Quotes & Sayings About Why Do You Do This To Me

His blue eyes brightened with a smile. 'I did.' He looked over his shoulder, as if making sure her mom wasn't looking. The he pulled her against him and kissed her. A soft kiss.
'I got you something,' He whispered, his lips breathing words against hers.
He reached into his coat pocket and pulled out a ring. A gold ring with a large diamond. A beautiful, teardrop-shaped diamond that looked like an engagement ring. Kylie's breath caught.
'It was my grandmother's ring. In her letter she wrote you should have it. And before you start panicking, let me say that I know maybe we're too young to call it an engagement, That's why I got you this too.' He pulled out a gold chain 'I want you to wear it around your neck. Call it a promise- A promise that when you do slip a ring on that finger ... ' He ran his hand down to her left hand. 'That it'll be my ring.'
Emotion rose in her chest 'You don't have to give me anything for me to give you that promise. — C.C. Hunter

Then the men were exceedingly afraid, and said to him, Why have you done this? For the men knew that he fled from the presence of the LORD, because he had told them. Then they said to him, What shall we do to you that the sea may be calm for us?; for the sea was growing more tempestuous. And he said to them, Pick me up and throw me into the sea; then the sea will become calm for you. For I know that this great tempest is because of me." (Jonah 1:10-12) Jonah — Val Waldeck

She got fired?" Confusion laced Gavin's voice. "When?"
"This morning," Dante muttered.
"Why?" Gavin asked. "What did she do?"
"Me," Dante said.
"Oh." A moment of silence passed before Gavin broke out into laughter. "Ah man, really? She lost her job for fucking around with you?"
"I don't see why that's so funny."
"Because," Gavin said, "you're the worst consolation prize ever."
Dante shot right back up, and Matty barely had enough time to move out of the way before the bottle of water hurled by him, hitting Gavin in the chest. — J.M. Darhower

You're rather well read for a working-class girl, she said with her back to me.
Really? I've found that all my well-read friends are from the working class.
Oh my. Why do you think that is? The purity of poverty?
No. It's just that reading is the cheapest form of entertainment.
Sex is the cheapest form of entertainment.
Not in this house. — Amor Towles

Why did she do this to me?" I mumble. "Actually, Samuel, from my preliminary scans of your internal organs, it does not appear that our mother has done anything to you. Were you in need of repair as well? If so, I am certain she will - — James Patterson

Tempting. But you see, I can simply insist on a lifetime contract with none of your silly restrictions, or kill you right now."
"You won't," Shane said. That made Morley's eyes open wide.
"Why not? Jacob and Patience were quite specific - they're concerned for Claire. Not for you, boy."
"Because if you kill me and Eve, you'll make her your enemy. This girl won't stop until she sees you all pay."
Claire had no idea whom he was talking about - she didn't feel like that Claire at all, until she imagined Shane and Eve lying dead on the ground.
Then she understood. "I'd hunt you down," she said quietly. "I'd use every resource I have to do it.
And you know I'd win."
Morley seemed impressed. "She is small, but I see your point, boy. Besides, she has the ear of Amelie, Oliver, and Myrnin; not a combination I would care to test. — Rachel Caine

So as I'm walking up and down the grocery aisles, I notice this distinct, mildewy, putrid odor following me. And I keep looking around for the responsible party, until I discover that she is me. I stink. When I get home, Craig rolls out of bed to help me with the groceries and I say "Honey, smell me. I stink." And he sniffs my shirt and says without surprise, "Yes, you do." And I say "Well, what IS that? It's disgusting." And he says the following:
"It's mildew. All our clothes smell like that. We always stink." I'll just give you a few seconds to digest that information. I know I needed a little time. "WHAT? WELL WHY DIDN'T YOU TELL ME, HUSBAND?" "I was scared to tell you. You get sensitive about ... . housekeeping stuff." "Oh. So let me clarify here. You'd rather reek all day at work and allow Chase to be THE STINKY KID IN CLASS than risk me getting mad?
"Yes. Yes, I would. Definitely. — Glennon Doyle Melton

Peculiar or not, it is my idea of pleasure. Why, why else do you lead this life you don't enjoy it? Don't talk of duty to me; you men always have some high-sounding excuse for indulging yourselves. You go gallivanting over the earth, climbing mountains, looking for the sources of the Nile; and expect women to sit dully at home embroidering. I embroider very badly. I think I would excavate rather well. — Elizabeth Peters

Laughing, I took her hand back in mine. "I don't like seeing someone as hot as you bruised up, but I don't judge you fighting for money. We all do what we can. Look at me and my work. Not exactly a dream job, but I'm big, strong, and don't mind hurting people. Not a lot of jobs for a guy with my skill set. I was never good at school. I hate computers and have no patience with fixing things. I had the choice of being an enforcer or a gigolo."
Raven smacked my hand away. "Stop being charming, you dipshit."
"I'll try, but it just comes so naturally for me."
"Why not a gigolo?"
"I'm too shy."
Raven laughed. "That's too bad. I'd pay to fuck you."
"Of course, you would. I'd totally pay to have you give me a lap dance."
"You couldn't afford me."
"I don't know. I've been saving up for something special. This could be it. — Bijou Hunter

There is no remedy for this poison,' Sudhakar said. 'You must live with the consequences, as must I.'
'Then why did you let her have it?' Quill said savagely. 'You knew she was impulsive. You should have guessed she might take it herself!'
Sudhakar looked at him. 'Now, why would that occur to me? I saw a young woman consumed with anxiety for her husband, prepared to ruin her marriage in order to save him from further suffering. I saw nothing self-destructive about her.'
'She thought it was harmless,' Quill whispered harshly. 'She had no idea. You shouldn't have given it to her.'
'Do you think she is a child? She is a grown woman. Her rash actions are her own.'
It was only when Quill fixed him with a brutal gaze that he realized that Sudhakar was also suffering. — Eloisa James

You are so full of light," I say after a moment. "You align with joy, and I with fear and fury. If you could see into my thoughts, you would surely turn away. So why would you stay with me, even if return to Kenettra and resume our lives?"

"You paint me as a saint," he murmurs. "But I aligned with greed solely to prevent that."

Even now, he can make my lips twitch with a smile. "I'm serious, Magiano."

"As am I. None of us are saints. I have seen your darkness, yes, and know your struggle. I won't deny it." He touches my chin with one hand. At this gesture, the whispers seem to settle, pushed away where I can't hear them. "But you are also passionate and ambitious and loyal. You are a thousand things, mi Adelinetta, not just one. Do not reduce yourself to that. — Marie Lu

I've been in a maximum security prison. I've been around the worst of the worst. I've had to sleep with one eye open, thinking my next breath could be my last." "Why are you telling me all this?" He turned toward me and our eyes locked. He reached out and ran the back of his pointer finger along my cheek. "Because I want you to know that none of those motherfuckers ever scared me as much as you do. — T.M. Frazier

At the cross, Jesus paid the penalty we should have paid, by enduring the wrath of God we should have endured. And this required him to do something unprecedented. It required him to provide the ultimate level of obedience - one that we'll never be asked to emulate. It required him to give up his relationship with the Father so that we could have one instead. The very thought of being torn away from the Father caused him to sweat great drops of blood (Luke 22:44). And at the crescendo of his obedience, he screamed, "My God, my God, why have you forsaken me?" (Mark 15:34). — Anonymous

Asking isn't what I had in mind," Sicarius said.
"Yes, I can see that." Amaranthe planted a hand on his chest, fingers splayed. "Why don't you give Yara and me a few minutes alone to discuss this? I'll brief you on whatever we decide to do before we do it. And you can loiter nearby in case anything goes wrong."
His face didn't soften exactly - and he gave that hand a long look before meeting Amaranthe's eyes - but the hostility he'd been oozing did seem to lessen. "Assassins don't loiter," he said.
The comment startled Evrial, and she wondered if she'd heard it correctly. The man hadn't uttered much that could be classified as humor, not with her around anyway. Maybe he was simply feeling indignant.But Amaranthe smiled. "What do you call it?"
"Standing. Purposefully. — Lindsay Buroker

Many folks have asked me, 'How do you do it and why have you sacrificed so much to do this work?' The answer comes easy. I look at my daughter and find hope in that she is living in a world of struggle, of social and political movement. She and the other five-year-olds will grow up in a more just, more equitable world. She motivates me. — Lateefah Simon

Do you see why I avoid humans, ma cherie? They are silly, exasperating creatures.
You like him.You can't hide it from me, even if you try to hide it from yourself. Invite him home.
Not for all the trees on this earth.
I want to meet him.
Savannah. She was up to no good, he was certain of it. Gregori's hand went to the back of his neck, massaging deeply. What I should do is scare the holy hell out of him so he will get over this nonsense.
"So,are you?" Gary asked.
"Am I what?" Gregori was distracted. Why had he ever talked to this fool in the first place? Because Savannah was making him crazy. Savannah had made him do something dumb. He had read Gary's mind and found him to be an interesting, likeable person.
Don't blame me. She sounded innocent. — Christine Feehan

I was asked why I did not give a rod with which to fish, in the hands of the poor, rather than give the fish itself as this makes them remain poor. So I told them: The people whom we pick up are not able to stand with a rod. So today I will give them fish and when they are able to stand, then I shall send them to you and you can give them the rod. That is your job. Let me do my work today. — Mother Teresa

Why didn't you tell me?" he asked her after a small eternity.
"I didn't
I didn't feel that way
until
so many things have happened ... " Kaitlyn faltered. Of all things, she wanted to make Rob all right. Although now she saw that her love for him must have been changing for a long time, gradually, she didn't know how to explain that. "It's probaly just
I'll get over it. In a little while ... "
"Not that, you won't," Rob said. "Neither of you. I mean, I sure hope you don't." He sounded as incoherent as Kaitlyn felt, and he kept swallowing. But he went on doggedly, "Kait, I love you. You know I do. But this isn't something I can compete with." He stepped back. "I'm not blind. You two belong together. — L.J.Smith

We've had to deal with so many complications. We're still dealing with them. And what can we do? Nothing - well, unless we take your side's point of view and make deals with the devil. But why? Why can't we make deals with God?
People do all the time. 'God, if you do this for me, I promise to be good.' Stuff like that.
Yeah, but I don't see any contracts like you guys have. No hard evidence that it works. How come we can only get things we want by being bad? Why can't we get them by being good? — Richelle Mead

John [the father] kept saying, "You have a penis. That means you're a boy." One day, Shannon noticed that her son had been in the bathroom an awfully long time and pushed the door open. "He had a pair of my best, sharpest sewing scissors poised, ready to cut. Penis in the scissors. I said, 'What are you doing?' He said, 'This doesn't belong here. So I'm going to cut it off.' I said, 'You can't do that.' He said, 'Why not?' I said, 'Because if you ever want to have girl parts, they need that to make them.' I pulled that one right out of my ass. He handed me the scissors and said, 'Okay. — Andrew Solomon

There's this thing. I can, like, do a cast of your cock and make a vibrator out of it. How cool's that? Cos then, right, then I can suck you off and have you fucking me at the same time, like there's two of you. I've gone all tingly."
Lindsay doesn't know what to say for a second so he just stares at Valentine with something he imagines must look like horror. "What the hell am I doing with you?"
"Broadening your horizons. Or something."
"I must be crazy."
"That's okay, that's why it works. We're both a bit warped. Together we make sort of one whole person. — Richard Rider

Mika: Sometimes I just feel like you don't want to be like this with me.

Letti: Like what with you? You have no idea how much I want to be with you Mika.

Mika: So, why don't I feel it?

Letti: :( What do you want me to do? You want me to tell everyone online that I'm with you? You want everyone to know how much I love you?

Mika: I don't care about what people know, I just care about you. I want you in my life now and in the future, but how can I continue if you don't even "belong" to me... — Shanice Williams

I park my bike in her driveway and ring her doorbell. I clear my throat so I don't choke on my words. Mierda, what am I gonna say to her? And why am I feeling all insecure, like I need to impress her because she'll judge me?
Nobody answers. I ring again.
Where's a servant or butler to answer the door when you need one? Just as I'm about to give up and slap myself with a big dose of what-the-fuck-do-I-think-I'm-doing, the door opens. Standing before me is an older version of Brittany. Obviously her mom. When she takes one look at me, her disappointing sneer is obvious.
"Can I help you?" she asks with an attitude. I sense either she expects me to be part of the gardening crew or someone going door-to-door harassing people. "We have a 'no soliciting policy' in this neighborhood."
"I'm, uh, not here to solicit anythin'. My name's Alex. I just wanted to know if Brittany was, uh, at home?" Oh, great. Now I'm mumbling uh's every two seconds. — Simone Elkeles

-If I somehow possessed a set of videotapes that contained all the most significant events of your childhood, in their entirety, would you want to see them?
-Absolutely. Right this very second.
-But why? Don't you think some of the tapes would be very sad?
-Most of them, yes. But if I could see them, then I could have them in my brain like regular memories-horrible memories, yes, but regular memories, not sinister little ghosts in my head that pop out of some part of me I don't even know, and take the rest of me away. Do you know what I mean?
-I think so, If you have to remeber, you'd rather do it in the front of your brain than in the back. — Martha Stout

Stop looking at me like that," I say, frowning and rubbing at my chest. He has this habit of making my heart sore, making my lungs feel like there's not enough air.
He tilts his head attractively, which only makes matters worse. "Like what?"
"Like you're molesting me with your eyes," I blurt out.
His answering laugh is long and deep. I can barely handle the affection in his gaze. "Okay, I'll try to stop. But if it all gets to be too much for you, this apartment happens to have a very nice bathroom. You can go rub one out again to take the edge off. I'll come listen, too, if that will help."
There he goes again, pushing me.
I do a slow blink at him before coming out with a rather masterful comeback. And when I say "masterful," I mean shit. "Why don't you go and rub one out?"
He cocks an eyebrow. "I don't rub out, darlin'. I jack off. — L. H. Cosway

I have this thing. I've always been uncomfortable going to any party where people don't understand why I'm there. One of the best things about partaking in a show like this is, when I show up to events and parties now, they know me. I don't have to hear, 'Oh, you're an actor? Have I seen you in anything?' anymore. I used to have to start listing things off of my resume'. It's really nice not to have to do that anymore. — Jim Parsons

Oh. Yeah? Then do me a favor and explain it to me. Why is Hunter so important? Why does it gotta be him? 'Cause that's what this is about, right? You fuck me but you still want to be with him. — Sophie Jordan

Only moderately ordinary children should be sent to school
so it seems to me.'
'I'm inclined to think just the opposite. I think it would probably make her more normal if she went away and mixed with other children.'
'She wouldn't mix, you see. You never really mixed, did you? And she wouldn't be willing even to pretend to. She's proud, and solitary, and naturally apart. If she has a single nature, why do you want to make her gregarious?'
'No, I don't want to make her anything. But I think school would be good for her.'
'Was it good for you?'
Gerald's eyes narrowed uglily. School had been torture to him. Yet he had not questioned whether one should go through this torture. — D.H. Lawrence

Prince Bolo, who didn't like his Pages to say, 'I told you so,' snapped back: 'What's this, Blabbermouth? Are you a girl?'
You /noticed/, sire,' said Blabbermouth. 'No point /pretending/ any /more/.'
'You tricked us,' said Bolo, blushing. 'You tricked /me/.'
Blabbermouth was outraged by Bolo's ingratitude. 'Tricking you isn't exactly /difficult/, excuse /me/,' she cried. '/Jugglers/ can do it, so why not /girls/? — Salman Rushdie

I wish I knew how one is supposed to live. I wish somebody had taught me. Why do people we take for authorities when we are children let us down in this respect? Who is to tell us which is right? The cross, the crescent, the hammer and sickle, the smiling Buddha? do as you would be done by. — Tessa De Loo

I don't want to sound too silly or pretentious about this, but, you know, I love being in Paris. I love working at Louis Vuitton. I love fashion. That's why I do it. No one's forcing me to do this. And nobody forces anyone to buy it. It's a real love affair. — Marc Jacobs

Maholtz asked me, "Why do you hate me?"
I said, Everyone hates you.
"I know," he said. "I know that," he said, "but they hate me cause I scared them or had what they wanted. You weren't ever scarend of me. You never wanted what I had. Except for the sap. And then you took it, and now I don't have it, so why do you hate me?"
Maybe it's your accent.
"I'm from Pinttsburgh," he said.
Maybe you shouldn't be.
"I can't help where I'm from."
We turned at Main Hall. Feld was talking to Forrest Kenilworth and Cody. The chair sat dripping in front of the door.
So maybe it's your face. The way you look at girls like you're scheming to corner them.
"I was borng this way, though. I can't help how my face loonks."
So maybe it's all the banced thing that you say.
"They just come out of me. I'm hated, I feel it. I say those things without thinking, from hurnt. I can't help that either. It's not my faulnt."
I guess, then, I hate you for being so helpless. — Adam Levin

My command is this: Love each other as I have loved you. JOHN 15:12 Dear Jesus, help me to love others the way that You do. I know that You love them unconditionally, no matter how they act or what they have done. I find it hard to always do that. You have commanded us to love You and love others, but I find it far easier to love You than I do to love them. Other people fail me and You never do. Other people can be unloving and You never are. That's why I need Your love to fill my heart every day. Thank You that You are the God of love - You don't just have love, You are love. I pray that Your Spirit of love in me will flow out of me to others like a river. Enable me to show love even to those who are hard to love. Teach me how to be loving to others in a consistent and unfailing way. Enable me to be the kind of person people are attracted to because of Your love in me. In Jesus' name — Stormie O'martian

Sophie dear,' I said. 'Are you in love with him - with this spider-man?'
'Oh, don't call him that - please - we can't any of us help being what we are. His name's Gordon. He's kind to me, David. He's fond of me. You've got to have as little as I have to know how much that means. You've never known loneliness. You can't understand the awful emptiness that's waiting all round us here. I'd have given him babies gladly, if I could ... I - oh, why do they do that to us? Why didn't they kill me? It would have been kinder than this ... '
She sat without a sound. The tears squeezed out from under the closed lids and ran down her face. I took her hand between my own.
I remembered watching. The man with his arm linked in the woman's, the small figure on top of the pack-horse waving back to me as they disappeared into the trees. Myself desolate, a kiss still damp on my
cheek, a lock tied with a yellow ribbon in my hand. I looked at her now, and my heart ached. — John Wyndham

As soon as he had her safe again in his arms he broke down and kissed her. Helen was so stunned she stopped crying before she had a chance to start and nearly fell out of the sky. Still the
better flyer, Lucas caught her and supported her as they tumbled on the wind, holding and kissing each other as he tumbled on the wind, holding and kissing each other as he guided them safely back down to the catwalk. As their feet touched down, the light inside the lighthouse switched on
and projected the shadows of their embracing figures out onto the choppy waves of the ocean.
"I can't lose you," Lucas said, pulling his mouth away from hers. "That's why I didn't tell you the whole truth. I thought if you knew how bad it was you'd send me away. I didn't want you to give up hope. I can't do this if you give up on us."
(Starcrossed) — Josephine Angelini

Go to hell. I'm not playing this game with you."
"Who's playing? I'm just giving you what you want even if you won't say it. That's why you like me, right?" He ground harder. "'Cause I'll touch you when I want, without asking, and I'll do it right. But he treats you like you'll break. Doesn't like to get messy."
I flinched. "Don't use things I told you against me."
"So admit it," Raymond said, pushing my pants down. "You like me because I'm not scared to get nasty. — Santino Hassell

And this might sound strange but part of why I love her so much is that I don't take it for granted. I don't like to admit it but whenever I put my hand out a part of me worries that maybe she's not going to be there this time, that she's finally sick of all my selfishness and drama...' Sarah squeezes my hand tightly and presses her temple on my shoulder. '...and that's why I freaked out, but then she's always there for me and I'm so goddamn grateful I wonder what I could have possibly done to deserve her. If you want to know what a soul mate is, Marissa, that's it. Sarah's my soul mate. I would stand in front of a train for her, and I love her because she'd do it for me too. — Eric Lindstrom

I shook my head. "You know I ain't never going to be good enough for her. She can't fall in love with me, you know as well as I do that nothing good is going to come of her staying with me."
"Then why do you stay with her? Why, if you seem to think that this is a bad idea, do you stay with her?"
I raked my fingers through my hair. "I don't know! Maybe I'm stupid? A glutton for punishment."
Jackson pointed his beer at me. "Or maybe you love her too and that scares the shit out of you. — Magan Vernon

You are a philosopher, Thrasymachus, I replied, and well know that if you ask a person what numbers make up twelve, taking care to prohibit him whom you ask from answering twice six, or three times four, or six times two, or four times three, 'for this sort of nonsense will not do for me,' - then obviously, if that is your way of putting the question, no one can answer you. But suppose that he were to retort, 'Thrasymachus, what do you mean? If one of these numbers which you interdict be the true answer to the question, am I falsely to say some other number which is not the right one? - is that your meaning?' - How would you answer him? Just as if the two cases were at all alike! he said. Why should they not be? I replied; and even if they are not, but only appear to be so to the person who is asked, ought he not to say what he thinks, whether you and I forbid him or not? — Plato

And then I kiss him for real, and he kisses me back, and his hands fist my hair. And we're kissing like it's breathing. My stomach flutters wildly. And somehow we end up horizontal, his hands curved up around my back.

"I like this," I say, and my voice comes out breathless. "We should do this. Every day."
"Okay."
"Let's never do anything else. No school. No meals. No homework."
"I was going to ask you to see a movie," he says, smiling. When he smiles, I smile.
"No movies. I hate movies."
"Oh, really?"
"Really, really. Why would I want to watch other people kissing," I say, "when I could be kissing you? — Becky Albertalli

But this story ends when you open the door. It doesn't matter if you managed to guess which room is mine, which door I closed behind me. You put your hand on the door handle, you knock, it's all over. End of story. By choosing one, you chose the other, too. Do you understand why? Those two consequences are joined at the hip, they're Siamese twins. Even if you picked the door with the lady behind it - all questions answered, all explanations given, your life solved for you - it's still true that you gave the tiger permission to jump. You gave your assent to catastrophe, you invited tragedy and horror to walk right in. You got lucky, that's all. Mallon — Peter Straub

YANNI "JOHNNY" BACOLAS: I would always tell him, "Layne [Staley], why don't you take off, go to some deserted island, hire the best counselors, and just kick this shit? Go for six months if you have to." And his rebuttal was, "Johnny, I have celebrity status and I have a lot of money. I could fly planes out to deliver me the dope if I wanted to - and that's what I would do. I can't escape. — Greg Prato

With a whisper, Ash asked Shadow, "But why do you live this way? With him, in this kind of role?" In an Aaback fashion, the creature grinned. Then Shadow peered over the edge of the canyon, speaking to no one in particular when he explained, "He needs me so much. This is why." "As a servant?" "And as a friend, and a confidant." With a very human shrug, he asked Ash, "How could anyone survive even a single day, if he didn't feel as if he was, in some little great way, needed? — Robert Reed

You study Yoga in India, Liss?" he asks. "Yes, Ketut." "You can do Yoga," he says, "but Yoga too hard." Here, he contorts himself in a cramped lotus position and squinches up his face in a comical and constipated-looking effort. Then he breaks free and laughs, asking, "Why they always look so serious in Yoga? You make serious face like this, you scare away good energy. To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight at hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile. All finish for today. See you later, alligator. Come back tomorrow. I am very happy to see you, Liss. Let your conscience be your guide. If you have Western friends come to visit Bali, bring them to me for palm-reading. I am very empty in my bank since the bomb. — Elizabeth Gilbert

You need my help? What for? Bread, cash, a fake identity to help you slip sideways through the cracks? Tell me what you need, tell me why I should help, and I'll see what I can do. In memory of Elphaba. You knew her." Her head titled again, but up, this time, and it was to keep the sudden wetness from spilling into her carefully colored false eyelashes. "You knew my Elphie! — Gregory Maguire

I've had the same editor since 1967. Many times he has said to me over the years or asked me, Why would you use a semicolon instead of a colon? And many times over the years I have said to him things like: I will never speak to you again. Forever. Goodbye. That is it. Thank you very much. And I leave. Then I read the piece and I think of his suggestions. I send him a telegram that says, OK, so you're right. So what? Don't ever mention this to me again. If you do, I will never speak to you again — Maya Angelou

An Atheist is a person who questions every kind of authority, and this is the thing that is important. Because if we can, without blinking an eye, question the ultimate authority, god - who must be obeyed, then we can question the authority of the state, we can question the authority of a university structure, we can question the authority of our employer, we can question anything. So I think the primary thing that an Atheist is, is a person who looks at an authoritarian idea, or an authority structure, and says to that authority structure: from whence do you derive your authority and why should I be obedient to you? It appears to me that if I have human intelligence that this is enough for me to try to challenge whatever you're doing. — Madalyn Murray O'Hair

Corrival looked around. 'So is this it? Is everyone here? Erskine, maybe you should start the ball rolling. I have places to go and things to do.'
'Me?' Ravel asked. 'Why do I have to start it? You're the most respected mage here. You start it, or Skulduggery.'
Skulduggery shook his head. 'I can't start it. I don't like most of these people. I might start shooting. — Derek Landy

The song that was playing above us was You And Me by Lifehouse and he pressed his face into my hair and softly sang the words to me.
What day is it? And in what month?
This clock never seemed so alive
I can't keep up I can't back down
I'm losing so much time
'Cause it's you and me, and all of the people
with nothing to do, nothing to lose
And it's you and me, and all of the people
And I don't know why I can't keep my eyes off of you
I could have died ... or cried ... or sighed. I wasn't sure what I wanted to do more. — Shelly Crane

I know this sounds like quite a pile. I know, too, that some of you will wonder why I don't just buy a Kindle. I see your point, but the trouble is that to do so would be to forgo the pleasure of the moment when, years in the future, sand falls from the pages of an old book, and you suddenly remember the Isle of Wight and A Passage to India, a Greek island and The Map of Love, or whatever. For me, a ghostly trace of Ambre Solaire rising from the pages of a sun-bleached paperback is a way back to the past: to favourite stories as much as to favourite beaches. — Rachel Cooke

As the Dark Lord becomes ever more powerful, your race is set still more firmly above mine! Gringotts falls under Wizarding rule, house-elves are slaughtered, and who amongst the wand-carriers protests?"
"We do!" said Hermione. She had sat up straight, her eyes bright. "We protest! And I'm hunted quite as much as any goblin or elf, Griphook! I'm a Mudblood!"
"Don't call yourself - " Ron muttered.
"Why shouldn't I?" said Hermione. "Mudblood, and proud of it! I've got no higher position under this new order than you have, Griphook! It was me they chose to torture, back at the Malfoys'! — J.K. Rowling

Why did you come back? 'Tis not safe." "I came back to finish what we last started." Did he mean their near embrace in the barn? Before Pa came in? His mouth was warm against her ear, his fingers stroking her hair, which frayed at the touch of his callused hand. "I came back to ask you to be my wife." The words, so long wished for, were every bit as sweet as she'd hoped they'd be. But here in this shadowed corner, with Pa so ill ... "Do you love me? Or do you feel pity for me, alone, almost fatherless?" "Not pity, Morrow. Love. The love between a man and a woman." Her lips parted in a sort of wonder. "Have you ever been in love?" "Not till now ... not till you." "Then how can you be ... sure?" "I know my mind, my heart. — Laura Frantz

When you face adversity ... don't' ask: Why does this have to happen to me? Why do I have to suffer this, now? What have I done to cause this? Rather ask: What am I to do? What am I to learn from this experience? What am I to change? Whom am I to help? How can I remember my many blessings in times of trial? — Richard G. Scott

Why hello!" she said, and the dog jumped and pressed its front paws against her knees, then actually licked her with a dry, paper tongue. Ceony laughed and scratched behind its ears. It panted with excitement. "Wherever did you come from?"
The door squeaked again, announcing Mg. Thane's arrival. He looked a little tired, but no worse for wear, and still wore that long indigo coat. "This one won't give me hives," he said with a smile that beamed in his eyes. "It's not the same, but I thought it would do, for now."
Wide-eyed, Ceony slowly stood, the paper dog yapping in its whispery voice and nudging her ankles with its muzzle. "You made this?" she asked, feeling her ribs knit over her lungs. "This . . . this is what you were doing last night?"
He scratched the back of his head. "Were you up? I apologize - I'm not used to having others in the house again. — Charlie N. Holmberg

Sometimes I was resentful. Must she care about everyone in this world? Look at me! Praise me! I want to be the most important! Why do you care so much about so many things? But now, so many years later, I say: Thank you, Mother, for being what you were, for trying to develop me in every way. Kisv — Isabella Leitner

That's a big responsibility, and the details obsess me. And, also, I no longer feel I have to do the Tonight Show every time I open my mouth. Twenty years ago, I told myself I'd rather direct than act, and it's taken me this long. You lose your passion in acting. You make too many mistakes. Maybe that's why I make so many movies; if you don't like this one, another one's opening on Tuesday. But then I spent six months of my life on 'At Long Last Love,' a picture nobody saw. I enjoyed making it, I learned from it, I grew, but that's too much time out of my life. — Burt Reynolds

Easy come, easy go,
That's just how you live, oh,
Take, take, take it all,
But you never give.
Should've known you was trouble
From the first kiss,
Had your eyes wide open.
Why were they open?
Gave you all I had and you tossed it in the trash,
You tossed it in the trash, you did.
To give me all your love is all I ever asked, 'cause
What you don't understand is
I'd catch a grenade for ya
Throw my hand on a blade for ya
I'd jump in front of a train for ya
You know I'd do anything for ya
Oh, oh, I would go through all of this pain,
Take a bullet straight through my brain!
Yes, I would die for ya, baby,
But you won't do the same. — Bruno Mars

Oh great, you too. So now I wear this label 'Queer' emblazoned across my chest. Or I could always carve a scarlet 'L' on my forehead. Why does everyone have to put you in a box and nail the lid on it? I don't know what I am - polymorphous and perverse. Shit. I don't even know if I'm white. I'm me. That's all I am and all I want to be. Do I have to be something? — Rita Mae Brown

A mother's body against a child's body makes a place. It says you are here. Without this body against your body there is no place. I envy people who miss their mother. Or miss a place or know something called home. The absence of a body against my body created a gap, a hole, a hunger. This hunger determined my life ... The absence of a body against my body made attachment abstract. Made my own body dislocated and unable to rest or settle. A body pressed against your body is the beginning of nest. I grew up not in a home but in a kind of free fall of anger and violence that led to a life of constant movement, of leaving and falling. It is why at one point I couldn't stop drinking and fucking. Why I needed people to touch me all the time. It had less to do with sex than location. When you press against me, or put yourself inside me. When you hold me down or lift me up, when you lie on top of me and I can feel your weight, I exist. I am here. — Eve Ensler

I cannot say why, but the simple act of reading it aloud allows you to let go of it. Do not forget this. Believe me, it helps. At first it is a very scary thing to do. — Natalie Goldberg

Don't make me out to be something worth saving. We both know I'm a waste." His voice was so quiet. "I wish I was better at telling you why you have to stay here. I wish I could put into words the part of my heart that has your name written on it. That part hurts right now. You have to be here. You love life too much. You're so important. I wish I could make you understand this." He tried to smile at her valiant efforts. "I would keep you if I could. You can sleep here, right on this couch. Beckett, I will let you hold this baby when it comes." She touched her stomach. "Does that tell you how much you mean to me? It's the only thing I can come up with." He shrugged. "Mouse would be disappointed. He'd feel like he didn't do his job if you died ... Eve loves you. Wherever she is - in this strip club - is that what you've been wishing for?" Beckett shook his head. "No, right? She loves you. You can't kill someone she loves. You just can't. — Debra Anastasia

I also believe that man's continued domestication (if you care to use that silly euphemism) of dogs is motivated by fear: fear that dogs, left to evolve on their own, would, in fact, develop thumbs and smaller tongues, and therefore would be superior to men, who are slow and cumbersome, standing erect as they do. This is why dogs must live under the constant supervision of people ... From what Denny has told me about the government and its inner workings, it is my belief that this despicable plan was hatched in a back room of none other than the White House, probably by an evil adviser to a president of questionable moral and intellectual fortitude, and probably with the correct assessment - unfortunately, made from a position of paranoia rather than of spiritual insight - that all dogs are progressively inclined regarding social issues. — Garth Stein

You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do. — John Green

I want to know why you don't like me, Malloy. I like you, even if you do hit people."
He sighed. "I never said I didn't like you, Mrs. Brandt."
Reasonable again. She wanted to smack him. "And why don't you ever call me Sarah? You think I'm beautiful, but you never call me Sarah."
He muttered something she didn't understand.
"You do think I'm beautiful," she insisted. "You said so!"
"Yes, I do," he said grudgingly. "And I do like you, Sarah. Now let's talk about something else, because you're going to be very embarrassed if you remember any of this conversation tomorrow. — Victoria Thompson

It's like someone breaks your arm, and the person who slammed the baseball bat into it is saying, "The only reason it won't heal is because you keep complaining that it hurts." How about you get me a cast so the bone can set straight again? America does not want to put the effort into providing this cast. This is why we must talk about race, and we must do it openly. As — Luvvie Ajayi

You never know what's actually going on in a person's life. You don't know what happened to them before you met them ... and that's why they are the way they are. But I do think about it whenever I get in contact with my fans. I know this may be the only time they'll ever meet me. I try to take advantage of that moment and be kind and grateful. — Katy Perry

Keep your mouth shut around me," he says, his voice low, "or I will do this again, only next time, I'll shove it right through your esophagus."
"That's enough," Evelyn says. Edward drops the fork and releases Peter. Then he walks across the room and sits next to the person who called him "Eddie" a moment before.
"I don't know if you know this," Tobias says, "but Edward is a little unstable."
"I'm getting that," I say.
"That Drew guy, who helped Peter perform that butter-knife maneuver," Tobias says. "Apparently when he got kicked out of Dauntless, he tried to join the same group of factionless Edward was a part of. Notice that you haven't seen Drew anywhere."
"Did Edward kill him?" I say.
"Nearly," Tobias says. "Evidently that's why that other transfer--Myra, I think her name was?--left Edward. Too gentle to bear it. — Veronica Roth

Is there a reason you are here?" he finally demanded.
With complete nonchalance she replied, "Well,I've brought my trunks. I do believe I'm moving in."
"The hell you are!"
"Nice of you to welcome me in your usual boorish manner" was all she said to that.
A muscle ticked in his jaw. It made not a jot of difference that he'd just gone to Norford and back this morning to bring her here himself. That had been his idea.Her coming here on her own was her idea,and it make him suspicious.
"Don't start your manipulations already," he warned her. "Answer my question."
"Why am I still here? Shall we start with the obvious reason? Because I really am pregnant and once my pregnancy starts to show,I do not want to be in a position to have people ask me who my husband is and not believe me when I tell them that it's you."
"And the not-so-obvious answer?"
"Because you make me so furious that I spite myself to spite you! — Johanna Lindsey

MirkerLurker: I thought the characters were the reason anyone read Monstrous Sea.

rainmaker: You mean like, shipping?

MirkerLurker: No, not shipping - shipping's great, and I do it all the time, but I mean... the characters themselves. The struggles they have to go through, and when you really love them, how much they affect you. When the characters are good, they make you care about everything else. That's why I draw them. It probably sounds dumb, but they're like real people to me. And this will probably sound worse, but sometimes I like them better than real people. I can empathize with characters. Real people are harder. — Francesca Zappia

So for me the creative world isn't what you do after your day job, though many professional musicians do this to make ends meet, but it's something that IS a job. Perhaps that's why I'm not as disheartened by the more cold blooded aspects of the industry. Over the course of watching my mother navigate the creative world I've seen just about every trick pulled that could have been and I've seen her deposit the checks received for a job well done. When I recently asked her why she chose the creative world she said: "Early on I decided that if I had to work I was going to work at something that I loved."

I'm glad she did. As difficult, chaotic, dysfunctional and crazy as the world in music and the arts can be I always knew that they mattered deeply to her, as they do to me. — Jamie Freveletti

What the fuck do you want?" After a pause, he said in a firm voice, "This is Dylan Keeley, the guy who would've killed to trade places with you until five minutes ago." He met my eyes. "She doesn't want to talk to you. Now why don't you go back to screwing your prom queen and let me do the same. — Jeri Smith-Ready

Mai grins at Mycroft. 'You know that's slightly ridiculous, don't you?'
He smiled. 'Why?'
'Because. . . because you're teenagers.' Mai's expression says it should be obvious. 'Mycroft, this isn't like figuring out who spray-painted some guy's car. This is murder.'
'The principles are the same' he insists.
'But you're both minors. And you have no access to police information, no experience, no forensics lab, no authority. . . '
'Mai, are you trying to bring me down or something?'
Gus, who usually only gets emotive about things like soccer, suddenly leans forward. 'I think you should do it.' He glances at me and Mycroft in turn. 'This homeless guy, it's not like his death is going to be a major priority, is it? The police won't bend over backwards to bring his killer to justice or anything. He was a derelict with no family. So you two are the only ones who even care. — Ellie Marney

Oh, Heidi! Heidi!" Marta exclaimed at last. "This is your garden. I know it even though you have not told me. Do you suppose in Heaven it is any more beautiful than this?"
"I sometimes think that Heaven is all around us, if we only have eyes to see it," Heidi said softly.
"And on the Alm too?" questioned Marta.
"Yes, and in Dorfli. Even in the chateau which seems so gloomy now. There must be a little Heaven there as well. And if not, Marta, why not make it so? — Charles Tritten

In a fragment of a second you can understand: Things you know, things you don't know, things you don't know that you don't know, conscious, unconscious, things which in a fragrant of a second you can react to: we can all imagine why this capacity was given to us as human beings - I guess to survive. Architecture to me has the same kind of capacity. It takes longer to capture, but the essence to me is the same. I call this atmosphere. When you experience a building and it gets to you. It sticks in your memory and your feelings. I guess thats what I am trying to do. — Peter Zumthor

God, why do You love me?"
BECAUSE I AM LOVE.
"God, when do You love me?"
ALWAYS.
"How do You love me?"
WITH GRACE, PATIENCE, AND FORGIVENESS.
"God, am I good enough for You?"
MY PRECIOUS CHILD, YOU DON'T NEED TO BE.
"Why?"
BECAUSE I LOVE YOU SO MUCH THAT I GAVE MY ONLY SON, AND HE TOOK UPON HIS SHOULDERS THE AFFLICTIONS AND SINS OF THIS WORLD.
"God, when will I get to see You?"
AFTER YOU CHOOSE TO BELIEVE IN ME.
"Then I will know You here, and in Heaven?"
YES, THEN YOU WILL KNOW ME HERE, AND IN HEAVEN.
"I love you, God."
He always replies,
I LOVED YOU YESTERDAY,
I LOVE YOU TODAY,
AND I WILL LOVE YOU TOMORROW.
~ excerpt from "Halo Found Hope" Chapter 21, HOPE FOUND — Helo Matzelle

How do you explain why the sun rises every morning? How do you explain the stars in the sky? How do you understand why no two snowflakes are alike? Some things just are, baby. And this is one of them. I can't give you pretty, dressed-up answers that are so polished they don't even sound sincere. I can only tell you that for me, it's you. It's always going to be you and nobody else. Fuck explaining it. I don't need an explanation. I just need you. — Maya Banks

[Ana] "You're a sadist?"
"I'm a Dominant." His eyes are a scorching gray, intense.
"What does that mean?" I whisper.
"It means I want you to willingly surrender yourself to me, in all things."
I frown at him as I try to assimilate this idea.
"Why would I do that?"
"To please me," he whispers as he cocks his head to one side, and I see a ghost of a smile.
Please him! He wants me to please him! I think my mouth drops open. Please Christian Grey. And I realize, in that moment, that yes, that's exactly what I want to do. I want him to be damned delighted with me. It's a revelation. — E.L. James

Pulling her eyes away, she figured it was best to keep such questions to herself. "You could have just, you know, asked me out instead," she offered, though she wasn't sure why.
John let out a soft chuckle. "Very true. I guess I just ... I wanted to keep you safe."
"Safe? From what?" Evangeline suddenly felt heat rush her face. Was this man just paranoid or what? "Safe from this? Or from you?"
He looked up, placing his fork down on the plate. His stare was expressionless and she suddenly regretted her brazen accusation. "Both." His reply had been simple, direct, stern. "Those people who did this to me, they'll do worse to you if they think that we're involved ... if they think that their message wasn't clear enough. — Shawn Kirsten Maravel

Why did you do this?" He was shaking. "Just tell me why."
I tried to muster up some of the righteous indignation that I'd felt on Friday night as I said, "You knocked over my gravestone!" But even to my ears the words sounded tinny and pathetic.
Dan's face was pale. "It was just a gravestone, Chelsea. And it was a mistake. I told you that already, and I meant it. I've never lied to you. My God, can't you tell the difference between a gravestone and a person you love? Can't you tel which one matters?"
But if I had to point to the real problem in my life, it's that I've never known the difference between a gravestone and a person I love. I have never known which is which until it's too late.
"All's fair in love and war," I reminded him, aiming for Tawny's tone. But my voice came out sounding just like me.
"Oh, yeah? And which is this?" he asked. "Love or war? — Leila Sales

You ain't old yet but when you get old, all the women in the village start to look down on you when they find out you want to do something other than sweep the kitchen or cut up vegetables. Had this big starch mango tree when I was small. Anytime I set myself to climb it, there was always a woman passing by to yell at me and tell me to get down. Asked me why I leaving my poor mother to do all the housework. I never got to the top. It was like God was always watching, ready to send another hag to tell me down. Then, one day, they cut down the tree. — Kevin Jared Hosein

There was this constant urge in me to tear my insides apart,
I didn't know why. By the time I made my mind that it was impossible for me
to do, there alighted the fear, haunting me with the words that rang
constantly in my head, "You're not brave enough".
I didn't feel devastated, I felt the urge to be devastated. — Sanhita Baruah

Accepting death doesn't mean you won't be devastated when someone you love dies. It means you will be able to focus on your grief, unburdened by bigger existential questions like, "Why do people die?" and "Why is this happening to me?" Death isn't happening to you. Death is happening to us all. — Caitlin Doughty

Nic staggered back a foot. "Why have you pursued me out into the streets? I cant help you. Leave me alone."
"Can't do that. Not yet. First, I really must know something of great importance."
The prince moved closer still. Before Nic could fumble for his sword to protect himself form attack, Ashur took his face between his hands and kissed him.
Nic stood there, frozen in place.
This was not what he'd expected. At all. — Morgan Rhodes

Do you think I am a fool, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you never think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you never wonder why I gave you so many pots, so many creams, so much perfume? — Catherynne M Valente

But why are you giving this to me if you don't believe?"

"Because I know that you do. — Adria J. Cimino

You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter ... What you're doing is trying to stay alive and continue and not die. — Philip Guston

I saw a man swerve his car and try to hit a stray dog, but the quick mutt dodged between two parked cars and made his escape. God, I thought, did I just see what I think I saw? At the next red light, I pulled up beside the man and stared hard at him. He knew that'd I seen his murder attempt, but he didn't care. He smiled and yelled loud enough for me to hear him through our closed windows: 'Don't give me that face unless you're going to do something about it. Come on, tough guy, what are you going to do?' I didn't do anything. I turned right on the green. He turned left against traffic. I don't know what happened to that man or the dog, but I drove home and wrote this poem. Why do poets think they can change the world? The only life I can save is my own. — Sherman Alexie

It makes me angry that you hate yourself for something that somebody else made you do. Don't let them take any more. Don't you do that Andres."
"None of this does any good, Grace. All these visits, all this talking, all this strolling down fucking memory lane. It doesn't help. And you know why it doesn't help? Because everything that's happened - it lives so deep inside me that the only way I can ever get rid of it is to die."
"That's not true, Andres."
"It is true. Happiness isn't in the cards for everyone, Grace. — Benjamin Alire Saenz

I'm sorry. I don't know how many times to tell you this for you to know it," I continued. "Francesca ... the night you stayed with me was the best night of my life. I've never felt more alive, more loved, happier, than when I hold you in my arms. Seeing your face makes my heart beat faster, in a good way, and I feel this calmness come over me. I don't know why, but it's always been this way with you. I understand if you can't forgive me, and I know you could do better, but I'm going to try my damnedest to make it up to you when I get out of here. I don't care if it takes a year, or ten, or even twenty. I will make you see how much I care. — Felicia Tatum

You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort. You deserve this. You have killed yourself. Yes, you may kiss me, and cry; and wring out my kisses and tears: they'll blight you - they'll damn you. You loved me - what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton? Because misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will did it. I have no broken your heart - you have broken it; and in breaking it, you have broken mine. So much the worse for me that I am strong. Do I want to live? What kind of living will it be when you - Oh, God! would you like to lie with your soul in the grave? — Emily Bronte

Do you really like to read that much?" she asked as we ambled our way casually in the dark toward the piazzetta. I looked at her as if she had asked me if I loved music, or bread and salted butter, or ripe fruit in the summertime. "Don't get me wrong," she said. "I like to read too. But I don't tell anyone." At last, I thought, someone who speaks the truth. I asked her why she didn't tell anyone. "I don't know ... " This was more her way of asking for time to think or to hedge before answering, "People who read are hiders. They hide who they are. People who hide don't always like who they are." "Do you hide who you are?" "Sometimes. Don't you?" "Do I? I suppose. — Andre Aciman

Some well-meaning folks think if we stop talking about racism, it'll magically disappear, like the smell of an errant fart. But like a fart, people might try to be polite and ignore it, but everyone knows it's there. Avoidance has never been a great tactic in solving any problem. For most situations in life, not addressing what's going wrong only makes matters worse. It's like someone breaks your arm, and the person who slammed the baseball bat into it is saying, 'The only reason it won't heal is because you keep complaining that it hurts.' How about you get me a cast so the bone can set straight again? America does not want to put the effort into providing this cast. This is why we must talk about race, and we must do it openly. — Luvvie Ajayi

We can't all leave this country, Bijan had told me-this is our home. The world is a large place, my magician had said when I went to him with my woes. You can write and teach wherever you are. You will be read more and heard better, in fact, once you are over there. To go or not to go? In the long run, it's all very personal, my magician reasoned. I always admired your former colleague's honesty, he said. Which former colleague? Dr. A, the one who said his only reason for leaving was because he liked to drink beer freely. I am getting sick of people who cloak their personal flaws and desires in the guise of patriotic fervor. They stay because they have no means of living anywhere else, because if they leave, they won't be the big shots they are over here; but they talk about sacrifice for the homeland. And then those who do leave claim they've gone in order to criticize and expose the regime. Why all these justifications? — Azar Nafisi

Why are you afraid of death? Is it perhaps because you do not know how to live? If you knew how to live fully, would you be afraid of death? If you loved the trees, the sunset, the birds, the falling leaf; if you were aware of men and women in tears, of poor people, and really felt love in your heart, would you be afraid of death? Would you? Don't be persuaded by me. Let us think about it together. You do not live with joy, you are not happy, you are not vitally sensitive to things; and is that why you ask what is going to happen when you die? Life for you is sorrow, and so you are much more interested in death. You feel that perhaps there will be happiness after death. But that is a tremendous problem, and I do not know if you want to go into it. After all, fear is at the bottom of all this - fear of dying, fear of living, fear of suffering. If you cannot understand what it is that causes fear and be free of it, then it does not matter very much whether yo u are living or dead. — Jiddu Krishnamurti

You think back to Tele players, and James Burton was the one who started it all. He inspired Roy Nichols (guitar for Merle Haggard & the Strangers), Don Rich (guitar for Buck Owens & the Buckaroos), and guys like that to push the envelope and expand on that sound ... I really identify with that kind of thinking ... those guys to me are the reason why any of us do this.. — Brad Paisley

I got a call from Tom Hanks, who directed That Thing You Do!, when he was done cutting that film. I was like, "Oh, my god. Tom Hanks is calling me. This is amazing!" And then, of course, he was calling me to tell me that I was barely in the movie. But I'll never forget it - and this is why he's Tom Hanks, because he's got such a way with words. — Kristen Stewart

I sit on my bed and think about Nader McMillan and wonder what I'm going to do. Ignore him. Stand up to him. Avoid him. Be "tough." I think of the stuff Dad has said over the years. How he finally gave up suggesting things. Why are you asking me this? I never figured out what to do about my own bullies. How am I supposed to know what to do with yours? — A.S. King

I know what you think of me, Miles. I know what you
have thought of me. But I have a heart. I do have a heart. I just cannot afford to use it. Don't you see? Why can't you see this? Whereas you
may play at all of this as much as you like. There will always be someone for you. And that is the difference. I cannot afford to use my heart. And you
you choose not to use yours.' - Cynthia Brightley to Miles Redmond — Julie Anne Long

Ah men, why do you want all this attention? I can write poems for myself, make love to a doorknob if absolutely necessary. What do you have to offer me I can't find otherwise except humiliation? Which I no longer need. — Margaret Atwood

At that time a psychologist appeared in Oslo, and wrote interesting articles in the paper about how to cure homosexuality. ... This man is a pervert. He wants to change nature. He wants to change the natural growth of love between a woman and a woman, or between a man and a man. If society itself wasn't hostile to love, he would never have been allowed to do that. Can't you see? Why can't you ever get it out of your head that love is against nature? Because that's what you're saying when you say homosexuality is against nature. Didn't nature make me? Or was I the result of some mysterious embryonic experiment, conceived on another planet, and planted in my mother's womb? Because I can assure you: I was born a lesbian. I was a lesbian the moment I came out and said, Boooooo. — Gerd Brantenberg