Writing Dialogue Quotes & Sayings

If you just want to be a writer, I don't care, for pitching, for writing dialogue, you should take an improvisation class. It's super important. — Thomas Lennon

I was just this chubby little Indian kid who looked like a nerd. I didn't have a ton of academic skills. It wasn't until I was in high school that I was like, "I guess I like writing dialogue." So that's how I got into it. — Mindy Kaling

'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers. — Victoria Hanley

When I decided to stop using quotation marks, it presented technical challenges: you have to conceive of dialogue differently and structure it differently for this to work. So I had a new problem, which makes writing interesting again. — Catherine Brady

Working on 'Drive', a lot of fun. This is Tim Minear whom I've worked with before on 'Firefly' of course. He called me up and said, 'I've got a part for you that you will love,' and I love Tim's writing. I love his stories. I love his characters, his dialogue. He has a knack for reveals and he has a knack for moments. — Nathan Fillion

I'm an actor, and, beyond that, the thing I do most compulsively is writing. So I come at it very much from this sense of character. I get interested in people. And I feel confident in my capacity to absorb and manifest the characteristics of people. I have a real auditory hang-up for dialogue; re-creating the way people talk really is an addiction in my brain. — Edward Norton

Frankly, as much as I love to improvise, it hasn't been difficult to stick to the script on 'Mad Men.' The writing is so precise, and the story so carefully crafted, that I don't think there's room - or need - for ad libbing. I could never come up with dialogue as lovely as these writers do, anyway. — Rich Sommer

Do remember, though, that unless you're a playwright, the result [dialogue] isn't what you want; it's only an element of what you want. Actors embody and re-create the words of drama. In fiction, a tremendous amount of story and character may be given through the dialogue, but the story-world and its people have to be created by the storyteller. If there's nothing in it but disembodied voices, too much is missing. — Ursula K. Le Guin

It's not enough simply to record the way people actually talk. The dialogue must be concentrated, shaped, dramatically moving, in a way that real-life conversation seldom is. — Philip Gerard

For me, the dialogue is the easiest part of writing. It just always seems so obvious what a character will say. Maybe it's because I talk too much! — Julia Quinn

As with all other aspects of fiction, the key to writing good dialogue is honesty. — Stephen King

Screenplays are not writing. They're a fake form of writing. It's a lot of dialogue and very little atmosphere. Very little description. Very little character work. It's very dangerous. You'll never learn to write. — Ray Bradbury

I do three drafts handwritten and then it's typed up ... They are different from each other, they are hopefully improvements in the sense you're going back over something. The first time you write it, it's the first thing that you can think. The second time you're trying to shape the dialogue, helping the characters. The third time you're doing it because you want the words to sound nice, hopefully making the prose better, making it more fun to read, making the jokes funnier and the scary bits scarier. — Clive Barker

When I first started, I didn't really know how to structure a play. I could write dialogue, but I just sort of failed beyond that, and kind of went wherever I wanted to go. — Sam Shepard

I write plays because writing dialogue is the only respectable way of contradicting yourself. I put a position, rebut it, refute the rebuttal, and rebut the refutation. — Tom Stoppard

In dialogue, make sure that your attributives do not awkwardly interrupt a spoken sentence. Place them where the breath would come naturally in speech-that is, where the speaker would pause for emphasis, or take a breath. The best test for locating an attributive is to speak the sentence aloud. — E.B. White

I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. — George Lucas

I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent? — George R R Martin

What is Camille Paglia doing, writing that an actress as gifted as Anne Heche has the mental depth of a pancake? How many pancake brains could do what Heche did with David Mamet's dialogue in Wag the Dog? No doubt Heche has been stuck with a few bad gigs, but Paglia, of all people, must be well aware that being an actress is not the same safe ride as being the tenured university professor of humanities and media studies at the University of the Arts in Philadelphia. — Clive James

At bottom, for me, the act of writing is a sort of dialogue with God. I say with God, but I am not a believer, although I cannot say that I am an unbeliever either. But for me, this meeting with God is in the act of writing. A solitude which meets another, a solitude in front of another solitude. 'God' being more alone than oneself. Such a shame that, to reach God, there is no bypassing faith. — Emil Cioran

Dialogue, contrary to popular view, is not a recording of actual speech; it is a semblance of speech, an invented language of exchanges that build in tempo or content toward climaxes. — Sol Stein

We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don't usually serve us up whole scenes complete with dialogue. So I suppose I'm saying that I like to work from what a character is likely to remember, from a more interior place. — Lydia Davis

You gotta trust your artist. I love writing pages without dialogue, which seems weird, I guess. But few things are as powerful in comics as a really strong silent page. — Jason Aaron

Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving toward the watcher on the shore. — Edith Wharton

Much to my surprise, there's a sense for people in the cable industry that fiction writers might actually be good at script writing. You can write dialogue! — Matthew Specktor

As an actor, you are in a unique position because you're not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing. — Jesse Eisenberg

The way you write dialogue is the same whether you're writing for movies or TV or games. We use movie scriptwriting software to write the screenplays for our games, but naturally we have things in the script that you would never have in a movie script
different branches and optional dialogue, for example. But still, when it comes to storytelling and dialogue, they are very much the same. — Sam Lake

Mostly writing requires massive dedication, a whole lot of time spent alone, way too much sitting, countless hours spent thinking hard, and unending and occasionally painful dedication to forming ideas and laboring over the production of sentences, paragraphs, scenes, dialogue, punctuation, and all the elements that go into writing a novel, a play, a screenplay, or a poem. When we're not writing, we're thinking, plotting, imagining, or editing, which can be far more tedious than cranking out first drafts.
--Fire Up Your Writing Brain — Susan Reynolds

And dialogue, I'm good at it, and it's because it's the only thing you have to work with in TV writing. — Maria Semple

In order to start our mythic journey to end our suffering, we need to enter into a real and dynamic dialogue with our hearts. Start by writing a letter to your heart, telling it all that's going on with you now and asking it for guidance. — Carolyn Elliott

Plato used the dialogue format because the exchange of views, the posing and answering of questions, showed that understanding is a living, dynamic process. He distrusted writing because the settled character of the written word makes it look as if truth can be fixed and made to stand still. It is worth remembering that this greatest advocate of the objective reality of truth also believed that our access to that truth was sustained in reasoned discussion. — John Churchill, 1st Duke Of Marlborough

I come by writing dialogue fairly naturally, I've got a chatty family; I'm a bit of a voyeur, and if I'm ever in a public place, I automatically find myself listening. — Patrick DeWitt

I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real. — Zach Braff

I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works. — Ernest Hemingway,

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things
a chair, a window curtain, a fork, a stone, a woman's earring
with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine
the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. — Raymond Carver

To create tension, dialogue needs to be stretched out. That is, characters should not be immediately responsive. — Sol Stein

The world requires me to re-write its wretched dialogue! — Richard Greenberg

Dialogue has to show not only something about the speaker that is its own revelation, but also maybe something about the speaker that he doesn't know but the other character does know. — Eudora Welty

When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking. — August Wilson

Silence of the Lambs screenwriter Ted Tally put the art of writing dialogue succinctly: 'What's important is not the emotion they're playing but the emotion they're trying to conceal. — John Yorke

Be critical of but not brutal with your writing. If something isn't essential, get rid of it. Remember that good dialogue can serve a whole passel of purposes in your novel, and to overlook one of them is to overlook one of the tools of the craft. Like hitting a nail with a screwdriver, if you know what I mean. — Elizabeth George

That was enough dialogue for a few pages - he had to get into some fast, red-hot action.
There weren't any more hitches now. The story flowed like a torrent. The margin bell chimed almost staccato, the roller turned with almost piston-like continuity, the pages sprang up almost like blobs of batter from a pancake skillet. The beer kept rising in the glass and, contradictorily, steadily falling lower. The cigarettes gave up their ghosts, long thin gray ghosts, in a good cause; the mortality rate was terrible.
His train of thought, the story's lifeline, beer-lubricated but no whit impeded, flashed and sputtered and coursed ahead like lightning in a topaz mist, and the loose fingers and hiccuping keys followed as fast as they could. ("The Penny-A-Worder") — Cornell Woolrich

When you write a character and their dialogue, you can't help imagining how you would be acting if you were them. You kind of have to relate to all of them. It's the most personal thing I've ever done. — Tom Ford

I love writing dialogue, and I think a lot of my writing is visual and very cinematic. — Jessica Hagedorn

I like writing characters that seem different from one another. So if you were to hypothetically look at a bunch of lines from books I've written, just out of context, hopefully you would be able to determine who said what. That's the goal, anyway. I try to strongly differentiate through dialogue. — Charles Soule

In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenes, moving the plot forward. — Maria Semple

For Borges, the core of reality lay in books; reading books, writing books, talking about books. In a visceral way, he was conscious of continuing a dialogue begun thousands of years before and which he believed would never end. — Alberto Manguel

The actual business of writing dialogue is not thought of as a craft. — David Hare

There were definitely scenes I struggled with more than others: the car accident and the thunderstorm are two that come to mind. It's difficult to write about a thunderstorm. There are only so many ways to describe it and our vocabulary is so limited. And the car accident scene required a tense, manic quality that had to be conveyed in the language, as well as the character's dialogue and actions. I was editing these scenes long after I thought I was finished with them. — Mary J. Miller

Don't have conversations taking place in empty space. Weave in background details of where the action (dialogue is a form of "action") is taking place. Don't have invisible people talking, either. Let the reader see them as they speak - their facial expressions and gestures. And by all means "cue" the speeches to the speakers. — Lee Wyndham

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your — William M. Akers

In playwriting, you've got to be able to write dialogue. And if you write enough of it and let it flow enough, you'll probably come across something that will give you a key as to structure. I think the process of writing a play is working back and forth between the moment and the whole. The moment and the whole, the fluidity of the dialogue and the necessity of a strict construction. Letting one predominate for a while and coming back and fixing it so that eventually what you do, like a pastry chef, is frost your mistakes, if you can. — David Mamet

Dialogue is a necessary evil. — Fred Zinnemann

A good part of the physical attraction [between the hero and heroine of a romance novel] comes to life during these exchanges as well, since language creates a meeting of the minds. I have long thought that these lines of dialogue carve out the lines of the central love relationship. The dialogue between the hero and heroine creates the central shape of the story. It is the verbal sculpture. — Julie Tetel Andresen

I love writing Scottish dialogue. — John Niven

You don't need to know the purpose as you write, but when you read over something you've written, you should be able to point to any given element - be that a line of dialogue, a descriptive phrase, a plot point - and say why it's there. — Diana Gabaldon

DYER. No, I am not of your Mind, for the Dialogue was fitted up with too much Facility. Words must be pluckt from Obscurity and nourished with Care, improved with Art and corrected with Application. Labour and Time are the Instruments in the perfection of all Work. — Peter Ackroyd

Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end - as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary. — John Berendt

Another indulgence...by Mo Ali, is the most complex writing of the magazine. The narration and dialogue is obscure and tangential while remaining utterly modern..."
"...The opening piece...by Mo Ali, is a lyrical account of a surreal apocalypse and is some of the most beautiful writing of the issue." - Miranda Siemienowicz, HorrorScope — Miranda Siemienowicz

He took me from not being able to write a word in terms of writing screenplays to being the king of wooden dialogue. — George Lucas

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo

Speak your dialogue out loud. If it sounds like the way people talk, then write it down. — Tom Clancy

What must novel dialogue ... really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique. — Elizabeth Bowen

Reading any piece of writing aloud is an acid test, particularly when it comes to dialogue. There were writers I'd always admired who suddenly rang false when I spoke their words in our living room. — Anne Tyler

The English playwrights of the '50s and '60s didn't really keep writing or getting produced, while the Irish did. There's encouragement for the younger ones also in the fact that Ireland is exceptional in its ability to make theater part of the national dialogue, and it reaches to all four corners of the country. — Garry Hynes

I grew up in the theatre. It's where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection. — Aaron Sorkin

The craft of writing is all the stuff that you can learn through school; go to workshops and read books. Learn characterization, plot and dialogue and pacing and word choice and point of view. Then there's also the art of it which is sort of the unknown, the inspiration, the stuff that is noncerebral. — Garth Stein

I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies. — Kenneth Lonergan

Write a smart joke and people want to talk about it and keep the dialogue going. Also, if you can make someone laugh, it's a pronouncement that they like you on some level. — Lizz Winstead

I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway. — Zoe Kazan

If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication. — Ian Anderson

Every time I do a movie, I'm reading the script, or if it's something I have coming up, I'm reading the script, and I just spend hours and hours and days and weeks and months going over the script and just writing a lot of different ideas down, finding a little dialogue or just coming up with ideas for scenes and moments and all that kind of stuff. — Mark Wahlberg

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

Writing screenplays is not my business. I've written half a dozen, and maybe half of those were made. But it was never a satisfying experience. It was just work. You're an employee. You would be told what to do. Studio execs would cross out my dialogue and put in their dialogue. — Elmore Leonard

When writing dialogue, I hear it in both Russian and English, and try to find a language that combines the two. — David Bezmozgis

The music I was writing for 'Hamlet' needed to be very simple because there was so much going on with the dialogue in that play, so I felt like the music had to complement that - so that carried on through; I was working on the soundtrack and the album simultaneously. — Sarah Blasko

To write poetry is to be very alone, but you always have the company of your influences. But you also have the company of the form itself, which has a kind of consciousness. I mean, the sonnet will simply tell you, that's too many syllables or that's too many lines or that's the wrong place.So, instead of being alone, you're in dialogue with the form. — Billy Collins

My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood. — Rani Mukerji

Short of a small range of physical acts-a fight, murder, lovemaking-dialogue is the most vigorous and visible inter-action of which characters in a novel are capable. Speech is what characters do to each other. — Elizabeth Bowen

Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words - if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night - do you see both the humor and the volley in the tennis match? — C.J. Cherryh

There are certain things that I will do viscerally to affect people emotionally, with speed changes and sound, and various other things. Sure there are links; the same kind of sensibilities went into it and I worked on writing that script as well so there was an emphasis on a minimalisation of dialogue as far as possible, to focus on the visual and to put it in another language, of course. — Mel Gibson

Noah Baumbach writing is really wonderful. I think the way he plays out each character with a unique voice is really impressive, and rhythmically his dialogue works. — Naomi Watts

If there's anything I'm keen to get better at in my writing, then it's the writing of prose as opposed to the writing of dialogue. — David Nicholls

Writing is a conversation with reading; a dialogue with thinking. All conversations with older people contain repetition. Some of the ideas mean a lot to me, just interesting, so I both embrace and attack the ideas because I found them, well, delightful. — Nikki Giovanni

One can feel the immense joy of Amy Hill Hearth's engagement in her first novel. It radiates through every scene and through every page. Sometimes, an exceptional writer finds an exceptional premise, and the result is a truly exceptional book. Such is the case with Miss Dreamsville ... The writing is brilliant, especially the dialogue through which the characters are defined. — Philip K. Jason

Try and write straight English; never using slang except in dialogue and then only when unavoidable. Because all slang goes sour in a short time. I only use swear words, for example, that have lasted at least a thousand years for fear of getting stuff that will be simply timely and then go sour. — Ernest Hemingway,

This continuous monologue that seeks to become a dialogue... (Zoltan Galos) — Z.J. Galos

Dialogue saves me. I love writing the conversations between my paper people. For some reason, that is the easiest thing for me. It's like I am a transcriptionist for the voices in my head. I can hear them talking (mentally) and have a gift for getting it on the page. — Kim Smith

Every phrase had to be captured on paper or it wasn't real, it slipped away. I'd see the words hanging in midair
Camille, pass the milk
and anxiety coiled up in me as they began to fade, like jet exhaust. Writing them down, though, I had them. No worries that they'd become extinct. I was a lingual conservationist. I was the class freak, a tight, nervous eighth-grader frenziedly copying down phrases ("Mr. Feeney is totally gay," "Jamie Dobson is ugly," "They never have chocolate milk") with a keenness bordering on the religious. — Gillian Flynn

[A]lways get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start.
(Interview, The Paris Review, Issue 64, Winter 1975) — P.G. Wodehouse

Well, what we do is we have a script, of course. But for us, writing is also like storyboarding. It's drawing. And so we will cut all of those drawings together with music, sound effects and dialogue. And we screen this kind of stick-figure version of the film. — Pete Docter

Dialogue is a lean language in which every word counts. — Sol Stein

Dialogue doesn't take place in a vacuum. Dialogue is contradictory, in that it can either speed up or slow down a passage. — Diana Gabaldon

For me, there's nothing better than when I become the funnel, and have that out of body experience where I'm not the one writing anymore. At that point, it's all about bladder control. Sitting back and watching scenes, characters, and dialogue appear out of nowhere, and fear of breaking the spell makes you hold in your pee for six or eight hours is the best thing about being a writer. — Rafael Amadeus Hines

On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult. — John Fowles

As a rule of thumb, four consecutive lines of dialogue is about as much as you want to have without a tag. — Diana Gabaldon

As actors, we were fighting that tooth and nail because of fear, because language is a crutch and dialogue is a crutch, and it's so easy to just have a great writer write you a line. — Charlize Theron

There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It's always heartbreaking. — Ethan Hawke

Every time I think about writing, comedy doesn't interest me in the slightest. I can play comedy, but I don't think in terms of comic dialogue. — Jim Parsons

I knew it, I just knew it! The person who had the job of writing my life's dialogue used to work on a very low budget soap opera. — Marian Keyes