White Jazz Quotes & Sayings

I was exposed to jazz early on. — Mark White

The girl's face looks greedy, haughty and very lazy. The cream-at-the-top-of-the-milkpail face of someone who will never work for anything; someone who picks up things lying on other people's dressers and is not embarrassed when found out. It is the face of a sneak who glides over to your sink to rinse the fork you have laid by her plate. An inward face
whatever it sees is its own self. You are there, it says, because I am looking at you. — Toni Morrison

Howie swore translated to "I am strong and mighty in the wind," but which Jazz feared actually translated to "Another dumbass white kid with Asian tats. LOL. — Barry Lyga

I don't want to be a free nigger; I want to be a free man."
"Don't we all. Look. Be what you want
white or black. Choose. But if you choose black, you got to act black, meaning draw your manhood up - quicklike, and don't bring me no whiteboy sass."
Hunter's Hunter and Godlen Gray — Toni Morrison

The humor of jazz is rich and many-sided. Some of it is obvious enough to make a dog laugh. Some is subtle, wry-mouthed, or back-handed. It is by turns bitter, agonized, and grotesque. Even in the hands of white composers it involuntarily reflects the half-forgotten suffering of the negro. Jazz has both white and black elements, and each in some respects has influenced the other. It's recent phase seems to throw the light of the white race's sophistication upon the anguish of the black. — Bix Beiderbecke

When I was young, I never bought records because my brother Joseph played saxophone and had a record player. I loved listening to his records: The Dorsey Brothers, Duke Ellington, all the big American jazz bands, and vocalists like Ella Fitzgerald, Ernestine Anderson, and Kitty White, a singer from the US who was a friend of Nina Simone. Nobody in America seems to know about her, but she was quite popular in South Africa. — Miriam Makeba

Madame LaFleur would say that you're more of a classical ballet dancer instead of a jazz dancer. But sometimes all you have to do is change costumes to become something different. — Karen White

It [the Harlem Renaissance] was a time of black individualism, a time marked by a vast array of characters whose uniqueness challenged the traditional inability of white Americans to differentiate between blacks. — Clement Alexander Price

Inevitably, however, a dude approached us. He was white. Jazz camp was mostly white dudes. This dude was clutching a gold-embossed tenor sax case, and on his head was a fedora with two different eagle feathers in it. — Jesse Andrews

Inside, The Boneyard seemed to cover the area of a township and the bar looked as long as the railroad tracks. Round pools of light on the green poker tables alternated with hourglass shapes of exciting gloom, through which drink girls and change girls moved like white-legged witches. By the jazz-stand in the distance, belly dancers made their white hourglass shapes. The gamblers were thick and hunched down as mushrooms, all bald from agonizing over the fall of a card or a die or the dive of an ivory ball, while the Scarlet Women were like fields of poinsettia. — Harlan Ellison

I always thought that as much as I love 'White Jazz,' it became almost unfilmable at some point, because there are so many strands, so much, and it became so psychotic ... that's what made it such a great book, but those things would not carry over into the filmic realm, I thought, with ease. — Joe Carnahan

Jazz music hashaunted America for seventy years.It has tempted us out of our lily-white reserve with its black promise of untrammeled joy. — John Clellon Holmes

I suppose it was later on that I realized that there was some reaction among the musicians themselves, some of whom resented the success of cool jazz in California, and that broke down into the white guys against the hard-blowing black guys in New York. — Ashley Kahn

Those who have not lived in New Orleans have missed an incredible, glorious, vital city
a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation. — Jordan Flaherty

A lot of the early jazz artists, of course, couldn't even walk through the front door of the hotels and clubs they were playing in and had to enter through back doors and kitchens, and I think Jean felt this was a metaphor for his place in the art world: he had entered through the back door. He broke into the white art world in a way that had never been done before by any black. — Jennifer Clement

What I can't understand why Blacks can't achieve royal status when it comes to forms that they have largely created? I mean there's a White King of Rock n' Roll, there's a White King of Jazz, how come we can never achieve titles of royalty in these fields we are supposed to prevail in? They held a so called Rock and Roll Hall of Fame the other night, where White judges credit people who resemble them with the invention of Rock and Roll. I didn't even see Blacks in the audience. — Ishmael Reed

At least Lars was curious about the appeal of jazz to black folk; for most observers, such ponderation is akin to contemplating why gorillas like bananas. The attractiveness of jazz to the nonblack is well documented in publicly funded documentaries where experts speak of jazz in the past tense. They look authoritatively into the camera and ingratiate themselves with the Man by saying things like, "White people were hearing something in jazz that says something deeply about their experience. I'm not sure that it would have been this way if we were not a country of immigrants ... so many people felt kind of displaced ... I think that was part of its amazing appeal, was how it spoke to feeling out of sort and out of joint and maladjusted."
What hogwash. Does my fondness for classical music make me well adjusted? Besides, people who are really fucked up don't turn to jazz; they turn to heroin, opium, whiskey, and Vonnegut. — Paul Beatty

You know what I'd really like to do? I'd like to record some white Chicago jazz. — Ahmet Ertegun

Mogadishu the beautiful - your white-turbaned mosques, baskets of anchovies as bright as mercury, jazz and shuffling feet, bird-boned servant girls with slow smiles, the blind white of your homes against the sapphire blue of the ocean - you are missed, her dreams seem to say. — Nadifa Mohamed

Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. — Langston Hughes

Now I shall speak of evil as none has
Spoken before. I loathe such things as jazz;
The white-hosed moron torturing a black
Bull, rayed with red; abstractist bric-a-brac;
Primitivist folk-masks; progressive schools;
Music in supermarkets; swimming pools;
Brutes, bores, class-conscious Philistines, Freud, Marx, Fake thinkers, puffed-up poets, frauds, and sharks. — Vladimir Nabokov

Downtown, a dress for Meg- I do it every time I kill a man. — James Ellroy

To most white people, jazz means black and jazz means dirt, and that's not what I play. I play black classical music. — Nina Simone

There are 100,000 total marijuana smokers in the US, and most are Negroes, Hispanics, Filipinos and entertainers. Their Satanic music, jazz and swing, result from marijuana usage. This marijuana causes white women to seek sexual relations with Negroes, entertainers and any others. — Harry J. Anslinger

When her muzzle grew more white than brown, the chipmunk forgot that she and the squirrel had had nothing to talk about. She forgot the definition of "jazz" as well and came to think of it as every beautiful thing she had ever failed to appreciate: the taste of warm rain; the smell of a baby; the din of a swollen river, rushing past her tree and onward to infinity. — David Sedaris

This development signified also that jazz would someday have to contend with the idea of its being an art (since that was the white man's only way into it). The emergence of the white player meant that Afro-American culture had already become the expression of a particular kind of American experience, and what is most important, that this experience was available intellectually, that it could be learned. — Amiri Baraka

Tone on jazz guitars is a real tough issue. — Mark White

Jazz is a white term to define black people. My music is black classical music. — Nina Simone

'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it. — Chris Pine

The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug. — Russell Simmons

You hear lots of notes, don't you? Some have a major sound. Some have a minor sound. But there's not one blue note among all these black and white keys. The real blues, the soul of the sound, comes from the spaces in-between. — David Mutti Clark

When I was playing piano, it was like, 'I'm going to write a song using all the white keys.' My music director, who knew my jazz background, suggested I try big-band music, so we spent a year experimenting with it in concert, and the audience reaction was really good. — John Tesh