Work With What You Got Quotes & Sayings
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Have you thought about retiring early?" "I've thought about it. I would lose a fair amount of my pension if I did. Besides, what would I do with myself?" "You could work for me." "Work ... as a ranch hand?" She laughed, genuinely amused by the image of herself in a cowboy hat cutting cattle that popped into her head. "I can't even walk in the snow without help." He glared at her. "You're a fantastic rider." She narrowed her eyes at him. "Are you truly offering me a job?" He stopped shoveling, rested on the hay fork, gave her a lopsided grin. "I would if it would keep you around." Something about that felt more romantic to her than a dozen red roses. "Jack West, you are a charming man." "Me?" He shook his head, got back to shoveling. "I think you need to look that word up in the dictionary, angel. — Pamela Clare

What I learned from my work as a physician is that even with the most complicated patients, the most complicated problems, you've got to look hard to find every piece of data and evidence that you can to improve your decision-making. Medicine has taught me to be very much evidence-based and data-driven in making decisions. — Jim Yong Kim

It's weird I don't know anything about you,"
"What are you talking about? We just spent the whole day together."
"Yes, but we drank loads and chatted about - I don't even know what we chatted about,"
"I like conversations like that," Tom said. "Much less hard work. with my ex, it was like pulling teeth sometimes. We had loads in common but we didn't see the world the same way." He stopped. "Oh, that sounds good. I should write it down." He got out his phone.
"You're writing that down?"
"Yep" Tom said, fiddling with his phone
She stared at him, trying not to laugh. "Wow. You are weird, do you know that," she said. "Most of the time you're almost normal, but occasionally your super-weird side comes out. — Harriet Evans

I am in my mother's room. It's I who live there now. I don't know how I got there. Perhaps in an ambulance, certainly a vehicle of some kind. I was helped. I'd never have got there alone. There's this man who comes every week. Perhaps I got there thanks to him. He says not. He gives me money and takes away the pages. So many pages,so much money. Yes, I work now, a little like I used to, except that I don't know how to work any more. That doesn't matter apparently. What I'd like now is to speak of the things that are left, say my good-byes, finish dying. They don't want that. Yes, there is more than one, apparently. But it's always the same one that comes. You'll do that later, he says. Good. The truth is I haven't much will left. When he comes for the fresh pages he brings back the previous week's. They are marked with signs I don't understand ... Here's my beginning. It must mean something, or they wouldn't keep it. Here it is. — Samuel Beckett

Persuasion comes in many forms," said Lord Vetinari. "No, I agree with Archchancellor Ridcully, sending Captain Carrot would be an excellent idea."
"What? Did I say something?" said Ridcully.
"Do you think that sending Captain Carrot would be an excellent idea?"
"What? Oh. Yes. Good lad. Keen. Got a sword."
"Then I agree with you," said Lord Vetinari, who knew how to work a committee. — Terry Pratchett

A few generations ago, men went to work or war and rarely got to see life beyond their careers. A generation ago, our parents had to answer the question of what they would do with the last third of their lives. How would they spend their retirement? Would it be squandered on silly things or invested in significance? But now, the question of legacy isn't a matter of if you live long enough or when you retire; it's a matter of what you will do with what you have right now. You don't have to earn a living for thirty years to turn around and spend the next thirty giving it away. If significance is what matters to you, you can structure your life and work in a way that allows you to live your legacy now. In fact, your giving doesn't have to be a by-product of your success; it can be the very thing that drives it in the first place. — Jeff Goins

These guys are fakes. All they've got on their minds is impressing the new girls with the big words they're so proud of, while sticking their hanse up their skirts. And when they graduate,they cut their hair short and march off to work for Mitsubishi or IBM or Fuji Bank. They marry pretty wives who've never read Marx and have kids they give fancy names to that are enough to make you puke. Smash what educational-industrial complex? Don't make me laugh! — Haruki Murakami

Love never fails, Mila. That's what your parents believed. And because of you, it's what I believe now, too. You stuck by me and loved me when I didn't deserve it. All I want is a chance to prove that I can be worthy of it. Your parents were sort of fucked up in their own way, like me, and they never got the help that they needed. But I will. I promise. I will put the work in. I will learn how to cope with painful things and I will never leave you again. Just tell me that you'll stay with me. — Courtney Cole

What I feel for you is so big, Cara. No more doubts." He tips my chin up to look me in the eye. "You're with me because there's nowhere else I want you to be. Got it?"
I offer him a small smile and nod. "Got it."
"Good." He lifts me and carries me toward the bedroom. "But just in case, I think I'll work on reminding you some more. — Kristen Proby

Harriet looked up. "I did work that out - eventually. But what happened last week seemed to make it quite impossible." "I don't think," said Peter, "you approached the problem - forgive me for saying so - with an unprejudiced mind and undivided attention. Something got between you and the facts." "Miss Vane has been helping me so generously with my books," murmured Miss Lydgate, contritely; "and she has had her own work to do as well. We really ought not to have asked her to spare any time for our problems." "I had plenty of time," said Harriet. "I was only stupid. — Dorothy L. Sayers

I got married three days after graduation, and the first thing I did what I was expected to do which was to work on a small newspaper. So we were in Chicago where my husband worked for the Chicago Sun-Times and we were having dinner with his editor and he said 'So what are you 'gonna do honey?' and I said 'I'm going to work on a newspaper', and he said 'I don't think so, because Newspaper Guild regulations said that I couldn't work on the same newspaper as my husband. — Madeleine Albright

I have a folder that's labeled "The Folder of 24." Inside it are letters from twenty-four people who were actively in the process of planning their suicide, but who stopped and got help - not because of what I wrote on my blog, but because of the amazing response from the community of people who read it and said, "Me too." They were saved by the people who wrote about losing their mother or father or child to suicide and how they'd do anything to go back and convince them not to believe the lies mental illness tells you. They were saved by the people who offered up encouragement and songs and lyrics and poems and talismans and mantras that worked for them and that might work for a stranger in need. There are twenty-four people alive today who are still here because people were brave enough to talk about their struggles, or compassionate enough to convince others of their worth, or who simply said, "I don't understand your illness, but I know that the world is better with you in it. — Jenny Lawson

With directing, your day is done. When you hit seven o'clock, it's "Cut." That's what it is. For better or worse, that's what you've got and you have to make that work, and there's something incredibly liberating about that because you can't torture yourself. You have to focus on the moment, and you have to embrace every second and opportunity and maximize that, whereas with writing, there's no imperative there. You just amble along. — Dan Mazer

Test cricket is bloody hard work, especially when you've got Sachin batting with what looks like a three metre wide bat. — Michael Hussey

I've got to say that when you're able to work with people like this, whether it's Gareth or Guillermo or Zack Snyder or Chris Nolan, it's a privilege to do this and I've never lost the awe, the awe factor of just going in and watching peoples reactions to what you've spent, in a lot of cases, years working on. That's a good way to put it, I love what I do and it's a privilege to do it. — Thomas Tull

The best thing is to realize that you are who you are and you gotta work with what you got. — Zendaya

Grabbing Jeremy's lapels, Nick pulled him closer, grasping him not with fingers but with claws. His face inches away from Jeremy's, his eyes burning red, his fangs sharp and gleaming, he screamed, "BECAUSE YOU'RE MINE! NO ONE THREATENS WHAT'S MINE AND WALKS AWAY!" His growl rumbled through the room, ratcheting down into the subsonic. "I WILL BURN DOWN WHOLE ARMIES BEFORE I LET THEM TAKE YOU FROM ME!"...
"Jesus, big brother," said Toby. "I know vampires are territorial when it comes to their mates, but you're way out in front for the possessive macho bullshit award."
Nick sighed. "I know. I've got to work on that. — Arshad Ahsanuddin

There's a pizza place I want you to try, Ciccio's. You heard of it?"
"We can get good pizza on Fifth."
"No, you have to try this place, Matt. It's phenomenal."
"What's phenomenal, the pizza or the staff?" Since my divorce a few years ago, Scott - boss, friend, and eternal bachelor - had high hopes that I'd become his permanent wingman. It was impossible to talk him out of anything, especially when it involved women and food.
"You got me. You have to see this girl. We'll call it a work meeting. I'll put it on the company card." Scott was the type who talked about women a lot and about porn even more. He was severely out of touch with reality.
"I'm sure this qualifies as sexual harassment somewhere. — Renee Carlino

Mostly, however, we've got it smooth and efficient now. We don't have to think. She says, 'What are you doing?', I peer at her with irritation and expel air, we go on about our business. This morning, though, she came upstairs to the attic here while I was sitting in front of the computer doing some work on the net.
'What are you doing?' she asks.
Trying to concentrate on something, distracted and harassed, I reply with some degree of acerbic aggravation.
'What does it look like I'm doing?'
There's a beat, during which we hold each others eyes, unblinking.
It's immediately after this beat has passed that I realize I'm wearing no trousers. — Mil Millington

Bugs like these we've got here, you aren't going to find those unless you slow down and hunt really hard. Live nearby for a while and look. At which point it's too late, if you get a bad result. You're out of luck then." Long silence as he walked south along the beach. Then: "It's too bad. It really is a very pretty world." Later: "What's funny is anyone thinking it would work in the first place. I mean it's obvious any new place is going to be either alive or dead. If it's alive it's going to be poisonous, if it's dead you're going to have to work it up from scratch. I suppose that could work, but it might take about as long as it took Earth. Even if you've got the right bugs, even if you put machines to work, it would take thousands of years. So what's the point? Why do it at all? Why not be content with what you've got? Who were they, that they were so discontent? Who the fuck were they?" This sounded much like Devi, and Freya put her head — Kim Stanley Robinson

I am really very grateful for this Award. It is one of the first given to a woman, and to two women at that. When I first started getting work published, I used to have wistful thoughts at the way all important awards were given to men. Women, I used to think, could be as innovative, imaginative and productive as possible - and women were the ones mostly at work in the field of fantasy for children and young adults - but only let a man enter the field, and people instantly regarded what he had to say and what he did as more Important. He got respectful reviews as well as awards, even if what he was doing - which it often was - was imitating the women. But you have changed all that.
Thank you for being so enlightened.
Women, large-minded, formidable women, have played an almost exclusive part in helping my career. I have hardly ever dealt with a man - at least, when it came to publishing: — Diana Wynne Jones

Dear Angry Older People, over 21-ish, anyone who considers themselves an adult, still bitter: Next time you're wondering what wrong with kids today, you might wanna check the examples you've been giving us to work with. Because if you ever want to make sense of us, you've got to make sense to us, without telling us you're too old to walk that far. You've got to try to understand why we like looking like rag dolls, why we like looking like the way we feel, and why we keep our senses floored when it's you behind the wheel. And if you ever really do want to understand why we seem so angry, well for one, you told us we could be anything we wanted to be, but right now, we're a little busy dodging bombs. — Buddy Wakefield

Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else. — Bill Burr

was thinking - um, maybe you should let me do the talking." He glanced over at her. "What are you saying? That I'm scary?" "You're the scariest person I've ever met." "Thank you," he said with a wicked smile. "That's the nicest thing anyone has said to me in a long time." "No, really. You're scarier than Frankenstein." He chuckled. "You're so scary that a great white shark would put on tennis shoes and run up the beach to get away from you." His chuckle turned into a laugh. "I mean it," she said, getting into the spirit of it. "If the boogey man was in your closet, he'd stay there until you left for work." "Okay, okay," he said, holding up one hand while trying to stop laughing. "I got it. When we find the girl, you can do the talking." She nodded thoughtfully. "Yeah, that's probably a good idea. — Arthur Bradley

I'm a prostitute. Do you know what, it really is basically I just really like to work! I'm thrilled that there's a variety. It's why I got into this business to begin with, because I really don't have the discipline or intellect to have a 9-to-5 job. But I came from a classical music background and I merged that to theatre, it kind of opened up the door to a lot of different possibilities. — Jason Graae

Your people back in Pennsylvania - what are they like?" Caleb finished his work and turned to face Lily, his arms folded. Because the barn was shadowy and he was wearing that blasted campaign hat of his she could barely see his face. "Decent, hardworking, ordinary enough." "Rich?" Lily inquired. "Yes, you could say that." Lily sighed. Marrying the major might eliminate her current dilemma, but once the back-east Hallidays got a good look at her the snobbery would begin all over again. Caleb's family would wonder what had possessed their long-lost son to choose an orphan with a questionable reputation for his wife. He curved a finger under her chin and lifted it. "They'd take to you immediately, sodbuster," he said. "It's me they've got no use for." "And if they didn't?" "They would. Now let's get back to the fort - that is, unless you want to stop at the church and get married first." Lily thought for a moment, then shook her head. Caleb — Linda Lael Miller

You've got to put interesting people around you; you've got to work with people who are gonna inspire you to take the songs you've written into a completely different direction, because there's nothing more boring than going to the studio and predictably knowing what is going to happen. — Dave Gahan

Difference making, by its very nature, is the art of taking something good and making it better. It's an act of fine-tuning, improving, and refining, not starting from zero. — David Sturt

Desandra shrugged her shoulders. "Hey, Kate? Have you thought of walking up to Hugh and telling him that he's got the biggest dick ever?" She spread her arms to the size of a baseball bat.
"No, you think it would work?" I asked.
"It's worth a try. May be he'll be so happy you noticed his pork sword, he'll forget all about trying to kill us."
Pork sword. Kill me now. "I'll think about it."
Ascanio began patting his clothes.
"What?" Derek growled.
"Looking for something to take notes with. — Ilona Andrews

I am this month one whole year older than I was this time twelve-month; and having got, as you perceive, almost into the middle of my fourth volume - and no farther than to my first day's life - 'tis demonstrative that I have three hundred and sixty-four days more life to write just now, than when I first set out; so that instead of advancing, as a common writer, in my work with what I have been doing at it - on the contrary, I am just thrown so many volumes back - — Laurence Sterne

Sometimes you also work with people who don't explain or express to you what they're actually looking for from the shot but you haven't got that problem with this because whatever you're going to do, whether it's good or bad, will get picked up. So, in that way I guess it's pure cinema. — Ray Winstone

I asked him how he came to be writing for the popular American weekly. How did he know what to write about or what to say? 'Oh...they have somehow got the idea that I am an unaccountably paradoxical dog, and they name the subject on which they want me to write; and they pay generously.' 'And so you set to work and invent a few paradoxes?' Not a bit of it. What I do is to recall, as well as I can, what my mother used to say on the subject, eke it out with a few similar thoughts of my own, and so produce what would have been strict orthodoxy in about 1900. And this seems to them outrageously paradoxical, avant garde stuff. — Jocelyn Gibb

Stop begging God to increase your territory when you can't even maintain the territory you already have. Work with what you got first. — Nakia R. Laushaul

I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner. — Mitchell Hurwitz

Abigail laughed. "Poor Adam. Probably thought he'd found a woman who would follow his lead, do everything he said. Got a banshee instead. I need one of them big windows for you two to work it out against. Zoe, do we have a big window somewhere? Adam's particularly good with windows. Maybe he could convince her that way."
Talia's face heated, but she ignored Abigail, stubbornly crossing her arms and blocking the door.
Adam looked back at Abigail. "Can you quit mocking me for a minute and help me convince her to stay?"
Abigail shrugged. "Why would I waste my time doing that when I know very well that she goes with you?"
Talia controlled a smug smile.
"She - ? What - ?" Adam stammered. Then he turned to Talia. "Oh, hell. Come on. — Erin Kellison

I went to a foot specialist recently and she said:
"You've broken a bone, it's healed funny."
"What can you do?"
"Not much."
She strapped me up though and that's the reason my foot is hurting, because the strapping gave me cramp.
When I'm about to die I'm going to head ti a swamp so I topple in when the time comes. In 50,000 years when they dig me up, pretty well preserved, the scientists will have to work out what sort of life I led from my bone structure, teeth and whatnot. Maybe I'll be clutching a Felt record or something to give them a clue. They'll look at my foot and say: "This man broke a bone and it's healed funny." And they'll look at the Felt record, analysing the grooves with a Groove Analyser and they'll say: "He was obviously in an indie band and one day the pressure got too much, and he booted a wall." And they wouldn't be far from the truth, those crazy scientists. — Stuart Murdoch

Don't you see? It's just not possible for one person to watch over another person forever and ever. I mean, suppose we got married. You'd have to work during the day. Who's going to watch over me while you're away? Or if you go on a business trip, who's going to watch over me then? Can I be glued to you every minute of our lives? What kind of equality would there be in that? What kind of relationship would that be? Sooner or later you'd get sick of me. You'd wonder what you were doing with your life, why you were spending all your time babysitting this woman. I couldn't stand that. It wouldn't solve any of my problems. — Haruki Murakami

For a moment I just watch Sean wrap Corr's leg, watching how his shoulders move when they're not hidden by his jacket, how he tilts his head when he's involved in his work. He either hasn't noticed my arrival or he's pretending that he hasn't, and either's fine by me. There's something rewarding about watching a job done well, or at least a job done with everything you've got. I try to put my finger on how it is that Sean Kendrick seems so different to other people, what it is about him that makes him seem so intense and still at the same time, and I think, finally, that it's something about hesitation. Most people hesitate between steps or pause or are somehow uneven about the process. Whether that process is wrapping a leg or eating a sandwich or just living life. But with Sean, there's never a move he's not sure of, even if it means not moving at all. — Maggie Stiefvater

A lot of what I know as a filmmaker is because of hockey. That's teamwork, and being able to collaborate with people, and be creative with them, and get the most out of everybody. Everyone's got different talents, and you've got to bring out the best of everybody, and use your strengths and work together, and try and evolve it rather than do what was done before you, and to push into new areas. — Gabe Polsky

Just what it said. I left a message telling him I had a garage full of stuff I needed to get rid of. I knew he'd be in the neighborhood the twenty-fourth, so all I had to do was give him my address. I had to be at work, so I put the fifty bucks in an envelope and taped it to the back door. I came home, he'd emptied the garage, and everything looked great." "So you never actually laid eyes on him and you never got his name?" "I needed the garage cleaned. I wasn't looking for a friend. What's the matter with you? — Sue Grafton

Oh, sorry, am I being difficult?" Rich asked. "I'm not good with people. Sometimes I'm difficult. I wish people would just tell me. Anyway, the Taiyang Shen is critical. In fact, my idea won't work without it. But a Mars probe? Pfft. C'mon." "All right," Venkat said. "What's your idea?" Rich snatched a paper from the desk. "Here it is!" He handed it to Venkat with a childlike smile. Venkat took the summary and skimmed it. The more he read, the wider his eyes got. "Are you sure about this?" "Absolutely!" Rich beamed. "Have you told anyone else?" "Who would I tell?" "I don't know," Venkat said. "Friends?" "I don't have any of those." "Okay, keep it under your hat." "I don't wear a hat." "It's just an expression." "Really?" Rich said. "It's a stupid expression." "Rich, you're being difficult." "Ah. Thanks. — Andy Weir

Maybe kids are like parents - we don't pick them, you know? We just gotta work with what we've got. — Jenny B. Jones

Shows what you know, sunny-girl! I'm sure you've heard people talk about their Heart's Desire - well that's a load of rot. Hearts are idiots. They're big and squishy and full of daft dreams. They flounce off to write poetry and moon at folk who aren't worth the mooning. Bones are the ones that have to make the journey, fight the monster, kneel before whomever is big on kneeling these days. Bones do the work for the heart's grand plans. Bones know what you need. Hearts only know want. I much prefer to deal with children, boggans, and villains, who haven't got hearts to get in the way of the very important magic of Getting-Things-Done. — Catherynne M Valente

Do what you love, but be damned sure it's profitable. If you do work you love, but it doesn't generate income, your business will fail. If you do work you hate, but it generates income, your health will fail ... and your business along with it. If you can't do what you love and make it profitable, you've either got a hobby or a headache, not a sustainable business. Don't settle for anything less than passion and profit. — Steve Pavlina

If you can ... fall in love, with the work, with people you work with, with your dreams and their dreams. Whatever it was that got you to this school, don't let it go. Whatever kept you here, don't let that go. Believe in your friends. Believe that what you and your friends have to say ... that the way you're saying it - is something new in the world. — Robert Krulwich

Oh yes, the Klitschkos. They got to learn how to fight. Period. But I'll tell you one thing - they're great human specimens. And I'd be happy to be able to work with them. If they chose to work with me. They had an opportunity when they got free of Peter Kohl - they didn't come to me. You know, I'm with who's with me. And I really don't care what fighter it is. I would be happy to promote them..Who could beat Vitali? Rahman could beat Vitali. His style is suited to beat Vitali ... — Don King

I'm not practising, I don't go to church, but what I got from it was a sense of belonging to something bigger. What I really miss is being forced to be in a community with people that aren't the same as you. Then, you really have to work through the ways that you're different. — Win Butler

Exemplary work, Agent Fraser."
"Thank you, ma'am," I managed to say. I gestured vaguely in the direction of wherever she'd been injured. "How are you?"
"Passably well. Well enough to do whatever is needed. And yourself?"
"Uh, good. I'm good."
She seemed to expect more.
"And I'm ready to get this done," I added with enthusiasm. Jeez, I sounded like such a dork.
She gave me a sharp nod. "Commendable.[ ... ]"
[ ... ]
Ian lowered his voice. "I'm ready to get this done?"
I cringed. "I know. You've got one more job as my partner."
"What's that?"
"Save me from myself."
"Spawn and doppelgangers I can do, but saving you from yourself is too tall an order for any man. — Lisa Shearin

dear little baby of the folks I work for, I got a present for you .. my whole damn life! I'm handin' it over to you & your ma & pa. if you got no money to pay, I wanna stay anyhow, my pleasure is to wait on you forever. to hell with my children & hooray for you!.. you stayin' up all night fixin' up Character Parts for me! givin' 'em what you call dignity! dignity! you know what your dignity is? a black straw hat with a flower stickin' up in front, hands folded cross my stomach, sayin' the same damn fool things .. only nice & easy & proper!" --trouble in mind (1955) — Alice Childress

So, you work with Marcy?" Wayne earned points for what appeared to be sincere interest.
"Yes. She's in public accounting and I'm in corporate, but we both work for the same company."
Wayne grinned. "Me, I'm in murders and executions."
"Wayne!" Marcy rolled her eyes. "He means - "
"Mergers and acquisitions. I got it. — Megan Hart

I'm very shy and awkward. I think the best thing is to embrace it. It's about accepting who you are and what you want to become and knowing all that you've got to work with, whether it's good or bad. My music was the only place I could be me for the longest time. — Hunter Hayes

The only question that got any traction was when he asked Martin what he did. Martin tersely replied that he was a wizard and was met with a blank stare. "You know, a wizard," Martin said. "I do magic." Martin had expected that this would at least impress Ampyx. Martin was wrong. "Why?" Ampyx asked. "Why what? Why do I do magic?" "Yes, why do you do magic?" Ampyx asked, as if it were the most obvious question in the world. Martin looked at Phillip, who shrugged. Finally, Martin answered, "Why wouldn't I do magic? Wouldn't you do magic if you could?" "Never," Ampyx said. "Well, why not?" Ampyx scrunched his face and said, "Magic . . . it is . . . woman's work." Martin — Scott Meyer

Girl going past clinging to a young man's arm. Putting up her face like a duck to the moon. Drinking joy. Green in her eyes. Spinal curvature. No chin, mouth like a frog. Young man like a pug. Gazing down at his sweetie with the face of a saint reading the works of God. Hold on, maiden, you've got him. He's your boy. Look out, Puggy, that isn't a maiden you see before you, it's a work of imagination. Nail him, girlie. Nail him to the contract. Fly laddie, fly off with your darling vision before she turns into a frow, who spends all her life thinking of what the neighbours think. — Joyce Cary

Well, you know what? The actor still gets up in the morning, if he's still got something to work with, you go out there and you do it. Never quit! — Robert Forster

Chess worked for a wholesale grocery firm. He had thought of being a history teacher, but his father had persuaded him that teaching was no way to support a wife and get on in the world. His father had helped him get this job but told him that once he got in he was not to expect any favors. He didn't. He left the house before it was light, during this first winter of our marriage, and came home after dark. He worked hard, not asking that the work he did fit in with any interests he might have had or have any purpose to it that he might have once honored. No purpose except to carry us both toward that life of lawnmowers and freezers which we believed we had no mind for. I might marvel at his submission, if I thought about it. His cheerful, you might say gallant, submission.
But then, I thought, it's what men do. — Alice Munro

McReynolds emphatically shook his head. "No way. Legal's all over that deal. It's squeaky clean. Even the woman signed off. Trammel. I could make her a three-hundred-pound whore who likes black dick in the movie and she couldn't do a thing about it. That deal is perfect." "Yeah, well, what Legal's missed is the part about neither one of them having the rights to the story to sell you in the first place. Those rights happen to reside here with me. Trammel signed them over to me before Dahl came along and took second position. He thought he could move up one by stealing the original contracts out of my files. Only that's not going to work. I've got a witness to the theft and Dahl's fingerprints. He's going to go down on fraud and theft charges and your choice here is to decide whether you want to go down — Michael Connelly

[Having perosonal trainer for the movie 'The back-up plan'] I felt like I had just given birth. He was like, "You can't eat anything but this. You've got to do what I say." So along with doing the film, I did this kind of disciplined workout regimen, because every cheese farmer is ripped and buff, and I wanted to be true to character, because I'm Method. But it took a lot of hard work to get there. You can rest assured in the fact that it's all gone now. — Jennifer Lopez

I'm unable to tell you what it feels like to be "a little" mad. My emotions work as if controlled by a light switch. I'm either fine or I'm out of control. I once spilled a container of thumbtacks and got as angry at myself as I did when I screwed up my relationship with my high school sweetheart. If I'm under the impression that there are Golden Grahams in my cupboard, then realize that there in fact are none, there's a high probability I'll be as sad as I was at my grandfather's funeral.
In other words, my reactions aren't in proportion to the things I'm reacting to. It's something I've been working on with a very lovely shrink for the past few years.
But against the 4Skins one day, all that hard word went out the window. — Chris Gethard

What does that look like to you?" he said. "A forgery." He shrugged, snorted quietly. "That's right, Heller. We have teams of forgers at work creating phony documents just for you." His sarcasm was subtle. "Now do you see? Starting to recognize your brother's modus operandi? Steal a bunch of money, then, when you realize that you've messed with the wrong guys, do the cowardly thing and run? Wonder where he got that from." "Screw you." I no longer felt bad about making up that story about his cigars. "Oh, believe me, it's the truth. Maybe to Victor Heller's sons that's nothing more than loose change you find under your sofa cushions. But not to me. And certainly not to Allen Granger. — Joseph Finder

How you got your college education mattered most." And two experiences stood out from the poll of more than one million American workers, students, educators, and employers: Successful students had one or more teachers who were mentors and took a real interest in their aspirations, and they had an internship related to what they were learning in school. The most engaged employees, said Busteed, consistently attributed their success in the workplace to having had a professor or professors "who cared about them as a person," or having had "a mentor who encouraged their goals and dreams," or having had "an internship where they applied what they were learning." Those workers, he found, "were twice as likely to be engaged with their work and thriving in their overall well-being." There's a message in that bottle. — Thomas L. Friedman

Possess the spirit of independence. The Americans do, and why should not you? Possess the spirit of men, bold and enterprising, fearless and undaunted. Sue for your rights and privileges. Know the reason that you cannot attain them. Weary them with your importunities. You can but die, if you make the attempt; we shall certainly die if you do not. The Americans have practised nothing but head-work these 200 years, and we have done their drudgery. And is it not high time for us to imitate their examples, and practise head-work too, and keep what we have got, and get what we can? — Maria W. Stewart

If you live in a baboon troop in the Serengeti, you only have to work three hours a day for your calories, and predators don't mess with you much. What that means is you've got nine hours of free time every day to devote to generating psychological stress toward other animals in your troop. So the baboon is a wonderful model for living well enough and long enough to pay the price for all the social-stressor nonsense that they create for each other. They're just like us: They're not getting done in by predators and famines, they're getting done in by each other. — Robert M. Sapolsky

Glancing up, I meet her gaze. "You can work on that mouth of yours."
"What's wrong with it?"
"It's running a little rough. Nothing a face-fucking can't fix, though."
Her eyes widen. "Big words for a guy who drinks Capri Sun."
I try to keep a straight face, but I crack at that, letting out a laugh. "Got me there. — J.M. Darhower

You really work in those conditions?"
She, irritated by the contact, pulled her arm away, protesting: "And how do you work, the two of you, how do you work?"
They didn't answer. They worked hard, that was obvious. And at least Enzo in front of him, in the factory, women worn out by the work, by humiliations, by domestic obligations no less than Lila was. Yet now they were both angry because of the conditions _she_ worked in; they couldn't tolerate it. You had to hide everything from men. They preferred not to know, they preferred to pretend that what happened at the hands of the boss miraculously didn't happen to the women important to them and that - this was the idea they had grown up with - they had to protect her even at the risk of being killed. In the face of that silence Lila got even angrier. "Fuck off," she said, "you and the working class. — Elena Ferrante

Boys,
I'm probably sleeping, but hopefully y'all got up on time. You need to be down at the factory by 9. Ask for Zeke.I listened to your interview with Starnes-it's good work, but I've changed my mind about some things.
At six hours per person, we'll never get through the whole town. I'd like you only to ask the following four questions: Where would you live if you could live anywhere? What would you do for a living if you didn't work for the factory? When did your people come to the country? And What do you think makes Gutshot special? I think that'll move things along nicely. They're expecting you at the factory. Lindsey will accompany you.
See you tonight.Hollis.
PS.I'm writing this note at 5:30., SO don't wake me up. — John Green

I mean it's obvious any new place is going to be either alive or dead. If it's alive it's going to be poisonous, if it's dead you're going to have to work it up from scratch. I suppose that could work, but it might take about as long as it took Earth. Even if you've got the right bugs, even if you put machines to work, it would take thousands of years. So what's the point? Why do it at all? Why not be content with what you've got? Who were they, that they were so discontent? Who the fuck were they? This — Kim Stanley Robinson

Anyway, they went and built this silly housing project, with us living right across the street from it. Some of the children from the housing project got into trouble. You can't just take people who don't have anything, don't know what they're doing, pack them in a bunch of buildings, and expect it's going to all work out somehow.
- Sadie — Amy Hill Hearth

It's just the problem with those things, and what i've learnt is this: they're meant to be a shortcut to the ultimate ... thing, the plane, or whatever you want to say it like, yeah? It's meant to be: here's your thirty quid or whatever, take me to higher consciousness, please. And it don't work that way, bro. You don't get the full benefit. You've got to work your way up that tree, meaning that that is an allegory which is saying: you can't just fly up to the branches. You get me? — Zadie Smith

In a leadership role in Iraq and in running my own business, what I've learned is if you don't listen, you're going to strike out. You're going to fail miserably. The people you work with have got to know you're engaged and you're listening. — Brad Wenstrup

I am slowly coming to the conclusion that it's more important to learn to work with what you've got, under the circumstances you've been given, than wishing for different ones. — Charlotte Eriksson

You're neither unnatural, nor abominable, nor mad; you're as much a part of what people call nature as anyone else; only you're unexplained as yet
you've not got your niche in creation. But some day that will come, and meanwhile don't shrink from yourself, but face yourself calmly and bravely. Have courage; do the best you can with your burden. But above all be honourable. Cling to your honour for the sake of those others who share the same burden. For their sakes show the world that people like you and they can be quite as selfless and fine as the rest of mankind. Let your life go to prove this
it would be a really great life-work, Stephen. — Radclyffe Hall

Closed door means knock," Elena said to Clay, shooing him out.
You've been in here for two hours," he said. "She can't need that much work." He frowned as he examined my outfit. "What the hell is she? A tree?"
"A dryad," Elena said, cuffing him in the arm.
"Oh, my god," Jamie said, surveying my outfit. "We forgot the bag!"
"Bag?" Clay said. "What does a dryad need with-"
"An evening bag," Cassandra said. "A purse."
"She's got a purse. It's right there on the bed."
"That's a day purse," Cassandra snapped.
"What, do they expire when the sun goes down? — Kelley Armstrong

We're workers, they say. Work, they call it! That's the crummiest part of the whole business. We're down in the hold, heaving and panting, stinking and sweating our balls off, and meanwhile! Up on deck in the fresh air, what do you see?! Our masters having a fine time with beautiful pink and perfumed women on their laps. They send for us, we're brought up on deck. They put on their top hats and give us a big spiel like as follows: "You no-good swine! We're at war! Those stinkers in Country No. 2! We're going to board them and cut their livers out! Let's go! Let's go! We've got everything we need on board! All together now! Let's hear you shout so the deck trembles: 'Long live Country No. 1!' So you'll be heard for miles around. The man that shouts the loudest will get a medal and a lollipop! Let's — Louis-Ferdinand Celine

I have had the opportunity to work with Andy Lincoln a lot. He's got a remarkable process. He just has these ways of sinking into the scene and into character that are very physical. He'll make these sounds and these grunts and these moans ... I don't know what it is that he's channeling! It lets you know it's okay for you to do that, too. — Andrew J. West

In the end when you accept yourself for who you are and you work with what you've got, you couldn't be more beautiful because you're confident and everyone notices. — Lily Collins

Look, you're small-town. I've had over 50 jobs, maybe a hundred. I've never stayed anywhere long. What I am trying to say is, there is a certain game played in offices all over America. The people are bored, they don't know what to do, so they play the office-romance game. Most of the time it means nothing but the passing of time. Sometimes they do manage to work off a screw or two on the side. But even then, it is just an offhand pasttime, like bowling or t.v. or a New Year's Eve party. You've got to understand that it doesn't mean anything and then you won't get hurt. Do you understand what I mean?"
I think that Mr. Partisan is sincere."
You're going to get stuck with that pin, babe, don't forget what I told you. Watch those slicks. They are as phony as a lead dime. — Charles Bukowski

Incidentally, part of a photographer's gift should be with people. You can do some wonderful work if you know how to make people understand what you're doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You've got to take them off their defensive attitude and make them participate. — Walker Evans

Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too. — Willem Dafoe

At work she became instant best friends with the Clinique girl, Susan, a Waynesboro muscle-car aficionado. She was fond of dispensinf wisdom along the lines or: "The bullshit stops when the green light pops!" I'd go to the mall to pick up Renee. take them both a couple of coffees, and hang out while they chattered in their hot white coats. Susan would take Renee to hot-rod shows and run-what-ya-brung drag races. She brought out sides of Renee I'd never gotten to see before, and it was a sight to behold. After a night out with Susan, Renee would always come back saying things like, "If it's got tits or tires, it's going to cost you money. — Rob Sheffield

If you want to make money and have action, you need to work from like, 10 p.m. to 6 a.m. Those are the hours. That just doesn't fit with a lot of people's schedules. And that's just the start of it. You've got to realize what you are getting into. — Chris Moneymaker

I've got a better idea," says my mother. "Tell me about what you did today. Tell me about New York." So I do, I tell the lifelong New Yorker who chucked it for the woods about the streets of the city: how the subway was so crowded this morning I had to let four trains pass in a row and I was a half hour late to work; how I had a meeting in Times Square and I saw an army of painted topless women posing with tourists for money; how I saw two people dressed up as Disney characters get into a fistfight; how I ate a hot dog from a stand after my client meeting bombed and when I finished it I ate another, on one of the chairs scattered in Bryant Park. A string quartet was playing nearby, under a sponsor banner. "The music part was the part that saved me," I say. "All of it would have saved me," says my mother. — Jami Attenberg

Talk about a group that is REALLY suffering, it's women in America. To be a woman in America is just to live under this sword of wage inequality. Ask her in 20 years from now, "Patricia Arquette, you had the chance to talk to millions of people in over 100 countries. What did you decide to talk about? With women being traded as sex slaves in the tens of thousands under Islamic rule, in Africa and the middle East, and WHAT did you decide to talk about?"
Wage inequality in America.
You're a moral fool.
If in fact women really got 77 cents to the dollar, why would any employer hire men? If I can get the exact same work and save almost 25%, you would have to be an idiot to hire a man!
It's all nonsense. It's all a lie. — Dennis Prager

I used to think printing things made them permanent, but that seems so silly now. Everything will be destroyed no matter how hard we work to create it. The idea terrifies me. I want tiny permanents. I want gigantic permanents! I want what I think and who I am captured in an anthology of indulgence I can comfortingly tuck into a shelf in some labyrinthine library. Everyone thinks they're special - my grandma for her Marlboro commercials, my parents for discos and the moon. You can be anything, they tell us. No one else is quite like you. But I searched my name on Facebook and got eight tiny pictures staring back. The Marina Keegans with their little hometowns and relationship statuses. When we die, our gravestones will match. HERE LIES MARINA KEEGAN, they will say. Numbers one, two, three, four, five, six, seven, eight. — Marina Keegan

When you're younger you've got a lot of ideas and you're probably more insecure. I work with young actors now and I see their insecurities, and I make them laugh because I know exactly what they're going through. When you get older you think, it's only a movie after all, it's not brain surgery. — Anthony Hopkins

So we went to Atari and said, 'Hey, we've got this amazing thing, even built with some of your parts, and what do you think about funding us? Or we'll give it to you. We just want to do it. Pay our salary, we'll come work for you.' And they said, 'No.' So then we went to Hewlett-Packard, and they said, 'Hey, we don't need you. You haven't got through college yet.' — Steve Jobs

I used to know a carnival man turned preacher who said the key to his success was understanding the people of what he called Snake's Navel, Arkansas. He said in Snake's Navel, the biggest thing going on Saturday night was the Dairy Queen. He said you could get the people there to do damn near anything
pollute their own water, work at five-dollar-an-hour jobs, drive fifty miles to a health clinic
as long as you packaged it right. That meant you gave them a light show and faith healings and blow-down-the-walls gospel music with a whole row of American flags across the stage. He said what they liked best, though
what really got them to pissing all over themselves
was to be told it was other people going to hell and not them. He said people in Snake's Navel wasn't real fond of homosexuals and Arabs and Hollywood Jews, although he didn't use them kinds of terms in his sermons. — James Lee Burke

Because any fool knows that to work hard at something you want to accomplish is the only way to be happy. But beyond that it is entirely up to you. You've got to do for yourself all the seeking and finding concerned with what you want to do. Anyone but yourself is useless to you there. — Eugene O'Neill

Simon: You're in a dangerous line of work, Jayne. Odds are you'll be under my knife again, often. So I want you to understand one thing very clearly: No matter what you do or say or plot, no matter how you come down on us, I will never, ever harm you. You're on this table, you're safe ... 'cause I'm your medic. And however little we may like or trust each other, we're on the same crew. Got the same troubles, same enemies, and more than enough of both. Now, we could circle each other and growl, sleep with one eye open, but that thought wearies me. I don't care what you've done, I don't know what you're planning on doing, but I'm trusting you. I think you should do the same. 'Cause I don't see this working any other way.
River: Also, I can kill you with my brain. — Ben Edlund

I'm not interested in saying what people should and shouldn't do. It depends on how people feel about themselves. I suppose personally if you do anything out of fear or to mask who you are, then that's a bit scary. You've got to work with what you got ... — Cate Blanchett

One day a man came to watch him work on a painting he was doing of Jesus and his disciples. The man sat there all day, and Leonardo only made one stroke the whole time. 'You stood there all day and only made one stroke,' the man said. Leonardo just looked at him. 'Yeah, but it was the right stroke,' he said." Dan sat quietly for a second. I was not sure if he was angry or if he didn't see the relevance of the analogy. Then, all of a sudden, he burst out laughing. "That's pretty good, Nerburn," he said. He reached over and pushed me playfully. "What was that guy's name?" "Leonardo da Vinci." "I've got to remember that. Leonardo Duvishhi. You sure he wasn't an Indian?" "Might have been Wapashaw's long-lost uncle," I said. Dan laughed heartily. "This is a good day, Nerburn. I'm glad you came to visit me." The hawk cut great arcs against the towering sky. The eastern horizon was filling with pinks and lavenders. "So am I, Dan," I said. "It's been too long. — Kent Nerburn

I used to panic and get rattled when I was young, but as I've got older, I've started literally to live day to day. With age, you work out what matters. — Joanna Lumley

Funny business, a woman's career. The things you drop on your way up the ladder
so you can move faster
you forget you'll need them when you go back to being a woman. That's one career all females have in common whether we like it or not. Being a woman. Sooner or later, we've got to work at it, no matter what other careers we've had or wanted. And in the last analysis nothing is any good unless you can look up just before dinner
or turn around in bed
and there he is. Without that you're not a woman. You're someone with a French provincial office
or a book full of clippings. But you're not a woman. Slow curtain. The end. (from "All About Eve") — Bette Davis

Within this Christian vision for marriage, here's what it means to fall in love. It is to look at another person and get a glimpse of the person God is creating, and to say, "I see who God is making you, and it excites me! I want to be part of that. I want to partner with you and God in the journey you are taking to his throne. And when we get there, I will look at your magnificence and say, 'I always knew you could be like this. I got glimpses of it on earth, but now look at you!'" Each spouse should see the great thing that Jesus is doing in the life of their mate through the Word, the gospel. Each spouse then should give him- or herself to be a vehicle for that work and envision the day that you will stand together before God, seeing each other presented in spotless beauty and glory. — Timothy Keller

He looks again towards the door, expecting Mum to walk in and remind him of something he's forgotten. He smiles awkwardly.
'Is that it, Dad? I've got to go.'
'Your Mum said I should mention ... um ... satisfaction.'
'What!'
'She said young men should know things, should be told things so that the girl won't be ... ' his eyes plead for understanding, ' ... disappointed.'
[ ... ] 'No worries, Dad. My biology teacher said I was a natural.'
Dad looks confused.
'I'm kidding, Dad.'
[ ... ] Poor bloke, having to do the dirty work while Mum's off with her gang.
'Dad? What did Grandpa tell you about sex?'
'He said if I got a girl pregnant, he'd kill me. — Steven Herrick

Company cultures are like country cultures. Never try to change one. Try, instead, to work with what you've got. — Peter Drucker

You choose to stay with me, them I'm going to fuck you." My jaw dropped. "What?" "You heard me. That's the only reason I keep you around, I mean, come on, princess," he continued derisively, "you're more of a liability than an asset in this line of work. But having an easy lay within reach is convenient." It's just a matter of time before you spread your legs for me." ... "Blane doesn't have to know," he said, his hand cupping my breast through my thin t-shirt. "I'll fuck you, then you can back to him, and only you and I will know he got my sloppy seconds. — Tiffany Snow

I try to look nice. I comb my hair, I tie my tie, I put on a jacket, but I draw the line when it comes to trimming my eyebrows. You work with what you got. — Andy Rooney

Back in the late 1800s, when a place like this was originally built, you had to work with what you had, and you had to figure stuff out. You certainly couldn't Google it. You didn't have Internet. You didn't even have how-to books. You had to sit there and wrestle with it. You found this old spare part, you did this other thing, you hooked it up to a donkey, and you tried it out.
Sometimes it worked. Sometimes it didn't. But eventually you'd pop out on the other side and say, "I've got this."
Call me old-fashioned, but I've always solved problems like that.
-Chip Gaines — Joanna Gaines

We've got work to do. Strip."
"Strip for what?"
"I'm going to measure you for your dress. Strip!"
Rachel saved me ... sort of. "You can do her measurements with her clothes on, Mamma," she chastised.
"Oh, I know I can." She pointed at me. "But look at her face! Ha! I just wanted to see her face pucker up like that. — Shelly Crane