Quotes & Sayings About Writer's Voice

I don't know what makes a writer's voice. It's dozens of things. There are people who write who don't have it. They're tone-deaf, even though they're very fluent. It's an ability, like anything else, being a doctor or a veterinarian, or a musician. — Paula Fox

When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy. — David Suchet

Students love trying to imitate Nabokov, which teaches them a lot - mostly about why not to imitate somebody wired so differently from yourself. Nabokov wannabes don't sound just like turds, but like pretentious turds. The writer's best voice will grow from embracing her own "you-ness" - which I call talent, and which is best expressed in voice. Which — Mary Karr

When you're a writer on a show, your job is to write in the show runner's voice, really. — Noah Hawley

What is a writer?
A writer is a magician who can create a masterpiece
With a wave of a pencil
A writer has the key to a new world
Capturing readers and taking them on a roller coaster ride away from reality
But a writer can be a commanding tyrant
Or a hypnotist stealing minds
What is a writer?
A writer is a powerful being, an intelligent thinker
And an artist creating mind pictures through words.
A writer is a keeper of secrets
Or like a roomful of words waiting for a book
But a writer is also a puppet master taking control
With no strings attached
What is a writer?
A writer is a true friend
Using words to spread smiles to the world
A writer is ... ..
The voice of the hear — Carol Archer

Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story. — Jeffrey Eugenides

Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer. — E.L. Doctorow

Because I've always felt, whether the fatwa or whatever, the writer's great weapon is the truth and integrity of his voice. And as long as what you're saying is what you truly, honestly believe to be the case, then whatever the consequences, that's fine. That's an honorable position. — Salman Rushdie

Every writer's difficult journey is a movement from silence to speech. We must be intensely private and interior in order to find a voice and a vision - and we must bring our work to an outside world where the market, or public outrage, or even government censorship can destroy our voice. — Sara Paretsky

What's your job?" He looked blank. "I've forgotten ... "
"I'm a writer. A novelist."
"Maybe that explains why you were going to hell," Raziel said in a wry voice. — Kristina Douglas

The most celebrated American author of the twentieth century, Bellow objected during the first part of his career to being designated a "Jewish writer, " but it was he who demonstrated how a Jewish voice could speak for an integrated America. With Bellow, Jewishness moved in from the immigrant margins to become a new form of American regionalism. Yet he did not have to write about Jews in order to write as a Jew. Bellow's curious mingling of laughter and trembling is particularly manifest in his novel Henderson the Rain King, that follows an archetypal Protestant American into mythic Africa. Bellow not only influenced and paved the way for other American Jewish writers like Philip Roth and Cynthia Ozick, but naturalized the immigrant voice: the American novel came to seem freshly authentic when it spoke in the voice of one of its discernible minorities. — Hana Wirth-Nesher

We stopped looking in the shadows, when we realised that WE were the monsters that we are afraid of. I want to take these monsters, give them a voice and put them back under our beds, in our closets and in the shadows, back where we are most afraid of them. — Rob Shepherd

Every writer must find a way of writing that tells the reader: This is me and no one else. The Voice can be idiosyncratic, but it cannot be obscure. It is a blend of style and content and intent and rhythm and pure personality. — Jeff Lindsay

Zachary Jernigan's short stories are in deep conversation with the history of the genre while maintaining a thoroughly modern sensibility. Here's a new writer who has found his voice. Listen to him and enjoy! — James Patrick Kelly

I have been definitely influenced more by Latin American writers than by any other type of writer. They are very close in terms of voice - their humor, their fatalism, their ... well, that over-used term 'magical realism.' It's a wonderful term that's just been used so much, we don't know what it means anymore. — Jessica Hagedorn

A voice is a product of the writer's own Pandora Box of insight, insecurities, bravado, modesty, humility, affection, understanding, and confidence. In short, a voice reflects the writers' sangfroid. The tenor of the writer's voice also reflects their insecurities, self-doubt, egotism, testiness, and the ability to identify with their mental and physical infirmities. The inflection that distinguishes a writer's pitch from other wordsmiths' tone reflects their collective lifetime of mundane, tranquil, disturbing, and passionate experiences. — Kilroy J. Oldster

Listen to your own thoughts and feelings very carefully, be aware of your observations, and learn to value them. When you're a teenager - and even when you're older - lots of people will try to tell you what to think and feel. Try to stand still inside all of that and hear your own voice. It's yours and only yours, it's unique and worth of your attention, and if you cultivate it properly, it might just make you a writer. — Jennifer Donnelly

What you produce as a writer is art. A voice that opens a vein and leaves the reader lapping at the blood that's been drawn. — H.N. Sieverding

I think there are some writers - like, if you read Kerouac, I think you probably need to take a little break before you sit down to the typewriter because he's the type of writer whose voice infects you. — John Darnielle

It's a fairly simple rhetorical trick, the comic laundry list of the traveler's experiences, but it also calls attention to the writer's powers of observation and establishes that the writer's voice, rather than the subject matter, will be the star of the show. But it brings with it the risk of seducing the reader into loving the narrator and loathing the people described. Wallace called this 'the Asshole Problem. — Christian Lorentzen

Aunt Lovey used to tell me that if I wanted to be a writer, I needed a writer's voice. 'Read,' she'd say, 'and if you have a writer's voice, one day it will shout out, 'I can do that too! — Lori Lansens

I just have to be able to follow and enjoy the writer's voice and the writer's point of view. Liking what the person has to say is not really important to me. — Wesley Morris

The first five years as a writer, I didn't know how to write at all. I couldn't write my way out of a white paper bag. And yet, I did some remarkable things. And later on, there were periods where I got this mission to find an articulate voice with rewrites and all. There were periods where I was as dense as Faulkner. — Richard Meltzer

All abilities are paid for with disabilities. perfect health may entail the heavy toll of bovine stupidity. insight into one area involves blind spots in another. i could not have done what i have done as a writer had i been a gifted mathematician or physicist.
honesty wrung out of him by pain, he cried out with a loud voice. — William S. Burroughs

I've long come to the conclusion that when people say they can't put a book down, they don't mean they're interested in what's happening next; they mean they are so mesmerised by the writer's voice and the relationship that has been established that they don't want to break that. That's what I feel when I read, and I'm sure now that that's what's going on in the relationship between the reader and the writing. — David Malouf

For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing. — Laurence Yep

Brooke Berman's voice is utterly distinct, and her book, detailing her nomadic artist's journey toward both a successful playwriting career and a home of her own, through 20 years of cramped sublets, high-rise palaces, writer's colonies, and boyfriend's vans, is a hilarious, hopeful, and penetrating must-read. — Maria Dahvana Headley

Learning to sing one's own songs, to trust the particular cadences of own's voices, is also the goal of any writer. — Henry Louis Gates

Highway One, Antarctica is a wonderful debut by a writer with razor-sharp insights to the human condition. Justin Herrmann is a voice I hope to hear more from, and soon. Excellent collection. — Jo-Ann Mapson

When a new writer defends his "style," the teacher smiles (or cringes) because real style isn't an artifice. Real style - voice - arrives on its own, as an extension of a writer's character. When style is done self-consciously and purposefully it becomes affectation, and as transparent as any affectation - an English accent on an old college chum from New Jersey, for example. — Bill Roorbach

Writing will never be perfect in a poet's eye that is why we need people's criticism good or bad, whether or not it gives a positive or negative frame to our work. We are first at hand to fight against the real and the normal in our writing as our outspoken, brimming voice bring truths to light so vividly and intensely for mass consumption that we so long for in our hearts. When the poet, not jubilant, neither spirited, allows his mind to quiet, allows the survival of and realises that all figures of speech matters; when God has witnessed the culmination of his progress; when the writer is almost in a hypnotic stance. Then the poet cannot stop himself when he is in the right place, then he can guess at the intensity, the prowess of his pen, his prolific writing and the intelligence behind his words becomes a self portrait kind of like what Vincent van Gogh used to do when he was depressed and lonely, fighting against the feelings of isolation and rejection by the establishment. — Abigail George

If you really want to find your voice, your goal is to journey toward inner wholeness
which is what life is about anyway. It involves self-acceptance and genuine self-respect.
from Unleash the Writer Within — Cecil Murphey

The writer's voice, the honesty and candor that is present in that voice, is what must be written upon the page. — Edmond Rostand

Genuine bravery for a writer ... It is about calmly speaking the truth when everyone else is silenced, when the truth cannot be expressed. It is about speaking out with a different voice, risking the wrath of the state and offending everyone, for the sake of the truth, and the writer's conscience. — Murong Xuecun

One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director. — Quentin Tarantino

I could say that in the essay, as it has developed historically, success is determined by the writer's ability to express, through an individual voice, a collective experience - you are speaking individually but you are representing collectively. — Vijay Seshadri

I first read Freud's famous case study on hysteria based on his client Ida Bauer when I was in my twenties. It pissed me off so badly it haunted me for 25 years. But I had to wait to be a good enough writer to give Ida her voice back. And I had to go get my own first too. I not only know the case study inside and out, like most women, I lived a version of it. Maybe it's time for us to tell our versions. — Lidia Yuknavitch

It was then that I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present and to come, in exchange for easier access to the world, for permission to state "I hurt" or " I hate" or " I want". Or indeed, "Look at me". And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, or thoughtlessness. For the writer there is no oblivion. Only endless memory. — Anita Brookner

I think having women behind the cameras is exciting - whether it's as a director or a writer or a producer - because it does feel like we're in the middle of this awakening of realizing that it's important for women to have a voice. — Mary Elizabeth Ellis

I think it's amazing to have one writer write every episode of a series. It's very rare, I think. You get a voice that continues. — Harry Treadaway

I don't think it is possible to give tips for finding one's voice; it's one of those things for which there aren't really any tricks or shortcuts, or even any advice that necessarily translates from writer to writer. All I can tell you is to write as much as possible. — Poppy Z. Brite

The point of freewriting is to get past the voice inside your head that tells you your ideas aren't good enough, your words aren't good enough, you're no writer and so forth. — M. Molly Backes

Character is character and voice is voice, which translates nicely from writing novels to writing TV. But the process is different. You have a writer's room, people pitch you jokes and you collaborate. — Jennifer Weiner

Advice to a new writer: There are no rules in this profession. Do what is good for you. Read books and watch films that stimulate your writing. In your writing, go where the pain is; go where the pleasure is; go where the excitement is. Believe in your own original approach, voice, characters, story. Ignore critics. Have nerve. Be stubborn. — Anne Rice

We're not unique in our family. We're more ambitious but we're not special. I'm not funnier than anyone else in my family; it's just that we wanted more than Raleigh, North Carolina, had to offer. If my brother wanted more than Raleigh had to offer, you would know his name. My sister Lisa has a really unique and different voice, but she doesn't want that. She's a fine writer, but never said, "I want a book. I want that kind of attention." — David Sedaris

First we get the rocks out, Alice. Then we get the pebbles out. Then we get the sand out, and the writer's voice rises. No harm done. — Mary Norris

It's funny, because in deference to conventional wisdom, I spent my struggling writer years trying to suppress my naturally baroque literary voice and write clean, spare prose. I finally gave up and embraced my baroque tendencies when I wrote the Kushiel series. — Jacqueline Carey

If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes. — Mickey Spillane

Don't be tossed away by your monkey mind. You say you want to do something - "I really want to be a writer" - then that little voice comes along, "but I might not make enough money as a writer." "Oh, okay, then I won't write." That's being tossed away. These little voices are constantly going to be nagging us. If you make a decision to do something, you do it. Don't be tossed away. But part of not being tossed away is understanding your mind, not believing it so much when it comes up with all these objections and then loads you with all these insecurities and reasons not to do something. — Natalie Goldberg

An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature. — David Wright

We write to expose the unexposed. Most human beings are dedicated to keeping that one door shut. But the writer's job is to see what's behind it, to see the bleak unspeakable stuff, and to turn the unspeakable into words - not just into any words but if we can, into rhythm and blues. You can't do this without discovering your own true voice, and you can't find your true voice and peer behind the door and report honestly and clearly to us if your parents are reading over your shoulder. — Anne Lamott

Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique. — Willa Cather

You don't respect me, George," said Mrs. Morland indignantly. "You never have. And I don't respect you. We are just friends."
"Well, friends the merest Keep much that I resign," said George Knox with a voice rather unlike his own.
"I know why you are talking like that, George," said Mrs Morland. "You've been reading Browning. But I am not your Lost Mistress."
There was a moment's silence from her slightly stunned audience.
"And I have never been anyone's mistress," the gifted writer continued. "Nobody ever asked me and I should have been furious if they had. Stoker would have given notice. And it would have been most awkward for my boys; especially the married ones. I mean, my boys wouldn't have taken much notice but my daughters-in-law, whom I am devoted to, would think it not a good thing. — Angela Thirkell

I think there's great value to the Associated Press and to Reuters, but if you wanted to generate original content, maybe written by local writers, it just takes a little bit of openness to open your pages up to a wider freelance writer pool, and then you might find new voices and a wider array of voices, and definitely more original content that can't be found anywhere else. — Dave Eggers

In truth, age is a writer's ally. The greater the experience, the more we have to say. More time to learn important truths, to establish a more expansive point of view, to refine skills and find your voice, and infinitely more stories to be told. — Randy Kraft

Read a ton, write every day if you can, and don't mimic another writer's style. Find your own voice. — James Patterson

Novel-writing can be a cold-blooded business. One uses whatever happens to be lying around in memory and employs it to suit one's end ... .Then, again, during the months whilst one is writing about the past, a story is colored by what presently is happening to its writer. So, imperceptibly, the tone of voice changes, original intentions slip away. And I found myself looking through another window at a darker landscape inhabited by neither the present nor the past. — J.L. Carr

It's much better to be a tribal writer, writing for all people and reflecting many voices through us, than to be a cloistered being trying to find one peanut of truth in our own individual mind. Become big and write with the whole world in your arms. — Natalie Goldberg

When I get hired as an actor as opposed to a writer, one of things that's exciting for me is doing stuff I wouldn't normally do myself. So whether it's a kid's movie or a voice in animation or in this case - where I just get to be silly, it's a different kind of comedy for me. As a performer, it's a different pleasure than when you're writing or directing. As a performer, you're just in the hands of the director and you go with whatever they want to do. — Stephen Merchant

With iPhones, nobody has an excuse for writer's block. If you're at Whole Foods getting your green tea extract and you have a melody, you just drop it into your voice memo and save it for later. — Ryan Tedder

The first person is a tradition I relate to and that I use; historically, it's been the voice I work in. But the hair on the back of my neck stands up when I'm referred to as a 'confessional' writer. — Meghan Daum

I think I'm a good writer. I think I have my own voice, which is unique to everyone - everyone has their own voice; if they would just write from a vulnerable embarrassing place, it's going to be universal, and it's going to be entertaining. Because everyone is the same, and everyone is unique. — Nicole Holofcener

As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing. — Spike Lee

I decline to accept the end of man ... I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among the creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail. — William Faulkner

In an age of global standardization, regional voices also remind both writer and reader that no life is lived generically. If the purpose of literature is truly, as the ancients insisted, to instruct and delight, then what better to understand and enjoy than the here and the now ? — Dana Gioia

A writer's voice is not character alone, it is not style alone; it is far more. A writer's voice line the stroke of an artist's brush- is the thumbprint of her whole person- her idea, wit, humor, passions, rhythms. — Patricia Lee Gauch

I had a blog where I tried to be transparent while giving away nothing. I tweeted and Facebooked badly. As a writer, your 'voice' is your calling card, yet my voice was becoming indistinguishable from billions of other voices. — Ellen Potter

Writing is the dragon that lives underneath my floorboards. The one I incessantly feed for fear it may turn and devour my ass. Writing is the friend who doesn't return my phone calls; the itch I'm unable to scratch; a dinner invitation from a cannibal; elevator music for a narcoleptic. Writing is the hope of lifting all boats by pissing in the ocean. Writing isn't something that makes me happy like a good cup of coffee. It's just something I do because not writing, as I've found, is so much worse. — Quentin R. Bufogle

I was only ever part of 'Lost' - a very small part of an extremely talented writers' room, where as a writer, it's sort of your job to sublimate your ego and work in the service of the show and the show's voice. — Brian K. Vaughan

We read privately, mentally listening to the author's voice and translating the writer's thoughts. The book remains static and fixed; the reader journeys through it. — Lynne Truss

It's great to win a few prizes early on. It helps a writer to get noticed and to get some sales. It can also be a pain in the arse because it gets in the way of the quiet, contemplative time every writer needs, but which is particularly important when you are a new writer finding your own voice, and pursuing the things that interest you. — Jeanette Winterson

It's a dead give away of an inexperienced writer if every character speaks with the same voice. — Colleen McCullough

The film industry sees the writer as fungible: The thinking goes, As long as we have Brad Pitt and all this money, we have a great film! No, you need a writer with voice and an engaging story, or what you have is a bomb. — Melissa Rosenberg

Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity. — William Styron

I try to transmit emotion and soul in my voice, but my true passion has always been writing. I feel more like a writer than anything else. — Romeo Santos

Krys Lee has written a book of unforgettable stories, each one building on the other to create a complex, moving portrait of contemporary Korea and its diaspora. She guides us surely through the fallout of war, immigration, and financial crisis, always alert to the possibility of tenderness, transcendence, and even humor along the way. Lee is a writer who really understands loneliness, but her voice is so appealing, and her perceptions so wise, that we feel all the less lonely for knowing her characters and experiencing their lives. — Sarah Shun-lien Bynum

In my early teens, I read every bound volume of the magazine Punch. Every writer of any distinction in the English language, and I mean including America and England, at some time wrote for Punch. Jerome K. Jerome, who wrote Three Men In A Boat, I loved. I was very impressed when I read a piece by Mark Twain in Punch, and realized that despite the fact that they were on different continents, Jerome K. Jerome and Mark Twain had the same kind of laconic, laid-back, "The human race is damn stupid, but quite interesting" attitude. They were almost talking with the same voice. — Terry Pratchett

In general, dividing literature into prose and poetry began with the appearance of prose, for only in prose could such a division be expressed. By its nature, by its essence, art is hierarchical, automatically, and in this hierarchy, poetry stands above prose. If only because poetry is older. Poetry really is a very strange thing, because it belongs to a troglodyte as well as to a snob. It can be produced in the Stone Age and in the most modern salon, whereas prose requires a developed society, a developed structure, certain established classes, if you like. Here you could start reasoning like a Marxist without even being wrong. The poet works from the voice, from the sound. For him, content is not as important as is ordinarily believed. For a poet, there is almost no difference between phonetics and semantics. Therefore, only very rarely does the poet give any thought to who in fact comprises his audience. That is, he does so much more rarely than the prose writer. — Joseph Brodsky

It is precisely in that relationship to the Reader that you will find most of the classic faults of style: pretension, condescension, servility, obscurantism, grandiosity, vulgarity, and the like
even academicism. That's why most faults of style can be described in language relevant to human relations. Is your style frank and open ... does it have some understated agenda ... is it out to prove something it does not or cannot admit ... is it trying to impress ... show off ... is it kissing up ... groveling ... maybe just a tad passive-aggressive, with a mumbling half-audible voice that is unwilling to explain ... is it trying to convince ... overwhelm ... help ... seduce ... give pleasure ... inflict pain ... There is no area of the writer's work that is more responsive to the psychology of human connection than style. — Stephen Koch

When a writer with a voice as good as Richard Christian Matheson's tells you something, you have no choice but to listen. In THE RITUAL OF ILLUSION the voices are legion, and the gaps between their testimonies drag us closer to understanding the darkly beating heart of all our, ephemeral, transfixing dreams. Dark, subtle, horrifically funny. — Michael Marshall Smith

In a sense my whole life as a writer is trying to find structural ways, or formal ways, to permit that outflowing so it doesn't just look like crazy output. In other words, if it turns out that you can do a given voice, that's just kind of inclination. But then if you can find a way to put that voice in a story so that the voice serves a purpose, then I would say that's being a writer. — George Saunders

I'm not just a reader or a writer; I inhale written words like they're my oxygen. It's not a hobby. It's a passion. People intrigue me. Life intrigues me. I see a story behind every pair of eyes I meet, history in every voice. I'll see someone wearing a smile and wonder what put it there. Words allow me to immerse myself in a whole other world. I get to become a different person. — Nicola Haken

Profoundness, genius, spontaneity, merit, nobility, ingenuity, voice propriety, feeling, discernment, sensibility, good taste, great tone, rightness, courtliness, vivacity, boldness, style, freshness, harmony, perfection, imagination, purity, correctness. The greatest writer of all times. God's most astonishing creation. — Johann Wolfgang Von Goethe

I hear you're quite the writer. Quite the teacher's pet."
"I ... I don't know what you mean."
"No? The maybe you're in for a surprise. A maybe it won't be a nice one."
Kate heard her voice lashing out, braver than she felt.
"I don't know what you're talking about. But nothing that pertains to me is any of your business.'
The match hissed again. She saw his black, black eyes flickering.
"You're right. How inconsiderate of me."
Shaken, Kate willed her feet to move her forward.
"You should be more careful," Pearce said. "Anyone could find your key. Anyone could get into your cabin."
Kate whirled to face him. "I have a roommate. I'm not alone."
"A roommate?" And he sounded like he was smiling ... a dark strange smile as if she'd said something particularly funny. "If someone wanted to get you," Pearce said slowly, and another match went out, "a roommate wouldn't stop them. They'd just get you. Wouldn't they? — Richie Tankersley Cusick

And yet I know that expressing oneself necessarily means being different. The writer's voice is a singular one, solitary. Art is nothing other than the freedom to express oneself in any language, in whatever manner, dressed any which way. — Jhumpa Lahiri

The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story. — Randy Pausch

The writer's first job is not to have opinions but to tell the truth ... and refuse to be an accomplice of lies and misinformation. Literature is the house of nuance and contrariness against the voices of simplification. — Susan Sontag

Had his room been facing west he would have noted the sparkling twenty-five-mile vista to the sea which looks almost like the Mediterranean. He would have noted how the streets of L.A. undulate over short hills as though a finger is poking the landscape from underneath. How laid over this crosshatch are streets meandering on the diagonal creating a multitude of ways to get from one place to another by traveling along the hypotenuse. These are the avenues of the tryst which enable Acting Student A to travel the eighteen miles across town to Acting Student B's garage apartment in nine minutes flat after a hot-blooded phone call at midnight. Had he been facing seaward on a balcony overlooking the city the writer might have heard drifting out of a tiny apartment window the optimistic voice of a shower singer imbued with the conviction that this is a place where it is possible to be happy. — Steve Martin

What obsesses a writer starting out on a lifetime's work is the panic-stricken search for a voice of his own. — John Mortimer

A writer has an inescapable voice. I think it's inherent in the nature, and I think that we don't control it anymore than we control what we want to write about. — Horton Foote

The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it. — Neil Patrick Harris

Two against thirty two," Niten said. "Good odds."
"I've never fought the Spartoi before," Prometheus admitted. "I only know of them by their reputation - and it's fearsome."
"We have an equal reputation," Niten said.
"Well, you do," the Elder said. "I was never that much of a fighter. And after the fall of the island, I rarely took up weapons again."
"Fighting is a skill you never forget," Niten said, a touch of sadness in his voice. "I fought my first duel when I was thirteen. I've been fighting ever since."
"But you are more than just a swordsman," Prometheus said. "You are an artist, a sculptor and a writer."
"No man is ever just one thing," Niten answered. His shoulder dropped and his short sword appeared in his left hand, water droplets sparkling from the blade. "But first and foremost, I was always a warrior." He jabbed his sword into the fog and stirred it like liquid. — Michael Scott

My theory about why Hemingway killed himself is that he heard his own voice; that he reached the point where he couldn't write without feeling he was repeating himself. That's the worst thing that can happen to a writer. — E.L. Doctorow

It's up to the writer and the artist to give voice to these people. There are two impulses in art: one is rebellious and transgressive - you explore regions in which you are not wanted, and you will be punished for that. But the other is a way of sympathy - evoking sympathy for people who may be different from us - whom we don't know. Art is a way of breaking down the barriers between people - these two seemingly antithetical impulses toward rebellion and toward sympathy come together in art. — Joyce Carol Oates

Any writer takes inspiration from what they read and watch, and over their career works on forming their own voice. I think it was probably Stephen King who made me want to become a writer. — Tim Lebbon

Some time ago I discovered that I could no longer speak aloud or read aloud from a stage, even for the sake of hearing the effect that my writer's voice produced on listeners. Now, curiously, the more I merely try to live, the more reclusive I become, the vainer I am. At last I am as vain as the one who instantly voices his silence inside me. — John Hawkes

It's the originality of Pauls Toutonghi's voice and vision that makes this such a remarkable novel. Toutonghi is a true daredevil of a writer, and this fantastically hilarious and affecting book will have you on the edge of your seat. — Skip Horack

Sangeeta Bandyopadhyay is a stylistically daring writer in love with surrealism, credited with being 'the woman who reintroduced hardcore sexuality to Bengali literature'. But though the (male) establishment used this label of erotica to dismiss her work, the sex scenes have exactly the same transgressive function as her use of chronology and narrative voice. — Deborah Smith

I write to express myself, I write to be a voice for those who can not speak I write to inspire change in positive ways I write in hope to make a difference After I have giving up the ghost I would have written to leave my foot prints behind — Ocean Crisstopher Poet

I had become wiser, I tried to find out what irony really is, and discovered that some ancient writer on poetry had spoken of "Ironia, which we call the drye mock." And I cannot think of a better term for it: The drye mock. Not sarcasm, which is like vinegar, or cynicism, which is so often the voice of disappointed idealism, but a delicate casting of cool and illuminating light on life, and thus an enlargement. The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wit's desire is to be funny; the ironist is only funny as a secondary achievement. — Robertson Davies