Quotes & Sayings About Writing And Adventure

Look at their arts, their power of turning stone into lifelike figures, and above all, the way in which they can transfer their thoughts to white leaves, so that others, many many years hence, can read them and know all that was passing, and what men thought and did in the long bygone. Truly it is marvelous. — G.A. Henty

My goal is to sweep the reader away from his world and bring him along for the adventure. Learning something new shouldn't feel like work, nor should today's younger reader be underestimated. If done correctly, there is no need to "dumb down" the plot or simplify words. When someone tells me he thought The Serpent's Ring was easy to read, I know I succeeded in my storytelling. — H.B. Bolton

Letter writing is a habit that allows us to explore new trails all our lives. Each day is a fresh new adventure when we regularly send and receive letters. — Alexandra Stoddard

My journey through the Congo had its ow unique category. It did not quite do it justice to call it adventure travel, and it certainly wasn't pleasure travel. My Congo journey deserved its own category: ordeal travel. At every turn I faced challenges, difficulties and threats when in the Congo. The challenge was to assess and choose the option best suited to making progress. But there were moments when there were no alternatives, or shortcuts or clever ideas. At these times, ordeal travel became really no ordeal at all. — Tim Butcher

I'm 20 years old. I spend my days in a dictionary and half my mind in Fantasy. — Almney King

Yet as the days went by and the pains in my feet subsided, I began to look back on my little adventure with a hint of fondness. When it comes to memories, it seems we all have an editor within who will - if it'll make for a good story - revise the senseless into symbols, or rephrase miseries into warm memories. — Ken Ilgunas

I could have drowned ... and my brother didn't even care. — Erica Sehyun Song

Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward action to aside. What else do we do but quest, pursue meaning in the information wash? Where does that storm sewer opening from the river into the city's underneath go to, anyhow? I grab a headlamp and head in. It's long and low and dark and stinks and extends for miles. Underneath the city is another city. The one above begins to disappear. That's what we're after, isn't it? To disappear? To venture into darkness, to let what we know or think we know recede for an hour, a day, a novel's length, and see what meaning can be made of what remains? — Ander Monson

I started when I was 15 years old. And at that time, I was not thinking about changing the world, I was doing graffiti - writing my name everywhere, using the city as a canvas. I was going in the tunnels of Paris, on the rooftops with my friends. Each trip was an excursion, was an adventure. — JR

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

I want to board a train, and leave my books behind. I want to be so caught up in writing about the journey, that I forget that fiction & fact are not the same. The destination does not signify. — Hannah Harding

I write at eighty-five for the same reasons that impelled me to write at forty-five; I was born with a passionate desire to communicate, to organize experience, to tell tales that dramatize the adventures which readers might have had. I have been that ancient man who sat by the campfire at night and regaled the hunters with imaginative recitations about their prowess. The job of an apple tree is to bear apples. The job of a storyteller is to tell stories, and I have concentrated on that obligation. — James A. Michener

The result was that Preston successfully negotiated quite a few decades without ever coming within hailing distance of puberty. In this state of arrested development, he defiantly lived through many a perverse adventure. And he still lives in the pages of those books I wrote about him, though I stopped writing them some years ago. — Thomas Ligotti

After writing several Nutbrown Hare stories, I thought: what might happen when a little hare begins to explore the space around him? (Think of rivers, mountains, fields and trees!) Will there be fun? Oh yes. Will there be trouble ahead? Could be. For you, here are some of the adventures of Little Nutbrown Hare. — Sam McBratney

Chapter one is where you reach out your hand to the reader and say, "Come, let's have an adventure together. — Tenaya Jayne

Writing is an adventure. There is no way to know where it will take you, and what you will find. You could find success. You could find fans. Or, best of all, you could find yourself. — M. Kirin

I distracted Herbert by pretending to trip and break a bone. Ethan darted around to the red golf cart with a cocky smile on his face. He put the key in ignition, and the vehicle roared to life. "Hey," Herbert shouted, snapping his attention to Ethan.
I sprang up and ran up to Ethan. He pulled me in the cart and stomped on the gas pedal. We shot through the automatic doors with Herbert on our tail.
"Go faster!" I cheered.
My brother smacked the steering wheel. "I can't; it's a golf cart. — Erica Sehyun Song

Deeply funny musings and adventures elevate Paul Rudnick to the highest level of American comedy writing. — Steve Martin

I could have drowned today. If they hadn't been screaming my name so loudly and if I hadn't woken up, I would have drowned. — Erica Sehyun Song

Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public. — Winston S. Churchill

Writing is an act of faith. One must believe and see people who are invisible to others and be faithful to tell half formed stories. It's like being on the trail of an apparition who's repeatedly just out of reach.
K. Youngblood — Katherine Imogene Youngblood

Donna E. Smyth - adventures with words; she is always doing something new and unique. Beginning with her visceral morality, her stories are startling, nerve wracking, provocative: she combines Angela Carter's beautiful style with Patricia Highsmith's malevolent atmospheres. Smyth shatters clichs and dismisses mere sociology. She knows that pleasure is besieged by terror. She tells us what we don't want to know, but need to know. Smyth's writing disturbs us, enrichingly, because truth can never be at peace with language. — George Elliott Clarke

I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild. — Gilberto Hernandez Guerrero

To me, the great joy of writing is discovering. Most writers are told to write about what they know, but I still love the adventure of going out and reporting on things I don't know about. — Tom Wolfe

Writing is not about the end product, yes that is extremely important. It's not even about the grammar or style you write in; style and grammar are in the eye of the beholder. With each person, someone will find problems so grammar and style are moot. Writing, truly diving in is about the creative process...discovering a newer side of yourself as you are writing; creating. The adventure from page one to being done is what it is about. Do you feel good with the end product? do you feel good half way through? The point to this is simple...feedback is vital to selling your work, paying attention to hurtful feedback can destroy your pursuit of your dreams. so write for you...sell to others but write from your soul. Whether it's fiction/faction/non fiction or somewhere in between if your heart and soul is not in it...you are not going to be happy with it. — Kyle Williamson

I told you; I am Arianna, the Siren, your Guardian, and how is a Guardian supposed to do her job if she is clueless about the Guardianee? — Erica Sehyun Song

Writing should be an adventure, shrouded in mystery and uncertainty, blessed with amazing grace. In theory, of course — Syd Field

Foolish acts and bold adventures almost always appear, especially in the beginning, to be the absolute same thing. — Leigh Ann Henion

Dear Charles, she wrote.
After writing to express my appreciation for all the generosity of our friends, I would be remiss indeed if I did not include a missive to you. Out of all the new blessings in my new life, the one I thank God for the most is you. I thank you for writing to me through Genteel Correspondence, and for choosing me out of all the other women eager for adventure in the wild west.
I thank you for your kindness, and your gentleness toward me. Only very strong men can be gentle. I thank you for sharing your home and your life with me. I thank you for inventing delicious breakfasts. And chicory flavored coffee. And prayers that ease my mind and inspire my spirit and lift my heart. For your smile and the way you hold your hat in your hands. For the things you say and how you say them.
Did you know that I pray for you each day? I do. I pray for your safety and happiness.
Yours in Christ,
Rose — Jan Holly

I met a lot of things on the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner at the inn was a shock, and I had no more idea who he was than had Frodo. The Mines of Moria had been a mere name; and of Lothloriene no word had reached my mortal ears till I came there. Far away I knew there were the Horselords on the confines of an ancient Kingdom of Men, but Fanghorn Forest was an unforeseen adventure. I had never heard of the House of Eorl nor of the Stewards of Gondor. Most disquieting of all, Saruman had never been revealed to me, and I was as mystefied as Frodo at Gandalf's failure to appear on September 22.
J.R.R. Tolkien, in a letter to W.H. Auden, June 7, 1955 — J.R.R. Tolkien

You shall see rude and sturdy, experienced and wise men, keeping their castles, or teaming up their summer's wood, or chopping alone in the woods, men fuller of talk and rare adventure in the sun and wind and rain, than a chestnut is of meat; who were out not only in '75 and 1812, but have been out every day of their lives; greater men than Homer, or Chaucer, or Shakespeare, only they never got time to say so; they never took to the way of writing. Look at their fields, and imagine what they might write, if ever they should put pen to paper. Or what have they not written on the face of the earth already, clearing, and burning, and scratching, and harrowing, and plowing, and subsoiling, in and in, and out and out, and over and over, again and again, erasing what they had already written for want of parchment. — Henry David Thoreau

I love making up stories. I love getting lost in other worlds and being with other characters. I love the way I think I'm in control and then the characters and stories take on a life of their own.
I love how I can incorporate my own faith into the stories I write.
Writing is both discovery and creating and with each book I do that. Discover and create. It can be an adventure some days, a nightmare others. I also like that I can do this wearing ugly clothes. — Carolyne Aarsen

For those who resist the notion that the mainstream is a genre, we recommend that they browse the shelves of their local bookstore. For if the mainstream is not a genre, then it must necessarily embrace all kinds of writing: romance, adventure, horror, thriller, crime, and, yes, science fiction. — James Patrick Kelly

There are 30,000 days in your life. When I was 24, I realized I'm almost 9,000 days down. There are no warm-ups, no practice rounds, no reset buttons. Your biggest risk isn't failing, it's getting too comfortable. Every day, we're writing a few more words of a story. I wanted my story to be an adventure and that's made all the difference. — Drew Houston

You are now 18
standing on the precipice,
trembling before your own greatness.

This is your call to leap.

There will always being those
who say you are too young and delicate
to make anything happen for yourself.
They don't see the part of you that smolders.
Don't let their doubting drown out
the sound of your own heartbeat.

You are the first drop of a hurricane.

Your bravery builds beyond you
You are needed by all the little girls
still living in secret, writing oceans
made of monsters and
throwing like lightening.

You don't need to grow up to find greatness.

You are stronger than the world
has ever believed you to be.
The world is waiting for you to set it on fire
Trust in yourself
and burn. — Clementine Von Radics

I closed my eyes and dived into foreign water. — Erica Sehyun Song

While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest. — H.P. Lovecraft

The story of the English writing system is so intriguing, and the histories behind individual words so fascinating, that anyone who dares to treat spelling as an adventure will find the journey rewarding. — David Crystal

Imagine in vibrant, wonderful detail your heart's desire - a reality only you can envision, an adventure only you can direct.
Then cradle your creation. Caress it. Mold it. Coddle it until it comes to life.
And when your precious treasure grows so grand as to steal your breath away, set it free for all the world to experience. For that is how you live your dreams. — Richelle E. Goodrich

When my muffin top makes an appearance after a dedicated weekend of pizza indulging, when I feel too tired to write and all my words sound boring, when my students aren't laughing at my jokes, I am still enough. — Michelle Elaine Kennedy

A WILD, MAD, HILARIOUS AND PROFOUNDLY MOVING TALE IT IS VERY DIFFICULT to classify The Man Who Was Thursday. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, The Man Who Was Thursday succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, — G.K. Chesterton

Learning voyage, the greatest adventure. — Lailah Gifty Akita

Writing is a marvelous adventure and very labor-intensive: those words run away and try to escape. They are very difficult to capture. — Eduardo Galeano

Never have I enjoyed youth so thoroughly as I have in my old age. In writing Dialogues in Limbo, The Last Puritan, and now all these descriptions of the friends of my youth and the young friends of my middle age, I have drunk the pleasure of life more pure, more joyful than it ever was when mingled with all the hidden anxieties and little annoyances of actual living. Nothing is inherently and invincibly young except spirit. And spirit can enter a human being perhaps better in the quiet of old age and dwell there more undisturbed than in the turmoil of adventure. — George Santayana

Four great adventures; read, learn, write and travel. — Lailah Gifty Akita

Whenever I finish a book, I go off and have some kind of adventure. Having had an adventure in my writing chair or on my writing sofa, an internal adventure, then I need to balance that off with an external adventure, so I'll go tramping through Africa or whitewater rafting or float to Hawaii in a martini shaker or something. — Tom Robbins

Take a great adventure to a place, learn the rich history and make your own observation about the place. — Lailah Gifty Akita

I will never stop writing. People often ask when I will retire, but I say it's none of their business. Writing defines who I am. I love the feeling of holding a finished book in my hands, and then I can't wait to start the great adventure of writing the next one. — Barbara Taylor Bradford

By the time I got to high school, I had learned to be more cautious about revealing my dreams. I was reading - and therefore writing - adventure stories. This was before I'd read Isak Dinesen and Mikhail Bulgakov, before Ernest Hemingway and T. Coraghessan Boyle, before I'd read something and really felt it, when writing was still just a compulsion, and my teen-age brain was only bordering on sentience. I filled pages of white space with swashbuckling, rapier-wielding, sidekick-sacrificing, dragon-baiting romance.
(from 'High-School Confidential' in the The New Yorker.) — Tea Obreht

A romance is never just a romance, there's adventure, mystery and movement.

You need a grand, dramatic setting - the Swiss Alps were always an personal favourite of mine - and a chance meeting, on a train, a cruise, or perhaps the hero and heroine find themselves shipwrecked on a desert island.

The men are normally rich, well-to-do - but never vulgar with their money. Young men lack the maturity to take control so an older man is essential to provide the reassurance the heroine's needs.

There's always a fair amount of turbulence before he sweeps in to save the day. A happy ending is an absolute must. — Ida Pollock

That night I looked Stephanie [Burt] up online and started reading more about her work...I kept encountering a striking factoid...: she's often cited as the most influential poetry critic of her generation. And she's openly trans. This is not the world I was taught I would grow into when I was a young trans child -- the one where transgender people are heard, are brilliant, are influential, are even the best. At anything. Being trans, I'd learned subliminally, was supposed to keep you from being that -- even if you loved your trans self, and even if some other trans people and a few allies did too, the world at large would keep your potential tamped down."

- from "Surface Difficulty: An Adventure in Reading Trans Poetry," Original Plumbing Magazine 2014 — Mitch Kellaway

For [erotically intelligent couples], love is a vessel that contains both security and adventure, and commitment offers one of the great luxuries of life: time. Marriage is not the end of romance, it is the beginning. They know that they have years in which to deepen their connection, to experiment, to regress, and even to fail. They see their relationship as something alive and ongoing, not a fait accompli. It's a story that they are writing together, one with many chapters, and neither partner knows how it will end. There's always a place they haven't gone yet, always something about the other still to be discovered. — Esther Perel

There is a word I have always avoided in my writing, my life, my thoughts. That word is love. What does it mean? How do you deal with it? If you find it and lose it, how do you get over it? Love is something you feel and when you feel it you can't trust it or define it. How can you sustain love for a long time? A short time? You may love your family, your friends. But you don't invite them inside your body. — Chloe Thurlow

Space opera, as every reader doubtless knows, is a pejorative term often applied to a story that has an element of adventure. Over the decades, brilliant and talented new writers appear, receiving great acclaim, and each and every one of them can be expected to write at least one article stating flatly that the day of space opera is over and done, thank goodness, and that henceforth these crude tales of interplanetary nonsense will be replaced by whatever type of story that writer happens to favor - closet dramas, psychological dramas, sex dramas, etc., but by God important dramas, containing nothing but Big Thinks. Ten years late, the writer in question may or may not still be around, but the space opera can be found right where it always was, sturdily driving its dark trade in heroes. — Leigh Brackett

Let those who wish have their respectability- I wanted freedom, freedom to indulge in whatever caprice struck my fancy, freedom to search in the farthermost corners of the earth for the beautiful, the joyous, and the romantic. — Richard Halliburton

Ruy-Sanchez's works of fiction are always amazing: adventure, poetry and intelligence in a new geometry of words ... His writing has nerve and agility, his intelligence is sharp without being cruel, his mood is sympathetic without complicity. — Octavio Paz

Another day of vigorous writing. To live the characters adventure, and be a Goddess controlling their fate. I do like days like this. "- Sasha George on Twitter. — Sasha George

Ultimately, whether we are writing posts, paragraphs, essays, arguments, memoirs, monographs or even just the Great American Tweet, writing is and should be a grand adventure. — Constance Hale

I tended to do anything as long as it felt like an adventure, and to stop when it felt like work. Which meant that life did not feel like work. — Neil Gaiman

Huddled in her mink in the Kansas City airport, she had a vision of women writing about sex as openly as male writers, but quite, quite differently. Some women would treat sex much as men did,as conquest, as adventure
in a way as McCarthy had. Other women would treat female sexuality far less romantically then men who did not consider themselves romantics, like Hemingway, were wont to. The earth would not move, no, there would be more biology and less theatrics. Women had less ego involvement in sex than men did, but far more at stake economically. — Marge Piercy

The Adventure called and I followed with my thumb like a character being written by an intractable author. Which, of course, I was. — Sol Luckman

Many people avoid talking about death, but it never bothered me. The principal of my high school was an excellent teacher. One day he was writing on the blackboard when he suddenly turned around and said 'Life is a great adventure and death is the greatest adventure of all,' then went back to the board. I have never feared death since then. — Kathryn Tucker Windham

Language is a door. Words en-trance and are an entrance; they draw you in. When you read, the book you cradle disappears and the tales within unfold in your mind. Writing is a shelter of words and reading an interior adventure. — Laurie Seidler

As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing. — Tim Cahill

But this month is all about CITY OF JASMINE which I hope you already have in your hot little hands. My favorite review snippet? KIRKUS REVIEWS said it's "part screwball comedy".
I can't tell you how much time I spent with Carole Lombard and William Powell and Irene Dunne when I was writing it. I adore the 30s comedies for their light-hearted take on relationships and adventure - and the glamorous settings and occasional dash of intrigue only heighten the magic. (Did you know that Nicholas Brisbane from my Lady Julia series was named for THE THIN MAN's Nick Charles? And apologies to Dashiell Hammett, but I fell in love with the film long before I read the book and appreciated how much it had been lightened in the adaptation!) So when you're reading CITY OF JASMINE, give some thought to who you'd like to see playing Evie and Gabriel - I'd love to hear who you'd cast in your own production. — Deanna Raybourn

During those days of whirling about the globe, I had an epiphany: travel was the only area of my life where I had no expectations. I anticipated nothing while fully engaging each moment. What bred adventure, surprise and deep experience was not knowing, surrendering to now and letting go of control. — Gina Greenlee

Writing is not always a writer's playtime. It's actually a work in progress. Few understand this and mistakenly believe we're wasting time. But it's never a waste of time when doing what you love. — David Lucero

I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country. — Douglas Coupland

I Need a Good Book

I need a good story.
I need a good book.
The kind that explodes
Off the shelf.
I need some good writing,
Alive and exciting,
To contemplate all by myself.

I need a good novel,
I need a good read.
I probably need
Two or three.
I need a good tale
Of love and betrayal
Or perhaps an adventure at sea.

I need a good saga.
I need a good yarn.
A momentous and mightily
Or slight one.
But with thousands and thousands
And thousands of books,
I need someone to tell me
The right one.

-John Lithgow — John Lithgow

I'm not sure I would have ever started to draw, let alone write, if my childhood hadn't been so happy. It was a mixture of comfort and adventure. An excellent mixture! — Tove Jansson

There were adventure stories supplied with cloths for mopping your brow, thrillers containing pressed leaves of soothing valerian to be sniffed when the suspense became too great, and books with stout locks sealed by the Atlantean censorship authorities ("Sale permitted, reading prohibited!"). One shop sold nothing but 'half' works that broke off in the middle because their author had died while writing them; another specialised in novels whose protagonists were insects. I also saw a Wolperting shop that sold nothing but books on chess and another patronised exclusively by dwarfs with blond beards, all of whom wore eye-shades. — Walter Moers

He knows I have a soft spot for RLS and not just because he was sick or because we have the same initials but because there's something impossibly romantic about him and because before he started writing Treasure Island he first drew a map of an unknown island and because he believed in invisible places and was one of the last writers to know what the word adventure means. I could give you a hundred reasons why RLS is The Man. Look in his The Art of Writing (Book 683, Chatto & Windus, London) where he says that no living people have had the influence on him as strong for good as Hamlet or Rosalind. Or when he says his greatest friend is D'Artagnan from The Three Musketeers (Book 5, Regent Classics, London). RLS said: 'When I suffer in mind, stories are my refuge, I take them like opium.' And when you read Treasure Island you feel you are casting off. That's the thing. You are casting off and leaving behind the ordinary dullness of the world. — Niall Williams

When it comes to literature, we are all groping in the dark, even the writer. Especially the writer. And that is a good thing
maybe one of the best things about literature. It's always an adventure of some kind. — Wendy Lesser

If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things moving rapidly for the reader. Quick pacing is vital in certain genres. It hooks readers, creates tension, deepens the drama, and speeds things along. — Nancy Kress

His optimistic dream of the great American adventure was what made his writing alive, his belief in the essential joyousness of following his own emotions and being excited by the promise of life. — Ann Charters

The conditions of writing change absolutely between the first novel and the second: the first is an adventure, the second is a duty. The first is like a sprint which leaves you exhausted and triumphant beside the track. With the second the writer has been transformed into a long-distance runner - the finishing tape is out of sight, at the end of life. He must guard his energies and plan ahead. A long endurance is more exhausting than a sprint, and less heroic. — Graham Greene

The other one was filled with loud and obnoxious tourists. Always boasting on winning a sand castle competition and seeing who could get tanned first. What a whacky bunch of people. — Erica Sehyun Song

And dazzling memory revive.Refresh the faded tints, Recut the aged prints, And write my old adventures, with the pen Which, on the first day, drew Upon the tablets blue The dancing Pleiads, and the eternal men. — Ralph Waldo Emerson

In writing Snowboarding to Nirvana I have intentionally written an inspirational spiritual adventure story, which will hopefully provide people with metaphysical techniques, spiritual knowledge, hope and a brighter view of life. — Frederick Lenz

Another segment of society that has constructed a language of its own is business. People in business say that toner cartridges are in short supply, that they have updated the next shipment of these cartridges, and that they will finalize their recommendations at the next meeting of the board. They are speaking a language familiar and dear to them. Its portentous nouns and verbs invest ordinary events with high adventure; executives walk among toner cartridges, caparisoned like knights. We should tolerate them
every person of spirit wants to ride a white horse. — William Strunk Jr.

Writing about oneself is an egotistical adventure unless the act of self-exploration revolves around the distinct goal of heightening a person's cache of knowledge, ideas, and level of self-awareness. — Kilroy J. Oldster

We need many more intrepid women who set out to expand both their and our concepts of the world. We need them in writing just as we need them in politics. We need that sense of adventure, of reaching wider, delving deeper, pushing further afield, whether that field be geographical, intellectual, political, personal, or all of these and more. Enough with decorousness. Let us risk preconceptions and treasured philosophies, bodies and souls. Let us be big and bawdy and full of courage. Let's go. — Lesley Hazleton

Writing a book is an adventure: it begins as an amusement, then it becomes a mistress, then a master, and finally a tyrant. — Winston S. Churchill

I tell students, when in doubt, to title their story after the smallest concrete object in their story. I warn them off plays on words, ('The Rent Also Rises'
no; 'Life in My Cat House'
no) and no grand reaches, either. 'Reverence,' 'Respect,' 'Regret,' 'Greed,' 'Adventure,' 'Retribution.' And never use the worst title of all time, 'The Gift,' a story I read six times a year. — Ron Carlson

Writing a novel is a huge adventure; when it's going well it's more fun than fun. When it stutters to a halt put it aside. Go for a swim, go for a walk, take a week off. Don't panic or be afraid; you and your characters are in it together. Trust them to come to your rescue. — Deborah Moggach

Long before I became a feminist in any explicit way, I had turned from writing love stories about women in which women were losers, and adventure stories about men in which the men were winners, to writing adventure stories about a woman in which the woman won. It was one of the hardest things I ever did in my life. — Joanna Russ

Writing is not only a reflection of what one thinks and feels but a rope one weaves with words that can lower you below or hoist you above the surface of your life, enabling you to go deeper or higher than you would otherwise go. What excites me about his metaphor is that is makes writing much more than a lifesaving venture. — Phyllis Theroux

At least I could relate to Rose's sense of adventure and Harriet Jones' wacky determination and ingrained sense of responsibility. I can stomach the Tardis when my heroines are in place. — Chila Woychik

I was slightly thankful when Mom finally came out and unlocked the car. It was warm and toasty inside and it smelt like home. There was not the slightest smell of something that didn't belong home. — Erica Sehyun Song