When You Think It's The End Quotes & Sayings

You don't think the losing is ever going to end, but when it does end, you get to enjoy it and keep working with it and keep getting it better, and that's where we are. — Scott Brooks

I'm just sorry. Sorry that there won't be any more camping trips for kids or rock bands or even new books to read. No more movies or fresh bags of popcorn. It really sucks when you think about it. Of course, there is the possibility that we might be able to win this war, but not for a very long time. Probably longer than you and I will ever exist in this world."
"I try not to think about it."
"Sometimes it's all I ever think about. — Jeyn Roberts

It's very important to take risks. I think that research is very important, but in the end you have to work from your instinct and feeling and take those risks and be fearless. When I hear a company is being run by a team, my heart sinks, because you need to have that leader with a vision and heart that can move things forward. — Anna Wintour

I used to think I was like the wicket- keeper, which is like the catcher in base- ball, y'know what I mean? You can call the play a lot from behind the plate, y'know what I mean? You're not necessarily the star, you're not the one that makes the mark, but usually in the end, you're called upon to get a run when it's needed. — Eric Idle

When I was up there, stranded by myself, did I think I was going to die? Yes. Absolutely, and that's what you need to know going in because it's going to happen to you. This is space. It does not cooperate. At some point everything is going to go south on you. Everything is going to go south and you're going to say 'This is it. This is how I end.' Now you can either accept that or you can get to work. That's all it is. You just begin. You do the math, you solve one problem. Then you solve the next one, and then the next and if you solve enough problems you get to come home. — Andy Weir

In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace.
Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa."
She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will."
"Yes?" Amusement glittered his eyes.
With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question. — Cassandra Clare

What mattered to me most when I was batting was feeling comfortable. As long as I felt comfortable, it didn't matter where I was playing or who I was playing against. If you make technical adjustments to cope with different conditions, there's a risk of making yourself feel uncomfortable and of thinking too much about your technique. I've always felt that I've batted best when my mind has been at the bowler's end of pitch, not at my end. There's no time to think about both ends at the same time. So in general it always seemed to me that If I was comfortable with my gear, it would allow my mind to be at the opposite end and I had a better chance of playing well. — Sachin Tendulkar

And I think for a moment, because people don't actually ask that very often. They tell me what they think I feel because they've read it in books, or they say incredible things like "autistic people have no sense of humour or imagination or empathy" when I'm standing right there beside them (and one day I'm going to point out that that is more than a little bit rude, not to mention Not Even True) or they -- even worse -- talk to me like I'm about five, and can't understand.
"It's like living with all your senses turned up to full volume all the time," I say. "And it's like living life in a different language, so you can't ever quite relax because even when you think you're fluent it's still using a different part of your brain so by the end of the day you're exhausted. — Rachael Lucas

When I go to the cinema, I want to have a cinematic experience. Some people ignore the sound and you end up seeing something you might see on television and it doesn't explore the form. Sound is the other picture. When you show people a rough cut without the sound mix they are often really surprised. Sound creates a completely new world. With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue I think expositional dialogue is quite crass and not like real life. — Lynne Ramsay

When you get what you want in your struggle for pelf, And the world makes you King for a day, Then go to the mirror and look at yourself, And see what that guy has to say. For it isn't your Father, or Mother, or Wife, Whose judgement upon you must pass. The feller whose verdict counts most in your life Is the guy staring back from the glass. He's the feller to please, never mind all the rest, For he's with you clear up to the end, And you've passed your most dangerous, difficult test If the guy in the glass is your friend. You may be like Jack Horner and "chisel" a plum, And think you're a wonderful guy, But the man in the glass says you're only a bum If you can't look him straight in the eye. You can fool the whole world down the pathway of years, And get pats on the back as you pass, But your final reward will be heartaches and tears If you've cheated the guy in the glass. Dale Wimbrow — Shawn Jones

He let you have the pants anyway?" she asked. I had started talking about Maxon as soon as I could, eager to know how their conversation had gone.
"Yeah. He was very generous about it all."
"I think it's charming that he's a good winner."
"He is a good winner. He's even gracious when he's gotten the raw end of things." Like a knee to the royal jewels, for example. — Kiera Cass

I think when you commit to somebody, and you take them off the market, right, I think it is your job as a woman or as a man to ... I don't think you should ever say no. I'm talking about if you're tired or somebody's like 'I'm tired.' No, because at the end of the day you took that person off of the market. They can't go and be with someone else because they're with you. So, don't you ever say no. — Sevyn Streeter

And I always think of life like a giant wave. You know, it rises and it crests and it flies, and it's just magnificent, and then it crashes. And for a lot of people, when it crashes, that's the end, and they go down the deep, dark hole of depression. — Jane Seymour

But no, I'm sorry. I can't end there. I haven't yet said everything I want to say. A little girl is at school, out in the playground with her friends, and she sees a flower and says to her friends, just thinking out loud, wondering gently to herself: Do you think flowers have feelings? And for the rest of the day her friends tease her relentlessly, with every new opportunity that arises. Do flowers have feelings, that's so stupid. Right, flowers have feelings. All day and for the rest of the week: stupid flowers have stupid feelings and that little girl feels she is never going to say anything like that ever again. She has already learned that when you open your heart or express genuine, innocent curiosity or wonder about the world, your friends will pounce on the opportunity and use it to hurt you as viciously as possible and there is nothing anyone can do to protect her. It's simple stories like that that really break my heart. — Jacob Wren

You know," he said, "now that I've got used to the idea, I think I'd rather have it this way. We've all got to die one day, some sooner and some later. The trouble always has been that you're never ready, because you don't know when it's coming. Well, now we do know, and there's nothing to be done about it. I kind of like that. I kind of like the thought that I'll be fit and well up till the end of August and then - home. I'd rather have it that way than go on as a sick manfrom when I'm seventy to when I'm ninety. — Nevil Shute

I have a theory about men like you, Jack."
That seemed to lighten his mood. He slid me an amused glance. "What is your theory, Ella?"
"It's about why you haven't committed to anyone yet. It's really a matter of efficient market dynamics. Most of the women you date are basically the same. You show them a good time, and then it's on to the next, leaving them to wonder why it didn't last. They don't realize that no one ever outperforms the market by offering the same thing everyone else is offering, no matter how well packaged. So the only thing that's going to change your situation is when something random and unexpected occurs. Something you haven't seen on the market before. Which is why you're going to end up with a woman who's completely different from what you and everyone else expects you to go for."
I saw him smile.
"What do you think?"
"I think you could talk the ears off a chicken," he said.
-Ella & Jack — Lisa Kleypas

That kiss you gave me was the hottest kiss i've ever had. I pulled away because i was afraid i wouldn't be able to stop myself from ripping off your clothes. And that didn't seem like the right way to end a first date. I didn't want you to think that was all i was interested in."
She stared at him. There was silence again, but this time she didn't worry about how long it went on.
"Why didn't you tell me?" She said finally.
"I tried to, but every time i saw you afterward you disappeared. I got the feeling you were avoiding me."
"i didn't want things to be awkward."
"Yeah, there was nothing awkward about you hiding behind a plant when i came into the dining hall at lunch on wednesday."
"I wasn't hiding. I was, um, breathing. You know, oxygen. From the plant. Very oxygenated, that air is."
"Of course. I should have thought of that."
"It's a healthy thing. Not many people know about it. — Michele Jaffe

The end never comes when you think it will. It's always ten steps past the worst moment, then a weird turn to the left. — Lena Dunham

It has always been like that with changes. In 1913, we established divorce as a right for women in Uruguay. You know what they were saying back then? That families would dissolve. That it was the end of good manners and society. There has always been a conservative and traditional opinion out there that's afraid of change. When I was young and would go dancing at balls, we'd have to wear suits and ties. Otherwise they wouldn't let us in. I don't think anyone dresses up for dancing parties nowadays. — Jose Mujica

You see, Momo ... it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept ... And then you hurry. You work faster and faster, and every time you look up there seems to be just as much to sweep as before, and you try even harder ... , and you panic, and in the end you're out of breath and have to stop-and still the street stretches away in from of you. — Michael Ende

Even at this late date, I go into my studio, and I think 'Is this going to be it? Is it the end?' You see, nearly everything terrorizes me. When an artist loses that terror, he's through. — Robert Rauschenberg

The gotta, as in: "I think I'll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out." Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: "I know I should be starting supper now - he'll be mad if it's TV dinners again - but I gotta see how this ends." I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend's screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world's most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn't matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record - don't stop til you get enough. — Stephen King

I think I liked writing a novel better. Obviously, it's more rewarding. It's that marathon thing where it sucks when you're doing it, but you're proud of yourself at the end, and you've done it, and at the very least, nobody can take that away from you. — Drew Magary

It does not count if you believe in yourself when it's easy to believe in yourself. It does not count if you believe the world can be a better place when the future looks bright. It does not count if you think you're going to make it when the finish line is right in front of you. It counts when it's hard to believe in yourself, when it looks like the world's going to end and you've still got a long way to go.
That's when it counts. That's when it matters the most. — Pleasefindthis

I love my lifestyle now, but at the end of nine months, you're toast. You are toast. It's like running a marathon. You can't think while you're doing it. Especially when different directors come in who are not part of the posse, the circle. — Christopher Meloni

My brother gave me some good advice.
He said, "What do you want to do? Do that because there are no rules when it comes to love. There are absolutely no rules. Do what you want to do." I think that was the most liberating piece of advice, because love really is unpredictable. There's trap doors, all kinds of scary stuff, caves and bears ... You never know what's going to happen so you just have to do what you feel is right in the end. — Taylor Swift

Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that's just me) as if you've never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you'll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time. — Neil Gaiman

Glass is transparent, right? And fragile. That's the fundamental nature of glass. And that's why objects that are made of glass have to be handled with care. After all, if they end up smashed or cracked or chipped, then they're good for nothing, right, you just have to chuck them away.
Before, we used to have a kind of glass that couldn't be broken. A truth so hard and clear it might as well have been made of glass. So when you think about it, it was only when we were shattered that we proved we had souls. That what we really were was humans made of glass. — Han Kang

The word thing is an interesting word. At first glance it looks like the front half of one word combined with the last half of another. It's a versatile word. It can be good, as in, "what a nice thing," or "she has a thing for you." Or it can be bad, like "the thing under the bed," or "here's the thing, you're fired and you smell bad." Add an "s" to the back end of it and it becomes something that most people in the world can't get enough of.
Things
People love things. They collect things. They store things. They cherish things and then move on and cherish other things. People also buy things. Some buy a lot of things simply because their neighbors have those same things
which is a weird thing if you really think about it.
It's remarkable what we'll do for the sake of things when in reality things couldn't care less about us. — Obert Skye

(..)-Dr. G. would later say that the whole "my whole life flashed before me" phenomenon at the end is more like being a whitecap on the suface of the ocean, meaning that it's only at the moment you subside and start sliding back in that you're really even aware there's an ocean at all. When you're up and out there as a whitecap you might talk and act as if you know you're just a whitecap on the ocean, but deep down you don't think there's really an ocean at all. It's almost impossible to. Or like a leaf that doesn't believe in the tree it's part of, etc. There are all sorts of ways to try to express it. — David Foster Wallace

It's been open about a year now.And it is one of my favorite places in the city."
"You never told me," he said, sounding surprised.
"So even after all these years,we can still surprise one another," she teased.
He leaned over and kissed her quickly on the cheek. "Even after all these years," he said. "So enlighten me-how often do you come to this place?"
"Five,maybe six times a week."
"Oh?"
"Every morning when I'd leave the shop,I'd usually walk down to the Embarcadero,amble along the promenade and end up walking the length of this pier.Where did you think I was for that hour?"
"I thought you'd popped across the road for coffee."
"Yea,Nicholas," Perenelle said in French. "I drink tea. You know I hate coffee."
"You hate coffee?" Nicholas said. "Since when?"
"Only for the last eighty years or so."
Nicholas blinked,pale eyes reflecting the blue of the sea. "I knew that.I think."
"You're teasing me."
"Maybe," he admitted. — Michael Scott

I may not know the weight of those things, but I could feel the weight of that one, so I kept it to myself. You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you. I suppose it's why you feel so far away from everyone, in the end; anything you can think of to tell them just ends up making them feel terrible. — Nick Hornby

You might think you're the villain in my story, Lux, but what you don't seem to realize is that I don't care. Princess or Evil Queen, I want you standing by my side when the tale comes to an end. So I'm not walking away - I'm going to wear you down, until you're ready - no, until you're dying - to tell me what happened back then." Another kiss landed on my lips, and I fought off a tremble of desire. "And Freckles?"
My eyes flickered up to meet his searing gaze.
"It's going to be a hell of a lot of fun. — Julie Johnson

You know, hon, after Stephie died, we never really talked about her." she says, her hands tight around the cart handle. "There's a lot of pain there. Still. I guess we feel like we failed her. Like maybe if we were home instead of away at college, we could've done something to fix her. Something my patents and the doctors and her boyfriend missed. Sometimes I think I don't have the right to talk about her. Like at the end, I don't know her well enough to say anything. So much of her life became secret. She spent all of her time with her boyfriend, and when she was home, her nose was buried in her diary. I swear that diary was her best friend, even more than Megan."
"Did you ever read it?" I ask.
"No."
"Not even after she died?"
Aunt Rachel shakes her head, removing an eggplant from the middle row and pressing her fingers against its flesh. "To this day, I don't know if I would've, either. We never found it, Delilah. It's like she just ... took it with her. — Sarah Ockler

Sometimes the changes are good. Sometimes you think they're good and you end up disappointed. Other times you think life has handed you a lemon and it turn out to be a diamond. And there are other times when it just is what it is. It's not what you wanted, but there's nothing you can do about it, so you just have to accept what's happened and go on — Melodie Ramone

I lived here once," the author said after a moment.
"Here? For a long time?"
"No. For just a little while when I was young."
"It must have been rather cramped."
"I didn't notice."
"Would you like to try it again?"
"No. And I couldn't if I wanted to."
He shivered slightly and closed the windows. As they went downstairs, the visitor said, half apologetically: "It's really just like all houses, isn't it?"
The author nodded.
"I didn't think it was when I built it, but in the end I suppose it's just like other houses after all. — F Scott Fitzgerald

It's a process and it's a matter of understanding the horse and through any of these little projects you have a beginning, a middle and an end. And if you made up your mind early when he's still scared, you'd think that wasn't working at all. Sometimes it might get darker, before it gets dawn. You might have to work at it a little bit in order for it to come out the other side. — Buck Brannaman

Happiness increases and decreases depending on the level of power one has. When you have more power, more control on your life, you feel more happy and self-confident, as your power decreases and the control of your life slips away, you get less and less happy and when you no longer have any power to rely on you reach depression and despair. This is the point where your power meter has hit 0. You now need to rely on the good favors of others to live. For those who believe in the power of god, it sustains them through this dark hour. For those who do not believe, they think they have reached the end and may take their lives. That's why all conflict in life is about power and many lose life in its pursuit. Power is life itself. — Bangambiki Habyarimana

Cause at the end of the day, honestly, at the end of the day when you're in your death bed and that's it, I think it's the relationships you've had and the people that you've touched and the people that have touched you that matter. — Julie Benz

I've learned when to get out. I've never wasted too much time with the wrong person, and that's one thing I'm proud of. The longer you're with the wrong person, you could be completely overlooking or not having the chance to meet the right person. And if it doesn't feel right, it isn't right. How do you know if something feels right? I think the great defining factor for me is whether I want more. When they drive away, do I wish they would turn around at the end of the street and come back? Or am I fine that they're going home? — Taylor Swift

I'm trying to decide what's worse. Someone being gone, but still out there, or someone being gone forever, dead. I think someone being gone, but still out there, might be worse. Then there's always the chance, the hoping, the wondering if things might change. If maybe one day he'll come back. There's also the wondering about what his new life is like. The life without you. Is he happier? And if he is, you're left being sad, wondering what it would be like if you were happy with him. But when someone is dead, he's dead. He's not coming back. There is no second chance. Death is a period at the end of a sentence. Someone gone, but still out there, is an ellipsis ... or a question to be answered. — Samantha Schutz

Baking calms me; it's stabilizing. It's what I do when I don't want to think about anything hard. It is an activity that requires very little from you - you just follow the directions, and then at the end you have created something. From ingredients to an actual dessert. It's like magic. Poof, deliciousness. — Jenny Han

It's hard to think when someone's trying to kill you. We human beings aren't wired to be rational and creative when we know our lives are in danger of a swift and violent end. The body has definite ideas of which survival strategies it prefers to embrace, and those are generally limited to "rip threat to pieces" or "run like hell." No thinking need be involved, as far as our instincts are concerned.
Our instincts were a long time in the making, though, and the threats that can come after us now have outpaced them. You can't outrun a bullet, and you don't go hand-to-hand with a gunman unless you're certain you are about to die anyway. Speed and mindless aggression weren't going to keep me alive. — Jim Butcher

To be poetic is how u get somebody as a girl around you...

"Dexter: You seem uncertain. It's uncomfortable, isn't it? Just when you think you've answered all the questions, another one smacks you in the face. Life, life, life. Life is just like that. Which is why I prefer death."

But in the end some people play well their role others can't play it. — Deyth Banger

This is insane, you know that, right? I think the dark power has warped your sense of what's smart and what's incredibly stupid."

"On the contrary, I'm being proactive and taking charge of things, dammit. You like it when I do that," I told Jim.

"I don't like it when you go stomping off to prove something, and we end up in seriously hot water."

"I always get you out before you actually boil."

"Not always," it answered, looking pointedly at its feet.

"Will you stop with the toes? You have enough of them left. — Katie MacAlister

Stop worrying about what others think. At the end of the day, you have to live with you. Trust yourself. No one has to tell you when it's right. Do what you need to do. — Cheryl Richardson

I love her, and I love Mom, and I would do just about anything for them. But when you think stuff like that ... you think of grand, heroic gestures. Pushing someone out of the way of a moving vehicle. Standing between them and danger. Sacrificing something important. But it's not like that. Not at all. It's not one big moment, it's a thousand. It's every day. And you don't sacrifice just one important thing, you sacrifice a little more and a little more until you start to feel hollowed out. It's not the sacrifice that hurts so much as the thought that it will never end. That you're stuck in your fate, and nothing and no one can change it. You'll just keep giving and giving until you don't even know who you are. — Cora Carmack

Back in Minneapolis, I said I would go to American. I have a remarkable ability to delete all better judgment from my brain when I get my head set on something. Everything is done at all costs. I have no sense of moderation, no sense of caution. I have no sense, pretty much. People with eating disorders tend to be very diametrical thinkers-everything is the end of the world, everything rides on this one thing, and everyone tells you you're very dramatic, very intense, and they see it as an affectation, but it's actually just how you think. It really seems to you that the sky will fall if you are not personally holding it up. On the one hand, this is sheer arrogance; on the other hand, this is a very real fear. And it isn't that you ignore the potential repercussions of your actions. You don't think there are any. — Marya Hornbacher

I may have said that stories can have a multitude of false starts. But now that I think about it, I'm not sure there's any such thing. It's sort of like the best comics - frames burst into one another, and colours bleed between lines, and the richness of a universe is only fully graspable when you understand the prequels and crossovers and spin-offs and stuff. Like the superhero stories that veer through a thousand different incarnations, with no beginning or end. It's possible that this is a rubbish metaphor. My point is, most stories can only start when you place yourself in them.
And I think I'm ready, finally, to draw myself in mine. — Melissa Keil

There will be times when something good comes to an end. Instead of thinking about the fact that it's over - stay positive that it happened in the first place. I was so sad to return home after spending time in Africa with my friends and family. We were all crying when it was time to go - no one wanted to leave such an amazing place. I can look back now, though, without crying. I'm so thankful for my time spent there with people I love, and I can't wait to go back. Goal: Think about a happy moment in your life and be grateful for the joy it gave you. Reflect on happy moments, even if they've passed. — Demi Lovato

It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel. If you're going to be a writer you'll probably take a lot of wrong turns and then one day just end up writing something you have to write, then getting it better and better just because you want it to be better, and even when you get old and think 'There must be something else people do,' you won't quite be able to quit. — Alice Munro

Action is hope. At the end of each day, when you've done your work, you lie there and think, Well, I'll be damned, I did this today. It doesn't matter how good it is, or how bad-you did it. At the end of the week you'll have a certain amount of accumulation. At the end of a year, you look back and say, I'll be damned, it's been a good year. — Ray Bradbury

Sometimes I run fast when I feel like it, but if I increase the pace I shorten the amount of time I run, the point being to let the exhilaration I feel at the end of each run carry over to the next day. This is the same sort of tack I find necessary when writing a novel. I stop every day right at the point where I feel I can write more. Do that, and the next day's work goes surprisingly smoothly. I think Ernest Hemingway did something like that. To keep on going, you have to keep up the rhythm. This is the important thing for long-term projects. Once you set the pace, the rest will follow. The problem is getting the flywheel to spin at a set speed-and to get to that point takes as much concentration and effort as you can manage. — Haruki Murakami

So you see it was all right in the end. But if one does that sort of thing, one has to be careful to do it in the right way. For, as Mr. Perks said, when he had time to think it over, it's not so much what you do, as what you mean. — E. Nesbit

I have anyway always hoped to write a truly memorable book, the one that you go back to the beginning of and start rereading as soon as you get to the end, the one that you think of in subsequent years as the one that really pointed you in the way you wish to go. I still don't think I have done it. That's life. Halfway to the moon. But on what I have done, I would not really like to set an age-limit. I am always delighted when aunts and grandfathers write to me, saying their nephew/granddaughter has just introduced them to, say, Howl and they couldn't put him down. — Diana Wynne Jones

The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director. — Jason Reitman

I think about that lost dignity you must be feeling and I want to tell you it doesn't matter. Not in the great scheme of things. This is just the end. It isn't the everything of you. And it's the everything we'll remember when the memory of this fades. xxx
I can't explain this though. The words are tangled on my tongue and I'm not sure they would make a difference. Becuase I guess for you the everything is done and there is only the now. And in the now your loss of dignity is everything. — Sarah Pinborough

It's pretty simple, really, when you think about it: We all start out as little fishes in our daddy's pants, and we all end up a Thanksgiving feast for the worms, and in the meantime we have to find a couple good reasons to give a fuck. — Tiffanie DeBartolo

You can tell a million different stories about love. Especially when it's love with someone who's different."
You mean a monster?" Coleman said.
"Well, that's what you think at first. But it's like, um, Beauty and the Beast. When you find out that the monster is actually ... nice."
...
"But doesn't real love work the other way round?" Kiralee asked. "You start by thinking someone's fabulous, and by the end of the piece you realize he's a monster!"
"Or that you're the monster yourself," Oscar said. — Scott Westerfeld

[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember. — Regina Spektor

Take joy in your digressions. Because that is where the unexpected arises. That is the experimental aspect. If you know where you will end up when you begin, nothing has happened in the meantime. You have to be willing to surprise yourself writing things you didn't think you thought. Letting examples burgeon requires using inattention as a writing tool. You have to let yourself get so caught up in the flow of your writing that it ceases at moments to be recognizable to you as your own. This means you have to be prepared for failure. For with inattention comes risk: of silliness or even outbreaks of stupidity. But perhaps in order to write experimentally, you have to be willing to 'affirm' even your own stupidity. Embracing one's own stupidity is not the prevailing academic posture (at least not in the way I mean it here). — Brian Massumi

A deaf composer's like a cook who's lost his sense of taste. A frog that's lost its webbed feet. A truck driver with his license revoked. That would throw anybody for a loop, don't you think? But Beethoven didn't let it get to him. Sure, he must have been a little depressed at first, but he didn't let misfortune get him down. It was like, Problem? What problem? He composed more than ever and came up with better music than anything he'd ever written. I really admire the guy. Like this Archduke Trio
he was nearly deaf when he wrote it, can you believe it? What I'm trying to say is, it must be tough on you not being able to read, but it's not the end of the world. You might not be able to read, but there are things only you can do. That's what you gotta focus on
your strengths. Like being able to talk with the stone. — Haruki Murakami

So three days before the millennium, Bianca called. "D'ya wanna go to the White House with Trisha and me?" By Trisha, she meant country singer Trisha Yearwood, whose record label, MCA, she'd recently been hired to work at. "When would that be, exactly?" I asked. "For that Millennium Concert at the Lincoln Memorial. There's a party at the White House after and all." She always talked like she was chewing gum between words. "They're flying us there in a private jet. Ya don't need to write about it. Just come as Trisha's guest. It'll be fun." "Shit, I'm supposed to go ice-skating with some guys who think the world's going to end. Give me a day to figure things out and I'll get right back to you. — Neil Strauss

Sometimes, when you're on the streets, certain music inspires you, and then you have a vision. But, at the end of the day, it's a synthesis of visions, so you have to think, as a director, of a scene, or how to deliver a line, or how do this visually. — Wong Kar-Wai

That one won't crack, though, Mendel decided with approval; one of your flabby oak trees, Smiley was. Think you could blow him over with one puff, but when it comes to the storm he's the only one left standing at the end of it. — John Le Carre

I try to wear a watch all the time, because I think guys get the short end of the stick when it comes to jewelry and accessories. A watch is a very chic men's item, and you're sort of wasting it if you just look at your cell phone. — Derek Blasberg

The great lesson in microeconomics is to discriminate between when technology is going to help you and when it's going to kill you. And most people do not get this straight in their heads. But a fellow like Buffett does. For example, when we were in the textile business, which is a terrible commodity business, we were making low-end textiles-which are a real commodity product. And one day, the people came to Warren and said, "They've invented a new loom that we think will do twice as much work as our old ones." — Charlie Munger

A part of me will probably always be waitin' for her. And even when I get to the end of this life and she's not there, I think I'll still just wait. It's the cruel reality of love, I think - that once you find it, it's yours to carry. And even if you lose it and never find it back again, I think you still just keep on carrying it ... and waitin' - long after the curtain closes. — Laura Miller

Do you believe in God?" Her small hand grips onto my larger one. "Yeah, baby girl," I say, looking down and watching her smile at my answer. "Do you think God will let me see you again?" She continues to ask questions that keep breaking me. "I know he will," I say, believing it more than anything. My faith has now been shaken, but I can't lose hope that where she is going will be somewhere beautiful and amazing. "When I go to God, will I see Charlie the goldfish?" She yawns, almost drifting off as the hospital machines beep around us. I nearly smile at her question, but I can't, because at the end of the day we're talking about death, and the inevitable end that's fast approaching. "I don't know, baby girl," I tell her, wishing I had the right answers for her. — River Savage

When it comes to looking after all the species that are already endangered, there's such a lot to do that sometimes it might all seem to be too much, especially when there are so many other important things to worry about. But if we stop trying, the chances are that pretty soon we'll end up with a world where there are no tigers or elephants, or sawfishes or whooping cranes, or albatrosses or ground iguanas. And I think that would be a shame, don't you? — Martin Jenkins

It's all you can say, when the end comes: 'I did not waste my time.' I think that matters. I think it may be all that matters. — Conn Iggulden

Ean seems like the 'not here to make friends' type, but I don't think anyone could go through this without getting close to someone. It's too hard. As difficult as it is for me, I know it's just as bad for you all."

"We definitely get the better end of the deal though," he said, winking at my reflection.

I tilted my head. "I don't know about that. The more I think about it, the sadder I get about having to send all but one of you away. I'll miss having you here."

"Have you considered a harem?" he said, deadpan.

I bent over in laughter and was rewarded with a pin stabbing my waist. "Ow!"

"Sorry! I shouldn't joke when there are needles around. — Kiera Cass

There are many people, particularly in sports, who think that success and excellence are the same thing. They are not the same thing. Excellence is something that is lasting and dependable and largely within a person's control. In contrast, success is perishable and is often outside our control. If you strive for excellence, you will probably be successful eventually. People who put excellence in the first place have the patience to end up with success. An additional burden for the victim of the success mentality is that he is threatened by the success of others and he resents real excellence. In contrast, the person that is fascinated by quality is excited when he sees it in others. — Joe Paterno

You're asking yourself, Can I give this child the best possible upbringing and keep her out of harm's way her whole life long? The answer is no, you can't. But nobody else can either. Not a state home, that's for sure. For heaven's sake, the best they can do is turn their heads while the kids learn to pick locks and snort hootch, and then try to keep them out of jail. Nobody can protect a child from the world. That's why it's the wrong thing to ask, if you're really trying to make a decision."
So what's the right thing to ask?"
Do I want to try? Do I think it would be interesting, maybe even enjoyable in the long run, to share my life with this kid and give her my best effort and maybe, when all's said and done, end up with a good friend. — Barbara Kingsolver

I think I would really lay down and die. Music comes from a very primal, twisted place. When a person sings, their body, their mouth, their eyes, their words, their voice says all these unspeakable things that you really can't explain but that mean something anyway. People are completely transformed when they sing; people look like that when they sing or when they make love. But it's a weird thing - at the end of the night I feel strange, because I feel I've told everybody all my secrets. — Jeff Buckley

I think it's like when you lose something so close to you, it's like losing yourself. That's why at the end, it's hard for her to write even. She can hardly remember how. Because she barely knows what she is anymore. — Ava Dellaira

There's slowly been a kind of shift in how we think about childhood. It's like childhood almost extends to 20 or 22 even after the end of college. When I was growing up, there was this expectation that you were on your own now. — Joe Meno

Not the first time. I didn't think my heart could stand it. But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road. I — V.S. Naipaul

There is no great religion without a great schism. All of them have it. And that's because you're dealing with something called faith. And faith is not something you can prove; faith is personal opinion. Uh, when you're dealing with something with certainty, like, y'know, science or logic, you don't have the
there's no wiggle room; that's why history is not filled with warring math cults, y'know, because you can settle the issue; you can prove something to be right or wrong, and that's the end of the argument: next case. Whereas, when you're dealing with faith, you can forever argue your point, or another point, because you're dealing with intangibles. Personally, I think, faith is what you ask of somebody when you don't have the goods to prove your point. — Tom Quinn

I think I liked you better when you didn't speak," Pete says. Then he grins. I flip him the bird, and he flies at me, jumping on my back. He bounces up and down and leans over my shoulder so I can see his lips. "My feet are cold," he says, batting his golden lashes at me. "You should carry me the rest of the way." He's latched onto me like a koala. And he's fucking heavy. It's like carrying a load of bricks. But I hitch him up higher and start walking. Sam turns his back to Kit and bends down. "You look tired, Kit," he says. "Want a ride?" He waggles his eyebrows at her. She laughs and jumps onto his back. "I'm not sure I got the good end of this deal," I croak as we all walk along together. — Tammy Falkner

There's a simple reason for this. The more shots you get at the target, the more likely you'll eventually score a bull's-eye, but the more misses you'll accrue as well. The bull's-eyes end up in museums and on library shelves, not the misses. Which, when you think about it, is a shame. It feeds the myth that geniuses get it right the first time, that they don't make mistakes, when, in fact, they make more mistakes than the rest of us. What — Eric Weiner

I swear you can see in Juliet's eyes that she knows she's going to die because of how she feels for this guy.
I think, this scene is where the true tragedy lives. It's not because they both die in the end. The tragedy is all right there ... in the very beginning. When he smiles at her. When she instantly forgets.
Forgets how dangerous he is.
You can't blame her for how it plays out. Romeo's so amazing in this movie - what he says to her - how he looks at her. She's obviously drowning in butterflies.
I know for a fact now, butterflies like that can be horrible, beautiful things. — Anne Eliot

You know, sometimes marriage is iron. Sometimes it's tissue paper. And I
think the times it's tissue paper are when you need to keep things to yourself. Or you can end up making a mistake that you'll regret forever. — Elizabeth Berg

The most unfair thing about life is the way it ends. I mean, life is tough. It takes up a lot of your time. What do you get at the end of it? A Death! What's that, a bonus? I think the life cycle is all backwards. You should die first, get it out of the way. Then you live in an old age home. You get kicked out when you're too young, you get a gold watch, you go to work. You work forty years until you're young enough to enjoy your retirement. You do drugs, alcohol, you party, you get ready for high school. You go to grade school, you become a kid, you play, you have no responsibilities, you become a little baby, you go back into the womb, you spend your last nine months floating ... and you finish off as an orgasm. — George Carlin

The bull's-eyes end up in museums and on library shelves, not the misses. Which, when you think about it, is a shame. It feeds the myth that geniuses get it right the first time, that they don't make mistakes, when, in fact, they make more mistakes than the rest of us. — Eric Weiner

I see that I've become a really bad correspondent. It's not that I don't think of you. You come into my thoughts often. But when you do it appears to me that I owe you a particularly grand letter. And so you end in the "warehouse of good intentions": "Can't do it now." "Then put it on hold." This is one's strategy for coping with old age, and with death
because one can't die with so many obligations in storage. Our clever species, so fertile and resourceful in denying its weaknesses. — Saul Bellow

In the end, I feel that one has to have a bit of neurosis to go on being an artist. A balanced human seldom produces art. It's that imbalance which impels us. I often think that all I want to do now is to avoid suicide, accidental or otherwise. Other than that, I think living on the edge is what drives my work and me beyond a certain point. The artist lives with anxiety. When you finally reach a plateau of achievement, there comes a new anxiety - the hunger to push on still further. That angst is what makes you go forward. — Beverly Pepper

When you are just muscle, you end up being gaunt in the face, and that makes you look older by 5 or 10 years. I don't think of getting older as looking better or worse; it's just different. You change, and that's OK. — Heidi Klum

How Adewen stuffed her braid in her mouth at that! Or she'd cover her mirth with her hands and shake till you'd think that the fit was upon her. She did the same too when she wept so you'd never be sure which she hid with her hands, her tears or her cackling. I think there were times she herself didn't know, nor does anyone know at times. Laugh till you weep. Weep till there's nothing left but to laugh at your weeping. In the end it's all one. — Frederick Buechner

Sorry Johnny."
"Sorry for what "
"For shouting at you. It's just that when I think about the future I keep panicking. It's like falling from the top of the stairs in the dark not knowing where I'll end up."
He put his arm around my shoulders. "I understand. Life is precarious for most of us but more so for you. What you forget is what most of your friends see in you."
"What's that "
"The ability to beat the odds ... "
"And fall on my feet "
He nodded.
"I just hope that lasts."
"It will Catkin it will. It wouldn't dare fail you. — Julia Golding

I'm behind what is happening to you. I'm doing it. It's both of us. But without me, nothing would be changing in you. I'm . . . taking something from you. And giving something in return. It's the way it used to work, though I can't remember how or when. I just know that it was. I'm willing to stop it, if you want. But I would go back to being as I was before. That scares me. Floating on the wind, never remembering anything for longer than a few minutes. It's because of this tie between us that I can think again, that I can remember what and who I am. If we end it, I lose that. — Brandon Sanderson

There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring. — Demetri Martin

Of course a miracle may happen, and you may be a great painter, but you must confess the chances are a million to one against it. It'll be an awful sell if at the end you have to acknowledge you've made a hash of it."
"I've got to paint," he repeated.
"Supposing you're never anything more than third-rate, do you think it will have been worth while to give up everything? After all, in any other walk in life it doesn't matter if you're not very good; you can get along quite comfortably if you're just adequate; but it's different with an artist."
"You blasted fool," he said.
"I don't see why, unless it's folly to say the obvious."
"I tell you I've got to paint. I can't help myself. When a man falls into the water it doesn't matter how he swims, well or badly: he's got to get out or else he'll drown. — W. Somerset Maugham

I think we're always looking for new pieces," Viola says quietly.
What?
She continues, "I was looking for Lawrence, then for something to replace Lawrence, then for Aaron ... maybe that's the real truth about being broken. We're always whole, we're just looking to add on to ourselves, to be more whole. And then when a piece leaves, it's broken away. But we aren't left any less whole than we were to begin with ... "
"But feeling broken - " I begin, the words tight in my throat. I'm grateful that Viola cuts me off.
"Is horrible. Painful," she finishes. "But then, when you aren't expecting it, new pieces appear and suddenly ... they're attached." Her eyes rise to meet mine. "And you end up more whole than you were before. — Jackson Pearce

Do you know what's one mistake we always make? Believing that life's immutable, that once you get on a particular track you have to follow it to the end of the line. But it appears that fate has more imagination than we do. Just when you think you're in a situation you can't escape from, when you've reached the lowest depths of total desperation, everything changes as fast as a gust of wind, everything's overturned; from one second to the next you find you're living a new life. — Susanna Tamaro

So I put it out of its misery, if it really was miserable, and tried not to think about it. That was another thing they taught us at Willow Creek: don't write their eulogy, don't try to imagine who they used to be, how they came to be here, how they came to be this. I know, who doesn't do that, right? Who doesn't look at one of those things and just naturally start to wonder? It's like reading the last page of a book ... your imagination just naturally spinning. And that's when you get distracted, get sloppy, let your guard down and end up leaving someone else to wonder what happened to you. — Max Brooks

Don't you think it's rather nice to think that we're in a book that God's writing? If I were writing a book, I might make mistakes. But God knows how to make the story end just right
in the way that's best for us."
Do you really believe that, Mother?" Peter asked quietly.
Yes," she said, "I do believe it
almost always
except when I'm so sad that I can't believe anything. But even when I don't believe it, I know it's true
and I try to believe it. — E. Nesbit

There's always changes in the way they do that in the cinematic universe. I think, with the S.H.I.E.L.D. 2.0, you're seeing some of the first ripples of those different points of view on what S.H.I.E.L.D. should be when it's rebuilt. I'm very, very curious to know which side Coulson will end up on in that struggle. — Clark Gregg

He looked at her in bittersweet despair. "Sometimes, Kate, when I'm inside you and your arms are around me, I'm human again. There's a beginning and an end to my life again. And all because of your love. It's been a gift to me, one I've never deserved. But I cherished it."
And maybe he'd destroyed it with the ungodly truth. He didn't know. He drew
a shaky breath, battered by a fresh wave of regret, and his voice trembled. "I thought I had broken your heart a while ago. I didn't know how to make you hear me, and I knew that by telling you the truth, I'd lose you. But here you sit. You haven't flipped out, not visibly anyway, nor accused me of being a liar. And you haven't run in terror, now that you're truly free to go. I don't know what to think. Tell me, Kate ... have I lost you? — Shelby Reed

People always say the greatest love story in the world is Romeo and Juliet. I don't know. At fourteen, at seventeen, I remember, it takes over your whole life." Alice was worked up now, her face flushed and alive, her hands cutting through the night-blooming air. "You think about nobody, nothing else, you don't eat or sleep, you just think about this ... it's overwhelming. I know, I remember. But is it love? Like how you have cheap brandy when you're young and you think it's marvelous, just so elegant, and you don't know, you don't know anything ... because, you've never tasted anything better. You're fourteen."
It was no time for lying. "I think it's love"
You do?"
I think maybe it's the only true love."
She was about to say something, and stopped herself. I'd surprised her, I suppose. "How sad if you're right," she said, closing her eyes for a moment. "Because we never end up with them. How sad and stupid if that's how it works. — Andrew Sean Greer