Words In Sand Quotes & Sayings

This is freedom. This is the face of faith, nobody gets
what they want. Never again are you the same. The longing
is to be pure. What you get is to be changed. More and more by
each glistening minute, through which infinity threads itself.
Also oblivion, of course, the aftershocks of something
at sea. Here hands full of sand, letting it
sift through
in the wind, I look in and say take this, hurry. And if I listen
now? Listen, I was not saying anything. It was only
something I did. I could not chose words. I am free to go.
I cannot, of course, come back. Not to this. Never.
It is a ghost posed on my lips. Here: never. — Jorie Graham

Noise has one advantage. It drowns out words. And suddenly he realized that all his life he had done nothing but talk, write, lecture, concoct sentences, search for formulations and amend them, so in the end no words were precise, their meanings were obliterated, their content lost, they turned into trash, chaff dust, sand; prowling through his brain, tearing at his head. they were his insomnia, his illness. And what he yearned for at that moment, vaguely, but with all his might, was unbounded music, absolute sound, a pleasant and happy all-encompassing, over-poering, window-rattling din to engulf, once and for all, the pain, the futility, the vanity of words. Music was the negation of sentences, music was the anti-word! — Milan Kundera

I wasn't sure what I expected her to do or say to this. It was all new to me from that second on. But clearly, she'd been there before. It was obvious in the easy way she shrugged off her bag, letting it fall with a thump onto the sand, before sitting down beside me. She didn't pull me close for a big bonding hug or offer up some saccharine words of comfort, both of which would have sent me running for sure. Instead she gave me nothing but her company, realizing even before I did this that this, in fact, was just what I needed. — Sarah Dessen

The hand that once wielded both sword and axe now aches after an evening of the quill. When I wipe the tip of one clean, I often wonder how many buckets of ink I have used in a lifetime. How many words have I set down on paper or vellum, thinking to trap the truth thereby? And of those words, how many have I myself consigned to the flames as worthless and wrong? I do as I have done so many times. I write, I sand the wet ink, I consider my own words. Then I burn them. Perhaps when I do so, the truth goes up the chimney as smoke. Is it destroyed, or set free in the world? I do not know. I — Robin Hobb

The beauty of sand, in other words, belonged to death. it was the beauty of death that ran through the magnificence of its ruins and its great power of destruction — Kobo Abe

Valentine whirled. Clary, lying half-conscious in the sand, her wrists and arms a screaming agony, stared
defiantly back. For a moment their eyes met - and he looked at her, really looked at her, and she
realized it was the first time her father had ever looked her in the face and seen her. The first and only
time.
"Clarissa," he said. "What have you done?"
Clary stretched out her hand, and with her finger she wrote in the sand at his feet. She didn't draw runes.
She drew words: the words he had said to her the first time he'd seen what she could do, when she'd
drawn the rune that had destroyed his ship.
MENE MENE TEKEL UPSHARIN. — Cassandra Clare

Rhythm. Life is full of it; words should have it, too. But you have to train your ear. Listen to the waves on a quiet night; you'll pick up the cadence. Look at the patterns the wind makes in dry sand and you'll see how syllables in a sentence should fall. Arthur Gordon — Arthur Gordon

She wanted to get married," he said. "She said, either we at least get engaged and plan to get married, or I walk. Those were her words." He made a slash in the air with his finger. "Line in the sand. Ultimatum." "Really," Shelby said with a questionable tone. "After only two years of practically living together?" "Okay, now you're just making fun of me," Sean said in a pout. "I admit, I shouldn't have let her go. But I was younger. I was cocky then." "Oh, were you?" Luke asked. Sean glowered. "So, she said she was ready for marriage, you said you weren't, you split up - is that right?" Shelby asked. "That's about it." He made a face. "We might've said a few unnecessary things during the discussion. You know - angry things." "I'll bet," Luke said. "And — Robyn Carr

The drunk answers every assault with smirking equanimity,' observed Haut, pouring his cup full again. 'All reasoned words thud like pebbles in the sand. Made immune, I imbibe the nectar of the gods. — Steven Erikson

I really need some answers."
"I know you do." Her hands came down. "I just can't believe you don't know anything."
"Believe it."
"How am I supposed to explain this to you?"
"With words. That'd work for me. Faster than drawing pictures in the sand with a stick. — Veronica Rossi

Where the mind is without fear
and the head is held high,
where knowledge is free.
Where the world has not been broken up into fragments by narrow domestic walls.
Where words come out from the depth of truth,
where tireless striving stretches its arms toward perfection.
Where the clear stream of reason has not lost it's way
into the dreary desert sand of dead habit.
Where the mind is led forward by thee
into ever widening thought and action.
In to that heaven of freedom, my father,
LET MY COUNTRY AWAKE! — Rabindranath Tagore

And no one will remember us, who we were or what happened here. Sand will blow across Pacific Avenue and against the windows of the Moonstone, and new people will arrive and walk down the beach to the great ocean. They will be in love, or they will be lost, and they will have no words. And the waves will sound to them as they did to us the first time we heard them. — Bill Clegg

I am no writer. Her sparkling eyes made my fingers write words in the sand. Her radiant smile made my pen write words in the air. Her beautiful soul made my typewriter type poems for eternity. I am no writer. — Avijeet Das

I lifted my chin, meeting the eyes of the woman who'd become the living embodiment of my totem, my bright phoenix, and forged ahead. "But I live with the wrong choices, the paths untraveled, the lives lost, and I never hold those regrets against anyone but myself. So, if you have some reason that you think I'll regret getting in that car or not getting in that car, then tell me. Because I won't have anything between us, either." My mind flashed to an hourglass, grains of sand trickling away, carrying my life with them. "At least, nothing that we can avoid...like the fear of unspoken words. — Marie Castle

i want...
i want a chance to do it all again. To do it... right.' Tears showed in the Old Man's eyes. 'How ever did it go so wrong, Temple? I had so many advantages. So many opportunities. All squandered. All slipped away like sand through a glass. So many disappointments...'
'Most of them you brought on yourself'
'Of course.' Cosca gave a ragged sigh. 'But they're the ones that hurt the worst. — Joe Abercrombie

Woman, where are they? Has no one judged you guilty?"
She answers "No one, sir."
Then Jesus says, "I also don't judge you guilty. You may go now, but don't sin anymore."
If you have ever wondered how God reacts when you fail, frame these words and hang them on the wall.Read them. Ponder them.Drink from them. Stand below them and let them wash over your soul.
Or better still, take him with you to to your canyon of shame. Invite Christ to journey with you back to the Fremont Bridge of your world. Let Him stand beside you as you retell the events of the darkest nights of your soul.
And then listen. Listen carefully. He's speaking.
"I don't judge you guilty."
And watch. Watch carefully. He's writing. He's leaving a message. Not in the sand, but on a cross.
Not with his hand, but with his blood.
His message has two words: not guilty. — Max Lucado

I'd never seen a grown man cry like that before, so unself-consciously, so unashamedly. I didn't know if he was crying for what he'd lost, or for what he'd never had, but there was a beauty in his tears that moved me more than I could ever explain with words - a beauty in the honesty of his sadness, in the grace of it's purity. It was holy water raining down from the clouds in his eyes, falling to the sand then being carried back to the source from which it came - his blessed sea. — Tiffanie DeBartolo

Like words written in the sand taken away by waves
Thousands of years of culture discovered in lost caves
Climbing to a mountain at it's highest peak
Out of no where strength when thought down and weak — Justin Bienvenue

Let us end on a very simple note: Let us listen to simple words; our Lord speak simply: "Trust Me, My child," He says. "Trust Me with a humbler heart and a fuller abandon to My will than ever thou didst before. Trust Me to pour My love through thee, as minute succeeds minute. And if thou shouldst be conscious of anything hindering that flow, do not hurt My love by going away from Me in discouragement, for nothing can hurt so much as that. Draw all the closer to Me; come, flee unto Me to hide thee, even from thyself. Tell Me about the trouble. Trust Me to turn My hand upon thee and thoroughly to remove the boulder that has choked they river-bed, and take away all the sand that has silted up the channel. I will not leave thee until I have done that which I have spoken to thee of. I will perfect that which concerneth thee. Fear thou not, O child of My love; fear not. — Amy Carmichael

Ozymandias
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shattered visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
'My name is Ozymandias, King of Kings:
Look on my works, ye mighty, and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away. — Percy Bysshe Shelley

I should be getting back to the bonfire. They're going to think I've been kidnapped." He pulled me toward him in one quick motion.

"Kidnapped insinuates some sort of struggle." He said in a low voice with a sexy grin. "You'd enjoy being captured by me." My heart jumped in my throat, but I tried to remain cool.

"I'd like to see you try," I threw back at him, "but first you'll have to escape your own sandy death trap" I wiggled my feet out of the sand, stood up and washed my hands off in the water. He followed my every move with curious eyes.

"Sweet dreams, Anastasia." I wasn't sure if there was an underlying meaning to his words. "Sweet dreams, Finn," I responded, breathlessly. — Kristen Day

There are souls beneath that water. Fixed in slime
they speak their piece, end it, and start again:
'Sullen were we in the air made sweet by the Sun;
in the glory of his shining our hearts poured
a bitter smoke. Sullen were we begun;
sullen we lie forever in this ditch.'
This litany they gargle in their throats
as if they sand, but lacked the words and pitch. — Dante Alighieri

I don't feel at home where I am,
or where I spend time; only where,
beyond counting, there's freedom and calm,
that is, waves, that is, space where, when there,
you consist of pure freedom, which, seen,
turns that Gorgon, the crowd, to stone,
to pebbles and sand . . . where life's mean-
ing lies buried, that never let one
come within cannon shot yet.
From cloud-covered wells untold
pour color and light, a fete
of cupids and Ledas in gold.
That is, silk and honey and sheen.
That is, boon and quiver and call.
That is, all that lives to be free,
needing no words at all. — Regina Derieva

There can be no resolution leading to growth until the present situation has been faced completely and you have opened to it with mindfulness, allowing the roughness of the situation itself to sand down your own rough edges. In other words, you must be willing to let life itself become your teacher. — Jon Kabat-Zinn

There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind. — Dante Alighieri

See, it's like I've always told you, you're a waste of human life and you would be better off as a grain of sand. If you were a grain of sand, you would serve a purpose in this life. The dirt that holds me up from touching something lower than you. Now you know where you stand in this world. Right below me. — Charles Lee

Abyssinias
"I met a traveler from an antique land
Who said: A huge four-footed limestone form
Sits in the desert, sinking in the sand.
Its whiskered face, though marred by wind and storm,
Still flaunts the dainty ears, the collar band
And feline traits the sculptor well portrayed:
The bearing of a born aristocrat,
The stubborn will no mortal can dissuade.
And on its base, in long-dead alphabets,
These words are set: "Reward for missing cat!
His name is Abyssinias, pet of pets;
I, Ozymandias, will a fortune pay
For his return. he heard me speak of vets
O foolish King! And so he ran away. — Henry N. Beard

Although it was only a single instrument, each note had the peculiar echoed quality of a thousand harmonics voiced together. There was a whisper behind the strongest note and a shout beneath the softest, and they sang of far off places in long forgotten times. There were no words, but the images of ancient pride, noble heritage, and castles in the sand were imagined from the progression. This was the song that would be played at the birth of a nation, full of hope and promise of better days ahead. This was the song of the end of days with all love and longing lost beyond recall or desire. Farris could see this song playing at her wedding, or her funeral, as a herald of joy and sorrow. She found tears in her eyes and heard herself laugh, and she couldn't say why she was doing either. Her skin was tense and covered with goosebumps, and she shivered with pleasure. — Tobias Wade

I walked slowly out on the beach. A few yards below high-water mark I stopped and read the words again: WRITE YOUR WORRIES ON THE SAND. I let the paper blow away, reached down and picked up a fragment of shell. Kneeling there under the vault of the sky, I wrote several words, one above the other. Then I walked away, and I did not look back. I had written my troubles on the sand. The tide was coming in. — Arthur Gordon Webster

You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be. — Anne Lamott

Cabeza de Vaca had wrapped her in his arms and in his language, whispering about a life she did not understand although understanding seemed to form just beyond the sea and sand, waiting there for her to grow older. Even when the story confused her, she had caught words or phrases, ideas like fish, bold and surprising, tasting of her father's mind. She had learned quickly to nod and speak because he needed her to do this, because his need surrounded her like the blue sky. She was his bastard, and he had loved her. Yes, he had loved her. That was the memory she couldn't bear. — Sharman Apt Russell

That poem you like, how does it end?"
He knows how it ends. He's looked it up by now, that's why he asks.
But I answer him anyway.
"'We have lingered in the chambers of the sea, by sea-girls wreathed
with seaweed red and brown, till human voices wake us, and we drown.'"
Eliot shakes his head. "It does not need the last three words. The last
three words are wrong."
I laugh at his correcting a Nobel prize-winning poet, but I agree. I
know what drowning feels like. It doesn't need water. And human voices,
if they say the right things, can save you.
"Eliot, do you have a pen I can borrow?"
I can feel him smiling in the dark, and we watch the sea caress the
sand.
"That man in the poem, Mr. Prufrock, he was a coward, wasn't he?"
Eliot says.
My answer to his question is the same as his answer to mine. — Ray Cluley

Don't just ask questions. Know how the answers to the questions will change your behavior. In other words, draw a line in the sand before you run the survey. — Alistair Croll

Hutte was always saying that, in the end, we are all "beach men" and that "the sand"--I am quoting his own words-- keeps the traces of our footsteps only a few moment — Patrick Modiano

Bugle"

Black beetles know where the most recent bones
bake in the heat, tendons and meat long gone,
bleached white, and if you give them cheap wine --
drizzle a few red drops on a flat stone--
they will lead you to a barren gulch
surrounded by sages and nettles, dirt
burnt to powdery sand and sharp thorns. Hunch
above the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare
locust tree a telling reliquary
of dust to dust, all so brutally hot.
You must pull ribs from that rotting body,
words that matter: love me, love me not. — Tod Marshall

As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed. I drew with a stick on the sand the diagram shown six years later in my address before the American Institute of Electrical Engineers, and my companion understood them perfectly. The images I saw were wonderfully sharp and clear and had the solidity of metal and stone, so much so that I told him, "See my motor here; watch me reverse it." I cannot begin to describe my emotions. Pygmalion seeing his statue come to life could not have been more deeply moved. A thousand secrets of nature which I might have stumbled upon accidentally, I would have given for that one which I had wrested from her against all odds and at the peril of my existence ... — Nikola Tesla

Faith is an excitement and an enthusiasm: it is a condition of intellectual magnificence to which we must cling as to a treasure, and not squander on our way through life in the small coin of empty words, or in exact and priggish argument. — George Sand

Many words will be written on the wind and the sand, or end up in some obscure digital vault. But the storytelling will go on until the last human being stops listening. Then we can send the great chronicle of humanity out into the endless universe. — Henning Mankell

I've always been an ironic dreamer, unfaithful to my inner promises.
Like a complete outsider, a casual observer of whom I thought I was,
I've always enjoyed watching my daydreams go down in defeat.
I was never convinced of what I believed in.
I filled my hands with sand, called it gold, and opened them up to let it slide through.
Words were my only truth.
When the right words were said, all was done; the rest was the sand that had always been. — Fernando Pessoa

That sand into which we bury ourselves in order not to see, is formed of words ... and it is true that words, their labyrinths, the exhausting immensity of their "possibles", in short their treachery, have something of quicksand about them. — Georges Bataille

They danced slow circles in the sand, Javier singing the words to the Spanish version of the song, the melancholy music putting a strange ache in his chest, an ache he saw reflected in her eyes. Was she feeling what he was feeling? — Pamela Clare

She couldn't read his expression. As he started toward her, she recalled the way he'd seemed to glide through the sand the first time she'd ever seen him; she remembered their kiss on the boat dock the night of his sister's wedding. And she heard again the words she'd said to him on the day they'd said good-bye. She was besieged by a storm of conflicting emotions - desire, regret, longing, fear, grief, love. There was so much to say, yet what could they really begin to say in this awkward setting and with so much time already passed? — Nicholas Sparks

You know the words from the Bible: 'Build not on sand, but on rock ... ' Tyrant leaders respect only firmness ... and laugh at persons who give in to them. — Aleksandr Solzhenitsyn

Maulana Rumi was reading under the shade of a tree by a river, a pile of books besides him - according to one variation he was teaching a group of his students with a pile of hand-written notes next to him - when Shams Tabriz (rah) came by.

He asked Maulana what was going on and he replied 'This is qaal (words), something you cannot understand'.

Shams Tabriz then took Maulana's precious books and threw them in the water. Maulana was aghast. Shams Tabriz then recited Bismillah and pulled the books out of the water and dusted the water off them as if he was dusting sand; the pages thus dried and Maulana saw that the ink on them had not run despite having been soaked in water. Maulana was amazed and asked incredulously, what is this.

'This is haal (spiritual state) something you cannot understand' replied Shams Tabriz (rah). — Zulfiqar Ahmad

And when he had put his hand on mine with a cheerful look, wherefrom I took courage, he brought me within to the secret things. Here sighs, laments, and deep wailings were resounding through the starless air; wherefore at first I wept thereat. Strange tongues, horrible utterances, words of woe, accents of anger, voices high and faint, and sounds of hands with them, were making a tumult which whirls always in that air forever dark, like the sand when the whirlwind breathes. — Dante Alighieri

Please bring strange things.
Please come bringing new things.
Let very old things come into your hands.
Let what you do not know come into your eyes.
Let desert sand harden your feet.
Let the arch of your feet be the mountains.
Let the paths of your fingertips be your maps
And the ways you go be the lines of your palms.
Let there be deep snow in your inbreathing
And your outbreath be the shining of ice.
May your mouth contain the shapes of strange words.
May you smell food cooking you have not eaten.
May the spring of a foreign river be your navel.
May your soul be at home where there are no houses.
Walk carefully, well-loved one,
Walk mindfully, well-loved one,
Walk fearlessly, well-loved one.
Return with us, return to us,
Be always coming home.
Ursula K. Leguin — Ursula K. Le Guin

I have finally come around to asking myself what is expressed in that sand of written words which I have strung together throughout my life, that sand that seems to me to be so far away from the beaches and desert of living. Perhaps by staring at the sand as sand, words as words, we can come close to understanding how and to what extent the world that has been ground down and eroded can still find in sand a foundation and model. — Italo Calvino

I contend that the time has come to develop what I call "integrated spiritual masters." These are individuals that have a full-on experience of all levels of life spiritually, intellectually, emotionally, and yes ... physically. In other words they can soar into the realms of the mystic and yet still keep their feet in the sand. — James Arthur Ray

It was as if there were no names here, as if there were no words. The desert cleansed everything in its wind, wiped everything away. The men had the freedom of the open spaces in their eyes, their skin was like metal. Sunlight blazed everywhere. The ochre, yellow, gray, white sand, the fine sand shifted, showing the direction of the wind. It covered all traces, all bones. It repelled light, drove away water, life, far from a center that no one could recognize. The men knew perfectly well that the desert wanted nothing to do with them: so they walked on without stopping, following the paths that other feet had already traveled in search of something else. — Jean-Marie G. Le Clezio

History can be ironic, particularly with regard to the invention of traditions in general and traditions of language in particular. Few people have noticed, or are willing to acknowledge, that the Land of Israel of biblical texts did not include Jerusalem, Hebron, Bethlehem, or their surrounding areas, but rather only Samaria and a number of adjacent areas - in other words, the land of the northern kingdom of Israel. Because — Shlomo Sand

Good, good, now say cheese, say cheese, cheese, cheeeeeeese - the woman enthuses, and everyone says cheese. Myself, I don't really say, because I am busy trying to remember what cheese means exactly, and I cannot remember. Yesterday Mother of Bones told us the story of Dudu the bird who learned and sand a new song whose words she did not really know the meaning of and who was then caught, killed, and cooked for dinner because in the song she was actually begging people to kill and cook her. — NoViolet Bulawayo

Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe. It is as if forces we can lay claim to in no other way, become present to us in sensuous form. The knowledge and use of this magic goes back very far: the rune; the chant; the incantation; the spell; the kenning; sacred words; forbidden words; the naming of the child, the plant, the insect, the ocean, the configuration of stars, the snow, the sensation in the body. The ritual telling of the dream. The physical reality of the human voice; of words gouged or incised in stone or wood, woven in silk or wool, painted on vellum, or traced in sand. — Adrienne Rich

Hutte, for instance, used to quote the case of a fellow he called "the beach man." This man had spent forty years of his life on beaches or by the sides of swimming pools, chatting pleasantly with summer visitors and rich idlers. He is to be seen, in his bathing costume, in the corners and backgrounds of thousands of holiday snaps, among groups of happy people, but no one knew his name and why he was there. And no one noticed when one day he vanished from the photographs. I did not dare tell Hutte, but I felt that "the beach man" was myself. Though it would not have surprised him if I had confessed it. Hutte was always saying that, in the end, we were all "beach men" and that "the sand" - I am quoting his own words - "keeps the traces of our footsteps only a few moments. — Patrick Modiano