What You Do In The Dark Quotes & Sayings

No acting, no production, could take the place of that moment when you come out in the dark on to the stage and the drummer plays four beats on the hi-hat and then lights and music. It just takes your breath away. No words can do what music can. — Ken Stott

That's my cousin, dickwad," Agent Jaxon Tremain said from Hector's left.
Had Whacky Jacky been next to Dallas, he would have drilled his knuckles into the guy's bicep.
"Watch your mouth."
"By watch my mouth do you mean I should invite your cuz back to my place for a game of Hide the Magic Wand, or my new personal fave, Puff on the Magic Dragon?" Dallas asked conversationally.
"And I know what you're thinking. I'm really into wizardry these days. Well, you're right." Hector gave a rusty bark of laughter. He hadn't observed Dallas in this good a mood in a long time.
A low growl escaped Jaxon. "I meant I'd scoop out your liver with a spoon, you idiot!"
"Sterling silver or plastic?" Hector asked. In their line of work, details were important.
Besides, he liked being part of their banter. — Gena Showalter

Be a part of the world, but never in it. Because of what we do, we have to interact with people. But we must be unseen shadows who move among them. Never let anyone know you. Never give them a chance to realize you don't age. Move through the darkness ever watchful, ever alert. We are all that stands between the humans and slavery. Without us, they all die and their souls are lost forever. Our responsibilities are great. Out battles numerous and legendary. But at the end of the night, you go home alone where no one knows what it is you have done to save the world that fears you. You can never bask in your glory. You can never know love or family. We are Dark-Hunters. We are forever powerful. We are forever alone. (Acheron) — Sherrilyn Kenyon

I never told her I loved her. What an ass I am. No wonder she left. I mean, I told her in a dozen different ways, but I never said the words."
"Are they so hard to say?"
"Yes, but ... I don't know. They shouldn't be." Gray shook his head. "Do you know, that fifteen-year-old boy had the courage to say in front of the whole crew what I couldn't bring myself to whisper in the dark? He'll make a fine officer someday, Davy Linnet. Got bigger stones than either of us, I'd wager."
Joss snorted. "Speak for yourself. — Tessa Dare

Be careful," Aidan called from the bed. "You don't know what he might do."
"We all know what you'd do, though, don't we? — Holly Black

Gunner shook his head; he wasn't in the mood. He stared down at his bottle as he spoke. "Yeah, and what if I do go after it and what if I find no one, and I'm alone for the next sixty years? What then? Huh? Friends and family will get married. I'll be stuck buying gifts. Years pass: children, birthday parties. At dinner parties, I'll be odd man out, forcing people to arrange five chairs around a table instead of four or six. Or, okay, let's say maybe twenty years down the line I meet someone nice and I've already given up on ever finding true love. Let's say the girl is a few pounds overweight, has fizzy hair and an annoying laugh, but at this point, I'm also a few pounds overweight and my hair is thinning and my laughter is annoying. Maybe then the two of us get married, and both our groups of friends will say, 'See I told you that you'd find true love. It just took a while.' And we'll smile, but we'll both know it's a lie-- — Michael Anthony

So I'm guessing you're Seven and Ten; What can you do?" I say as I find our rifles in the sand and hand each of them a gun.
"You can call me Marina," the girl with the brown hair says. "And I can breathe under water and see in the dark and heal the sick and wounded. And I have telekinesis."
Call me Ella, I hear ten say in my head. Aside from my telepathy, I can change ages.
"Awesome. I'm four, that nut job with the long black hair is nine and the beast is my chimaera, Bernie Kosar. — Pittacus Lore

Love never lies and it never tries, it's unafraid and heaven made.

Keep the faith, surrender the time, just like a grape we need to ripen on the vine.

Be like a fairy, constantly glow, leave a trail of love wherever you go.

Do not try to make sense of this world. Do try to know yourself and to grow yourself while in it.

The more you are, the more you have.

Rather than make the best of a situation, make the best situation. Create, don't negate.

Keep the dream alive and the heart open.

Be your most glorious self, and even better, be indifferent to what anyone may think of it.

Don't fear the dark, it's helping you find the light. We wouldn't know morning, if we didn't see night.

Never give to say you've given, never shy away from a good cry, never stop a laugh from happening, and always wonder, why?

Don't get mad, get motivated! — Allyson Giles

And my fear of failure has been lifelong and deep. If you are what you do- and I think my parents may have accidentally given me this idea- and you do poorly, what then? It's over; you're wiped out. All those prophecies you heard in the dark have come true, and people can see the real you, see what a schmendrick you are, what a fraud. — Anne Lamott

Thorn braced one of his hands near the side of her head. "You are exceptionally lovely," he murmured. His dark green eyes examined her face, and he was pleased with what he saw. "I do not know why I did not see it right away."

"Oh," she huffed. Only the earl could compliment and insult her in one breath. — Alexandra Hawkins

Neither day nor night is our master. And do you know what happens when a woman walks without fear?"
Teia shook her head, but there was a sudden longing deep in her that swelled so strong it paralyzed her tongue. Tell me. Tell me.
"She becomes."
Becomes what? Teia didn't say the words aloud, but he knew what she was thinking, for he answered:
"She becomes whatever she wills. Minus only one thing." In the dark, he held up a finger, almost like he was scolding her.
Teia was silent now. The question was obvious, and now she didn't want to ask it.
Sharp said, "She has one thing she can never be, never again. You know what it is, don't you?"
The words came unbidden to her lips, from a place so dark no light had ever touched it: "A slave. — Brent Weeks

You are not going to lose me," said Claybriar. "I don't want to put you through that."

"Is that a promise?" I said, and then immediately realized what I'd asked. I held my hand up in front of his mouth even as he drew breath to answer. "No," I said. "Don't bind yourself. Just do your best to stay alive; that's enough for me."

It was a little dizzying to realize that he'd been willing to promise me that he'd never leave me, and that unlike the others in my past he'd be bound to that promise. It was tempting, in a dark sort of way. But I wouldn't let him do it any more than I'd let him chain himself in the hold of a sinking ship. — Mishell Baker

Do you want to tell me what you're doing up here in the middle of the woods?" He gazed at her milky white skin, dark hair, and wide eyes. "If you're looking for the seven dwarfs, they live in the next forest over. — Deborah Blake

She paused and saw him tense in expectation. He wouldn't like to hear this, but better from her than one of the others. "You aren't the only pilot I have in my service. And you aren't the only person with a dark past, though the illegal things that you did, you were forced to do by the Core. But I will tell you what I've told the others. This is your last chance. You screw up with me and you get shipped up river. I don't offer second chances - I offer last chances."
Nope, he didn't like it. She saw the hand not holding the bottle of beer curl into a fist.
Sin and Del, from Sunscapes Trilogy, Book 1: Last Chance — Michelle O'Leary

He took a long draw then asked, "What'd I do?"
"You knew about the guy threatening my dad?"
He paused, shifted in his chair, so freaking busted, it wasn't funny. "They told you?"
"Why, no, Swopes, they didn't. Instead, they waited until the guy knocked the fuck out of my dad and readied him for spaceflight with duct tape then tried to kill me with a butcher's knife. — Darynda Jones

You know how Americans deal with it? They pretend they are eternally innocent no matter how many times they lose their innocence. The problem is that those who insist on their innocence believe anything they do is just. At least we who believe in our own guilt know what dark things we can do. — Viet Thanh Nguyen

but a man of pleasure like yourself ought to know that all who are in the flower of youth do somehow or other raise a pang or emotion in a lover's breast, and are thought by him to be worthy of his affectionate regards. Is not this a way which you have with the fair: one has a snub nose, and you praise his charming face; the hook-nose of another has, you say, a royal look; while he who is neither snub nor hooked has the grace of regularity: the dark visage is manly, the fair are children of the gods; and as to the sweet 'honey pale,' as they are called, what is the very name but the invention of a lover who talks in diminutives, and is not averse to paleness if appearing on the cheek of youth? In a word, there is no excuse which you will not make, and nothing which you will not say, in order not to lose a single flower that blooms in the spring-time of youth. If — Plato

Part of what we're trying to do is lay out what really happened. For example, I've been trying to get across that the intelligence leadership did not just keep the country in the dark. They actively misled the country on key issues. When you have someone who heads the NSA saying we don't hold data at all on US citizens, that's one of the most misleading statements I believe that's ever been made about surveillance policy. And I think that now we're starting to get that message across. — Ron Wyden

And someone turns out the lights in the library, as if being in the dark will make them invisible, but the noise reaches into the house, into the room, into their lungs. Someone is being beaten in the street below. What are they going to do? How long can you pretend this is not happening? — Edmund De Waal

When the oldest Chatwin, melancholy Martin, opens the cabinet of the grandfather clock that stands in a dark, narrow back hallway in his aunt's house and slip through into Fillory ... it's like he's opening the covers of a book, but a book that did what books always promised to do and never ac tually quite did: get you out, really out, of where you were and into something better. — Lev Grossman

Because there is that sort of feeling that people don't know what to do with gaps in their lives. It's a scary notion, but actually, if you can stand in space just for a little while, a new door will open, or you'll be able to see in the dark after a while. You'll adjust. — Jane Campion

And what happens if we don't remember? What happens if we never knew? Too many of us are here in the dark because in the rush and clamor of blood the third reptilian brain takes over, the one that says I do not recognize anything of myself in you, and so you are less than nothing. — Quan Barry

What do you have in mind?
It was too dark for her to see his smile, but she could hear it in his voice. Probably too many things for the amount of time that we've got, but you never know. I'm an ambitious man. — Thea Harrison

This world,' she said. 'Do you really like it?'
What a question! Farid never asked himself such things. He was glad to be with Dustfinger again and didn't mind where that was.
It's a cruel world, don't you think?' Meggie went on. 'Mo often told me I forget how cruel it is too easily.'
With his burned fingers, Farid stroke her fair hair. It shone even in the dark. 'They're all cruel,' he said. 'The world I come from, the world you come from, and this one, too. Maybe the people don't see the cruelty in your world right away, it's better hidden, but it's there all the same. — Cornelia Funke

THE WHISTLER
All of a sudden she began to whistle. By all of a sudden
I mean that for more than thirty years she had not
whistled. It was thrilling. At first I wondered, who was
in the house, what stranger? I was upstairs reading, and
she was downstairs. As from the throat of a wild and
cheerful bird, not caught but visiting, the sounds war-
bled and slid and doubled back and larked and soared.
Finally I said, Is that you? Is that you whistling? Yes, she
said. I used to whistle, a long time ago. Now I see I can
still whistle. And cadence after cadence she strolled
through the house, whistling.
I know her so well, I think. I thought. Elbow and an-
kle. Mood and desire. Anguish and frolic. Anger too.
And the devotions. And for all that, do we even begin
to know each other? Who is this I've been living with
for thirty years?
This clear, dark, lovely whistler? — Mary Oliver

There is no abstract Evil; you have to understand that! Its roots are here, all around us, in this herd that goes on chewing and having a good time only an hour after a murder! That's what you have to fight for. For people. Evil is a hydra with many heads, and the more of them you cut off, the more it grows! Hydras have to be starved to death, do you understand that? Kill a hundred Dark Ones, and a thousand more will take their place. — Sergei Lukyanenko

This plant represents what's happening inside of you. The world, like the soil, is cold and dark - layered with a history of destruction and death. You were planted in this world to rise above it. Do you not see? The very existence of this darkness gives you the opportunity to become a light to the world. — Seth Adam Smith

petal." I don't look at it that closely. "That blossom started as a seed," she continues. "It was buried deep in the cold, dark ground. One day when the soil was warm and moist, the little seed split apart and began to climb to a world it could not see. Imagine the courage it had! It did not know what it would find when it broke through the surface. The scorching sun? The gardener's blade? The crushing hoof of a cow? But the seed courageously pushed on so that one day, it could become a beautiful flower." She points a finger at me. "You must have the courage of the seed, Anna. Without it, you will stay buried. You will rot and die. It does not matter how smart you are, or how pretty, or if you have money and many friends. If you do not have courage, you will never blossom into the flower you were meant to be. — William Andrews

What was I supposed to be, growing in your womb
assuming it was even in our womb that I was conceived? A seed of hope? A ticket purchased to ferry you from the dark? A patch for that hole you carried in your heart? If so, then I wasn't enough. I wasn't nearly enough. I was no balm to your pain, only another dead end, another burden, and you must have seen that early on. You must have realized it. But what could you do? You couldn't go down to the pawnshop and sell me. — Khaled Hosseini

"Wait." I grab his tie. Even through his shirt, I feel the strong curve of his collarbone beneath my fingers. It takes me back to how he looked in my bedroom: shirtless and perfect - wings spread high like those of some sort of celestial being - elegant power and pulsing light. Unabashed, unashamed, and confident. All the things that I crave to be.
My pulse beats rapidly against the bite on my neck. "There's something I want you to do, before Jeb wakes enough to know what's going on."
Morpheus kneels again. "What? You want I should kiss your ouchies?" The dark purr of his voice is more teasing than seductive. — A.G. Howard

Mon wants this transition to be as peaceable as possible. That is, of course, a noble goal. And in late nights the chancellor confided in Leia that she is wisely struck by the fear of what happened the first time the parasite of Palpatine squirmed under the skin. How easy it was for him to prey on the anxieties of the galaxy. How simple it was for him to turn system against system by stoking the fires of xenophobia, anger, selfishness. (And here Luke's voice echoes in her mind: The ways and tools of the dark side, Leia.) How do you form an Empire? By stealing a Republic. And how do you steal a Republic? By convincing its people that they cannot govern themselves - that freedom is their enemy and that fear is their ally. Palpatine — Chuck Wendig

We believe what we see.
So did Columbus. What do you do when you're in the dark? — Yann Martel

But maybe I am. Maybe that's exactly what I am. Maybe all I wanted was for Toby to hear the wolves that lived in the dark forest of my heart. And maybe that's what it meant. Tell the Wolves I'm Home. Maybe Finn understood everything, as usual. You may as well tell them where you live, because they'll find you anyway. They always do. — Carol Rifka Brunt

The writing process is sort of like when you've got no electricity and you've gotten up in the middle of the night to find the bathroom, feeling your way along in the dark. I can't hardly tell you what I do because I really don't know. — Carolyn Chute

I'd read somewhere that nine out of ten adults in Alaska had a drinking problem. I could believe it. Snow, ice, sleet, wind, the dark night of the soul: what else were you supposed to do? — T.C. Boyle

So ... " he said, shoving his hands in his pockets and rocking back onto his heels. "You come here often?"
Picking up on his mood with the lightning quickness that had won them a space in the finals, Jules flirted right back."Pretty often. But you must be new. I'm sure I'd remember if I'd seen you here before, hot stuff."
That made him grin and saunter closer, close enough to reach out and smooth a lock of dark gold hair behind her ear. "What do you say we low this joint? ... — Louisa Edwards

Can't we just go in a dark corner like normal people who need to hide from highly trained evil killers?" she said.
"What, and let everyone imagine all the delightful things two jinn can do in the dark?"
"You're unbelievable."
"Thank you. — Heather Demetrios

Bring your lips closer until they're touching mine." When I did, the heat was electric. "Can you feel that?" he asked, moving his lips from one corner of my mouth to the other. "That's the chemistry between man and woman. It doesn't need to be forced. You shouldn't overthink what to do with your mouth or tongue - give in to your instincts. — Dannika Dark

[T]he more we do this, the more I learn about what I think Chains was really training us for. And this is it. He wasn't training us for a calm and orderly world where we could pick and choose when we need to be clever. He was training us for a situation that was fucked up on all sides. Well, we're in it, and I say we're equal to it. I don't need to be reminded that we're up to our heads in dark water. I just want you boys to remember that we're the gods-damned sharks."
"Right on," cried Bug. "I knew there was a reason I let you lead this gang! — Scott Lynch

Hey, nit squat! These are written by norms to scare norms. And do you know what the monsters and demons and rancid spirits are? Us, that's what. You and me. We are the things that come to the norms in nightmares. The thing that lurks in the bell tower and bites out the throats of the choirboys - that's you, Oly. And the thing in the closet that makes the babies scream in the dark before it sucks their last breath - that's me. And the rustling in the brush and the strange piping cries that chill the spine on a deserted road at twilight - that's the twins singing practice scales while they look for berries. — Katherine Dunn

What excuses have you to offer, my heart, for so many shortcomings? Such constancy on the part of the Beloved, such unfaithfulness on your own!
So much generosity on his side, on yours such niggling contrariness! So many graces from him, so many faults committed by you!
Such envy, such evil imaginings and dark thoughts in your heart, such drawing, such tasting, such munificence by him!
Why all this tasting? That your bitter soul may become sweet. Why all this drawing? That you may join the company of the saints.
You are repentant of your sins, you have the name of God on your lips; in that moment he draws you on, so that he may deliver you alive.
You are fearful at last of your wrongdoings, you seek desperately a way to salvation; in that instant why do you not see by your side him who is putting such fear into your heart? — Jalaluddin Rumi

Oh honey, there's nothing new on this earth when it comes to what men and women do in the dark. First love is when you learn. So you've learned that love can open you up like spring sun on a wee primrose. Good. Remember that. You know how to love. — Federico Garcia Lorca

But what could you do? Only keep going. People kept going; they had been doing it for thousands of years. You took the kindness offered, letting it seep as far in as it could go, and the remaining dark crevices you carried around with you, knowing that over time they might change into something almost bearable. — Elizabeth Strout

In theory, I would like to lead a transparent life. I wold like my life to be as clear as a new pane of glass, without anything shameful and no dark shadows. I would like that. But if I am completely honest, I have to acknowledge secrets too painful to even tell myself. There are things I consider in the deep dark of night, secret terrors. Why are they secrets? I could easily tell either of my parents how I feel, but what would they say? Don't worry, darling, we will do our best never to die? We will never ever leave you, never contract cancer or walk in front of a bus or collapse of old age? We will not leave you alone, not ever, to navigate the world and all of its complexities without us? — Meg Rosoff

If you have given up your heart for the Tower, Roland, you have already lost. A heartless creature is a loveless creature, and a loveless creature is a beast. To be a beast is perhaps bearable, although the man who has become one will surely pay hell's own price in the end, but if you should gain your object? What if you should, heartless, storm the Dark Tower and win it? What could you do except degenerate from beast to monster? To gain one's object as a beast would only be bitterly comic, like giving a magnifying glass to an elephant. But to gain one's object as a monster ... To pay hell is one thing. But do you want to own it? — Stephen King

What do you know about being a victim?" "That it's perceptional," I said. "You can either live as a victim or become a survivor. The choice is yours, and it will change your life in ways you can't imagine. — Dannika Dark

Jem leaned closer against the chair, staring into the fire. "Better it were my hands," he said.
Will shook his head. Exhaustion was muting the edges of everything in the room, blurring the flocked wallpaper into a single mass of dark color. "No. Not your hands. You need your hands for the violin. What do I need mine for? — Cassandra Clare

He told me once that the devil dwells in you." "No doubt he does believe it. And what do you think, Mariana Farr?" He did look faintly devilish, smiling down at me with his dark clothes and his dark hair and those glinting eyes the color of the forest that surrounded us, shutting us off together from the wider world. I studied him closely, and shrugged in my turn. "I am no simple chit in hanging sleeves, my lord. I have eyes of my own to judge with, and I see no horns. — Susanna Kearsley

I don't know when love became elusive
what i know, is that no one i know has it
my fathers arms around my mothers neck
fruit too ripe to eat, a door half way open
when your name is a just a hand i can never hold
everything i have ever believed in, becomes magic.
i think of lovers as trees, growing to and
from one another searching for the same light,
my mothers laughter in a dark room,
a photograph greying under my touch,
this is all i know how to do, carry loss around until
i begin to resemble every bad memory,
every terrible fear,
every nightmare anyone has ever had.
i ask did you ever love me?
you say of course, of course so quickly
that you sound like someone else
i ask are you made of steel? are you made of iron?
you cry on the phone, my stomach hurts
i let you leave, i need someone who knows how to stay. — Warsan Shire

A smirk curved its sensual lips. "But then, women never have been able to keep their eyes off me."
"Oh, you are so arrogant. I just couldn't figure out if you were a fairy or not," Gabby snapped.
A dark eyebrow arched. "And you thought the answer to that question might be found in my pants? That's why you were looking there?" Its dark gaze shimmered with amusement.
"The only reason I looked there," she said, flushing, "was because I couldn't believe you would just so blatantly ... re-rearrange your - your ... " She trailed off, then hissed, "What is it with men? Women don't do things like that! Move their ... their personal parts about in public."
"Mores the pity. I, for one, would find it quite fascinating".Its gaze dropped to her breasts. — Karen Marie Moning

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
32. I think I could turn and live with animals, they're so placid and self-contained,
I stand and look at them and long.
They do not sweat and whine about their condition.
They do not lie awake in the dark and weep for their sins.
They do not make me sick discussiong their duty to God,
Not one is dissatisfied, not one is demented with the mania of owning things,
Not one kneels to another, nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the earth.
52. The spotted hawk swoops by and accuses me, he complains of my gab and loitering.
I too am not a bit tamed, I too am untranslatable,
I sound my barbaric YAWP over the roofs of the world. — Walt Whitman

IT TAKES SOME OF US a long time to find out what the price is of being in nature, and what the facts are about your tenure. How long it takes depends on how swiftly the social sugars dissolve. But when at last they do dissolve there's a different taste in your mouth, bringing different news which registers with dark astonishment and fills your eyes. And this different news is that from vast existence in some way you rise up and at any moment you may go back. Any moment; the very next, maybe. — Saul Bellow

Peregrine," Molly said sometime later, when the group had fallen quiet. Talon snored softly with his head in her lap. "Sable made an announcement to us earlier. He told us this place was going to be called Cape Rim. I think we can do better."
"I know we can," he said. "What would you call it, Molly?"
"I've been thinking about it, and it seems to me we wouldn't be here if it weren't for Cinder."
"Oh ... ," Marron said. "That's lovely."
Aria looked up, her violet scent filling him with steadiness. "What do you think?"
Perry looked down to the waves, and then farther out to the dark horizon, where he saw only stars. "I think it's a great name. — Veronica Rossi

Helen, don't."
"I thought it was only a misunderstanding. I thought if I spoke to you directly, everything would be s-sorted out, and - " Another sob choked her. She was so consumed by emotion that she was only vaguely aware of Rhys hovering around her, reaching for her and snatching his hands back.
"No. Don't cry. For God's sake, Helen - "
"I didn't mean to push you away. I didn't know what to do. How can I make you want me again?"
She expected a jeering reply, or perhaps even a pitying one. The last thing she expected was his shaken murmur.
"I do want you, cariad. I want you too damned much."
She blinked at him through a bewildered blur, breathing in mortifying hiccups, like a child. In the next moment, he had hauled her firmly against him.
"Hush, now." His voice dropped to a deeper octave, a brush of dark velvet against her ears. "Hush, bychan, little one, my dove. Nothing is worth your tears."
"You are. — Lisa Kleypas

That scares me ... you scare me ... I am completly caught up in your spell, considering a lifestyle with you that I didn't even know existed until last week, and then you write something like that and I want to run screaming into the hills. I won't of course, because I'd miss you. Really miss you. I want us to work, but I am terrified of the dept of feeling I have for you and the dark path you're leading me down. What you are offering is erotic and sexy, and I'm curious, but I'm also scared you'll hurt me- physically and emotionally. After threee months you could say good-bye, and where will that leave me if you do? — E.L. James

The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out ... Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions. — E.L. Doctorow

She rubs her arm where I grabbed her. "What do you do to the people you don't like?"
I flash my teeth like knives in the dark. "Do you really want to know?"
She kicks my shin in a halfhearted pout. "You think different around him, you know."
"Oh?" A cab pulls to the side and I open the door. "Clearer. Happier. But scarier. — Kiersten White

But like all things, the business has two sides. Clean white teeth are not always wise, now are they? Par exemplum: when I was in the Congo, the only way I could identify the nigger was by the whiteness of his teeth, if you see what I mean. Horrid business. Dark as buggery, it was. And they died because of it, you see? Poor bastards. Or rather I survived, to look at it in another way, do you see? — Zadie Smith

The world was a grand confusion. Finally, when I was drunk, and my mind couldn't do what I wanted it to do, I went home. I would lie alone In the dark, feeling that I was a character in a story that had lost its plot."
Sann "Don't ever use the word tragedy again. You tell what happened, and let the reader say it's a tragedy. If you're crying, the reader won't. — Pete Hamill

I imagine the game wouldn't be the same in the light," Scarlett answered. "People think no one sees all the nasty things they do in the dark. The foul acts they commit, or the lies they tell as part of the game. Caraval takes place at night because you like to watch, and see what people do when they think there are no consequences. — Stephanie Garber

Deal with all this, live with myself, you mean? I honestly don't know. I stand often enough at the abyss of my soul, asking that same question, looking down into the dark crevices where the black monsters dwell on the bottom. They gaze up at me, and I look them in the eyes. "This also you are," they say, and I almost fall into the void."
"And then?"
Anaxantis shrugged.
"And then? I turn around and go do what needs to be done. What else is there? — Andrew Ashling

Do you see that patch of blue in the sky, fighting to be seen through the clouds?"

"Yes." She nodded, but her brows were scrunched in obvious confusion as to what his point would be.

"That was my life when I met you. After Mellie died, my life was a constant rainy day. I couldn't imagine the sun ever shining again. Then I met you, and the dark clouds started to drift away. I could see blue skies again and they were pushing out the clouds. As I got to know you, there were more blue skies and sunshine in my life. — Leah Atwood

I didn't think he'd go back for him. But it shouldn't surprise me, either, I guess ... given their relationship. I'm extremely curious where they're hiding him, as he doesn't blend. At all. Ever. I can't imagine where they could put him that he wouldn't attract a lot of attention ... in either form." Xev
"Well, aren't we Mr. Dark and Cryptic ... shall we call him?" Nick pulls out his phone.
"I doubt he knows how to work that. I'm sure he'd sniff it and eat it if you gave him one. Do you know where they're keeping him?" Xev
"You know how akri-Caleb's house is up off the ground and gots all that room under it for storage?" Simi
"Oh dear Gods, he's in my wine cellar? Seriously? I'm thinking I should have made amends with my brother sooner and moved him into my house to watch the puca. What kind of mutant life form do I have living in my cellar? And do I need to fumigate my house?"" Caleb — Sherrilyn Kenyon

My school has apparently never seen someone so gothically adorable." "What does that even mean?" She smirks at me. "You know, dark, mysterious, sullen, yet cute." I gape at her. "Do you even have a filter?" She swiftly shakes her head. "No way. Where's the fun in that? — Jessica Sorensen

The figure stood in the flames, dark, hard to make out. "I've given you the blessing of pewter, Spook," the voice said. "Use it to escape this place. You can break through the boards on the far side of that hallway, escape out onto the roof of the building nearby. The soldiers won't be watching for you - they're too busy controlling the fire so it doesn't spread."
Spook nodded. The heat didn't bother him anymore. "Thank you."
The figure stepped forward, becoming more than just a silhouette. Flames played against the man's firm face, and Spook's suspicions were confirmed. There was a reason he'd trusted that voice, a reason why he'd done what it had said.
He'd do whatever this man commanded.
"I didn't give you pewter just so you could live, Spook," Kelsier said, pointing. "I gave it to you so you could get revenge. Now, go! — Brandon Sanderson

She glanced pointedly at the flopping tadpole.
"What?"
"Take it back."
"You're kidding, right?" he said disbelievingly.
"Do we have time?"
He considered that. "Yes, but
"
"Then, no I'm not."
"That lake was three hops ago," he said impatiently.
"If you don't take it back it's going to die, and while you may think it's just a pathetic little thing with an abbreviated little life that hardly even signifies in the fairy scheme of things, I'll bet in the tadpole scheme of things it's really looking forward to becoming a frog. Now take it back. A life is a life. I don't care how tiny an almighty fairy thinks it is."
One dark brow arched and he inclined his head. "Yes, Gabrielle." Scooping up the tadpole in one big hand, gently enough that it gave her pause, he popped out.
-Gabrielle and Adam Black — Karen Marie Moning

I want to crawl to her feet, whimper to be forgiven, for loving her, for needing her more than my own life, for belonging to her more than my own soul."

"If he loved you with all the power of his soul for a whole lifetime, he couldn't love you as much as I do in a single day."

"...he's more myself than I am. Whatever our souls are made of, his and mine are the same."

"If you ever looked at me once with what I know is in you, I would be your slave."
"Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you."
~ Wuthering Heights — Emily Bronte

If you have children, trust them completely, all the time, no matter what. If you don't trust them, pretend that you do. Listen to everything they say and take their advice. Believe them.

Trust everyone. Everyone behaves better when they feel they're trusted. Nobody wins a fight; the trick is to behave decently no matter what. The trick is to make love a lot. And think of it as making love. Always be making love.

Read lots of books. Read books from foreign countries. Forget yourself. Get lost in it. Give yourself over. Look up from your book and see that it is dark now and everything has changed. — Lisa Moore

I love him, and I love us together more than I love myself. I will do what you ask, but if," Kara swallowed hard, " ... if I lose him, I'll join him in death." Vena resisted the urge to stroke the fine mass of dark curls away from the heart-shaped face that gazed at her so fiercely. The woman who faced her, proudly announcing her ability to choose, was no longer the winsome, pliable girl of the garden. — Anna LaForge

If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be. — Patrick Rothfuss

She flapped her hands, anxious energy coursing through her. "How can you be so calm?"
He got to his feet, unfolding with an easy grace. He held out a hand, his dark eyes focused solemnly on hers. "Come with me."
"For what?"
"That's part of the lesson." Was it her imagination, or did a twinkle of humor stir in those eyes? "Center yourself, and grab onto the here and now."
That made no sense - what was he now, Sir Medieval Zen Master? But she slipped her hand into his strong, calloused one. He hauled her up until she bumped into his chest. With a finger under her chin, he tilted her face until she looked in his eyes.
"Listen to the world around you. Hear the birds? Hear the small animals scurrying? You are in this moment, this moment only, and sometimes that's all you can do, all you can be." His finger pulled away, brushing against her skin, and he tapped her nose, stepping away. — Angela Quarles

What do you believe?
I believe that the last and the first suffer equally. Pari passu.
Equally?
It is not alone in the dark of death that all souls are one soul.
Of what would you repent?
Nothing.
Nothing?
One thing. I spoke with bitterness about my life and I said that I would take my own part against the slander of oblivion and against the monstrous facelessness of it and that I would stand a stone in the very void where all would read my name. Of that vanity I recant all. — Cormac McCarthy

I don't want to be human. I want to see gamma rays, I want to hear X-rays, and I want to smell dark matter. Do you see the absurdity of what I am? I can't even express these things properly, because I have to - I have to conceptualize complex ideas in this stupid, limiting spoken language, but I know I want to reach out with something other than these prehensile paws, and feel the solar wind of a supernova flowing over me. I'm a machine, and I can know much more.
- John Cavil, Cylon Model Number One, No Exit — Patrick Di Justo

whenever possible, you need to go to the primary source to make your decisions. Regardless of whether or not you're a student, it is never enough to rely on other people's ideas. You have to look at the thing itself and make up your own mind. That's what it means to study and to learn. Some secondary sources proclaim their points of view so loudly and with such passion you might be tempted just to take their word for it. You might be tempted not to do the work of checking to see for yourself. But there can be a fine line between obedience and laziness, and if you go through life dutifully taking other people's word about what's right, you are putting yourself in the position to be led down some very dark roads. After — Ann Patchett

Well, what do we do now?" Caramon asked, sitting astride his horse and looking both up and down the stream.
" 'You're' the expert on women," Raistlin retorted.
"All right, I made a mistake," Caramon grumbled. "That doesn't help us. It'll be dark soon, and then we'll never find her trail. I haven't heard you come up with any helpful suggestions," he grumbled, glancing at his brother balefully. "Can't you magic up something?"
"I would have 'magicked up' brains for you long time ago, if I could have," Raistlin snapped peevishly. "What would you like me to do?-make her appear out of thin air or look for her in my crystal ball? No, I won't waste my strength. Besides it's not necessary. Have you a map, or did you manage to think that far ahead? — Margaret Weis

That poem you like, how does it end?"
He knows how it ends. He's looked it up by now, that's why he asks.
But I answer him anyway.
"'We have lingered in the chambers of the sea, by sea-girls wreathed
with seaweed red and brown, till human voices wake us, and we drown.'"
Eliot shakes his head. "It does not need the last three words. The last
three words are wrong."
I laugh at his correcting a Nobel prize-winning poet, but I agree. I
know what drowning feels like. It doesn't need water. And human voices,
if they say the right things, can save you.
"Eliot, do you have a pen I can borrow?"
I can feel him smiling in the dark, and we watch the sea caress the
sand.
"That man in the poem, Mr. Prufrock, he was a coward, wasn't he?"
Eliot says.
My answer to his question is the same as his answer to mine. — Ray Cluley

What's wrong? Where's Gavin?" Mabellio grabbed my shoulders as I tried to barge through the door. "He's fine." He paused. "Now."
"Oh my God," I cried. "I want to see him."
Golar spoke in a calm, soothing tone. "You may, but understand he will need time to heal before he can journey anywhere. You both are welcome to stay, along with Oliver, of course, until he is able."
I nodded my head quickly. "Thank you." I started to walk through the doorway but turned back towards Golar and Mabellio. "Do you know how or why he is even here? I am utterly confused. This is my dream. My nightmare. How is he a part of that? — Brynn Myers

Women don't have a say in my house. But, just between us, don't do what you did during supper last time in front of her again." "You mean when I threw my fork at that rat?" "No. I mean when you hit it, even in the dark. — Andrzej Sapkowski

Do you know what two centimeters is?
Yeah. It's a measurement.
It's about three quarters of an inch.
All right.
That's the distance that round missed your liver by.
Is that what the doctor told you?
Yes. You know what the liver does?
No.
It keeps you alive. Do you know who the man is who shot you?
Maybe he didnt shoot me. Maybe it was one of the Mexicans.
Do you know who the man is?
No. Am I supposed to?
Becase he's not somebody you really want to know. The people he meets tend to have very short futures. Nonexistent, in fact.
Well good for him. — Cormac McCarthy

What makes Argia different from other cities is that it has earth instead of air. The streets are completely filled with dirt, clay packs the rooms to the ceiling, on every stair another stairway is set in negative, over the roofs of the houses hang layers of rocky terrain like skies with clouds. We do not know if the inhabitants can move about the city, widening the worm tunnels and the crevices where roots twist: the dampness destroys people's bodies and they have scant strength; everyone is better off remaining still, prone; anyway, it is dark.
From up here, nothing of Argia can be seen; some say, "It's down below there," and we can only believe them. The place is deserted. At night, putting your ear to the ground, you can sometimes hear a door slam. — Italo Calvino

Contrast is important in life. We understand what light is because we can compare it with what we know is dark. Sweet is made sweeter after we eat something bitter. It's the very same with sadness. And it's important to experience sadness, to embrace it in order to truly know happiness. I was just a flat line until he came along. And maybe now I'm hurting. But isn't that what love is supposed to do? Make you feel, make you brave, make you look at yourself more carefully? — Tarryn Fisher

Murderer!" he said suddenly in a quiet but clear and distinct voice.

Raskolnikov went on walking beside him. His legs felt suddenly weak, a cold shiver ran down his spine, and his heart seemed to stand still for a moment, then suddenly began throbbing as though it were set free. So they walked for about a hundred paces, side by side in silence. The man did not look at him.

"What do you mean... what is... Who is a murderer?" muttered Raskolnikov hardly audibly.

"You are a murderer," the man answered still more articulately and emphatically, with a smile of triumphant hatred, and again he looked straight into Raskolnikov's pale face and stricken eyes. — Fyodor Dostoyevsky

When it is winter and we must walk in the blizzard snow do not our fingers and toes whisper death And when winter is at last over ... can we not hear our bellies whisper death to us In the dark don't we know And when we are paralyzed by nightmares We know what you are. With our first cries we rail against you. We see you in every drop of blood in every tear. — Martine Leavitt

I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her ... I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart. — Harlan Coben

A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive-so sensitive, these Illyrian wings.
Lucien backed up at step. "What did you do to yourself?" I gave him a little smile. "The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord's pet — Sarah J. Maas

About the book of Job: If it were today, God might be asking How does DNA carry traits? How are instincts passed on in animals? How does consciousness arise in the human body and brain, and what is consciousness? What is dark matter? How did the big bang happen? Why does the speed of light appear to be absolute? Is cold fusion possible? How do you program a TV remote control? — Brian D. McLaren

Something lay in the middle of it a few yards on, a dark object like a little heap of brown leaves. Thinking it was leaves I saw no reason for comment; but Gertrud, whose eyes are very sharp, exclaimed. 'What, do you see August?' I cried. 'No, no - but there in the road - the tea-basket!' It was indeed the tea-basket, shaken out as it naturally would be on the removal of the bodies that had kept it in its place, come to us like the ravens of old to give us strength and sustenance. 'It still contains food,' said Gertrud, hurrying towards it. 'Thank heaven,' said I. We — Elizabeth Von Arnim

The funny thing about mundies," Jace said, to nobody in particular, "is how obsessed with magic they are for a bunch of people who don't even know what the word means."
I know what it means," Clary snapped.
No, you don't, you just think you do. Magic is a dark elemental force, not just a lot of sparkly wands and crystal balls and talking goldfish."
I never said it was a lot of talking goldfish, you-"
Jace waved a hand, cutting her off. "Just because you call an electric eel a rubber duck doesn't make it a rubber duck, does it? And God help the poor bastard who decides they want to take a bath with the duckie. — Cassandra Clare

She murmured, "You're unfinished."
"Aye, precisely."
"I need to go."
When she moved to get up, he shoved her against his side and slapped her arse to keep her there. "You stay with me."
She snapped, "What do you want from me, Chase?"
He drew his head back in confusion. "I want everything. You're mine, Regin. — Kresley Cole

When people in power can operate in the dark, inevitably they abuse that power. So, you need outside forces to bring light and transparency to what they're doing. And, one of the ways you do that is through journalism, and through guaranteeing a free press. That is its purpose, to provide a check on those who wield power. — Glenn Greenwald

He made me pick a safe word." Nik peeked between his fingers. Sam's mouth was hanging open.
"Oh." Sam's voice was a whisper. More of the throat clearing. "What did you pick?"
Not the question he'd been expecting. Nik looked up at Sam from under his hand.
"Lemonade."
"Lemonade?" Nik nodded. "Do you like lemonade?"
"Does it matter? Yes, I like lemonade."
"Shouldn't you have picked something you didn't like, to make sure there were no, um, inadvertent exclamations at an important moment?"
He dropped his hand and stared at Sam. "Who screams out 'lemonade' in the middle of sex?"
Sam blushed. Nik was momentarily grateful for his dark skin. "You'd be surprised," Sam mumbled. — Anne Tenino

Do you believe in God, doctor?
No - but what does that really mean? I'm fumbling in the dark, struggling to make something out. But I've long ceased finding that original. — Albert Camus

If you expose what it is that we're doing, if you inform your fellow citizens about all the things that we're doing in the dark, we will destroy you. This is what their spate of prosecutions of whistleblowers have [sic] been about. It's what trying to threaten journalists, to criminalize what they do, is about. It's to create a climate of fear, so that nobody will bring accountability to them.
It's not going to work. I think it's starting to backfire, because it shows their true character and exactly why they can't be trusted to operate with power in secret. And we're certainly not going to be deterred by it in any way. The people who are going to be investigated are not the people reporting on this, but are people like Dianne Feinstein and her friends in the National Security Agency, who need investigation and transparency for all the things that they've been doing. — Glenn Greenwald

I want to know what your five-dollar wish was for."
"Is that all?" He smiled beneath her exploring fingertips. "I wished you would find someone who wanted you as much as I did. But I knew it wouldn't come true."
The candlelight slid over Daisy's delicate features as she raised her head to look at him. "Why not?"
"Because I knew no one could ever want you as much as I do."
Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both.
"What was your wish?" Matthew asked, combing his fingers through the fall of shimmering hair.
"That I could find the right man to marry." Her tender smile stopped his heart. "And then you appeared. — Lisa Kleypas

Mr. Fresh looked up. "The book says if we don't do our jobs everything could go dark, become like the Underworld. I don't know what the Underworld is like, Mr. Asher, but I've caught some of the road show from there a couple of times, and I'm not interested in finding out. How 'bout you?"
"Maybe it's Oakland," Charlie said.
"What's Oakland?"
"The Underworld."
"Oakland is not the Underworld!"
"The Tenderloin?" Charlie suggested. — Christopher Moore

The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known ... "
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate. — Melissa Marr

Your female, huh?" The Shifter bravely looked up. "Is your cock so small that you can't get your own women to--

Logan slapped a hand across his mouth and leaned in, nose to nose--giving the man a good look at the darkness pulsing in his eyes. "There are no laws against what we do, only opinions. Your opinion doesn't matter to me, but disrespecting this female does. Tip your head to her once more and I'll place my jacket on the back of that chair and we'll take a walk where Breed rules don't apply. Care to discuss your opinions on this matter any further?" Logan's nose wrinkle, drawing in a scent. The man backed down in defeat. Obviously not an alpha Shifter, just a jackass.

Logan's eyes slanted, as if watching me in his peripheral. "For the record, my cock can only be measured in decibels from the screams of the females it pleasures. — Dannika Dark

Anna Petrovna: Do you know what, Kolya? Try and sing, laugh, get angry, as you once did ... You stay in, we'll laugh and drink fruit liqueur and we'll drive away your depression in a flash. I'll sing if you like. Or else let's go and sit in the dark in your study as we used to, and you'll tell me about your depression ... You have such suffering eyes. I'll look into them and cry, and we'll both feel better. — Anton Chekhov

Her fingers clenched against his shoulder blades. "You don't know what you're asking."
"Do I not?" He threaded his hands gently around her neck. "I'm asking you to make love with me."
That word again. She opened her eyes. "Gareth," she whispered. "Please. Don't. This is hard enough - "
She stopped speaking as his gaze pierced her.
Incredible. Last night had seemed so intimate. And yet it
had been so dark that she had not been able to see anything other than flashes of light, reflecting off the surface
of his skin. Now she could look into his eyes. They were golden-brown. They were not cutting or dismissive. And
even though she could see the desire smolder inside them, there was something else in them that turned her belly to liquid. — Courtney Milan

Let not the rash marble risk
garrulous breaches of oblivion's omnipotence,
in many words recalling
name, renown, events, birthplace.
All those glass jewels are best left in the dark.
Let not the marble say what men do not.
The essentials of the dead man's life
the trembling hope,
the implacable miracle of pain, the wonder of sensual delight
will abide forever.
Blindly the uncertain soul asks to continue
when it is the lives of others that will make that happen,
as you yourself are the mirror and image
of those who did not live as long as you
and others will be (and are) your immortality on earth. — Jorge Luis Borges