Writing Bound Quotes & Sayings

I wish to try my hand at a novel," he said. "Just scribbling, I assure you, but it strikes me as such a noble art, requiring none of the monetary resources of opera or drama, nor the erudition of poetry. Perchance a publisher could be found. I'd be satisfied by the printing of even a score of copies, if only to hold the bound work in my hands. It gives a unique satisfaction, I assume, the writing of a novel. — Kyle Muntz

Besides, if you want to write something perfect, write a haiku. Anything longer is bound to have a few passages that don't work as well as they might. — Philip Pullman

Every bloody mark had assassinated my writing along the way. — Jazz Feylynn

It is bound to be a failure, every book is a failure, but I do know with some clarity what kind of book I want to write. — George Orwell

Retiring from writing is to avoid the inevitable bitterness which a writing career is bound to deliver as its end product in almost every case. — Jim Crace

I could imagine his sorrow. My father had a sensual relationship with his books. He loved feeling them, stroking them, sniffing them. He took a physical pleasure in books: he could not stop himself, he had to reach out and touch them, even other people's books. And books then really were sexier than books today: they were good to sniff and stroke and fondle. There were books with gold writing on fragrant, slightly rough leather bindings, that gave you gooseflesh when you touched them, as though you were groping something private and inaccessible, something that seemed to tremble at your touch. And there were other books that were bound in cloth-covered cardboard, stuck with a glue that had a wonderful smell. Every book had its own private, provocative scent. Sometimes the cloth came away from the cardboard, like a saucy skirt, and it was hard to resist the temptation to peep into the dark space between body and clothing and sniff those dizzying smells. Father would generally return — Amos Oz

Family," she announced. "They're the people in your life you don't get to pick. The ones that are given to you,as opposed to those you get to choose."
"You're bound to them by blood," she continued, her voice flat. "Which, you know, gives you that much more in common. Diseases, genetics, hair, and eye color. It's like they're part of your blueprint. If something's wrong with you, you can usually trace it back to them."
I nodded and kept writing.
"But," she said, "even though you're stuck with them, at the same time, they're also stuck with you. So that's why they always get the front rows at christenings and funerals. Because they're the ones that are there, you know, from the beginning to the end. Like it or not. — Sarah Dessen

Determined to enshroud his enchantment. — Jazz Feylynn

His eyes, if anything, gleamed even more bright, having found the treasure he sought. — Jazz Feylynn

It is fatal to decide, intellectually, what good poetry is because you are then in honour bound to try to write it, instead of the poems that only you can write. — Philip Larkin

I don't think there's a less elitist thing on earth to do than to try and reach out and connect with another human being . . . And that's what the best writing does, that's what art does. It looks a reader in the eye, and it proceeds honestly with that reader, and nakedly. There is a compact there, a bond, a relationship, a union, a symbiosis . . . It's not about you. Whether you're a genius or an idiot savant. It's about the work. The work is more important than you. So it's not about back-claps and plaudits and "isn't that author smart." It's about, "this book really connected with me. And even though you, my friend, are very different from me, I'm lending it to you, because I think it will connect with you as well." Community. Across the eras. Between people who have never met, who will never meet, who are nonetheless bound in something together, in different ways. — Colin Fleming

A book in a man's brain is better off than a book bound in calf - at any rate it is safer from criticism. — Herman Melville

I set the timer. The silent countdown, with the not-so-silent alarm blast at the end of the twenty-minutes commenced. The ticking and tocking started its merciless countdown. — Jazz Feylynn

I can't imagine a mental life, a spiritual existence, not inextricably bound up with language of a formal, mediated nature. Telling stories, choosing an appropriate language with which to tell the story: This seems to me quintessentially human, one of the great adventures of our species. — Joyce Carol Oates

That you're so bound up about writing tells me that writing is what you're here to do. And when people are here to do that, they almost always tell us something we need to hear. I want to know what you have inside you. I want to see the contours of your second beating heart. So write, Elissa Bassist. Not like a girl. Not like a boy. Write like a motherfucker. Yours, — Cheryl Strayed

My books are based on the "what if" principle. "What if you became invisible?" or "What if you did change into your mother for one day?" I then take it from there. Each book takes several months in the long process of writing, rewriting, writing, rewriting, and each has its own set of problems. The one thing I dislike about the writing process is the sometimes-loneliness of it all. Readers only get to see the glamour part of a bound book, not some of the agonizing moments one has while constructing it. — Mary Rodgers

When a poet mentions the spring, we know that the zephyrs are about to whisper, that the groves are to recover their verdure, the linnets to warble forth their notes of love, and the flocks and herds to frisk over vales painted with flowers: yet, who is there so insensible of the beauties of nature, so little delighted with the renovation of the world, as not to feel his heart bound at the mention of the spring? — Samuel Johnson

This morning I deleted the hyphen from "hell-bound" and made it one word; this afternoon I redivided it and restored the hyphen. — Edwin Arlington Robinson

Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else's snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It's world-creating.

It's raw, exposed dreaming. It's humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next.

It's what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience. — Laurie Perez

A place that proves if you get enough talented people in a room, one or two are bound to offer some helpful advice. Kind if like monkeys with typewriters. — A. Lee Martinez

But seeing those words that were first written, and scratched out, and rewritten again in print and bound into a book, I know that I love the process of writing and publishing. To take a thought and work on it, to render it into the clearest form possible, and then to send it out into the world - this is work so precious and so joyful that I am not surprised that men have kept it to themselves. — Philippa Gregory

I chose to write about food: food is inherently political, but it's also an essential part of people's real lives. It's where the public and private spheres connect. I wanted to show readers that the larger politics of war and economics and U.S. foreign policy are inextricably bound to the supposedly trivial details of our everyday lives. — Annia Ciezadlo

His eyes never blinked or wavered from mine, encompassing me in a field of control. — Jazz Feylynn

In mid-stroke of word and paper fusion — Jazz Feylynn

All historical writing, even the most honest, is unconsciously subjective, since every age is bound, in spite of itself, to make the dead perform whatever tricks it finds necessary for its own peace of mind. — Carl Lotus Becker

I love Sherlock Holmes. I've got all his books, leather-bound. What I thought was great about Sherlock Holmes was that not only was he a supersleuth, he was also a hard worker. Not only did he go out and solve the crimes, he came home and wrote it all down. Fantastic. That's why I admire him. — Steve Coogan

Writing started out as a kind of therapy for me. I was bullied mercilessly in high school, and I lived vicariously through Kitty. She was everything I wanted to be; strong, smart, witty, and above all else, she didn't care what other people thought about her. But after a while, she started to take on a personality of her own, and I was suddenly more interested in her story than I was in mine. — Caitlin Elyse

I am incomplete without my work. I am so closely bound to it, so much identified by it, that without it I think I would crumble into dust and drift away. — Terry Brooks

I am fascinated by religion. (That's a completely different thing from believing in it!) It has had such an incalculably huge effect on human affairs. What is it? What does it represent? Why have we invented it? How does it keep going? What will become of it? I love to keep poking and prodding at it. I've thought about it so much over the years that that fascination is bound to spill over into my writing. — Douglas Adams

I'd been writing stories since I was a child. I wrote little books for my mom and bound them myself with needle and thread. Mostly, they were about my pets. — Tess Gerritsen

Mr Earbrass was virtually asleep when several lines of verse passed through his mind and left it hopelessly awake. Here was the perfect epigraph for TUH:
A horrid ?monster has been [something] delay'd
By your/their indiff'rence in the dank brown shade
Below the garden ...
His mind's eye sees them quoted on the bottom third of a right-hand page in a (possibly) olive-bound book he read at least five years ago. When he does find them, it will be a great nuisance if no clue is given to their authorship. — Edward Gorey

If a man means his writing seriously, he must mean to write well. But how can he write well until he learns to see what he has written badly. His progress toward good writing and his recognition of bad writing are bound to unfold at something like the same rate. — John Ciardi

I assumed this yoke would encase me as well as any another hobble. Only this one bound the mind. — Jazz Feylynn

A lot of writing takes place in the subconscious, and it's bound to have an effect. — George R R Martin

Nature in darkness groans and men are bound to sullen contemplation in the night: restless they turn on beds of sorrow; in their inmost brain feeling the crushing wheels, they rise, they write the bitter words of stern philosophy and knead the bread of knowledge with tears and groans. — William Blake

I love words; it doesn't matter which, it doesn't matter about what. (I am writing down, at random, things that he said one night, while the kasaba slept in the darkness.) Conversation is a link between people, maybe the only one. That's what an old soldier taught me, we were captured together, thrown into a prison together, chained together and bound to the same iron ring on the wall. — Mesa Selimovic

I have always lusted after a sepia-toned library with floor-to-ceiling bookshelves and a sliding ladder. I fantasie about Tennessee Williams' types of evenings involving rum on the porch. I long for balmy slightly sleepless nights with nothing but the whoosh of a wooden ceiling fan to keep me company, and the joy of finding the cool spot on the bed. I would while away my days jotting down my thoughts in a battered leather-bound notebook, which would have been given to me by some former lover. My scribbling would form the basis of a best-selling novel, which they wold discuss in tiny independent bookshops on quaint little streets in forgotten corners of terribly romantic European cities. In other words, I fantasize about being credible, in that artistic, slightly bohemian way that only girls with very long legs can get away with. — Amy Mowafi

If you just sit there, and you're a writer, you're bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals. — Jamaica Kincaid

Although psychotherapy and writing are distinct in many ways, they are two fields whose great resource is the vast plains of the unconscious mind and how this landscape gets translated into words. As a writer, you are often asking your mind to dream while awake, and if remembering dreams is difficult in general, then it seems to follow that it would be sometimes grueling to conjure up the murky depths on call, eyes open. (Robert M. Young) calls it madness, which is a strong word, but it's not a bad one in exaggeration, because he's talking about creating a safe and bound space in which to explore all sorts of darknesses that collect in the recesses of the mind. He's talking about what we do not understand, or know about, or have control over. And the unconscious, if treated well, is the writer's very good friend. Allowing it room is crucial. Allowing it structure can be the safest way to access it without feeling overwhelmed. — Aimee Bender

He once told me the difference, as he saw it, between an author and a writer. An author (he said) is what they put on your passport, because in Europe they think a writer is a newspaperman. An author is somebody who get his name on the spine of leather-bound volumes that are never read; a writer is someone who gets hemorrhoids from sitting on his ass all his life ... writing. — Harlan Ellison

I've always thought of myself as a realist. I can remember fighting with my professors about it in grad school. The world that I live in consists of 250 advertisements a day and any number of unbelievably entertaining options, most of which are subsidized by corporations that want to sell me things. The whole way that the world acts on my nerve endings is bound up with stuff that the guys with the leather patches on their elbows would consider pop or trivial or ephemeral. I use a fair amount of pop stuff in my fiction, but what I mean by it is nothing different than what other people mean in writing about trees and parks and having to walk to the river to get water 100 years ago. It's just the texture of the world I live in. — David Foster Wallace

We're looking for stories that speak to us. We're looking for stories that connect us with something true. But, instead, a lot of the time we get strippers. All I'm saying is, when boys are writing the stories, the percentage of strippers is bound to go up. And real stories about real women kinda don't get written at all. — Katherine Center

I knew all too well the damage of scarlet ink smeared across page-after-page ... — Jazz Feylynn

Don't let the covers fool you. Books, like lives, are wiggling, evolving, living things. They're not bound by pages or authors or schools of thought. They're not born when they're printed; in fact, they only start to live once they're read. So first of all, we thank you, reader. You dignify this work we do, and we're sincerely grateful for your time and attention. — Kelly G. Wilson

The only distinguishing characteristic of a literature professor at the millennium was that he or she wrote about other people's writing. Apart from that, the writing he wrote about didn't even need to be literature, or writing about literature, or even writing about writing about literature. He needed theory...In the unflickering glare, at the center of a severe perspective, Nelson suddenly felt the visceral truth of the world as text; he apperceived the fundamentally linguistic nature of reality. Everything was text, at every level of existence, all the way up from quarks to queer theory. Words arranged in lines; lines arrayed on pages; pages pressed together, bound, and trimmed in books; books arranged cover to cover along a shelf like the words in a line of text; shelves stacked one atop the other like lines of text on a page; rows of shelves pressed together, with just the barest passage for the reader, like the pages of a book. — James Hynes

Gaiman wrote the first draft in fountain pen, in several five-hundred-page, leather-bound sketchbooks that he purchased in a close-out sale. "I really wanted a second draft," says the author. "It's my experience with computers that they do not give you a second draft. Computers give you an ongoing, ever-improving first draft. — Hank Wagner

But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have? — Ian McEwan

What is natural in me, is natural in many other men, I infer, and so I am not afraid to write that I never had loved Steerforth better than when the ties that bound me to him were broken. In the keen distress of the discovery of his unworthiness, I thought more of all that was brilliant in him, I softened more towards all that was good in him, I did more justice to the qualities that might have made him a man of a noble nature and a great name, than ever I had done in the height of my devotion to him. — Charles Dickens

I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak ... I hope every woman who can write will not be silent. — Harriet Beecher Stowe

I don't think my writing has much to do with my age. For me, my biography is more about what I was reading at what age. It's more of an intellectual thing of wanting to be free to write and think without being too bound by categorisation. I don't think I'm made for these times; I feel more like an old-fashioned writer. — Helen Oyeyemi

If you're a writer you're bound to write something fine, at least now and then, off and on. — Jorge Luis Borges

The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them. — Jeanette Winterson

I think it is good for people who are incarcerated or who are bound up one way or the other-people like Lily Kimball and all the prostitues of Memphis. This gal, she needs some wings, and a good song can make that happen. — Ketch Secor

One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms. — Mirra Ginsburg

Never apologise for not being someone else. You're bound to find something you're good at, even if it's only writing stories. — Geraldine McCaughrean

That is what diminishes the artist and his song. The artist is now hermetically sealed. The publishing company got him his deal and they expect to profit from his songs. So what if he is a better singer than a songwriter; let's put him in a room with a real songwriter. Something great is bound to come ... except very often nothing great comes out of such contrived match-ups. Nobody knows where a great song comes from, and that's why so many writers credit the Lord as a co-writer (though I notice they never offer Him half the writer's royalties) when they come up with a real gem. — Michael Kosser

Three hundred pages of cotton-soft parchment, bound up with a green ribbon. Her writing gushed in watery ripples over the pages, penmanship that called to mind the maddest intricate Belgian lace. Wrought on a pin's head but stretching for miles if unraveled. — Lyndsay Faye

This is all you have to do. Sit down once a day to the novel and start working without internal criticism, without debilitating expectations, without the need to look at your words as if they were already printed and bound. The beginning is only a draft. Drafts are imperfect by definition. — Walter Mosley

Still, it strikes me that, taken together, they do make an argument, and it is this: the rise of American democracy is bound up with the history of reading and writing, which is one of the reasons the study of American history is inseparable from the study of American literature. In the early United States, literacy rates rose and the price of books and magazines and newspapers fell during the same decades that suffrage was being extended. With everything from constitutions and ballots to almanacs and novels, American wrote and read their way into a political culture inked and stamped and pressed in print. — Jill Lepore

Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition. — Trinh T. Minh-ha

It makes a great difference to the look of a novel whether its author believes that the world came late into being and continues to come by a creative act of God, or whether he believes that the world and ourselves are the product of a cosmic accident. It makes a great difference to his novel whether he believes that we are created in God's image, or whether he believes we create God in our own. It makes a great difference whether he believes that our wills are free, or bound like those of the other animals. — Flannery O'Connor

It is necessary a writing critic should understand how to write. And though every writer is not bound to show himself in the capacity of critic, every writing critic is bound to show himself capable of being a writer; for if he be apparently impotent in this latter kind, he is to be denied all title or character in the other. — Anthony Ashley Cooper

One of the first serious attempts I made to write a novel was when I was in Grade 6 and I had read 'Matilda.' I wrote my own version and my teacher had it bound and permitted me to read it to the class - cementing my love of reading, writing and Roald Dahl! — Randa Abdel-Fattah

Civilizations are the generations of the racial soul. As family-rearing, and then writing, bound the generations together, handing down the lore of the dying to the young, so print and commerce and a thousand ways of communication may bind the civilizations together, and preserve for future cultures all that is of value for them in our own. Let us, before we die, gather up our heritage, and offer it to our children. — Will Durant

Upon the decease [of] my wife, it is my Will and desire th[at] all the Slaves which I hold in [my] own right, shall receive their free[dom] ... The Negroes thus bound, are (by their Masters or Mistresses) to be taught to read and write; and to be brought up to some useful occupation, agreeably to the Laws of the Commonwealth of Virginia, providing for the support of Orphan and other poor Children. And I do hereby expressly forbid the Sale, or transportation out of the said Commonwealth, of any Slave I may die possessed of, under any pretence whatsoever. — George Washington

This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling. — Rebecca Solnit

I paraphrase Aristotle: If you want to be comical, write about people to whom the audience can feel superior; if you want to be tragical, write about at least one person to whom the audience is bound to feel inferior, and no fair having human problems solved by dumb luck or heavenly intervention. — Kurt Vonnegut

I never do a full outline, and if I did, I would not feel bound to it, because the view from inside a scene can be different from the view outside it. But neither do I just start writing and see what happens; I am far more disciplined than that. — Piers Anthony

When I lately retired to my house I resolved, as far as I could, to meddle in nothing, but to pass in peace and privacy what little time I had to live. It seemed to me I could not better gratify my mind than by giving it full leisure to dwell in its own thoughts and divert itself with them. And I hoped that with the passage of time, it could do this with greater ease as it became more settled and ripe. But the contrary was the case. Like a horse broke loose, it gave itself a hundred times more rein. There rose in me a horde of chimerae and fantastic creatures, one upon the other, without order or relevance. To contemplate more coolly] their queerness and ineptitude I began to put them in writing - hoping in time to make my mind ashamed of itself. A ming which has no set goal loses itself. To be everywhere is to be nowhere. No wind serves the man bound for no port. — Michel De Montaigne

The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power. — Judith Butler

And Casaubon had done a wrong to Dorothea in marrying her. A man was bound to know himself better than that, and if he chose to grow grey crunching bones in a cavern, he had no business to be luring a girl into his companionship. 'It is the most horrible of virgin sacrifices,' said Will; and he painted to himself what were Dorothea's inward sorrows as if he had been writing a choric wail. — George Eliot