Woman In White Dress Quotes & Sayings

Near my feet is a glowing archway. The light is white and shimmery, like iridescent glitter, and it's so tall the top nearly brushes the ceiling. Inside, instead of seeing the cement wall of the basement, I'm looking at evenly spaced wooden pillars and a reed-mat floor. Standing on that mat is a woman with curves that would make a Playboy model jealous. She's wearing a long, butter yellow dress, and her white hair hangs down to her waist. She looks like an angel when she smiles at me, holding out her hands.
"Hudson, come with me." Her voice reminds me of the breeze rustling through the trees near the lake. Soft and subtle and calming. "Let me help you."
Did I die? Maybe the scratch on my side got infected. Maybe I've been slowly bleeding to death from internal injuries for the past week. Who knows? If this is death, if she's what's waiting for me on the other side, then fuck it. I'm letting go. — Erica Cameron

The devil is a woman in a purple dress that's riding up her thighs and revealing smooth flawless skin like maybe she is an angel. A group of men are carrying her, struggling to get her to the top. I have never seen the woman before, or any of the men, but I think she is just so pretty even Sbho doesn't compare. She has long shiny hair that isn't really hers but it still looks good, nice skin, white teeth, and it seems like she eats very well. Her breasts are the only thing that is wrong with her body - nobody needs breasts that are each the size of ugly baby;s head. — NoViolet Bulawayo

The door of the bar opened, showing him a momentary oblong of true daylight, blankly white. A woman entered. He couldn't see her face as she crossed to the bar in front of the window, but he could see, drawn with exactitude by the light behind her, her legs within a summery white dress. When young he had supposed, without giving it much thought, that women didn't realize that sun behind them revealed them in this way; now he supposes that of course they must, and thinks about it. ("Novelty") — John Crowley

One woman's recipe for laundry day included this 11-step routine that's exhausting even to read: bild fire in back yard to het kettle of rain water. set tubs so smoke won't blow in eyes if wind is peart. shave 1 hole cake lie sope in bilin water. sort things. make 3 piles. 1 pile white, 1 pile cullord, 1 pile work briches and rags. stur flour in cold water to smooth then thin down with bilin water [for starch]. rub dirty spots on board. scrub hard. then bile. rub cullord but don't bile just rench [rinse] and starch. take white things out of kettle with broom stick handle then rench, blew [whitener] and starch. pore rench water in flower bed. scrub porch with hot sopy water turn tubs upside down go put on a cleen dress, smooth hair with side combs, brew cup of tee, set and rest and rock a spell and count blessings. — Brandon Marie Miller

The woman, one of those usually known as a good-time girl, was famous for the premature portliness which had earned her the nickname Boule de Suif. Small, round as a barrel, fat as butter and with fingers tightly jointed like strings of small sausages, her glowing skin and the enormous bosom which strained under the constraints of her dress - as well as her freshness, which was a delight to the eye - made her hugely desirable and much sought after. She had a rosy apple of a face, a peony bud about to burst into bloom. Out of it looked two magnificent dark eyes shaded by thick black lashes. Further down was a charming little mouth complete with invitingly moist lips and tiny, gleaming pearly-white teeth. She was said to possess a variety of other inestimable qualities. — Guy De Maupassant

It is well known that women carry poison in their pockets. Did you expect a gun? A woman with a gun would be just another policeman. We fall in love with the convicts, remember that. Policemen marry girls from the neighborhood, high school looms over their unions, the first uniform is her prom dress and his black bow tie and white shirt. But the girls are thinking of poison, thinking of poison as the lights go out on the dresser where the revolver has been placed with care for the night. The black shoes, the fine, thick serge of the coat, shoulders and thighs of stallions. And the policemen are usually shot down by someone out of shape, thin, thin, nothing but living bones. Remember that. — Elizabeth Hardwick

The woman with the cat complex is named Mrs. Alice Plesher, but she doesn't reveal her first name to him and Sai only finds out by accident, later. Mrs. Plesher calls the paper and is put through to Sai. He has no idea why although he could guess the new guy gets all of the reporter-on-the-beat drudgery assignments until proven worthy. Alice speaks haltingly as if hardened by age and her voice reveals a rasp. Sai pictures her in a long house dress from the fifties, wide pink and white stripes fading with age
a smock of beige over the dress, a multitude of cats clinging to the fabric like stick-ons. — Justin Bog

A young woman with long hair and a short white halter dress walks through the casino at the Riviera in Las Vegas at one in the morning. It was precisely this moment that made Play It As It Lays begin to tell itself to me. — Joan Didion

A modest, godly woman will dress modestly ... The one who is simple and unpretending in her dress and in her manners shows that she understands that a true woman is characterized by moral worth. — Ellen G. White

The moon ... is a mad woman holding up her dress So that her white belly shines. Haughty, Impregnable, Ridiculous, Silent and white as a debauched queen. — Yevgeny Zamyatin

I have to admit that I'm up to my neck in frivolity, buried in dresses to the point of ruin! Fifteen different garments! My wardrobe jam-packed! My girl, this is not the way for an old woman to behave - particularly since you never wear anything but black and white, or a little grey, so that you always look as though you were in the same dress. Why fritter away your money so absurdly? (22 August 1919) — Liane De Pougy

One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motor cars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning. I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry. — Virginia Woolf

The woman, who belonged to the courtesan class, was celebrated for an embonpoint unusual for her age, which had earned for her the sobriquet of "Boule de Suif" (Tallow Ball). Short and round, fat as a pig, with puffy fingers constricted at the joints, looking like rows of short sausages; with a shiny, tightly-stretched skin and an enormous bust filling out the bodice of her dress, she was yet attractive and much sought after, owing to her fresh and pleasing appearance. Her face was like a crimson apple, a peony-bud just bursting into bloom; she had two magnificent dark eyes, fringed with thick, heavy lashes, which cast a shadow into their depths; her mouth was small, ripe, kissable, and was furnished with the tiniest of white teeth. — Guy De Maupassant

It always seems to me as if the lavender was a little woman in a green dress, with a lavender bonnet and a white kerchief. She's one of those strong, sweet, wholesome people, who always rest you, and her sweetness lingers long after she goes away. — Myrtle Reed

Marlys was a sturdy woman in her fifties, white curls clinging to her scalp like vanilla frosting. She wore rimless glasses, a homemade red-checked gingham dress, and low-topped Nikes. Short-nosed and pale, she had a small pink mouth that habitually pursed in thought, or disapproval. — John Sandford

As they reached the steps to the house, the door opened. A woman in a gray dress and white apron glared at them.
Taken aback, Delia faltered.
Mr. Livingston leaned over. "Don't mind Mrs. Graves, my housekeeper," he said in a low voice full of humor, obviously meant to reassure her. "That's her normal expression. She only smiles once a year on Christmas. — Debra Holland

Imagine a morning in late November. A coming of winter morning more than twenty years ago. Consider the kitchen of a spreading old house in a country town. A great black stove is its main feature; but there is also a big round table and a fireplace with two rocking chairs placed in front of it. Just today the fireplace commenced its seasonal roar. A woman with shorn white hair is standing at the kitchen window. She is wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched. Her face is remarkable - not unlike Lincoln's, craggy like that, and tinted by sun and wind; but it is delicate, too, finely boned, and her eyes are sherry-colored and timid. "Oh my," she exclaims, her breath smoking the windowpane, "it's fruitcake weather! — Truman Capote

She had been looking all round her again - at the lawn, the great trees, the reedy, silvery Thames, the beautiful old house; and while engaged in this survey she had made room in it for her companions; a comprehensiveness of observation easily conceivable on the part of a young woman who was evidently both intelligent and excited. She had seated herself and had put away the little dog; her white hands, in her lap, were folded upon her black dress; her head was erect, her eye lighted, her flexible figure turned itself easily this way and that, in sympathy with the alertness with which she evidently caught impressions. Her impressions were numerous, and they were all reflected in a clear, still smile. I've never seen anything so beautiful as this. — Henry James

You were just a beautiful woman. Now you're my beautiful woman. What you got under your clothes is for me. No one else. They don't look. They don't touch. That's the deal. Yeah?"
I stared at him, speechless, which was a good thing because if I had words, I would have said them so loudly the neighbors would hear.
"Now," he went on, either not feeling or not caring about the badder than bad vibes emanating from me directly toward him, "go put on a tank."
That's when I found my words.
"Maybe I should go put on my ragged white dress and stone necklace and you can put on your leopard skin tunic and we can pedal in our stone car to the roadhouse before you go bowling with Barney and I go shopping with Betty, Fred. — Kristen Ashley