Words Describing Quotes & Sayings

Glint, glisten, glitter, gleam ...
Tiffany thought a lot about words, in the long hours of churning butte. Onomatopoetic , she'd discovered in the dictionary, meant words that sounded like the thing they were describing, like cuckoo. But she thought there should be a word that sounds like the noise a thing would make if that thing made a noise even though, actually, it doesn't, but would if it did.
Glint, for example. If light made a noise as it reflected off a distant window, it'd go glint!And the light of tinsel, all those little glints chiming together, would make a noise like glitterglitter. Gleam was a clean, smooth noise from a surface that intended to shine all day. And glisten was the soft, almost greasy sound of something rich and oily. — Terry Pratchett

It would be like describing colors to someone blind from birth: The words might be understood, but the concept would remain mysterious and private. — Nicholas Sparks

Words were not just words, describing things a person could see. Even if most did not. Maybe they had to know a thing first, to see it. — Barbara Kingsolver

C.S. Lewis admitted, when he was asked to set forth his beliefs, that he never felt less sure of them than when he tried to speak of them. Photographers know this frailty. To them words are a pallid, diffuse way of describing and celebrating what matters. Their gift is to see what will be affecting as a print. Mute. — Robert Adams

No words, phrases, or sentences are capable of describing or naming the Way, because once it is named, it is a false name and has to be eliminated. Once it is eliminated, only emptiness is left. When the false is abandoned, the true emerges. — Henry Chang

If dirty words frighten you...I really don't know how you have managed to live so long. People are full of dirty words. The only time they do not use them, most people I mean, is when they are describing something dirty. — James Baldwin

The Fourth Amendment to the United States Constitution, intact for over 200 years, guaranteed that the right of the people to be secure in their persons, houses, papers and effects, against unreasonable searches and seizures, shall not be violated, and no warrants shall issue, but upon probable cause, supported by oath of affirmation, and particularly describing the place to be searched, and the persons or things to be seized. After September 11th, 2001, those were just words on an old piece of paper, no longer a restriction of the Government's overreaching power to shake down its subjects. — Kenneth Eade

I used to believe authenticity could be achieved solely by describing, in our own words, one's own fragment of experience. This was of course predicated on the complete intellectual and aesthetic independence of the "I". One eventually realizes such intellectual isolationism promotes style, ego, awards. But not change. — Miguel Syjuco

This is cunnilingus you're describing, right?"
"Good lord, where did you find that word?"
"I saw it in the dictionary."
"Are we perusing the dictionary for profane words now?"
"I wanted to know how to pronounce it properly. The accent is on the third syllable."
" Ah, good to know. Because that word is always likely to come up in casual conversation. — Kathy Cecala

Elmore Leonard's Ten Rules of Writing
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said" ... he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it. — Elmore Leonard

And now I know why they invented words for love, why they had to: It's the only thing that can come close to describing what I feel in that moment, the baffling mixture of pain and pleasure and fear and joy, all running sharply through me at once. — Lauren Oliver

The word photography comes from two ancient Greek words: photo for "light" and graph for "drawing." "Drawing with light" is a way of describing photography. — Vishal Diwan

The Eskimos have thirty words for describing different kinds of snow, and modern Russian has about the same number of expressions to describe giving a bribe to a state official. — Victor Pelevin

Writing for children is as easy as describing the history of the Byzantium in three words. — Mo Willems

... there are simply no words that would be worthy of describing their encounter. And if any narrator ever tries to come up with some details, it would be only to arouse the readers' lust, and would not do justice to what happened that night between Nini and the young woman whose dream he invaded. It was just a glorious experience of two bodies melting in one, two souls uniting in one, two hearts beating with the same beat, and two spirits becoming one. Yes, it was a dream. — Stevan V. Nikolic

Describing beauty is almost impossible because we perceive it, rather than describe it. If you look at a Rembrandt painting and start to try and describe what the beauty is you see, your words sound absolutely pathetic. — John Lennox

Words aren't very good at describing complicated, strange visual things. You can try, and the reader will have some sort of image in their mind, but words aren't good at that. — Yann Martel

I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And it's hard for me to label the intricate matrix of my gender as simply masculine.

To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write. — Leslie Feinberg

And I loved her. Because of that moment, I will always love her."

He said the words as simply as if he were describing the sun going up and coming down.

"No matter that I live and she is dead," Romeo went on earnestly. "It is nothing to me. Were she a revenant and ripping the flesh from my bones, I would love her still, and still I would try - "

"Stop it," said Paris, and then quickly added, "if you want. But I really don't care about your beautiful feelings. — Rosamund Hodge

In France her tutor had once taught her that to truly fix an image in the mind to fasten it down completely so that it remained forever captive and vivid she should carefully name each aspect of the thing to herself as though she were describing it to a blind person.
"For ma petite such is the fickleness of the human mind that it soon lets go of whatever it sees if you would keep it you must tack it down with words." She had tried it and found that it worked on flowers rooms faces ceremonies. — Margaret George

In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me."
[Letter to Joan Lancaster, 26 June 1956] — C.S. Lewis

If we want to reach them, our articulation of the problem has to avoid ascribing personal evil to them, while also being uncompromising in describing the dynamics of the problem. I cannot offer a formula for how to do this. The right words and strategies arise naturally from compassion: from the understanding that the bankers or whoever do as I would do, were I in their shoes. In other words, compassionate - and effective - words arise from a deeply felt realization of our common humanity. And this is possible only to the extent to which we have applied the same to ourselves. Truly, to be an effective activist requires an equivalent inner activism. — Charles Eisenstein

Completeness? Happiness? These words don't come close to describing my emotions. There truly is nothing I can say to capture what motherhood means to me, particularly given my medical history. — Anita Baker

For he will speak peace to his people. . . . psalm 85:8 Peace is a language. To "speak peace" is very different from speaking of peace. To speak of peace is to reason about it. But to speak peace is to impart it. The promise in this psalm is that God will make peace with us and among us. But the phrase also serves as a reminder that our words are acts. When we speak, we may stir up animosities, suspicions, jealousies, or old hurts - or we may impart peace. Peace may be "uttered" not only in gentleness of voice when we speak, but in the choice of words that reframe, redirect, or surprise us into reconsidering. Sometimes a way of describing the problem or conflict as an opportunity for invention or imagination or learning can enable those who are stuck in a point of view to see a new way. — Marilyn Chandler McEntyre

We want different things. Men want to have sex with a woman. Then they want to have sex with another woman. And then another. Then they want to eat cornflakes and sleep for a while, and then they want to have sex with another woman, and another, until they die. Women,' and I thought I'd better pick my words carefully when describing a gender I didn't belong to, 'want a relationship. They may not get it, or they may sleep with a lot of men before they do get it, but ultimately that's what they want. That's the goal. Men do not have goals. Natural ones. So they invent them, and put them at either end of a football pitch. And then they invent football. Or they pick fights, or try and get rich, or start wars, or come up with any number of daft bloody things to make up for the fact that they have no real goals.'
'Bollocks,' said Ronnie.
'That, of course, is the other main difference. — Hugh Laurie

We tend to think of consecration only as yielding up, when divinely directed, our material possessions. But ultimate consecration is the yielding up of oneself to God. Heart, soul, and mind were the encompassing words of Christ in describing the first commandment, which is constantly, not periodically, operative (see Matt. 22:37). If kept, then our performances will, in turn, be fully consecrated for the lasting welfare of our souls (see 2 Ne. 32:9). — Neal A. Maxwell

When I feel the ball start to grow in my stomach, I immediately do one of two things. I either change environments, by going to weed the garden or fold some laundry while taking deep breaths, or I start describing the situation which is bothering me, being very conscious that my words are only honest descriptions and not reactions. Sometimes, an issue is especially large to cope with, so I find a private place and pray. I pray until I feel a spirit of calmness, the spirit of God. — Nicholeen Peck

Yes, of course, there's something fishy about describing people's feelings. You try hard to be accurate, but as soon as you start to define such and such a feeling, language lets you down. It's really a machine for making falsehoods. When we really speak the truth, words are insufficient. Almost everything except things like "pass the gravy" is a lie of a sort. And that being the case, I shall shut up. Oh, and ... pass the gravy. — Iris Murdoch

Writer's block doesn't really come from lack of ideas, I believe; it comes more from fear. Fear of the blank document, fear of failure...fear that what you write will be awful!
So the only way past it is to make myself get on with it. Sit in front of my computer and type, something, anything, even if it is simply writing down my feelings at that moment, or describing the weather. I start with something simple, and before I know it the words will flow again. — Barbara Copperthwaite

We accepted a definition of ourselves which confined the self to the source and to the limitations of conscious attention. This definition is miserably insufficient, for in fact we know how to grow brains and eyes, ears and fingers, hearts and bones, in just the same way that we know how to walk and breathe, talk and think only we can't put it into words. Words are too slow and too clumsy for describing such things, and conscious attention is too narrow for keeping track of all their details. — Alan Watts

When describing me, Tracy often refers to a well-known concept of physics: 'inertia.' As Newton avers in his first law: 'An object that is not moving will not move until a force acts upon it. An object that is moving will not change its velocity until a net force acts upon it.' In other words, depending on what's happening in my life at any given moment, I can either be the laziest human being on the planet, or the busiest. I'm perfectly content to do absolutely nothing until I'm catalyzed by some person or project, and then I go nonstop until some countervailing force acts upon me, and I revert back to static mode. — Michael J. Fox

The only words that ever satisfied me as describing nature are the terms used in fairy books, charm, spell, enchantment; they express the arbitrariness of the fact and its mystery. — Gilbert K. Chesterton

I strenuously object to the very word "grotesque" which has become hackneyed to the point of nausea ... I would prefer my music to be described as "Scherzo-ish" in quality, or else by three words describing the various degrees of the Scherzo - whimsicality, laughter, mockery. — Sergei Prokofiev

After reading about ten of those self-help books, I saw that they were leading nowhere. They have an immediate effect, but that effect stops as soon as I close the book. They're just words, describing an ideal world that doesn't exist, not even for the people who wrote them. — Paulo Coelho

"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words. — Chris Ware

Somehow, I cannot see anyone describing me as gracious, loving, and happy." He frowned at his sandwich as if in puzzlement. "You are loving," Anna replied staunchly, though she hadn't exactly planned for those words to leave her mouth. "Now that is beyond surprising." The earl eyed her in the deepening shadows. "How do you conclude such a thing, Mrs. Seaton?" "You have endless patience with your family, my lord," she began. "You escort your sisters everywhere; you dance attendance on them and their hordes of friends at every proper function; you harry and hound the duke so his wild starts are not the ruination of his duchy. You force yourself to tend to mountains of business which you do not enjoy, so your family may be safe and secure all their days." "That is business," the earl said, looking nonplussed that his first sandwich had disappeared, until Anna handed him a second. — Grace Burrowes

Actually, there is no such thing as a homosexual person, any more than there is such a thing as a heterosexual person. The words are adjectives describing sexual acts, not people. The sexual acts are entirely normal; if they were not, no one would perform them. — Gore Vidal

Let me praise you tonight.
Because tomorrow you cannot be described by words,
While describing you.
Tomorrow, earth and sky will disappear altogether. — Rumi

Her hair gives dawn it's fire, her eyes give dusk her soul"
He knew how to use his voice to melt a girl's heart, to make a girl want to believe. I steeled myself against the seductive words. "Excuse me?"
"It's a line of poetry describing a beautiful girl, one who doesn't seem to know it. — Elizabeth Chandler

In other words, the idea is the there's a fourth level of parallel universes that's vastly larger than the three we've encountered so far, corresponding to different mathematical structures. The first three levels correspond to noncommunicating parallel universes within the same mathematical structure: Level I simply means distant regions from which light hasn't yet had time to reach us, Level II covers regions that are forever unreachable because of the cosmological inflation of intervening space, and Level III, Everett's "Many Worlds," involves noncommunicating parts of the Hilbert space of quantum mechanics. Whereas all the parallel universes at Levels I, II and III obey the same fundamental mathematical equations (describing quantum mechanics, inflation, etc.), Level IV parallel universes dance to the tunes of different equations, corresponding to different mathematical structures. Figure 12.2 illustrates this four-level multiverse hierarchy, one of the core ideas of this book. — Max Tegmark

But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have? — Ian McEwan

That circular loop was fatal. Patsy giving them their Latin name, herpes zoster, describing how the pain attacked the line of the nerves, something Dilly knew beyond the Latin words when she had wept night after night, as they oozed and bled, when nothing, no tablet, no prayer, no interceding, could do anything for her, a punishment so acute that she often felt one half of her body was in mutiny against — Edna O'Brien

By the way, leafing through my dictionary I am struck by the poverty of language when it comes to naming or describing badness. Evil, wickedness, mischief, these words imply an agency, the conscious or at least active doing of wrong. They do not signify the bad in its inert, neutral, self-sustaining state. Then there are the adjectives: dreadful, heinous, execrable, vile, and so on. They are not so much as descriptive as judgmental. They carry a weight of censure mingled with fear. Is this not a queer state of affairs? It makes me wonder. I ask myself if perhaps the thing itself - badness - does not exist at all, if these strangely vague and imprecise words are only a kind of ruse, a kind of elaborate cover for the fact that nothing is there. Or perhaps words are an attempt to make it be there? Or, again, perhaps there is something, but the words invented it. Such considerations make me feel dizzy, as if a hole had opened briefly in the world. — John Banville

For the most profound experiences in our lives and in the world words are worth nothing. Can you describe love Or death Can you describe what it really feels like the first time you see your child Or the first time your heart gets broken You can try ... but it won't come close to describing what it really was or what it really felt like. — James Frey

Younger writers are always looking for "blurbs," one of the few words that sounds exactly as awful as the crime it's describing. — Brian K. Vaughan

His work was so great that it cannot be compassed in a few words. His death is one of the greatest losses ever to occur to British science.

{Describing Ernest Rutherford upon his death at age 66. Thomson, then 80 years old, was once his teacher.} — J.J. Thomson

In all societies, public rhetoric involves some measure of lying, and history -- political history and art history -- is made when someone effectively confronts the lie. But in really scary societies all public conversation is an exercise in using words to mean their opposites -- in describing the brave as traitorous, the weak as frightening, and the good as bad -- and confronting these lies is the most scary and lonely thing a person can do. — Masha Gessen

All the terms used in the science books, 'law,' 'necessity,' 'order,' 'tendency,' and so on, are really unintellectual ... The only words that ever satisfied me as describing Nature are the terms used in the fairy books, 'charm,' 'spell,' 'enchantment.' They express the arbitrariness of the fact and its mystery. A tree grows fruit because it is a magic tree. Water runs downhill because it is bewitched. The sun shines because it is bewitched. I deny altogether that this is fantastic or even mystical. We may have some mysticism later on; but this fairy-tale language about things is simply rational and agnostic. — G.K. Chesterton

Beware of men who use words that relate pejoratively to females when describing the 'other side. — Jane Fonda

In everything, almost in everything, I wrote I was guided by the need of collecting ideas which, linked together, would be the expression of myself, though each individual idea, expressed separately in words, loses its meaning, is horribly debased when only one of the links, of which it forms a part, is taken by itself. But the interlinking of these ideas is not, I think, an intellectual process, but something else, and it is impossible to express the source of this interlinking directly in words; it can only be done indirectly by describing images, actions, and situations in words. — Leo Tolstoy

Words ... They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good any more ... I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you're dead. — Tom Stoppard

If you've lived through it, you already know there are no words that will ever come close to describing it, and if you didn't - you will never understand. — Jodi Picoult

Photographs have the kind of authority over imagination to-day, which the printed word had yesterday, and the spoken word before that. They seem utterly real. They come, we imagine, directly to us without human meddling, and they are the most effortless food for the mind conceivable. Any description in words, or even any inert picture exists in the mind. But on the screen the whole process of observing, describing, reporting, and then imagining, has been accomplished for you. — Walter Lippmann

I think of the hundreds of lights dancing across the night sky. "I knew you were watching. I know it sounds stupid, but I felt you with me, and then when you sent that letter describing that night ... " I drop off, unable to find the right words to explain the emotion. — Katie McGarry