are in the same boat. It is the penalty we pay for breaking with tradition, and the solitude makes the writing more exciting though the being read less so. One ought to sink to the bottom of the sea, probably, and live alone with ones words. — Virginia Woolf

We come to the page with too many expectations. Each poor little story is like a trembling donkey upon which we heap tons of weight. We don't just want a good book, we want a bestseller. If it isn't perfect, we hate it. If it isn't 100% right, it's 1000% wrong. Problem: we care too damn much. It's all or nothing with us and that's the kind of dichotomy that shanks our happiness right in the kidneys. So: care less. Ease off the stress stick. Have more fun with what you're doing. When your kids and dogs play in the mud, you can either freak out that they're too dirty, or you can laugh and jump in the mud, too. So, fuck it: jump in the damn mud already. — Chuck Wendig

To me, one of the greatest triumphs in doing a book is to tell the story as simply as possible. My aim is to imply rather than to overstate. Whenever the reader participates with his own interpretation, I feel that the book is much more successful. I write with the premise that less is more. Writing is not difficult to me. I read into a tape recorder, constantly dropping a word here and there from my manuscript until I get a minimum amount of words to say exactly what I want to say. Each time I drop a word or two, it brings me a sense of victory! — Ezra Jack Keats

The action of the child inventing a new game with his playmates; Einstein formulating a theory of relativity; the housewife devising a new sauce for the meat, a young author writing his first novel; all of these are in terms of definition, Creative, and there is no attempt to set them in some order of more or less Creative. — Carl Rogers

[ ... ] as I have seen with other people whose sense of their work is vocational rather than pragmatic, my desire to write, to understand things at a depth I can reach in no other way, pushes me to write and go on writing, even when my wants - for an easier or more sociable life, or one less exposed and fraught - are certainly well known to my rational mind. p.293 — Stephanie Dowrick

Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well. — David Ives

The more talented somebody is, the less they need the props. Meeting a person who wrote a masterpiece on the back of a deli menu would not surprise me. Meeting a person who wrote a masterpiece with a silver Cartier fountain pen on an antique writing table in an airy SoHo loft would seriously surprise me. — Hugh MacLeod

A writer can live by his writing. If not so luxuriously as by other trades, then less luxuriously. The nature of the work he does all day will more affect his happiness than the quality of his dinner at night. Whatever be your calling, and however much it brings you in the year, you could still, you know, get more by cheating. We all suffer ourselves to be too much concerned about a little poverty; but such considerations should not move us in the choice of that which is to be the business and justification of so great a portion of our lives; and like the missionary, the patriot, or the philosopher, we should all choose that poor and brave career in which we can do the most and best for mankind. — Robert Louis Stevenson

So here we are, a pack of Homo sapiens thinking that we know whether a person is female or male. Now that I've spent a few years researching and talking with people who fall under the transgender umbrella, I am confident saying that male/ female is not the only way to describe gender. The people I've come to know and love in the course of writing and photographing this book have helped me better understand the fluidity of gender and sex.

This lesson for me also reinforces what I've been writing about for years: once we get to know individuals who may be different from ourselves, it is less likely we will be wary of them. And maybe, just maybe, we will learn a little more about ourselves. — Susan Kuklin

The life of a writer is tragic: the more we advance, the farther there is to go and the more there is to say, the less time there is to say it. — Gabrielle Roy

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history. — Ishmael Reed

In the humanist world following Erasmus, man is at the centre of the universe. Man becomes largely responsible for his own destiny, behaviour and future. This is the new current of thought which finds its manifestation in the writing of the 1590s and the decades which follow. The euphoria of Elizabeth's global affirmation of authority was undermined in these years by intimations of mortality: in 1590 she was 57 years old. No one could tell how much longer her golden age would last; hence, in part, Spenser's attempts to analyse and encapsulate that glory in an epic of the age. This concern about the death of a monarch who - as Gloriana, the Virgin Queen - was both symbol and totem, underscores the deeper realisation that mortality is central to life. After the Reformation, the certainties of heaven and hell were less clear, more debatable, more uncertain. — Ronald Carter

Seeing the world anew, as if it were new, is as old as writing. It's what all painters are trying to do, to see what's there, to see it in a way that renews it. It becomes more and more urgent as the planet gets worn flat and forest after forest is slain to print the paper for people's impressions to be scrawled down on. It becomes harder and harder to be original, to see things with an innocent eye. Innocence is much tied up with it. As the planet gets progressively less innocent, you need a more innocent eye to see it. — Martin Amis

The difference between a fairly interesting writer and a fascinating writer is that the fascinating writer has a better nose for what genuinely excites him, he is hotter on the trail, he has a better instinct for what is truly alive in him. The worse writer may seem to be more sensible in many ways, but he is less sensible in this vital matter: he cannot distinguish what is full of life from what is only half full or empty of it. And so his writing is less alive, and as a writer he is less alive, and in writing, as in everything else, nothing matters but life. — Ted Hughes

I think all writing is necessarily autobiographical to a greater or lesser extent, and the less it tries to be confessional, the more likely it is that you're somehow sneaking the things you need to say in there. — John Darnielle

1. Society needs laws. While anarchy can often turn a humdrum weekend into something unforgettable, eventually the mob must be kept from stealing the conch and killing Piggy. And while it would be nice if that "something" was simple human decency, anybody who has witnessed the "50% Off Wedding Dress Sale" at Filene's Basement knows we need a backup plan - preferably in writing. On the other hand, too many laws can result in outright tyranny, particularly if one of those laws is "Kneel before Zod." Somewhere between these two extremes lies the legislative sweet-spot that produces just the right amount of laws for a well-adjusted society - more than zero, less than fascism. — Jon Stewart

The bricoleur, says Levi-Strauss, is someone who uses 'the means at hand,' that is, the instruments he finds at his disposition around him, those which are already there, which had not been especially conceived with an eye to the operation for which they are to be used and to which one tries by trial and error to adapt them, not hesitating to change them whenever it appears necessary, or to try several of them at once, even if their form and their origin are heterogenous - and so forth. There is therefore a critique of language in the form of bricolage, and it has even been said that bricolage is critical language itself ... If one calls bricolage the necessity of borrowing one's concepts from the text of a heritage which is more or less coherent or ruined, it must be said that every discourse is bricoleur. — Jacques Derrida

Travel writing is harrowing. You are in paradise, more or less, having to prove it is paradise. It is hard to have a good time trying to figure out a way to say you are having a good time, whether you are having it or not, even in paradise. — Padgett Powell

I don't think there's a less elitist thing on earth to do than to try and reach out and connect with another human being . . . And that's what the best writing does, that's what art does. It looks a reader in the eye, and it proceeds honestly with that reader, and nakedly. There is a compact there, a bond, a relationship, a union, a symbiosis . . . It's not about you. Whether you're a genius or an idiot savant. It's about the work. The work is more important than you. So it's not about back-claps and plaudits and "isn't that author smart." It's about, "this book really connected with me. And even though you, my friend, are very different from me, I'm lending it to you, because I think it will connect with you as well." Community. Across the eras. Between people who have never met, who will never meet, who are nonetheless bound in something together, in different ways. — Colin Fleming

When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about. — Eve Ensler

Without extraneous words or phrases or clauses, there will be room for implication. The longer the sentence, the less it's able to imply, And writing by implication should be one of your goals. Implication is almost nonexistent in the prose that surrounds you, The prose of law, science, business, journalism, and most academic fields. It was nonexistent in the way you were taught to write. That means you don't know how to use one of a writer's most important tools: The ability to suggest more than the words seem to allow, The ability to speak to the reader in silence. — Verlyn Klinkenborg

The trouble is, writing the damn thing is like unscrewing your skull and pouring the contents of your brain into an empty tank. The tank has a shape, more or less - has more or less defined edges, a bottom and sides. But what it mostly has is volume: a hungry space I've somehow got to fill. — Mike Carey

If you had told me twenty years ago that I would write a novel set in Russia, much less two, I simply wouldn't have believed you. I had no familiarity with Russia or its history, but part of what drives me as a reader, and more and more as a writer, is curiosity, the desire to explore unfamiliar terrain and inhabit alternate lives. — Debra Dean

I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play. — Kate DiCamillo

A novelist's job is almost to be a stupid as possible, except in the cunning moment when you need to structure something, when you need to be very intelligent indeed. The rest of the time, you need almost an empty mind, where you can let any image in, follow it along, and allow an emotional charge, almost the way actors and singers can work. The more instinct you have as a novelist, and the less intelligence, the better. — Colm Toibin

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

Nimzovitch became then for me more or less the author of the only book which could help me get away from these Euwe books, which, I admit, are very good for the ordinary club player. But once you've reached a certain strength you get the impression that everything that Euwe writes is a lie. — Bent Larsen

All things are engaged in writing their history...Not a foot steps into the snow, or along the ground, but prints in characters more or less lasting, a map of its march. The ground is all memoranda and signatures; and every object covered over with hints. In nature, this self-registration is incessant, and the narrative is the print of the seal. — Ralph Waldo Emerson

Read like mad. But try to do it analytically - which can be hard, because the better and more compelling a novel is, the less conscious you will be of its devices. It's worth trying to figure those devices out, however: they might come in useful in your own work. — Sarah Waters

The Chinese say that there is no scenery in your home town. They're right. Being in another place heightens the senses, allows you to see more, enjoy more, take delight in small things; it makes life richer. You feel more alive, less cocooned. — Jane Wilson-Howarth

It's difficult to put your own bare ass out on the limb every time you sit down to write a poem. But that's really sort of the ideal. Because if we don't discover something about ourselves and our world in the making of a poem, chances are it's not going to be a very good poem. So what I'm saying is that a lot of our best poets could be better poets if they wrote less and risked more in what they do. — Sam Hamill

The more I read, the less I admire modern theology. the more I study the productions of the new schools of theological teachers, the more I marvel that men and women can be satisfied with such writings. There is a vagueness, a mistiness, a shallowness, an indistinctness, a superficiality, an aimlessness, a hollowness about the literature of the 'broader and kinder systems', as they are called, which to my mind stamps their origin on their face. They are of the earth, earthy. — J.C. Ryle

A poet has to adapt himself, more or less consciously,to the demands of his vocation, and hence the peculiarities of poets and the condition of inspiration which many people have said is near to madness ... The problem of creative writing is essentially one of concentration ... a focusing of the attention in a special way. — Stephen Spender

And this is more or less all that I had left after the holidays. Nothing really; hopeless confusion, a narrative without a possible conclusion, full of doubtful meanings, belied by the very elements that I had to give it shape. I didn't know the significance of what I'd seen, I was repelled by the idea of finding out and being sure. All that counts is that I felt at peace when I finished writing, certain I had enjoyed the greatest success one can expect from this kind of task: I had accepted a challenge, and turned at least one daily defeat into a victory. — Juan Carlos Onetti

World creation should be an effort of great and covetous love. — Micah R. Sisk

Sometimes the novelist feels himself like God and is prepared to tell you everything about his characters; sometimes, however, he does not; and then he tells you not everything that is to be known about them but the little he knows himself; and since as we grow older we feel ourselves less and less like God I should not be surprised to learn that with advancing years the novelist grows less and less inclined to describe more than his own experience had given him. The first person singular is a very useful device for this limited purpose. — Maugham W. Somerset

I started hitting best-seller lists as soon as I stopped using outlines. With Strangers, I started with nothing more than a couple of characters I thought I'd like and with a premise. Nearly every new writer I know uses detailed outlines, and so did I for a long time. But when I stopped relying on them, my work became less stiff, more organic, less predictable. BUT, nearly every beginning writer I've known and some excellent veterans as well, such as Jeffery Deaver, create chapter-by-chapter outlines of considerable length before starting to write the novel. The point of this tip is simply that if you feel constrained by an outline, it isn't the only way to work. — Dean Koontz

You know, Phaedrus, writing shares a strange feature with painting. The offsprings of painting stand there as if they are alive, but if anyone asks them anything, they remain most solemnly silent. The same is true of written words. You'd think they were speaking as if they had some understanding, but if you question anything that has been said because you want to learn more, it continues to signify just that very same thing forever. When it has once been written down, every discourse rolls about everywhere, reaching indiscriminately those with understanding no less than those who have no business with it, and it doesn't know to whom it should speak and to whom it should not. And when it is faulted and attacked unfairly, it always needs its father's support; alone, it can neither defend itself nor come to its own support. [275d-e] — Plato

Some writers don't believe they're ready to begin writing the story until they've finished all the research they can think of to do - until they're sure of everything. That's a logical approach, of course. The more factual knowledge, the less likelihood you'll have to throw out a lot of glorious prose when you find out that something you assumed to be true wasn't.
But one problem with delaying your start until the research is all done is that the research is never all done. — James Alexander Thom

Almost all great writers have as their motif, more or less disguised, the passage from childhood to maturity, the clash between the thrill of expectation and the disillusioning knowledge of truth. 'Lost Illusion' is the undisclosed title of every novel. — Andre Maurois

What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing. — Sergio Chejfec

It is not that fathers are better or worse, not that they are more loved or criticized, but rather that they are viewed with far less intensity. There is no Philip Roth or Woody Allen or Nancy Friday who writes about fathers with a runaway excess of humor, horror ... feeling. Most of us let our fathers off the hook. — Ellen Goodman

The scalpel is better for operations, but it is no good for anything else. Poetry confines itself more and more to what only poetry can do; but this turns out to be something which not many people want done. Nor, of course, could they receive it if they did. Modern poetry is too difficult for them. It is idle to complain; poetry so pure as this must be difficult. But neither must the poets complain if they are unread. When the art of reading poetry requires talents hardly less exalted than the art of writing it, readers cannot be much more numerous than poets. If you write a piece for the fiddle that only one performer in a hundred can play you must not expect to hear it very often performed. The musical analogy is no longer a remote one. — C.S. Lewis

If you think reading a book is hard, you should try writing one. Because it's even harder. It's still not as hard as writing a game, though. If you discount the purely visual pop-up parts, a book is made almost entirely of words. As a novelist, you just need to think of a few decent strings of words and then fill the other 98% of the book with more or less random descriptions of things and exclamation points. — Erik Wolpaw

The life of sensation is the life of greed; it requires more and more. The life of the spirit requires less and less; time is ample and its passage sweet. — Annie Dillard

Without children, men have more liberty to earn less - that is, they are free to pursue more fulfilling and less lucrative careers, like writing or art or teaching social studies. — Warren Farrell

Writing has nothing to do with pretty manners, and less to do with sportsmanship or restraint [...]
Every writer begins as a subversive, if in nothing more than the antisocial means by which he earns his keep. Finally, every fantasist who cannibalizes himself knows that misfortune is his friend, that grief feeds and sharpens his fancy, that hatred is as sufficient a spur to creation as love (and a world more common) and that without an instinct for lunacy he will come to nothing. — Geoffrey Wolff

To me, the best, if not the only function of imaginative writing, is to lead the human imagination outward, to take it into the vast external cosmos, and away from all that introversion and introspection, that morbidly exaggerated prying into one's own vitals - and the vitals of others - which Robinson Jeffers has so aptly symbolized as "incest." What we need is less "human interest," in the narrow sense of the term - not more. Physiological - and even psychological analysis - can be largely left to the writers of scientific monographs on such themes. Fiction, as I see it, is not the place for that sort of grubbing. — Clark Ashton Smith

What I've learned about writing is that sometimes less is more, while often more is grander. And both are true. — Richelle E. Goodrich

While people are fairly young and the musical composition of their lives is still in its opening bars, they can go about writing it together and sharing motifs (the way Tomas and Sabina exchanged the motif of the bowler hat), but if they meet when they are older, like Franz and Sabina, their musical compositions are more or less complete, and every motif, every object, every word means something different to each of them. — Milan Kundera

I write because the act of writing itself is what drives me. It's a private communication within myself - nothing more or less. This doesn't mean I do not want to share with people. — Michael Hersch

Again, the most effective (and least destructive) way to help a child succeed - whether she's writing or skiing, playing a trumpet or a computer game - is to do everything possible to help her fall in love with what she's doing, to pay less attention to how successful she was (or is likely to be) and show more interest in the task. That's just another way of saying that we need to encourage more, judge less, and love always. — Alfie Kohn

I don't sit down at nine in the morning and begin writing and then take a break for lunch and stop at four. I have no structure like that. I am at my computer constantly, more or less attached to it. I live on-line and hate being off-line and don't care how unhealthy it is. — Augusten Burroughs

Many aspects of the writing life have changed since I published my first book, in the 1960s. It is more corporate, more driven by profits and marketing, and generally less congenial - but my day is the same: get out of bed, procrastinate, sit down at my desk, try to write something. — Paul Theroux

Lyrically, 'less words mean more' is a pretty good rule of thumb. Try to cut out the fat and get to the meat of what you're saying. — Chris Stapleton

[T]he only means I have to stop ignorant snobs from behaving towards genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn't SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my arguments by writing well. — Ursula K. Le Guin

People tell you to write what you know, but I've found that writing what you know is much harder than making it up. It's easier to research a historical period than your own life, and it's much easier to deal with things that have a little less emotional weight and where you have a little more detachment. It's terrible advice! So this is why you'll find there's no such place as the Welsh valleys, no coal under them, and no red buses running up and down them; there never was such a year as 1979, no such age as fifteen, and no such planet as Earth. The fairies are real, though. — Jo Walton

Sometimes it seems as if writing a group of songs is like getting groceries, or doing the laundry - banal things I do more or less on a day-to-day basis. We deal with the issues involved in our mundane activities as they come up, — David Byrne

Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won't be born for 500 years. Your writing will be a record of your time. It can't help but be that. But more importantly, if you're honest about who you are, you'll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope. — Charlie Kaufman

I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode. — George Saunders

There is all the more reason for startups to write Web-based software now,
because writing desktop software has become a lot less fun.
If you want to write desktop software now you do it on Microsoft's terms,
calling their APIs and working around their buggy OS. And if you manage to write something
that takes off, you may find that you were merely doing market research for Microsoft. — Paul Graham

Blogging is to writing what extreme sports are to athletics: more free-form, more accident-prone, less formal, more alive. It is, in many ways, writing out loud. — Andrew Sullivan

Writing is like anything else - the more you do it, the better you get at it, the easier it comes, and the less concerned you'll be about what's going to happen to it, where it's going, what it sounds like, whether it's right. — Wayne Dyer

There should be more or less of a jumble in your head or on your note paper after the first time and even after the second. Much that you will think of in connection will come to nothing and be wasted. But some of it ought to go together under one idea. That idea is the thing to write on and write into the title at the head of your paper ... One idea and a few subordinate ideas - [the trick is] to have those happen to you as you read and catch them - not let them escape you ... The sidelong glance is what you depend on. You look at your author but you keep the tail of your eye on what is happening over and above your author in your own mind and nature. — Robert Frost

It is easy to criticize and find fault with the conduct of kings, and write furious articles against them in newspapers, or make violent speeches about them on platforms. Any fool can rip and rend a costly garment, but not every man can cut out and make one. To expect perfection in kings, prime ministers, or rulers of any king, is senseless and unreasonable. We would exhibit more wisdom if we prayed for them more, and criticized less. — J.C. Ryle

There is nothing more inimical to writing than the spirit of fundamentalism. Fundamentalism abhors the play of signs, the endlessness of writing. Fundamentalism means nothing more or less than going back to an origin and staying there. It stands for one founding book and, thereafter, no more books. — J.M. Coetzee

Prepare for every negotiation ... 1) Focus on Outcomes. What is it that you want to walk away with? Being as specific as possible also increases the likelihood of negotiation success. 2) Support your desired outcome with data that points to its reasonableness. 3) Writing down your key points in advance - and practicing them - enables you to stay focused on what's most important and avoid going off on tangents. 4) Err on the side of asking for more, rather than less [of what you really want]. 5) Be willing to walk away. — Lois P Frankel

I wish I wasn't so in love, wasn't so interested, in the Internet. I wish I spent less time online and more time outside and in my head. Writing requires solitude and deep, deep daydreaming, and the Internet just kills that - its lure is toward the external; it asks you to flit from place to place. — Edan Lepucki

One of the things about writing fiction is that you create people that you feel, more or less, as though you know. — Marilynne Robinson

We are so programmed to feel that our emotions are the most important thing in the Universe ... We write, produce and act in the story of me. And then we write reviews - and read them and get more depressed. All we can do is let go, and that comes from training. And then we spend less and less time in the darker spaces. — Krishna Das

Whitman himself "accepted" a great deal that his contemporaries found unmentionable. For he is not only writing of the prairie, he also wanders through the city and notes the shattered skull of the suicide, the "grey sick faces of onanists," etc., etc. But unquestionably our own age, at any rate in Western Europe, is less healthy and less hopeful than the age in which Whitman was writing. Unlike Whitman, we live in a shrinking world. The "democratic vistas" have ended in barbed wire. There is less feeling of creation and growth, less and less emphasis on the cradle, endlessly rocking, more and more emphasis on the teapot, endlessly stewing. To accept civilisation as it is practically means accepting decay. It has ceased to be a strenuous attitude and become a passive attitude - even "decadent," if that word means anything. — George Orwell

Every good book should be entertaining. A good book will be more; it must not be less. Entertainment ... is like a qualifying examination. If a fiction can't provide that, we may be excused from inquiring into its higher qualities. — C.S. Lewis

An isolated system or a system in a uniform environment (which for the present consideration we do best to include as a part of the system we contemplate) increases its entropy and more or less rapidly approaches the inert state of maximum entropy. We now recognize this fundamental law of physics to be just the natural tendency of things to approach the chaotic state (the same tendency that the books of a library or the piles of papers and manuscripts on a writing desk display) unless we obviate it. (The analogue of irregular heat motion, in this case, is our handling those objects now and again without troubling to put them back in their proper places.) — Erwin Schrodinger

Write a lot. And I mean a ridiculous amount. You have to write so much that you don't mind throwing away and changing things that you've written - which is the second thing you have to do. A lot of young writers are very precious about their words. Don't be - you've got to be ready to burn stuff. You're not as good as you think you are, at least not yet. The more you write, the faster you'll write, and the less you'll mind throwing stuff out. — Josh Lieb

Of the small number of things which I have liked and done well, drinking is by far the thing I have done best. Although I have read a lot, I have drunk more. I have written much less than most people who write; but I have drunk more than the majority of the people who drink. — Guy Debord

Brooding is more something I do when I'm working. I know so much more about sitting around worrying about a work project than I do about worrying about kids. This could just be a fact of life for older moms. We've worked and worked and worked and if we are lucky enough to finally have a child or two, we find ourselves suddenly catapulted into a most alien kind of chaos.
Work is so much easier. Anyone will tell you that. To have a desk, where you have everything all lined up, and a schedule you more or less get to agree to. Work. I am a worker. This is so funny because I never really think of my work as work. I certainly never though of myself as having a career. Writing, work, this is just who I am. I am a person who sits at a desk and makes phone calls and taps at a computer keyboard and sips coffee and calls her mom at five. That I am anything better or smaller than that has come as sudden news to me.
Brand new.
News. — Jeanne Marie Laskas

The point of the resurrection ... is that the present bodily life is not valueless just because it will die ... What you do with your body in the present matters because God has a great future in store for it ... What you do in the present - by painting, preaching, singing, sewing, praying, teaching, building hospitals, digging wells, campaigning for justice, writing poems, caring for the needy, loving your neighbor as yourself - will last into God's future. These activities are not simply ways of making the present life a little less beastly, a little more bearable, until the day when we leave it behind altogether (as the hymn so mistakenly puts it ... ). They are part of what we may call building for God's kingdom. — N. T. Wright

There would seem to be four stages in the composition of a story. First comes the germ of the story, then a period of more or less conscious meditation, then the first draft, and finally the revision, which may be simply 'pencil work' as John O'Hara calls it - that is, minor changes in wording - or may lead to writing several drafts and what amounts to a new work. — Malcolm Cowley

Often when he was teaching me to write in Greek, the Fox would say, "Child, to say the very thing you really mean, the whole of it, nothing more or less or other than what you really mean; that is the whole art and joy of words." A glib saying. — C.S. Lewis

Memory implies that there is some static time and place you can go back to, whereas if you relive it by trying to put yourself back in that context, its more nuanced, less black and white. More traumatic, but also more exciting. When I knew I had to write about things that would be painful, I put off doing it for ages. But then eventually the fear of not doing it becomes greater than the fear of doing it. — Damian Barr

Learning to exist in a world quite different from that which formed you is the condition, these days, of pursuing research you can on balance believe in and write sentences you can more or less live with. — Clifford Geertz

More people have more access to more readers for less money than ever before in history. It means a lot of dross; but it means a lot of very talented people can find and nurture a readership in ways that were not possible twenty years ago. From a creative perspective, that is all that writing is about. — John Hodgman

When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax. — Natasha Trethewey

The conditions of writing change absolutely between the first novel and the second: the first is an adventure, the second is a duty. The first is like a sprint which leaves you exhausted and triumphant beside the track. With the second the writer has been transformed into a long-distance runner - the finishing tape is out of sight, at the end of life. He must guard his energies and plan ahead. A long endurance is more exhausting than a sprint, and less heroic. — Graham Greene

It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times. — Mark Duplass

Economist Peter Orszag witnessed the workings of vetocracy and its nefarious consequences. Writing in 2011, he reflected on what he had just witnessed as one of the top economic policymakers in the United States: "During my recent stint in the Obama administration as director of the Office of Management and Budget, it was clear to me that the country's political polarization was growing worse - harming Washington's ability to do the basic, necessary work of governing. . . . Radical as it sounds we need to counter the gridlock of our political institutions by making them a bit less democratic. I know that such ideas carry risk. And I have arrived at these proposals reluctantly: they come more from frustration than from inspiration. But we need to confront the fact that a polarized, gridlocked government is doing real harm to our country. And we have to find some way out of it. — Moises Naim

That's good. You see, boxing and writing are very similar. You get in the guard position, you decide to throw yourself into battle, you lift your fists, and you hurl yourself at your opponent. A book is more or less the same. A book is a battle. — Joel Dicker

Many Christians in the evangelical tradition use words like "conversion," "regeneration," "justification," "born-again," etc. all as more or less synonyms to mean "becoming a Christian from cold." In the classic Reformed tradition, the word "justification" is much more fine-tuned than that and has to do with a verdict which is pronounced, rather than with something happening to you in terms of actually being born again. So that I'm actually much closer to some classic Reformed writing on this than some people perhaps realize. — N. T. Wright

Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, 'Look at my beautiful home! Isn't it fine?' And not, 'Look at the home so-and-so has built.' Thus we shouldn't cry, 'Look what so-and-so has written. What a genius so-and-so is!' But rather, 'Look at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave? — Roman Payne

I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge. — Flannery O'Connor

I like to synthesize; I hate analysis. I don't like to take a subject and break it down into parts; I like to take disparate parts and put them all together and see what happens. I believe the old saw that the whole is more than the sum of its parts. Of course, it may also be less. But it's the parts that interest me; it's not the whole. — Gilbert Sorrentino

The right art," cried the Master, "is purposeless, aimless! The more obstinately you try to learn how to shoot the arrow for the sake of hitting the goal, the less you will succeed in the one and the further the other will recede. What stands in your way is that you have a much too willful will. You think that what you do not do yourself does not happen. — Eugen Herrigel

So many (too many) books are published every year, and it seems everyone is writing a book. Perhaps we should all be reading more and writing less! — Tracy Chevalier

Even the best cook can't make chicken soup out of his own feet. There aren't so terribly many ingredients in anyone's life, less meat than there is on a sparrow. The average person could come up with at most two good novels. Many who think very highly of themselves can't manage more than a couple of anecdotes. — Pasi Ilmari Jaaskelainen

Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house. — George Orwell

With a country of rare picturesqueness for a background, a people of rare beauty for actors, everybody more or less permeated with the artistic instinct and everybody more or less writing poetry - California has a pageant for breakfast, a fiesta for luncheon and a carnival for dinner. They are always electing queens. In fact any girl in California who hasn't been a queen of something before she's twenty-one is a poor prune. — Inez Haynes Irwin

I've been interested in autism since I've known about it, which is more or less since I've been writing. — William Gibson