When She Stops Quotes & Sayings

She told Rick, The world stops for you when you're pretty. That's why women spend billions on crap for their faces. Their whole life, they're the center of attention. People want to be around them just because they're attractive. Their jokes are funnier. Their lives are better. And then suddenly, they get bags under their eyes or they put on a little weight and no one cares about them anymore. They cease to exist. — Karin Slaughter

After several stops, and a dark journey through the tunnel under the bay, B stood up and said, "This is it." They stepped off the train and took an escalator up a level, into a domed area, and then exited the train station. As always when Marla emerged from an underground space into the light, she felt a sense of new possibilities, as if she'd returned from the underworld and brought back secrets. There was power even in symbolic journeys. — Tim Pratt

Momsen was 15 when she joined Gossip Girl. Does she feel older and wiser at 17? "You get more insight as you get older, on everything. I kind of woke up one morning and I was like, 'Oh, I see what's happening, I get everything.'"

Then she stops abruptly. So what is it she gets exactly? "Well, I kind of woke up and was like, 'Oh, I get it, I'm a product.'" Which might be the saddest words ever to pass a 17-year-old girl's lips. But, with typical Momsen nonchalance, they're delivered with a shrug. — Hermione Hoby

might almost be over. That's when it happens. There's a rumbling sound that is low at first but begins to build in volume. The tunnel trembles slightly. All the fighting stops immediately; people get to their feet, look around. Mark's doing the same, trying to find the source of the noise. He's still holding Trina's hand. "What is that?" she shouts. Mark shakes his head, keeps sweeping his gaze around the tunnel. The floor vibrates below his feet and the rumbling sound gets louder, becomes an outright roar. His eyes fall upon the stairs that lead up from the subtrans concourse just as the screams erupt - countless, countless screams and the blur of panicked movement in the crowd. A monstrous wall of filthy water is pouring down the wide steps. — James Dashner

We weren't in love. We were in lust, Liv. I thought I loved you, but someone has taught me what real love is. She has totally opened up her heart and soul to me, and she trusts me to take care of her, to love her with no conditions. I can't even stand the thought of being away from her for more than five minutes. My heart stops when she walks into a room or when she smiles at me. When I hear her laugh, I just want to make her laugh more because it makes me feel so happy. — Kelly Elliott

Seth let out a heavy sigh and ran his fingers through his hair. She had a point. Constant stops would put them at greater risk, especially when it came to Natti being seen. And obviously, it wasn't likely she'd stay in the car, even if he did ask. Maybe if he tied her up in the backseat? — Kelsey Ketch

Kate stops grinding the knife and begins to pass it over the length of the stone. Turning her wrist, she pulls the blade, swiping one side after the other, honing it to a fine edge. She wipes it dry with an old cloth and picks up a long piece of dark leather. One end of the strop she ties to the knob on the back of her chair, then holds it taught with her left hand. She counts in her head as she passes the blade over the length of the leather, flipping it at the bottom and the top of each pass. When she gets to twenty, she releases her hold on the strop and looks closely at the knife blade. Even in the dim light of the room, it shines. — Kari Aguila

This is your baby sister, Christian. Her name is Mia."
Mommy lets me hold her. She is very small. With black, black hair.
She smiles. She has no teeth. I stick out my tongue. She has a bubbly laugh.
Mommy lets me hold the baby again. Her name is Mia.
I make her laugh. I hold her and hold her. She is safe when I hold her.
Elliot is not interested in Mia. She dribbles and cries.
And he wrinkles his nose when she does a poop.
When Mia is crying Elliot ignores her. I hold her and hold her and she stops.
She falls asleep in my arms.
"Mee a," I whisper.
"What did you say?! Mommy asks, and her face is white like a chalk.
"Mee a."
"Yes. Yes. Darling boy. Mia. Her name is Mia."
And Mommy starts to cry with happy, happy tears. — E.L. James

I can't help it. I'm thinking about sex. Sex with Will Haley. Sex in general. The thing is, I can't make my brain turn the idea into something sexy. Isn't that ridiculous? It's sex. It's inherently sexy. But not to me. Because in hazily lit movies, when the girl pulls her shirt up over her head, she stops being me. The hazily lit girl is never me. She has a flat golden stomach and cute little boobs, and you can see the boy falling for her. You can read it on his face. Under my shirt, there's no flat stomach, and there are no cute little boobs, and there's no hazy lighting. It's just a lot of me. Way too much of me. — Becky Albertalli

At some point, it's time to stop fighting with death, my thighs and the way things are. And to realize that emotional eating in nothing but bolting from multiple versions of the above: the obsession will stop when the bolting stops. And at that point, we might answer, as spiritual teacher Catherine Ingram did, when someone asked how she allowed herself to tolerate deep sorrow, I live among the brokenhearted. They allow it. — Geneen Roth

A girl is grown up when she stops counting on her fingers and starts counting on her legs. — Irv Kupcinet

There's a small moment in this chapter when Bella wants to practice fighting techniques with Emmett, but Edward won't let her.
Emmett is here? Hi Emmett! Hey Emmett, according to Google Maps, you live 2,931 miles away from me. If I don't make any stops for food or fuel, and sit on a pile of absorbent kitty litter, I can make the trip in 48 hours. So I can be there by Sunday or Monday. Oh ... hey, did you know Monday is Valentine's Day? That's super weird, right? Didn't plan that at all. I swear. OK, see you then!
Anyway, Bella wants to practice with Emmett but Edward says no. Huh? Not only does Edward refuse to teach his wife basic self-defense, but she can't even learn some tips from The Pain Maker? Why? I dare you to explain this. I double wolf dare you. — Dan Bergstein

See pills of every shape and size, Such fascinating colors, too - Some green, some pink, some brown, some blue. 'All right,' she says, 'let's try the brown.' She takes one pill and gulps it down. 'Yum-yum!' she cries. 'Hooray! What fun! They're chocolate-coated, every one!' She gobbles five, she gobbles ten, She stops her gobbling only when The last pill's gone. There are no more. Slowly she rises from the floor. She stops. She hiccups. Dear, oh dear, She starts to feel a trifle queer. You see, how could young Goldie know, For nobody had told her so, That Grandmama, her old relation Suffered from frightful constipation. This — Roald Dahl

You don't fool me, he says in a low voice.
Is that right?
Yea, he says. I see it in yer eyes. All you care about's yer precious brother.
That aint true, I says.
If it'd been Emmi they took, he says, Emmi an not Lugh ... would you of gone after her?
I take in a breath to say of course I would but the look on his face stops me. there ain't no point in lyin when he already knows the truth.
He leaves go of me an steps back.
I thought so, he says. Yer sister'll be safer with me than she could ever be with you. You jest ride along on yer high horse an leave her to me. — Moira Young

But comes a time for a woman when she stops thinking of herself as a girl, as a person of possibilities. She starts looking at the plain facts of herself. Her body that's become the body that she has and her habits becoming the habits that she's written in stone. Her "haves" being the ones she's got and maybe not getting anymore. — Breena Clarke

He believed in a true world. A world behind this one, that shines through it, like a candle through a lampshade' ... She thought of the true world the times they had seen it - it was like light glinting on the surface of the river, that shimmering quality when you saw it. It wasn't the thing itself. It was your own ability to see it ... the feeling when time stopped, and you could stay there forever. 'You see the beauty in everything. It doesn't last long
it's either gone in a minute, you just caught it, or else maybe it's something so big that you normally can't get your head around it. Like the fog in your head clears out. The world stops being a puppet show and you see the real thing. It's probably like that all the time, but you just can't see it, except for those little glimpses (pg 82). — Janet Fitch

I'm in my classroom and I'm looking at this girl, but all I can see is my dad on the ground, in front of The Wall, telling the truth, finally - his knees drawn and his chest heaving - and when people pass by they look the other way, except for this one lady who stops to give my dad a hug. She gets down on her knees to reach him, and now she's crying with a stranger, and without asking I know it's because she's lost something, too, and I wonder if in comforting my dad she thinks she can find it again. Probably not. It doesn't work that way. — Tucker Elliot

Laura looked up at him with dead blue eyes.
I want to be alive again," she said. "Not in this half-life. I want to be really alive. I want to feel my heart pumping in my chest again. I want to feel blood moving through me - hot, and salty, and real. It's weird, you don't think you can feel it, the blood, but believe me, when it stops flowing, you'll know."
She rubbed her eyes, smudging her face with red from the mess on her hands.
Look, it's hard. You know why dead people only go out at night, puppy? Because it's easier to pass for real, in the dark. And I don't want to have to pass. I want to be alive. — Neil Gaiman

It is described by some as a moment when the world stops moving...it did just that for me. I knew before she said one word or made a single movement, that our lives would begin to dissolve into each other...
we would never part again. This was not love at first sight, but rather second. I had fallen in love at eleven; now I was twenty and now all things were possible. — Graham Kerr

And suddenly, she stops moving and looks straight at me. "I'm in love with everything about you".
Her words make me suck in my breath, and when I look into her eyes, I see something I haven't noticed in a while - this look of pure understanding that reminds me why I told her my secret in the first place. That sense of wonder, how she looked at me like she couldn't know me well enough. — Tamara Ireland Stone

When the only answer a little girl ever receives is no, from her parents or her teachers or her world, at some point she stops asking for what she wants. She begins to expect nothing, so as not to be disappointed when that exactly what she gets. But, it turns out, I do have wants. — Laura Fitzgerald

He cleared his throat. "You need to pick a safe word."
"What on earth is a safe word?"
He smothered a sigh. This was proving to be more work than he thought it'd be. "It's a word you use when you want things to stop."
"How about I use the word 'stop'?" She sounded sarcastic.
"That's not how it works. You need a word that you wouldn't normally use during sex."
"Fine. How about 'dumbass'?"
"I don't think you're getting into the spirit of this."
"Really? You think?"
"Fine. Dumbass it is." There was no dealing with her when she was in this mood. "If you use your safe word, everything stops."
"Good." She took a deep breath. "Dumbass," she shouted.
Andrew wasn't sure what to do next. This was not going the way it did in the books. — Janet Elizabeth Henderson

The problem with playing hide-and-seek with your sister is that sometimes she gets bored and stops looking for you.And there you are - under the couch, in the closet, wedged behind the lilac tree - and you don't want to give up,because maybe she's just biding her time. But maybe she's wandered off. ... Maybe she's downstairs watching TV and eating the rest of the Pringles.You wait. You wait until you forget that you're waiting, until you forget that there's anything to you beyond stillnessand quiet; an ant crawls over your knee, and you don't flinch. And it doesn't matter now whether she's coming for you - the hiding is enough. (You win when no one finds you, even if they're not looking.)When you break from behind the tree, it's because you want to. It's the first breath after a long dive. Branches snapunder your feet, and the world is hotter and brighter.
Ready or not, here I come. Here I come, ready or not. — Rainbow Rowell

When I got here my first thought was: Maybe I achieved such an effort with my thoughts that time has made a complete revolution; here I am at the station from which I left on my first journey, it has remained as it was then, without any change. All the lives that I could have led begin here; there is the girl who could have been my girl and wasn't, with the same eyes, the same hair ... "
She looks around as if making fun of me; I point my chin at her; she raises the corners of her mouth as if to smile, then stops: because she has changed her mind, or because this is the only way she smiles. "I don't know if that's a compliment, but I'll take it as one. And then what? — Italo Calvino

... It's just so' - she frowned, hunting for the right word - 'relentless. You think you're getting on top of it. You scoop up a few villains, get a result or two, make a night of it in the bar, then next morning you wake up and start all over again. It never bloody stops...
She described the pressures from headquarters, and from her own divisional Superintendent. The never-ending demands to beat performance target after performance target. The blizzards of paperwork. The fact that no one really knew what their political masters were after. They claimed to have priorities, lots of priorities, but in the end you got to realise there were so many that absolutely nothing got to the top of the heap. When it came to working out what politicians wanted, really wanted, she'd finally sussed the truth: that they were all equally clueless.
pg 157 — Graham Hurley

A woman only loses herself when she stops looking, that no role is too confining or too grand for a woman of valor. — Rachel Held Evans

He stops to wait for her, but she has a sudden burst of energy, passing him. On and on she sprints, unobstructed, kicking up her heels at the water's edge. Dark hair to her chin, rearranged by the wind, obscuring her face. Just when he thinks she will have the energy to run forever, to escape his sight, she pauses. Turning back, breathing hard, her hand on her hip, making sure he is there. — Jhumpa Lahiri

And when she's at the door, Mark stops her and he says, "I like you, very much. Just as you are."
It's ridiculous that I love this so much. It's so simple. It's not a witty, perfectly phrased, Ephron-y declaration by our charming, neurotic hero. It's so ... plain. But the idea is the most beautiful thing in the world. So, obviously, it makes me cry. — Mindy Kaling

TELLING TIME

Before she was old, she took canoe trips in the rain

and buried her passions deep within nature poems.


Ten years before she was old, her husband died

and developers paid a mighty price for their dairy farm.


She knew she was getting old, when rest stops in Iowa

changed over to those crazy automated washrooms.


When she was old, God helped with little things (growing tomatoes in her garden)

but was missing on big ticket items (bringing her husband back).


She knew she had lived too long

when her grandson explained extinction to his stuffed polar bear. — Carol Baldwin

Sometimes she walks through the village in her
little red dress
all absorbed in restraining herself,
and yet, despite herself, she seems to move
according to the rhythm of her life to come.

She runs a bit, hesitates, stops,
half-turns around...
and, all while dreaming, shakes her head
for or against.

Then she dances a few steps
that she invents and forgets,
no doubt finding out that life
moves on too fast.

It's not so much that she steps out
of the small body enclosing her,
but that all she carries in herself
frolics and ferments.

It's this dress that she'll remember
later in a sweet surrender;
when her whole life is full of risks,
the little red dress will always seem right. — Rainer Maria Rilke

I grab on to her wrists, pull them away from her face and kiss her lips, lips that can't kiss me back. "Please, wake up. I'm right here."
I take in her bottom lip, and it's hard to do when her body trembles and her arms shake for freedom. As I move away, Echo briefly stills. My heart pounds hard once. She heard me. "It's a bad dream, Echo. It's not real."
Her arms relax as she stops fighting, and when I link my fingers with hers, she holds me back. Behind her closed lids, her eyes dart. She still belongs to the dream, but for the first time, I'm in there with her. I lower my forehead to hers. "Come back to me, baby." — Katie McGarry

Being with Anna is easy. She's the one."
The one. It stops my heart. I thought Max was the one, but ... there's that other one.
The first one.
"Do you believe in that?" I ask quietly. "In one person for everyone?"
Something changes in St Clair's eyes. Maybe sadness. "I can't speak for anyone but myself," he says. "But, for me, yes. I have to be with Anna. But this is something you have to figure out on your own. I can't answer that for you, no one can."
"Oh."
"Lola." He rolls his chair over to my side. "I know things are shite right now. And in the name of friendship and full disclosure, I went through something similar last year. When I met Anna, I was with someone else. And it took a long time before I found the courage to do the hard thing. But you have to do the hard thing."
I swallow. "And what's the hard thing?"
"You have to be honest with yourself. — Stephanie Perkins

At work she became instant best friends with the Clinique girl, Susan, a Waynesboro muscle-car aficionado. She was fond of dispensinf wisdom along the lines or: "The bullshit stops when the green light pops!" I'd go to the mall to pick up Renee. take them both a couple of coffees, and hang out while they chattered in their hot white coats. Susan would take Renee to hot-rod shows and run-what-ya-brung drag races. She brought out sides of Renee I'd never gotten to see before, and it was a sight to behold. After a night out with Susan, Renee would always come back saying things like, "If it's got tits or tires, it's going to cost you money. — Rob Sheffield

When the Mac ad campaign was in full swing, I quickened my pace as I went past certain bus stops. My wife told me that she loyally took a piece of chewing gum off my nose once. — Robert Webb

She's probably right on both counts, but there's something dark in her eyes. It's the same shadow I see whenever she stops me. "You're worth fighting for."
"I'm not." The way she answers too fast with too much conviction twists my insides. When the three men who should be taking bullets for her stand by and let insults be thrown at her, how can I convince her otherwise? — Katie McGarry

Hey, bodyguard. You better get down to the gymnasium. This jumbo pixie guy is killing your sister." "Really?" said Butler, unconvinced. "Really. Juliet just does not seem to be herself. She can't put two moves together. It's pathetic, really. Everybody is betting against her." "I see," said Butler, straightening. Mulch held the door. "It's going to make things really interesting when you show up to help." Butler grinned. "I'm not coming to help. I just want to be there when she stops faking." "Ah," said Mulch, comprehension dawning on his face. "So I should switch my bet to Juliet?" "You certainly should" said Butler. — Eoin Colfer

He is totally dreamy Grace. You see that don't you?" Sarah gave me more Caylie learned lingo.
"Oh, don't I know. I just don't want anyone else dreaming about him."
"He's far from ugly Grace. He's gorgeous." I gave her a glare. She kept on, "I will tell you this because you are my friend. He is so gorgeous every girl in this court has fantasized about him, including me. But you don't see the way we see him look at you. The way he stops everything when you come in the room. They way his eyes pop when you speak the first time to him when you approach. It's how he breathes too Grace. He seems to hold his breath until you are close enough for him to touch. He is completely and utterly in love with you girl. — Cyndi Goodgame

When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time - the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes - when there's a particular missing part that overwhelms you with the feeling that she's gone, forever - there comes another day, and another specifically missing part. — John Irving

When we sing, I am one of many, and the individual me evaporates. I am one of 23 university choir members. Not a professor. Not an American. Not a 46-year-old in the midst of twentysomethings. Not a woman trying to outpace the aspects of self she has yet to make oeace with. I am simply what we all are
another voice, a set of lungs, some vocal chords and someone who finds joy and comfort in singing. But when the music stops, so does the we. The union dissolves. The silence transforms first person plural into first person singular. — Laura Kelly

She was a thin, gypsyish woman, and her face was very keen; she could put on a manner when she felt like it, but she didn't care a damn who saw her when she didn't, and she gave her sharp, greenish-eyed grin. He wasn't rattled by her; he had decided she was going to be a nuisance, and she caught on at once that he was bent on giving her the shove-ho. She was an experienced woman, rough from being so much on the losing side and from having knocked around from town to town, Washington to Brooklyn to Detroit, with what other stops you'd never know, getting gold teeth here and a slash in the cheek there. But she was an independent and never appealed for any sympathy; was never offered any either. — Saul Bellow

All this to say: I am forty-three years old. I may yet live another forty. What do I do with those years? How do I fill them without Lexy? When I come to tell the story of my life, there will be a line, creased and blurred and soft with age, where she stops. If I win the lottery, if I father a child, if I lose the use of my legs, it will be after she has finished knowing me. "When I get to Heaven", my grandmother used to say, widowed at thirty-nine, "your grandfather won't even recognize me. — Carolyn Parkhurst

The saddest day in the world will be the one when she stops pretending. — Jodi Picoult

When women stops blushing, she has lost the most powerful weapon of charm. — Elizabeth Taylor

Act without doing; work without effort. Think of the small as large and the few as many. Confront the difficult while it is still easy; accomplish the great task by a series of small acts. The Master never reaches for the great; thus she achieves greatness. When she runs into a difficulty, she stops and gives herself to it. She doesn't cling to her own comfort; thus problems are no problem for her. — Laozi

She says, "I'll swear by the rose tattooed on my ass, that old man raped me."
Here, the funeral parade stops. At this point, Comrade Snarky is a victim among victims. The rest of us - just her supporting cast.
Mrs. Clark, leading us, she looks back and says, "He what?"
And from behind his camera, Agent Tattletale says, "Me, too. He raped me first."
Saint Gut-Free says, "Well what the hell ... He poked me, too."
As if poor skinny Saint Gut-Free had enough ass left to poke.
And Mrs. Clark says, "This is not funny. Not in the least."
"Tough," the Matchmaker tells her. "It's wasn't funny, either, when you raped me."
Shaking his ponytail, the Duke of Vandals tells the Matchmaker, "You couldn't pay to get raped. — Chuck Palahniuk

Mia looks down at my outstretched hands, opens her mouth to say something, and then she just sighs. Her face hardens into a mask as she reaches out her own hand to take mine.

The tremor in my hand has become so normal, so nonstop, that it's generally imperceptible to me. But as soon as my fingers close around Mia's, the thing I notice is that it stops and suddenly it goes quiet, like when the squall of feedback is suddenly cut when someone switches off an amp. And I could linger here forever.

Except this is a handshake, nothing more. — Gayle Forman

If your heart truly stops when she looks at you, how come you are still alive? — Matshona Dhliwayo

His voice just stops, exactly like when the needle is lifted from a phonograph record by the hand of someone who is not listening to the record. [ ... ] She speaks the same dead, level tone: two bodiless voices in monotonous strophe and anistrophe: to bodiless voices recounting dreamily something performed in a region without dimension by people without blood [ ... ] Two of them are also motionless, the woman with that stonevisaged patience of a waiting rock, the old man with a spent quality like the charred wick of a candle from which the flame has been violently blown away. — William Faulkner

Why do charming girls all have fathers? She can be hidden away all by herself in one's heart to cuddle, but when her father, uncle, and brother are dragged along with her, the girl stops being so cute and carefree and it's not so easy to conceal her away in your heart anymore. Her charm has been mixed in with the dregs. Some people talk about marriage as though it were homosexual love. It's not the girl they fancy, but her old man or her elder brother they admire. — Qian Zhongshu

UTOPIA When the train stops, the woman said, you must get on it. But how will I know, the child asked, it is the right train? It will be the right train, said the woman, because it is the right time. A train approached the station; clouds of grayish smoke streamed from the chimney. How terrified I am, the child thinks, clutching the yellow tulips she will give to her grandmother. Her hair has been tightly braided to withstand the journey. Then, without a word, she gets on the train, from which a strange sound comes, not in a language like the one she speaks, something more like a moan or a cry. — Louise Gluck

I feel different, better, about my personal life as well as my professional life. So much confidence comes simply because I have reached this very good age. Women my age today are forging new ground. Society stops defining us by our reproductive capacity, sexual attractiveness, or other traditional measures, so we become liberated from stereotype. We are freed to grow into our full selves.

I couldn't have allowed myself to feel so positive in the past. When I was at the height of my film career, I didn't have the kind of respect I now have from the theatrical community. I hadn't yet proved that I have the chops for the stage. But now I have a stature I've never before enjoyed.

Virginia Woolf herself observed that when her Aunt Mary left her enough money to live on, her financial independence meant she "need not hate" or "flatter any man." She said this was of even more value to her freedom and autonomy than the right to vote. — Kathleen Turner

So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs. — Sophie Jordan

When the perceptive child of God stops to weigh the meaning of these words, then notes the connection in which they are found, he or she is driven to say, I must pray, pray, pray. I must put all my energy and heart into prayer. Whatever else I do, I must pray. — R.A. Torrey

When she's gone far and long enough that she no longer remembers her name, she stops, and presses her fingers deep into her sockets, scooping her eyes out and pinching off the long ropes of flesh that follow them out of her body like sticky yarn. What rushes from her mouth might be screaming or might be her soul, and it is smothered in the indifferent silence of the wild world. — Livia Llewellyn

He isn't what he's pretending to be with her. I watch him all the time. I'm going to be there when he stops pretending. I'm going to be her bulletproof vest, her shield, her fallen fucking angel, whether she wants one or not. He's pretending he's almost human. He's no more human than me. — Karen Marie Moning