Quotes & Sayings About Writers Workshop
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Top Writers Workshop Quotes

When I say that I went to grad school in Iowa City, people often assume that I went to the famed writers' workshop MFA program at the University of Iowa. I didn't. I got a master's in journalism. — Chelsea Cain

Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class. — Ursula K. Le Guin

And what about those [writers' workshop] critiques, by the way? How valuable are they? Not very, in my experience, sorry. A lot of them are maddeningly vague. I love the feeling of Peter's story, someone may say. It had something ... a sense of I don't know ... there's a loving kind of you know ... I can't exactly describe it ...
It seems to occur to few of the attendees that if you have a feeling you just can't describe, you might just be, I don't know, kind of like, my sense of it is, maybe in the wrong fucking class. — Stephen King

I think that, in principle, a workshop is such a beautiful idea - an environment in which writers who are collectively apprenticed to the craft of writing can come together in order to collectively improve. — Eleanor Catton

I also liked it when professors assigned us stories that they love. In general, I liked workshops more when they were more than just a workshop, when the professor took the time to actually guide us as young writers and teach us things it took them a long time to figure out on their own. I could probably write ten pages on this question. — Mary J. Miller

I am indebted to the following colleagues for their advice, assistance, or support: Dr. Alfred Lerner, Dori Vakis, Robin Heck, Dr. Todd Dray, Dr. Robert Tull, and Dr. Sandy Chun. Thanks also to Lynette Parker of East San Jose Community Law Center for her advice about adoption procedures, and to Mr. Daoud Wahab for sharing his experiences in Afghanistan with me. I am grateful to my dear friend Tamim Ansary for his guidance and support and to the gang at the San Francisco Writers Workshop for their feedback and encouragement. I want to thank my father, my oldest friend and the inspiration for all that is noble in Baba; my mother who prayed for me and did nazr at every stage of this book's writing; my aunt for buying me books when I was young. Thanks go out to Ali, Sandy, Daoud — Khaled Hosseini

There are seldom more than a couple of students in any workshop who seem natural writers. — James Lasdun

A failed short story is a few weeks of fruitless work; a failed novel is a dead child. — The New York Writers Workshop

When I first read the story 'Guts' in workshop - my fellow writers that I've been meeting with for almost 20 years - they laughed; they didn't have any kind of shock reaction. — Chuck Palahniuk

I flew into a small airport surrounded by cornfields and pastures, ready to carry out the two commands my father had written out for me the night before I left Calcutta: Spend two years studying creative writing at the Iowa Writers' Workshop, then come back home and marry the bridegroom he selected for me from our caste and class. — Bharati Mukherjee

Let failure be your workshop. See it for what is is: the world walking you through a tough but necessary semester, free of tuition. (from Workbook) — Steven Heighton

How come you write the way you do?" an apprentice writer in my Johns Hopkins workshop once disingenuously asked Donald Barthelme, who was visiting. Without missing a beat, Don replied, "Because Samuel Beckett was already writing the way he does."
Asked another, smiling but serious, "How can we become better writers than we are?"
"Well," DB advised, "for starters, read through the whole history of philosophy, from the pre-Socratics up through last semester. That might help."
"But Coach Barth has already advised us to read all of literature, from Gilgamesh up through last semester ... "
"That, too," Donald affirmed, and twinkled that shrewd Amish-farmer-from-West-11th-Street twinkle of his. "You're probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything. — John Barth

My teacher Tom Spanbauer, the man who got me started writing in his workshop, used to say: 'Writers write because they weren't invited to a party.' That always struck so true, and people always nod their heads when they hear that. Especially writers. — Chuck Palahniuk

WORKSHOP 1. Read your writing aloud to a friend. Ask, "Does this sound like me?" Discuss the response. 2. After rereading your work, make a list of adjectives that define your voice, such as heavy or aggressive, ludicrous or tentative. Now try to identify the evidence in your writing that led you to these conclusions. 3. Read a draft of a story aloud. Can you hear problems in the story that you could not see? 4. Save the work of writers whose voices appeal to you. Consider why you admire the voice of a particular writer. How is it like your voice? How is it different? In a piece of freewriting, imitate that voice. — Roy Peter Clark

I was never happier than on the nights we stayed home, lying on the living room rug. We talked about classes and poetry and politics and sex. Neither of us were in love with the Iowa Writers' Workshop, but it didn't really matter because we had no place else to go. What we had was the little home we made together, our life in the ugly green duplex. We lived next door to a single mother named Nancy Tate who was generous in all matters. She would drive us to the grocery store and give us menthol cigarettes and come over late at night after her son was asleep to sit in our kitchen and drink wine and talk about Hegel and Marx. Iowa City in the eighties was never going to be Paris in the twenties, but we gave it our best shot. — Ann Patchett

When I took over the Writers' Workshop, it was one little class and there were eight students. All of them, brilliantly untalented ... I had an absolute vision after the first workshop meeting. — Paul Engle

He [the writer] must, teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and compassion and sacrifice. See Poets & Writers — William Faulkner

We live in a time when the values of courage and honesty, particularly for women writers, equate to confessing only the darkest, most painful parts of our lives. "How brave you are," my students say to each other over workshop tables, "to expose that." Meaning, to uncover this family secret or that heinous act or to openly confront the demons of alcoholism, promiscuity, substance abuse, incest, infidelity, illness, betrayal ... I have also wrestled many dark angels, and continue to do so, so I acknowledge the price such writing exacts. But more and more I have come to respect the honesty and courage required to recognize the bright angels when they appear in our memory, and to allow them equal space in our narratives. — Rebecca McClanahan

Another well-known study, led by Nancy Andreasen, used structured interviews and matched control groups to examine thirty writers at the prestigious University of Iowa Writers' Workshop. Eighty percent of the writers met formal criteria for a major mood disorder, compared with thirty percent of controls matched for age, education, and sex. — Joshua Wolf Shenk

I'm an ecumenical reader, grew up with all sorts of fiction, teach writing, went to the Iowa Writers' Workshop, so my tastes and interests are broad. — Justin Cronin

I came to writing because I joined the North Clare Writers' Workshop, which met every week at Ennistymon Library. — Kate Thompson