Words On Walls Quotes & Sayings

What a difference from words on a page, or images on a video screen. Surrounding him was one of the oldest fortresses in England, where men had died defending the walls, and something was happening. — Steve Berry

You might consider one other thing you could do to help those around you have the Holy Ghost as a companion. I don't know what pictures you have hanging on walls in your room. Nor do I know what music you play or what magazines you have around for others to see and read. But I've been blessed with people around me who seem to make those choices, again perhaps unconsciously, as if they wanted all the sights and sounds to help me feel, and keep feeling, love, joy, peace, long-suffering, gentleness, goodness, faith, meekness, and temperance. That doesn't make my home as dull a place as you might think. And I have felt and feel the Holy Ghost more often because of the music, and pictures, and words on a printed page, chosen by people around me. You could help someone that way, too. — Henry B. Eyring

I looked out the window at walls of moonlit cloud rising beside us as though we we were at the bottom of some, gray and ivory canyon, hung above the moon-smashed sea ...
But, with whatever hindsight, I suppose the reason that I want to close on a consideration of these words is that the moon-solid progress through high, drifting cumulus is - read them again - at the very opposite of what we perceive on a liquid's tilting and untilting top, and so becomes the other privileged pole among the images of this study, this essay, this memoir.
Or perhaps, as it is only a clause whose syntactic place has been questioned by my own unscholarly researches, I merely want to fix it before it vanishes like water, like light, like the play between them we only suggest, but never master, with the word motion. — Samuel R. Delany

He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. "You protected me, Kaz."
"The fact that you're bleeding through your bandages tells me otherwise."
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. "I need Nina to fix this one."
He didn't mean to say it. He meant to let her go. "I can help you."
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she'd spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she'd nearly destroyed him. Maybe he should let her finish the job. — Leigh Bardugo

I'm rarely at a loss for words outside the library. But within its walls I'm required to form sentences that no logical person should ever have to utter, for instance, You can't sleep on the floor at the library under your blanket. — Josh Hanagarne

Words were few and failing between them as though the silence that sat with them had laid its old lips on theirs and sucked them dry of speech. For where could one begin? With the weather? But here there was no weather. These few sad rooms were the old man's world. His horizons were all walls. — Michael Bedard

But sleep didn't come. She could hear Jace's soft piano playing through the walls, but that wasn't what was keeping her awake. She was thinking of Simon, leaving for a house that no longer felt like home to him, of the despair in Jace's voice as he said 'I want to hate you', and of Magnus, not telling Jace the truth: that Alec did not want Jace to know about his relationship because he was still in love with him. She thought of the satisfaction it would have brought Magnus to say the words out loud, to acknowledge what the truth was, and the fact that he hadn't said them - had let Alec go on lying and pretending - because that was what Alec wanted, and Magnus cared about Alec enough to give him that. Maybe it was true what the Seelie Queen had said, after all: Love made you a liar. — Cassandra Clare

It was said that [Vetinari] would tolerate absolutely anything apart from anything that threatened the city* ... [Footnote] And mime artists. It was a strange aversion, but there you are. Anyone in baggy trousers and a white face who tried to ply their art anywhere within Ankh's crumbling walls would very quickly find themselves in a a scorpion pit, on one wall of which was painted the advice: Learn The Words. — Terry Pratchett

English was such a dense, tight language. So many hard letters, like miniature walls. Not open with vowels the way Spanish was. Our throats open, our mouths open, our hearts open. In English, the sounds were closed. They thudded to the floor. And yet, there was something magnificent about it. Profesora Shields explained that in English there was no usted, no tu. There was only one word - you. It applied to all people. No one more distant or more familiar. You. They. Me. I. Us. We. There were no words that changed from feminine to masculine and back again depending on the speaker. A person was from New York. Not a woman from New York, not a man from New York. Simply a person. — Cristina Henriquez

Sapphic Chords

On what marble stones would you scratch your love today?
Spray it on brick walls, rap it in pool halls,
hang it on the clothes line with you lingerie?
Oh, Sappho!

Would you swing a softball bat, wear lipstick, ride a Harley?
What novels would you pen, what political party?
Is that really tenderness in your final line, or do words hang for what you
couldn't say?

What remnants you left behind, too little but enough
for us to know the luxury of your lust.
Your heat, your wisdom, your passion - all left in fragmented trust.
Oh, Sappho! — Nancy Boutilier

The words of the prophets are written on the subway walls and tenements halls and whispered in the sounds of silence. — Paul Simon

Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people
and of towns, which they accustom us to believe are individual, unique like people
an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets. — Marcel Proust

If I were a psychiatrist, I should advise my patients who suffer from "anguish" to read this poem of Baudelaire's whenever an attack seems imminent. Very gently, they should pronounce Baudelaire's key word, vast. For it is a word that brings calm and unity; it opens up unlimited space. It also teaches us to breathe with the air that rests on the horizon, far from the walls of the chimerical prisons that are the cause of our anguish. It has a vocal excellence that is effective on the very threshhold of our vocal powers. The French baritone, Charles Panzera, who is sensitive to poetry, once told me that, according to certain experimental psychologists, it is impossible to think the vowel sound ah without a tautening of the vocal chords. In other words, we read ah and the voice is ready to sing. The letter a, which is the main body of the word vast, stands aloof in its delicacy, an anacoluthon of spoken sensibility. — Gaston Bachelard

Through portico of my elegant house you stalk
With your wild furies, disturbing garlands of fruit
And the fabulous lutes and peacocks, rending the net
Of all decorum which holds the whirlwind back.
Now, rich order of walls is fallen; rooks croak
Above the appalling ruin; in bleak light
Of your stormy eye, magic takes flight
Like a daunted witch,
quitting castle when real days break.


Fractured pillars frame prospects of rock;
While you stand heroic in coat and tie, I sit
Composed in Grecian tunic and psyche-knot,
Rooted to your black look, the play turned tragic:
Which such blight wrought on our bankrupt estate,
What ceremony of words can patch the havoc?



"Conversation Among the Ruins — Sylvia Plath

Hear my words, and bear witness to my vow," they recited, their voices filling the twilit grove. "Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come." The — George R R Martin

Her own awareness had risen like the dawn on her back.Like a leaden sunrise veiled in a swirl of storm clouds. It was no longer enough to have answers for Shiva's sake. Indeed, it had ceased to be about mere vengeance the moment Khalid's lips touched hers in the alley by the souk. She had wanted there to be a reason for this madness, needed there to be a reason, so that she could be with him. So that she could be by his side, make him smile as she laughed, weave tales by lamplight, and share secrets in the dark.So that she could fall asleep in his arms and awaken to a brilliant tomorrow.
But it was too late. He was the Mehrdad of her nightmares. She had opened the door. She had seen the bodies hanging from the walls, without explanation. Without justification.
And without one, Shahrzad knew what must be done. Khalid had to answer for such vile deeds. Such rampant death.
Even if he was her air.
Even if she loved him beyond words. — Renee Ahdieh

The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world's loom, thy subtlest thinkings may be overheard afar. — Herman Melville

You're still here stitched into me, like threads in a sweater. Feeding me words that break me down and piece me back together, all at once. Tightening your grip, reminding me that I'm not alone. I never was. None of us ever are. You are still here stitched into the words on these walls. Every last one. — Tamara Ireland Stone

Like a butterfly in glass, I want to fly away to you but the invisible walls contain me. It's not time.
Hard to accept when I feel your words calling to me.
Your soul beckoning me with its pull.
Come to me, you say in one breath; stay, you say in another.
I taste your lips on mine and pray I make my way to you
As a butterfly chases its freedom.
So will I. — Rachel Thompson

For four years at Yale, he'd sat at the center of his circle with free rein to utter whatever was on his mind. He was well known for calling people out on their "bullshit." But he'd been able to exercise that tendency with the concrete awareness that his words had no consequences, not real ones. Maybe someone's feelings would get hurt; maybe there'd be an argument. Even so, nobody at Yale would ever come at him, no one carried lethal weapons, no one constructed the particular walls around his pride that, if penetrated, might impel him to want to inflict severe physical harm. The situation was different in Newark - more so now than ever, since the gang explosion had begun. — Jeff Hobbs

A nod at Beatrice who held absolutely still. "She said she would come with me. She insisted on it. She stamped her little foot at me."
He pointed down to her toes as if she were a child yet.
Then he straightened his shoulders. "But I sent her back to the nursery, where she belonged, and told her to play with her dolls instead. As everyone knows, a female on a hunt is a distraction at best and bad luck at worse."
Which explained why Beatrice went into the woods with her hound alone, George thought. She looked now as though she had gone to some other place where she could not hear her father's words and thus could not be hurt by them. George wondered how often she was forced to go to that place.
Did King Helm not see how much she was like him? It seemed she was rejected for any sign of femininity yet also rejected for not showing enough femininity, How could she win? — Mette Ivie Harrison

Arjuro made a scoffing sound. 'You think Lumatere will invade because of you? Are you that important?'

Froi looked away. 'Isaboe would invade if you kidnapped a servant, let alone a friend.'

'Isaboe? We're on first-name terms with the Queen of Lumatere, are we?' Gargarin asked.

Froi found himself bristling. 'What? Do you think I'm some cutthroat for hire who they found hanging around the palace walls with the words "I want
to kill a Charynite King" tattooed on my arse? — Melina Marchetta

Night

Night came, sirens.
Dark and breathless, it came
with the limp shape of my mother in its arms./
In its white coat, it came with her from the bath/
laid her on the floor in the hall./
It struck her blue mouth
forced the metal of its own mouth over the water of hers./
It blew into her again
and again. It said, Stay.
It asked her name.

Morning came.
Tender it came
as tender as the one before.
It brought walls
and the doors of the house stood swinging open and closing upon our secrets/
for everyone to see. For days,
I slept with the words
I'd heard her singing in the tub
Hello, darkness. — Justen Ahren

Maybe if you spend your life pretending you're on a movie set, you don't ever have to admit that the walls are made out of paper and the food is plastic and the words in your mouth aren't really yours. — Jodi Picoult

All the posters on the walls All the leaflets in the streets Are mutilated, destroyed or run in rain, Their words blotted out with tears, Skins peeling from their bodies In the victorious hurricane. — Stephen Spender

Language may have limits. But it isn't just a dim likeness in a mirror. Yes, gestures, glances, touches, taps on walls mean something. So do silences. But sometimes the word is the thing. The bridge. Sometimes we only know what we feel once it's been said. Words may be daughters of the earth instead of heaven. But they're not dim. And even in the faintest shimmer, there is light. — Alena Graedon

I am not a religious man. I have not attended a service for many years. But I do believe in God. My own practice of religion, you could say, it a nonpractice. I personally feel that it's just as worthy on a weekend to rake the lawns of an elderly neighbor or to climb a mountain and marvel at the beauty of this land we live in as it is to sing hosannas or go to Mass. In other words, I think every many finds his own church- and not all of them have four walls - Judge Haig (Page 399) — Jodi Picoult

[S]ome score of members of the High Court of Chancery bar ought to be
as here they are
mistily engaged in one of the ten thousand stages of an endless cause, tripping one another up on slippery precedents, groping knee-deep in technicalities, running their goat-hair and horse-hair warded heads against walls of words, and making a pretence of equity with serious faces ... — Charles Dickens

I'm Writing my stoy. But i'm also plotting my escape from this prison cell.

This is my plan.
I will do it with words.
I will write them by day.
I will write them by night.
I will write them on the walls,
the stalls, the halls.
I will write them in big bold ink
on posters i hang on the concrete blocks.
I will write them on little pieces of paper
I stuff on the mattress and the pillow.
I will write them with fingers
bent and cramped from use.
I will write them in blood
if i have to,
but only my own.
And i will keep writing them,
again, and again, and again,
until i fill this prison cell so full of words,
that the bars bend and buckle and burst
because they cannot contain them
And then
I will
be free. — Carolee Dean

And Bethod means to make war on this? He must be mad."
"Bethod, for all his waste and pride, understands the Union. They are jealous of one another, all those people. It may be a union in name, but they fight each other tooth and nail. The lowly squabble over trifles. The great wage secret wars for power and wealth, and they call it government. Wars of words, and tricks, and guile, but no less bloody for that. The casualties are many. Behind those walls they shout and argue and endlessly bite one another's backs. Old squabbles are never settled, but thrive, and put down roots, and the roots grow deeper with the passing years. It has always been so. They are not like you, Logen. A man here can smile, and fawn, and call you friend, give you gifts with one hand and stab you with the other. You will find this a strange place. — Joe Abercrombie

Words are things. You must be careful, careful about calling people out of their names, using racial pejoratives and sexual pejoratives and all that ignorance. Don't do that. Some day we'll be able to measure the power of words. I think they are things. They get on the walls. They get in your wallpaper. They get in your rugs, in your upholstery, and your clothes, and finally in to you. — Maya Angelou

I felt my own self-sufficiency, my own Walden Pond, seeping out of me as if I'd sprung a leak. Self soaked into everything around me - the floor, the walls, the one window, the grass. The words on the page. — Olivia Sudjic

The few lamps we left on softly illuminate the walls, and I think about all the paper around us, all this love and pain and fear and hope. We're surrounded by words. Nothing about this moment could be more perfect, because I'm absolutely in love with this room and the people in it, on the wall and otherwise. And with this one boy in particular. — Tamara Ireland Stone

I looked out to see a forbidding place with granite walls and towering gates,
implacable barriers to be reckoned with, the words strung across the archway struck fear into
my confused mind:
MARSH LUNATIC ASYLUM.
This was my new home for now. — Carole Gill

My father,' I replied, 'I am fond of action. I like to succour the afflicted, and make people happy. Command that there be built for me a tower, from whose top I can see the whole earth, and thus discover the places where my help would be of most avai1.'
'To do good, without ceasing, to mankind, a race at once flighty and ungrateful, is a more painful task than you imagine,' said Asfendarmod.
After saying these words, my father motioned to us to retire; and immediately I found myself in a tower, built on the summit of Mount Caf - a tower whose outer walls were lined with numberless mirrors that reflected, though hazily and as in a kind of dream, a thousand varied scenes then being enacted on the earth. Asfendarmod's power had indeed annihilated space, and brought me not only within sight of all the beings thus reflected in the mirrors, but also within sound of their voices and of the very words they uttered. ("The Story of The Peri Homaiouna") — William Beckford

Is there anybody listening? Is there anyone who sees what's going on? Read between the lines, criticize the words they're selling. Think for yourself, and feel the walls become sand beneath your feet. — Geoff Tate

On count two, she shouted, "I deserve a stipend after this!" The words echoed offbeat with the pulsing walls. — Charlie N. Holmberg

Today that legend is inscribed on the stones that were used to build the walls of the school, and as the water falls out of the sky and over those stones, the words of the legend are carried down from the mountains and into the fields and gardens and orchards of Afghanistan. And as the water and the words rush past, who can fail to turn to his neighbor and whisper, with humility and awe-if this is what the weakest, the least valued, the most neglected among us are capable of achieving, truly is there anything we cannot do? — Greg Mortenson

Ernest once told me that the word paradise was a Persian words that meant walled garden. I knew then that he understood how necessary the promises we made to each other were to our happiness. You couldn't have real freedom unless you knew were the walls were and tended to them. We could lean on the walls because they existed; they existed because we leaned on them. — Paula McLain

You will find yourself among people.
There is no help for this
nor should you want it otherwise.
The passages where no one waits are dark
and hard to navigate.
The wet walls touch your shoulders on each side.
When the trees were there I cared that they were there.
And now they are gone, does it matter?
The passages where no one waits go on
and give no promise of an end.
You will find yourself among people,
Faces, clothing, teeth and hair
and words, and many words
When there was life, I said that life was wrong.
What do I say now? You understand? — Paul Bowles