Quotes & Sayings About Why You Do Something

His blue eyes brightened with a smile. 'I did.' He looked over his shoulder, as if making sure her mom wasn't looking. The he pulled her against him and kissed her. A soft kiss.
'I got you something,' He whispered, his lips breathing words against hers.
He reached into his coat pocket and pulled out a ring. A gold ring with a large diamond. A beautiful, teardrop-shaped diamond that looked like an engagement ring. Kylie's breath caught.
'It was my grandmother's ring. In her letter she wrote you should have it. And before you start panicking, let me say that I know maybe we're too young to call it an engagement, That's why I got you this too.' He pulled out a gold chain 'I want you to wear it around your neck. Call it a promise- A promise that when you do slip a ring on that finger ... ' He ran his hand down to her left hand. 'That it'll be my ring.'
Emotion rose in her chest 'You don't have to give me anything for me to give you that promise. — C.C. Hunter

You see, we were able to give you something, something which even now no one will ever take from you, and we were able to do that principally by sheltering you. Hailsham would not have been Hailsham if we hadn't. Very well, sometimes that meant we kept things from you, lied to you. Yes, in many ways we fooled you, I suppose you could even call it that. But we sheltered you during those years, and we gave you your childhoods. Lucy was well-meaning enough. But if she'd have her way, your happiness at Hailsham would have been shattered. Look at you both now! I'm so proud to see you both. You built your lives on what we gave you. You wouldn't be who you are today if we'd not protected you. You wouldn't have become absorbed in your lessons, you wouldn't have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? You would have told us it was all pointless, and how could we have argued with you? So she had to go. — Kazuo Ishiguro

When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story. — Roger Deakins

This one guy, the worse guy in the music. The Yanni man. You know Yanni? First of all, anyone who looks like a magician and doesn't do magic, I don't like. I don't even like magic, I hate it. But I love the word, "Ta-da"! I love that word! I don't get to say it, right? I never do any magic. You just cant go around walking, "Ta-da!" "Ta-da!" "Ta-da!" The only time I can say it is when I do something really stupid or surprising. Like if I go out all night drinking and hitting strip clubs and I come home and I still got some money ... "Ta
da!" I thought I was broke. Why does my jaw hurt? — Dave Attell

Next time you try to do something and fail, and it really was partly in your control, be honest about
why you failed--but also, what you can do better in the future. It's easy to see that blaming
circumstance robs you of opportunities to learn. — Rohvannyn Shaw

In this country [the USA], you have got to tolerate things you do not like in order to preserve the First Amendment, in order to preserve democracy, and if people start bullying people into fearing that if I say something I could offend people, that is exactly why we have a constitution. — Harvey Levin

Then why'd you do it?"
"Jealousy," she said without hesitation. "It always comes down to something crude. Don't kid yourself, Keating. It's human nature. — Leah Raeder

A forest," William said, his expression distant. "Where the ground is dry soil and stone. Where tall trees grow and centuries of autumn carpet their roots. Where the wind smells of game and wildflowers."
"Why, that was lovely, Lord Bill. Do you ever write poetry? Something for your blueblood lady?"
"No."
"She doesn't like poetry?"
"Leave it."
Hehe. "Oh, so you have a lady. How interes
— Ilona Andrews

I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense." — Jeff Vespa

Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent's heart. He says a girl like you would appeal to ... hmm, how did he put it? ... I can't remember the exact words, but it was something like ... you would appeal to St. Vincent's deepest, most secret fantasy."
Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. "I should think his fantasy is to consort with as many women as possible."
A grin crossed Lillian's lips. "Dear, that is not St. Vincent's fantasy, it's his reality. And you're probably the first sweet, decent girl he's ever had anything to do with."
"He spent quite a lot of time with you and Daisy in Hampshire," Evie countered.
That seemed to amuse Lillian further. "I'm not at all sweet, dear. And neither is my sister. Don't say you have been laboring under that misconception all this time? — Lisa Kleypas

It's important to marry someone, she said. Not because you need them to complete you or because you ought to be someone's wife by hook or by crook. It's just that worlds want to combine, they want to marry, and they use people to do it, the way you mix medicine in with something sweet, so it's easy to swallow. That's why we have to have all those silly things: a frilly dress and something blue and a bachelor party and a priest. Just so that a boy and a girl can live together and make babies? Posh. Because the big worlds inside us are mating, and they need the pomp. — Catherynne M Valente

Lightning crashed close, and the cabin shuddered beneath a defeaning roar of thunder. Raven swung around and paced to a chair. "Something's going on for sure. That's one of ours doing that."
Shea's hand went to her throat. She could not shake the feeling of impending doom. She turned to Raven. "What do you mean, one of ours?" Why had she agreed to stay and protect Raven? Something evil was watching them, and she couldn't ferret it out. Jacques, where are you?
"The lightning and thunder," Raven replied easily. "One of our males is upset."
"Great. Tantrums, that's all we need," Shea said moodily. Jacques hadn't answered her. Where was he? Couldn't he feel her need?
Raven laughed. "They are great for that, aren't they? — Christine Feehan

Alec?" Magnus was staring at him. He had dispatched the remaining Iblis demons, and the square was empty but for the two of them. "Did you just- did you just save my life?"
Alec knew he ought to say something like, Of course, because I'm a Shadowhunter and that's what we do, or That's my job. Jace would have said something like that. Jace always knew the right thing to say. But the words that actually came out of Alec's mouth where quite different- and sounded petulant, even to his own ears. "You never called me back," he said. "I called you so many times and you never called me back."
Magnus looked at Alec as if he'd lost his mind. "Your city is under attack," he said. "The wards have broken, and the streets are full of demons. And you want to know why I haven't called you? — Cassandra Clare

When you grow up, you'll want to be happy. You don't give a thought to that now, which is why you are happy. The moment you think about it, the moment you want to be happy, you will cease to be happy. Forever. Possibly forever. Do you hear? Forever. The stronger your desire to be happy, the unhappier you will be. Happiness isn't something you can conquer. People will tell you that it is. Don't believe them. Happiness either is or isn't. — Jose Saramago

I don't think that anyone learns anything. Well, I mean, you do always learn something if you have your eyes and ears open. You do learn something from every outing, every time that you go for it. But for me what actors do is interact and that's why you have to do that. — Morgan Freeman

At the cross, Jesus paid the penalty we should have paid, by enduring the wrath of God we should have endured. And this required him to do something unprecedented. It required him to provide the ultimate level of obedience - one that we'll never be asked to emulate. It required him to give up his relationship with the Father so that we could have one instead. The very thought of being torn away from the Father caused him to sweat great drops of blood (Luke 22:44). And at the crescendo of his obedience, he screamed, "My God, my God, why have you forsaken me?" (Mark 15:34). — Anonymous

If you're trying to figure out why something's not working," Old Lou had explained, "just focus on the things that do work. Move through those things first and eventually you'll find the one part that's stuck. — Danika Stone

Some of the guys I played with .. didn't go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means. I'd imagine that a lot of them criticized me-said my technique was too good. Something like that. But I've always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell. — Benny Goodman

Do you see why I avoid humans, ma cherie? They are silly, exasperating creatures.
You like him.You can't hide it from me, even if you try to hide it from yourself. Invite him home.
Not for all the trees on this earth.
I want to meet him.
Savannah. She was up to no good, he was certain of it. Gregori's hand went to the back of his neck, massaging deeply. What I should do is scare the holy hell out of him so he will get over this nonsense.
"So,are you?" Gary asked.
"Am I what?" Gregori was distracted. Why had he ever talked to this fool in the first place? Because Savannah was making him crazy. Savannah had made him do something dumb. He had read Gary's mind and found him to be an interesting, likeable person.
Don't blame me. She sounded innocent. — Christine Feehan

It's just human nature - isn't it? - to be more attracted to something that's taboo. If someone tells you not to smoke, you wanna smoke. If they say, 'Don't do drugs,' you wanna do drugs. That's why I've always thought that the best way to stop people taking drugs is to legalise the f**king things. It would take people about five seconds to realise that being an addict is a terribly unattractive and pathetic way to be, whereas at the moment it still has that kind of rebel cool vibe to it, y'know? — Ozzy Osbourne

Why didn't you tell me?" he asked her after a small eternity.
"I didn't
I didn't feel that way
until
so many things have happened ... " Kaitlyn faltered. Of all things, she wanted to make Rob all right. Although now she saw that her love for him must have been changing for a long time, gradually, she didn't know how to explain that. "It's probaly just
I'll get over it. In a little while ... "
"Not that, you won't," Rob said. "Neither of you. I mean, I sure hope you don't." He sounded as incoherent as Kaitlyn felt, and he kept swallowing. But he went on doggedly, "Kait, I love you. You know I do. But this isn't something I can compete with." He stepped back. "I'm not blind. You two belong together. — L.J.Smith

Yeah. She's still just observing though. She's too useless to even carry plates at the moment, so please just think of her as some Russian ornament."
Tom laughed at the owner's blunt response, and asked another question.
"Chief, how do I say something like, 'you're beautiful', in Russian?"
" ... 'Vi ocharovatelny'."
"Err ... Bee, acherabatennen."
However, hearing this, the Caucasian woman looked confused at Tom, and spoke to the owner behind the counter.
" ... What is this man saying? It is unintelligible. I question its relation to the Japanese language."
With a bitter smile, the owner turned his head towards the woman, and spoke to her.
"'Vi ocharovatelny'."
" ... Why do you suddenly speak these social compliments? Please concisely explain your reasoning."
"That's what that young man over there just tried to say to you."
"In which language, exactly?"
Listening to their conversation, — Ryohgo Narita

Tom laughed at the owner's blunt response, and asked another question.
"Chief, how do I say something like, 'you're beautiful', in Russian?"
" ... 'Vi ocharovatelny'."
"Err ... Bee, acherabatennen."
However, hearing this, the Caucasian woman looked confused at Tom, and spoke to the owner behind the counter.
" ... What is this man saying? It is unintelligible. I question its relation to the Japanese language."
With a bitter smile, the owner turned his head towards the woman, and spoke to her.
"'Vi ocharovatelny'."
" ... Why do you suddenly speak these social compliments? Please concisely explain your reasoning."
"That's what that young man over there just tried to say to you."
"In which language, exactly? — Ryohgo Narita

When you touch, don't take. Touch the people you manage only when you are giving them something - reassurance, support, encouragement, whatever. Manipulation is getting people to do something they are either not aware of or don't agree to. That is why it is so important to let each person know up front what you are doing and why. — Kenneth H. Blanchard

There's this thing. I can, like, do a cast of your cock and make a vibrator out of it. How cool's that? Cos then, right, then I can suck you off and have you fucking me at the same time, like there's two of you. I've gone all tingly."
Lindsay doesn't know what to say for a second so he just stares at Valentine with something he imagines must look like horror. "What the hell am I doing with you?"
"Broadening your horizons. Or something."
"I must be crazy."
"That's okay, that's why it works. We're both a bit warped. Together we make sort of one whole person. — Richard Rider

It's been a growth process for each of us to understand why we find certain things beautiful. And if we do find something beautiful, we'll chase it, because you want to understand yourself and what your psyche is creating. — Arca

He asked her, 'Why do you feel sorry for me, Old Woman?'
The Old Woman stood beside him and looked out the window at the Garden, so beautiful, flowering and everywhere illuminated by the rays of the setting sun, and said, 'I feel sorry for you, dear Youth, because I know where you are gazing and what you are waiting for. I feel sorry for you and your mother.'
Perhaps because of these words, or perhaps because of something else, there was a change in the Youth's mood. The Garden, flowering behind the high fence below his window, and exuding a wonderful fragrance, suddenly seemed somehow strange to him; and an ominous sensation, a sudden fear, gripped his heart with a violent palpitation, like heady and languid fragrances rising from brilliant flowers.
'What is happening?' he wondered in confusion.
("The Poison Garden") — Valery Bryusov

Lowering his voice, he said, "In America we have a custom. When you're given presents for your birthday, you're supposed to open them and say thank you."
Tatiana nervously looked down at the present. "Thank you." Gifts were not something she was used to. Wrapped gifts? Unheard of, even when they came wrapped only in plain brown paper.
"No. Open first. Then say thank you."
She smiled. "What do I do? Do I take the paper off?"
"Yes. You tear it off."
"And then what?"
"And then you throw it away."
"The whole present or just the paper?"
Slowly he said, "Just the paper."
"But you wrapped it so nicely. Why would I throw it away?"
"It's just paper."
"If it's just paper, why did you wrap it?"
"Will you please just open my present?" said Alexander — Paullina Simons

Because ... most of us think that the point is something to do with work, or kids, or family, or whatever. But you don't have any of that. There's nothing between you and despair, and you don't seem a very desperate person.'
'Too stupid.'
'You're not stupid. So why don't you ever put your head in the oven?'
'I don't know. There's always a new Nirvana album to look forward to, or something happening in NYPD Blue to make you want to watch the next episode.'
'Exactly.'
'That's the point? NYPD Blue? Jesus.' It was worse than he thought.
'No, no. The point is you keep going. You want to. So all the things that make you want to are the point. I don't know if you even realize it, but on the quiet you don't think life's too bad. You love things. Telly. Music. Food. — Nick Hornby

I am not going to apologize for the idyllic childhood and the wonderful siblings and the Christian home I grew up in. I know how blessed I am and I am thankful, but I also know it's not that way for everyone. I was talking to a young woman recently who was going through her something and she said, "I don't have sisters to watch my back like you do. I didn't have the kind of mother you did." And I said to her what I've begun saying to people across the country, "Then why not let the legacy of love and support start with you? — Robin Roberts

Why should the railroad employees be parceled out among a score of different organizations? They are all employed in the same service. Their interests are mutual. They ought to be able to act together as one. But they divide according to craft and calling, and if you were to propose today to unite them that they might actually do something to advance their collective and individual interests as workers, you would be opposed by every grand officer of these organizations. — Eugene V. Debs

Which is why you need the tiniest bit of bravery. People get scared when you try to do something, especially when it looks like you're succeeding. People do not get scared when you're failing. It calms them. — Mindy Kaling

Like a cross between Paul Auster's The Book of Illusions and Janice Lee's Damnation, The Absolution of Roberto Acestes Laing is at once smart and slyly unsettling. It is expert at creating a quietly building sense of dread while claiming to do something as straightforward as describe lost films - like those conversations you have in which you realize only too late that what you actually talking about and what you think you are talking about are not the same thing at all. With Rombes, Two Dollar Radio deftly demonstrates why it is rapidly becoming the go-to press for innovative fiction. — Brian Evenson

NO. No no no. I don't want to screw you. I just love you. When did who you want to screw become the whole game? Since when is the person you want to screw the only person you get to love? It's so stupid, Tiny! I mean, Jesus, who even gives a fuck about sex?! People act like it's the most important thing humans do, but come on. How can our sentient fucking lives revolve around something slugs can do. I mean, who you want to screw and whether you screw them? Those are important questions, I guess. But they're not that important. You know what's important? Who would you die for? Who do you wake up at five forty-five in the morning for even though you don't even know why he needs you? Whose drunken nose would you pick?! — John Green

I think if you're gonna do something as silly and lighthearted as entertainment, then why not be interesting when you're doing it? — Chelsea Handler

In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do. — Francis Ford Coppola

Why didn't you guys dress up?" Lindsey asks.
"We did." Calliope cracks her first smile. "we're dressed as twins."
Lindsey grins back. "Hmm, I see it now. Fraternal or identical?"
"You'd be surprised how many people ask," Cricket says.
"What do you tell them?" Lindsey asks.
"That I have a penis."
Oh God. My cheeks burn as they all burst into laughter. Think about something else, Dolores. ANYTHING else. Cucumbers, Bananas, Zucchini. AHHHH! NO NO NO NO NO NO NO. I turn my face away from them as Calliope fakes a yakking sound. — Stephanie Perkins

I jumped up from the bed and paced the small space in front of Romeo. He was absolutely nuts.
"Why the hell would you do that?" I asked.
Then I stubbed my toe on the edge of my desk.
"Ow!" I hissed and doubled over while bouncing around on one foot.
"You're like a one-woman show," Romeo remarked from behind me. His voice was clearly amused.
"I need my glasses," I muttered, hopping around and reaching for them somewhere near my bed. I knocked something over and it fell to the floor.
"Whoa there, graceful," Romeo said and scooped me up in his arms.
I let out a little squeak in surprise. "Put me down."
"No," he said mildly. "You are a danger to yourself."
I made a hmph sound and he snickered.
- Rimmel & Romeo — Cambria Hebert

Nic staggered back a foot. "Why have you pursued me out into the streets? I cant help you. Leave me alone."
"Can't do that. Not yet. First, I really must know something of great importance."
The prince moved closer still. Before Nic could fumble for his sword to protect himself form attack, Ashur took his face between his hands and kissed him.
Nic stood there, frozen in place.
This was not what he'd expected. At all. — Morgan Rhodes

It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive. — Chuck Klosterman

I ... Why do you want me to?"
There was a flicker of something in Greta's look. I couldn't tell whether it was a flicker of love or regret or meanness, and then she said, "Why wouldn't I want you to?"
Because you hate me, I thought, but I didn't say it. — Carol Rifka Brunt

I found it when I was getting the crushed bees for Merripen's poultice. I brought it back for you." He looked vaguely apologetic. "I meant to tell you about it earlier, but it slipped my mind."
Amelia stifled a laugh. The average man would hardly forget something like a cache box possibly containing treasure ... but to Cam, it probably had little more significance than a box of hazelnuts. "Only you," she said, "could go looking for bee venom and find hidden treasure." Lifting the box, she shook it gently, feeling the movement of weighty objects within. "Blast, it's locked." She reached in the wild disarray of her coiffure. Finding a hairpin, she handed it to him.
"Why do you assume I can pick a lock?" he asked, a sly flicker in his eyes.
"I have complete faith in your criminal abilities," she said. "Open it, please."
Obligingly he bent the pin and inserted it into the ancient lock. — Lisa Kleypas

Do you not realize that your kids are going to make mistakes, and a lot of them? Do you not realize the damage you do when you push your son's nose into his mishaps or make your daughter feel worthless because she bumped or spilled something? Do you have any idea how easy it is to make your child feel abject? It's as simple as letting out the words, "why would you do that!?" or "how many times have I told you ... — Dan Pearce

After a few minutes, Molly came partway up the short ladder to the bridge and stopped. "Do I need to ask permission to come up there or something?"
"Why would you?" I asked.
She considered. "It's what they do on Star Trek? — Jim Butcher

But, y'know, today I got a lot of help myself. There're tons of things we can't do ourselves, right? And that's why we're helped out. If someone, or something, can lend you a helping hand, great, I say! After all, we're all in this together! — Sakura Tsukuba

He began to attack the bone with a regular knife and spoon. Until I nudged him with an elbow. "The marrow shovel." It was meant to reach down to the bottom of a bone and lift the marrow out. He reached for the utensil. "That's right. I always forget!" He wouldn't if Aunt had been his teacher. "Why do you think it is that we can't just use a knife?" I smothered a laugh as I remembered that I had asked Aunt that very same thing. "I don't know." "Neither do I. This table is a pigeon trap. A dozen different forks and knives and spoons. Four different goblets. All of them just waiting to be knocked over or misapplied and mishandled. It's a wonder anyone is ever tempted to eat!" "You're doing quite well." "Franklin's much better at all of this than I am." "But you're much better at conversing." "And making you laugh? Am I better at that?" I smiled. "Yes. I would say so." "Good. Because that, at least, is something worthwhile. — Siri Mitchell

Asking why you are doing something serves as a check and always moves your focus back to the big picture. Asking why helps you find out if your actions have come unglued from your goals. In theory, you could do this as often as every day, reviewing your to-do list to make sure it ties to your bigger goals. In my perfect fantasy world, I check my actions against my goals every day. In real life, once a week or once every other week is more realistic. — Stever Robbins

It's about something that strikes you as funny but I do it with a Christian world view: why we think the way we do based on God's plan. I lift up my God and my country and I resist political correctness. — Brad Stine

Why bad people live in heaven??
If there is heaven so do and hell exist??
but why bad are heaven and good also??
So you have done here something bad and you greeting saying "Bravo..., Bravo... well made!" - WTF??? — Deyth Banger

If you can do something about a situation, why worry? And if you can't do something about a situation, why worry? — Dalai Lama

Most of the time
99 percent of the time
you just don't know how and why the threads are looped together, and that's okay. Do a good thing and something bad happens. Do a bad thing and something good happens. Do nothing and everything explodes. — Lauren Oliver

Plea Against the Death Penalty
Look, examine, reflect. You hold capital punishment up as an example. Why? Because of what it teaches. And just what is it that you wish to teach by means of this example? That thou shalt not kill. And how do you teach that "thou shalt not kill"? By killing.
I have examined the death penalty under each of its two aspects: as a direct action, and as an indirect one. What does it come down to? Nothing but something horrible and useless, nothing but a way of shedding blood that is called a crime when an individual commits it, but is (sadly) called "justice" when society brings it about. Make no mistake, you lawmakers and judges, in the eyes of God as in those of conscience, what is a crime when individuals do it is no less an offense when society commits the deed. — Victor Hugo

'Motivation matters,' he said again, 'because why you do something connects to how you do it, who you do it to, or for. And maybe what you see at the end of it-if you're looking that far.' — Nora Roberts

Something up, and it has nothing to do with why you're bringing gifts. You just do that because you're awesome."
"Can I get that in writing?"
"Casey's right," Dalton says. "Not about the awesome part. That depends on what condition my town's in. Something's up, and it's making me think I might not be awarding you that awesome certificate anytime soon."
"There's a certificate?"
"I have a stack of them." I say. — Kelley Armstrong

I saw a man swerve his car and try to hit a stray dog, but the quick mutt dodged between two parked cars and made his escape. God, I thought, did I just see what I think I saw? At the next red light, I pulled up beside the man and stared hard at him. He knew that'd I seen his murder attempt, but he didn't care. He smiled and yelled loud enough for me to hear him through our closed windows: 'Don't give me that face unless you're going to do something about it. Come on, tough guy, what are you going to do?' I didn't do anything. I turned right on the green. He turned left against traffic. I don't know what happened to that man or the dog, but I drove home and wrote this poem. Why do poets think they can change the world? The only life I can save is my own. — Sherman Alexie

It makes me angry that you hate yourself for something that somebody else made you do. Don't let them take any more. Don't you do that Andres."
"None of this does any good, Grace. All these visits, all this talking, all this strolling down fucking memory lane. It doesn't help. And you know why it doesn't help? Because everything that's happened - it lives so deep inside me that the only way I can ever get rid of it is to die."
"That's not true, Andres."
"It is true. Happiness isn't in the cards for everyone, Grace. — Benjamin Alire Saenz

You ain't old yet but when you get old, all the women in the village start to look down on you when they find out you want to do something other than sweep the kitchen or cut up vegetables. Had this big starch mango tree when I was small. Anytime I set myself to climb it, there was always a woman passing by to yell at me and tell me to get down. Asked me why I leaving my poor mother to do all the housework. I never got to the top. It was like God was always watching, ready to send another hag to tell me down. Then, one day, they cut down the tree. — Kevin Jared Hosein

Stop. I don't do you favors, Alec. I do things for you because - well, why do you think I do them?"
Something rose up in Alec's throat, cutting off his response. It was always like this when he was with Magnus. It was as if there were a bubble of pain or regret that lived inside his heart, and when he wanted to say something, anything, that seemed meaningful or true, it rose up and choked off his words. "I need to get back to the ship," he said, finally. — Cassandra Clare

Mai grins at Mycroft. 'You know that's slightly ridiculous, don't you?'
He smiled. 'Why?'
'Because. . . because you're teenagers.' Mai's expression says it should be obvious. 'Mycroft, this isn't like figuring out who spray-painted some guy's car. This is murder.'
'The principles are the same' he insists.
'But you're both minors. And you have no access to police information, no experience, no forensics lab, no authority. . . '
'Mai, are you trying to bring me down or something?'
Gus, who usually only gets emotive about things like soccer, suddenly leans forward. 'I think you should do it.' He glances at me and Mycroft in turn. 'This homeless guy, it's not like his death is going to be a major priority, is it? The police won't bend over backwards to bring his killer to justice or anything. He was a derelict with no family. So you two are the only ones who even care. — Ellie Marney

Is there anything you want to do before we put our heads in plastic boxes for two days?'
I thought about this for a second, then held the side of her face and kissed her.
We both zipped up our suits just in time to see the reactor blow: a column of green radioactive fire, belching black smoke. Di squeezed my hand, our big boxy heads knocked clumsily together, and I tried to think of something romantic to say.
'Well, I guess that's why they all die of cancer. — Tom Francis

All my life I've been harassed by questions: Why is something this way and not another? How do you account for that? This rage to understand, to fill in the blanks, only makes life more banal. If we could only find the courage to leave our destiny to chance, to accept the fundamental mystery of our lives, then we might be closer to the sort of happiness that comes with innocence. — Luis Bunuel

Religion and science have nothing to do with each other, they're about different things, science is about the way the world works and religion is about miracles, I mean, if you ask most ordinary people in church or in a mosque why they believe, it's almost certainly got something to do with the belief that God does wonderful things, that God intervenes, that God heals the sick, that God answers prayers, God forgives sins. — Richard Dawkins

Oh great, you too. So now I wear this label 'Queer' emblazoned across my chest. Or I could always carve a scarlet 'L' on my forehead. Why does everyone have to put you in a box and nail the lid on it? I don't know what I am - polymorphous and perverse. Shit. I don't even know if I'm white. I'm me. That's all I am and all I want to be. Do I have to be something? — Rita Mae Brown

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that has nothing to do with you, This storm is you. Something inside you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up the sky like pulverized bones. — Haruki Murakami

So for me the creative world isn't what you do after your day job, though many professional musicians do this to make ends meet, but it's something that IS a job. Perhaps that's why I'm not as disheartened by the more cold blooded aspects of the industry. Over the course of watching my mother navigate the creative world I've seen just about every trick pulled that could have been and I've seen her deposit the checks received for a job well done. When I recently asked her why she chose the creative world she said: "Early on I decided that if I had to work I was going to work at something that I loved."

I'm glad she did. As difficult, chaotic, dysfunctional and crazy as the world in music and the arts can be I always knew that they mattered deeply to her, as they do to me. — Jamie Freveletti

And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines. — Laura Prepon

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

Okay. Then ... I can talk. Ask me something."
"Okay." He laughs shakily in my ear. "Why is your heart racing Tris?"
I cringe and say, "Well, I ... I barely know you. I barely know you and I'm crammed up against you in a box, Four, what do you think?" ...
"Maybe you were cut out for Candor," he says, "because you're a terrible liar. — Veronica Roth

People care about what your business can do for them. How will it help them? What's in it for them? Will it solve their problem? Make their life easier? Provide them with shelter? Save them money? Educate them? Make them feel something? Tell me, why on God's green Earth should I give your business money? What value are you adding to my life? — M.J. DeMarco

I want to know why you don't like me, Malloy. I like you, even if you do hit people."
He sighed. "I never said I didn't like you, Mrs. Brandt."
Reasonable again. She wanted to smack him. "And why don't you ever call me Sarah? You think I'm beautiful, but you never call me Sarah."
He muttered something she didn't understand.
"You do think I'm beautiful," she insisted. "You said so!"
"Yes, I do," he said grudgingly. "And I do like you, Sarah. Now let's talk about something else, because you're going to be very embarrassed if you remember any of this conversation tomorrow. — Victoria Thompson

You've been followed by them." Flint thought back to all the times she'd seen red eyes and had shrugged it off, chalking it up to poor lighting or exhaustion. "How long?" "Since the day I met you." "Why? Do I smell tasty or something? Is that why she attacked me? Should I perfume myself with holy garlic? — Selene Charles

If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues. — David Shore

Oh shame, shame! Oh crying shame! How can we? Why do we allow ourselves? What are we doing? The last little room of dirt is waiting. Without windows. So for God's sake make a move, Henderson, put forth effort. You, too, will die of this pestilence. Death will annihilate you and nothing will remain, and there will be nothing left but junk ... While something still is
now! For the sake of all, get out! — Saul Bellow

The claim that science can disprove God's existence is an honest ambition but it is a statement that is actually impossible to back up. This is because the task of proving something like science is unprovable by scientific methods. How do you prove an idea like "science"? What container do you use to measure it? What laws of science do you use to prove science? That's the first reason why the worldview of scientism, the belief that science proves everything, fails to work out in real life. Science cannot prove everything because it cannot even prove itself. — Jon Morrison

Knowing why you're doing something provides the inspiration and motivation to give the extra perspiration needed to persevere when things go south..
..Purpose provides the ultimate glue that can help you stick to the path you've set. When what you do matches your purpose, your life just feels in rhythm, and the path you beat with your feet seems to match the sound in your head and heart. Live with purpose and don't be surprised if you actually hum more and even whistle while you work. — Gary Keller

(Mutt, a mentally ill brother who is setting fire to a load of expensive things from the house he grew up in and was physically abused and neglected in)
"Tuck (mutt's brother is being asked), aren't you going to stop him?"
'Why?'
'Well' - she waved her hand across the house - 'couldn't you two do something good with all this?" ...
"Yeah, but the money we earned wouldn't buy as much therapy as that fire ... — Charles Martin

Identifying a potential threat feels curiously good. You're like a gazelle that smells a lion and can't relax until it sees where the lion is. Seeing a lion feels good when the alternative is worse. We seek evidence of threats to feel safe, and we get a dopamine boost when we find what we seek. You can also get a serotonin boost from the feeling of being right, and an oxytocin boost from bonding with those who sense the same threat. This is why people seem oddly pleased to find evidence of doom and gloom. But the pleasure doesn't last because the "do something" feeling commands your attention again. You can end up feeling bad a lot even if you're successful in your survival efforts. — Loretta Graziano Breuning

When God speaks, the Holy Spirit is the One who brings it to pass. He's the Doer of the things of God. So, when God wants to do something in your life, it will have to be by the Holy Spirit. This is why you need the Holy Spirit in your life today. — Chris Oyakhilome

Sometimes over things that I did, movies that didn't turn out very well - you go, 'Why did you do that?' But in the end, I can't regret them because I met amazing people. There was always something that was worth it. — Robin Williams

You've made that clear. But why do you assume I've done something wrong? Have I ever lied to you, or kept anything from you? I trusted you. You assume I've never been hurt and that trust comes easily to me. You're too busy guarding your own heart to realize that maybe I'm not the arsehole people expect me to be. — Christina Lauren

I've got nothing." Eve swiveled around to him. "Zip. You've got something. What?"
"Apparently, it's not coffee," he said with a glance at his empty mug.
"What am I, a domestic droid?"
"If so, why aren't you wearing your frilly white apron and little white cap, and nothing else?"
She sent him a pained look of sincere bafflement. "Why do men think that kind of getup is sexy?"
"Hmm, let me think. Mostly naked women wearing only symbols of servitude. No, I can't understand it myself."
"Perverts, your entire species. What have you got?"
"Besides a very clear picture of you in my head wearing a frilly white apron and little white cap?"
"Jesus, I'll get the damn coffee if you'll cut it out. — J.D. Robb

Why are doors more difficult to open
as if some sadness were leaning against them?
Why do windows darken and trees bend
when there is no wind? You call that occasional
roar the roar of a plane and I imagine
a time when I might have believed that. But now the darkness has been going on
for too long, and I have accustomed myself
to the pleasure of thinking that soon
there will be no reason to hold on in this place
where rocks are like water and it's so difficult
to find something solid to hold on to. — Stephen Dobyns

Listen, Mollie, I need to get home and let my parents know I'm alive. Then I am coming back for you. If my home is still standing, I'll provide a place for you and Frank as long as you need." "Why would you do that?" She looked a little taken aback, which surprised him. Because he loved her. Because they had just experienced the worst two days imaginable, and the bond that had been forged between them was not something to be tossed away. If Louis Hartman didn't like it, he would quit. The fire had just taught Zack what was most important in this world, and she was looking straight at him. — Elizabeth Camden

You saw him as disapproving of you. I thought him disapproving of me. Funny, isn't it?"
Not only funny, but a strange relief. Why hadn't she seen it? Rhys felt like an impostor here, too. [ ... ]
Tilting her head to the twilight sky, she mused, "Do you know what I think? I have a feeling that dour look on Lord Corning's face had nothing to do with either of us. Perhaps he'd just tasted something unpleasant. — Tessa Dare

Books can capture injustices in a way that stays with you and makes you want to do something about them. That's why they are so powerful. — Malala Yousafzai

Bree stared down at Bernardo's still form. The monitor was the only sound in the room apart from his deep breathing. Alessandro had gone down to the cafeteria with Will and Gianni to grab something to eat before they left for home. Bree lied and told him that she wanted to check in with Tina and her mother Roxanna for a few minutes before they left. Even unconscious, the son of a bitch was formidable and Bree felt nervous around him. "Why don't you do everyone a favour and just die already?" Bree said. No response. Bree sneered and shook her head, turning to leave. "You could always smother me with a pillow," a groggy voice said behind her, making her heart nearly stop. Bree whirled around wide-eyed and met Bernardo's dark gaze. She forced herself to shrug and crossed her arms. "Do you think Alessandro would forgive you for murdering his father?" Bernardo asked. They both knew the answer to that. — E. Jamie

Why do you think so many actors are only half-developed people? It's very easy when you're a young actor to have these intense, explosive friendships for short periods of time, because you can control what's shown of you. Then you go on to your next job and reinvent yourself again. I think it's important to find something constant. — Damian Lewis

20. The day she graduated from college, Keegan told her mother that she was especially proud of her Yale Daily News article "Even Artichokes Have Doubts," which went on to be adapted for the New York Times and discussed on NPR. When The Opposite of Loneliness was first published in April 2014, columnist Nicholas Kristof wrote, "Keegan was right to prod us all to reflect on what we seek from life, to ask these questions, to recognize the importance of passions as well as paychecks - even if there are no easy answers." As Keegan reminds other young people that "we can do something really cool to this world" (p. 200), what points does she emphasize? What counterarguments might she have considered more specifically? Do you share her concern about where so many top young graduates take their first jobs? Do you worry that you need to compromise your own dreams for practical concerns? Why or why not? — Marina Keegan

This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you."
He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. "It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. "You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?"
She thought, then nodded. "All right," she said grudgingly and with just a touch of despair in her voice. "You win."
Julien grunted. "Have another go, then. I shall come back and come back until you figure it out."
"And you'll know?"
"You'll know. I will merely get the benefit of it. — Iain Pears

Why is it that every time you do something you hope no one will notice, you get found out? I once read that the probability of someone watching you is directly proportional to the stupidity of the action. — Clare Kauter

Are you one of those people who notices the problems of the world and says ... somebody ought to do something about that? Why not you? If you feel a strong urge to see a problem fixed, then why not act on it? — Steve Pavlina

And I love to speak - I am very good at it. And if you love to do something, you're very good at it, and also you are paid well, why would you not do it? Why would you stop? — Brian Tracy

Kyle is my best friend. Why would I risk screwing that up?"
"Mackenzie Catherine Dobson, have you learned nothing from romantic comedies? Do I need to make a trip to the video store?" Tess set her fork down and sighed. "'We're just friends' is the oldest plot device in the book. All it really means is that you're just friends until one of you get the balls to do something about all the unresolved tension. — Kathleen Peacock

Why do you live?
Because I have something worth living for. — J.K. Rowling

A mother's body against a child's body makes a place. It says you are here. Without this body against your body there is no place. I envy people who miss their mother. Or miss a place or know something called home. The absence of a body against my body created a gap, a hole, a hunger. This hunger determined my life ... The absence of a body against my body made attachment abstract. Made my own body dislocated and unable to rest or settle. A body pressed against your body is the beginning of nest. I grew up not in a home but in a kind of free fall of anger and violence that led to a life of constant movement, of leaving and falling. It is why at one point I couldn't stop drinking and fucking. Why I needed people to touch me all the time. It had less to do with sex than location. When you press against me, or put yourself inside me. When you hold me down or lift me up, when you lie on top of me and I can feel your weight, I exist. I am here. — Eve Ensler

When something works for you or another brand, ask yourself, 'Why?' Then don't copy it but think about what you can do that's unique to you and better. — Simon Mainwaring

Just do your duty in silence. When in doubt, when flat on your back, you can look at the ceiling. Who knows what you may see, up there? Funeral wreaths and angels, constellations of dust, stellar or otherwise, the puzzles left by spiders. There's always something to occupy the inquiring mind. Is anything wrong, dear? the old joke went. No, why? You moved. Just don't move. What — Margaret Atwood

Don't make me out to be something worth saving. We both know I'm a waste." His voice was so quiet. "I wish I was better at telling you why you have to stay here. I wish I could put into words the part of my heart that has your name written on it. That part hurts right now. You have to be here. You love life too much. You're so important. I wish I could make you understand this." He tried to smile at her valiant efforts. "I would keep you if I could. You can sleep here, right on this couch. Beckett, I will let you hold this baby when it comes." She touched her stomach. "Does that tell you how much you mean to me? It's the only thing I can come up with." He shrugged. "Mouse would be disappointed. He'd feel like he didn't do his job if you died ... Eve loves you. Wherever she is - in this strip club - is that what you've been wishing for?" Beckett shook his head. "No, right? She loves you. You can't kill someone she loves. You just can't. — Debra Anastasia

You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do. — John Green

The theory of relativity and quantum mechanics argue that you can twist time and space, that something can appear out of nothing, and that a cat can be both alive and dead at the same time. This makes a mockery of our common sense, yet nobody seeks to protect innocent schoolchildren from these scandalous ideas. Why? The theory of relativity makes nobody angry, because it doesn't contradict any of our cherished beliefs. Most people don't care an iota whether space and time are absolute or relative. If you think it is possible to bend space and time, well, be my guest. Go ahead and bend them. What do I care? In contrast, Darwin has deprived us of our souls — Yuval Noah Harari