What Is A Book Quotes & Sayings

Steve Grand is the creator of what I think is the nearest approach to artificial life so far, and his first book, Creation: Life and How to Make It, is as interesting as you would expect. But he illuminates more than just the properties of life: his originality extends to matter itself and the very nature of reality. Not since David Deutsch's The Fabric of Reality have I encountered such a compelling invitation to think everything out afresh, from the bottom up. — Richard Dawkins

That is a goal, to step out on stage and to actually be present. Honestly alive and present. Although, it doesn't always happen. We're fallible, we're imperfect. That's what a lot of books are written about; that's what a lot of religions have sought after is that kind of zen mentality of just being totally neutral and open and vulnerable to all of the forces in the universe without being attached to them. — Dan Mangan

At whatever point one opens Gift from the Sea, to any chapter or page, the author's words offer a chance to breathe and to live more slowly. The book makes it possible to quiet down and rest in the present, no matter what the circumstances may be. Just to read it - a little of it or in its entirety - is to exist for a while in a different and more peaceful tempo. Even the sway and flow of language and cadence seem to me to make reference to the easy, inevitable movements of the sea. — Anne Morrow Lindbergh

The Bible is not, in other words, simply a list of true doctrines or a collection of proper moral commands - though it includes plenty of both. The Bible is not simply the record of what various people thought as they struggled to know God and follow him, though it is that as well. It is not simply the record of past revelations, as though what mattered were to study such things in the hopes that one might have one for oneself. It is the book whose whole narrative is about new creation, that is, about resurrection, so that when each of the gospels ends with the raising of Jesus from the dead, and when Revelation ends with new heavens and new earth populated by God's people risen from the dead, this should come not as a surprise but as the ultimate fulfillment of what the story had been about all along. — N. T. Wright

I mentioned early in this book the kind of rereading distinctive of a fan
the Tolkien addict, say, or the devotee of Jane Austen or Trollope or the Harry Potter books. The return to such books is often motivated by a desire to dwell for a time in a self-contained fictional universe, with its own boundaries and its own rules. (It is a moot question whether Austen and Trollope's first readers were drawn to their novels for these reasons, but their readers today often are.) Such rereading is not purely a matter of escapism, even though that is one reason for its attraction: we should note that it's not what readers are escaping from but that they are escaping into that counts most. Most of us do not find fictional worlds appealing because we find our own lives despicable, though censorious people often make that assumption. Auden once wrote that "there must always be ... escape-art, for man needs escape as he needs food and deep sleep." The sleeper does not disdain consciousness. — Alan Jacobs

If I accept that a book must end, I will finish it tonight. What I am doing now is to postpone this orgasm as much as I can. — Paulo Coelho

Question four: What book would you give to every child?
Answer: I wouldn't give them a book. Books are part of the problem: this strange belief that a tree has nothing to say until it is murdered, its flesh pulped, and then (human) people stain this flesh with words. I would take children outside and put them face to face with chipmunks, dragonflies, tadpoles, hummingbirds, stones, rivers, trees, crawdads.
That said, if you're going to force me to give them a book, it would be The Wind In The Willows, which I hope would remind them to go outside. — Derrick Jensen

Here's what you do," suggested Tansy Wagwheel, whom this job in just a few short weeks would drive screaming down Fifteenth Street and on into the embrace of the Denver County public-school system, "It's in this wonderful book I keep close to me all the time, A Modern Christian's Guide to Moral Perplexities. Right here, on page eighty-six, is your answer. Do you have your pencil? Good, write this down - 'Dynamite Them All, and Let Jesus Sort Them Out.'" "Uh . . ." "Yes, I know. . . ." The dreamy look on her face could not possibly be for Lew. "Does it do horse races?" Lew asked after a while. "Mr. Basnight, you card. — Thomas Pynchon

Get a peek at what married life is like for Layken and Will in This Girl, the third book — Colleen Hoover

Read (or listen to on CD) Atlas Shrugged by Ayn Rand This book is a fictional cautionary tale of what would happen if the most ambitious, innovative thinkers were no longer rewarded for using their minds to help advance society. — Steve Siebold

I speak as an unregenerate reader, one who still believes that language and not technology is the true evolutionary miracle. I have not yet given up on the idea that the experience of literature offers a kind of wisdom that cannot be discovered elsewhere; that there is profundity in the verbal encounter itself, never mind what further profundities that author has to offer; and that for a host of reasons the bound book is the ideal vehicle for the written word. — Sven Birkerts

Literature is a source of pleasure, he said, it is one of the rare inexhaustible joys in life, but it's not only that. It must not be disassociated from reality. Everything is there. That is why I never use the word fiction. Every subtlety in life is material for a book. He insisted on the fact. Have you noticed, he'd say, that I'm talking about novels? Novels don't contain only exceptional situations, life or death choices, or major ordeals; there are also everyday difficulties, temptations, ordinary disappointments; and, in response, every human attitude, every type of behavior, from the finest to the most wretched. There are books where, as you read, you wonder: What would I have done? It's a question you have to ask yourself. Listen carefully: it is a way to learn to live. There are grown-ups who would say no, that literature is not life, that novels teach you nothing. They are wrong. Literature performs, instructs, it prepares you for life. — Laurence Cosse

Mary properly bore the name of Virgin, and possessed to the full all the attributes of purity. She was a virgin in both body and soul, and kept all the powers of her soul and her bodily senses far above any defilement. This she did authoritatively, steadfastly, decisively and altogether inviolably at all times, as a closed gate preserves the treasure within, and a sealed book keeps hidden from sight what is written inside. The Scriptures say of her, 'This is the sealed book' (cf. Rev. 5:1-6:1; Dan. 12:4) and 'this gate shall be shut, and no man shall enter by it' (Ezek. 44:2). — Gregory Palamas

What I think happens, and that you have to acknowledge though, is that a director uses a book as a launching pad for his own work and that's always very flattering. — Katherine Dunn

A masterly analysis of how political interests, economic circumstances, development strategies, and local history have shaped what are surprisingly different versions of the welfare state across the developing world. The authors combine fine-grained country analyses with intelligent use of data, and explain and extend the theory and literature on the modern welfare state. The book is both scholarly and readable. — Nancy Birdsall

The lack of definitive answers to questions discussed in this book also
reflects the fact that science is an ongoing process in wh ich the most important sign of progress is often that results of an experiment or observational study lead to a new set of questions. This is part of what makes science exciting and rewarding for scient ists, but it entails an important dilemma: how do we make the best pract ical and even ethical decisions based on incomplete scient ific knowledge? — Stephen H. Jenkins

A person, for example, reads in adulthood a book that is important for him, and it makes him say, "How could I have lived without reading it!" and also, "What a pity I did not read it in my youth!" Well, these statements do not have much meaning, especially the second, because after he has read that book, his life becomes the life of a person who has read that book, and it is of little importance whether he read it early or late, because now his life before that reading also assumes a form shaped by that reading. — Italo Calvino

What I intend to do is uphold a standard of intellectual seriousness on the right. [These books] should be written in a way that they are serious, soberly argued, well researched, and make a respectable case-agree or disagree. — Adam Bellow

Somewhere on the bottom of the Pacific is a copy of The Forsyte Saga I heaved overboard one afternoon. I very quickly saw what was wrong with it; Galsworthy was a gentleman, and no gentleman would ever write a good book. — MacDonald Harris

From REQUSISITION FOR: A THIEF - Book 1
Female Reporter: "Agent Garret, could you answer one more question?... Why can't the FBI catch this guy?"
Director Denny Garret: "The problem is two-fold, really. ...If we're ever gonna catch him it's gonna be because he's failed. If you want to see Gregg Hadyn fail, a jewel heist is the last place to look."

Carly Macklin: "What is your thing, Gregg Hadyn?"
Gregg Hadyn: "You know, I'm really good at taking things that don't belong to me."

Director Denny Garret: "Bobby pins?"
International Jewel Thief Gregg Hadyn: "They make the best handcuff picks. — J.A. Devereaux

I think, consciously or not, what we readers do each time we open a book is to set off a search for authenticity. We want to get closer to the heart of things, and sometimes even a few good sentences contained in an otherwise unexceptional book can crystallize vague feelings, fleeting physical sensations, or, sometimes, profound epiphanies. pg. xvi — Maureen Corrigan

We will learn no matter what! Learning is as natural as rest or play. With or without books, inspiring trainers or classrooms, we will manage to learn. Educators can, however, make a difference in what people learn and how well they learn it. If we know why we are learning and if the reason fits our needs as we perceive them, we will learn quickly and deeply. — Malcolm Knowles

It's scary to make major changes, but we usually have enough courage to take the next right step. One small step and then another. That's what it takes to raise a child, to get a degree, to write a book, to do whatever it is your heart desires. — Regina Brett

A good book appeals to what is best in us.... — Scott Russell Sanders

What works in a story is very different than what works in cinema. For example, dialogue in books: If you translate it too faithfully, it sounds a little stilted, because we often don't speak the way we speak in novels. Oral language is much punchier, shorter sentences. — Yann Martel

During the spring break I read a book called Everlasting. It was a really great book to read. It was about how a girl named Ivy and a boy named Triston were madly in loved but they couldn't be together. Triston had died but he came back to life as another person. But, the problem was that the person that he become was accused as a murderer. So he was being chased. But, even though he was being chased they figured things out and they were together forever. I chose to read this book because when I first started reading it i really liked it. I liked this book a lot because it talked about romance and how they didn't give up. They overcame the difficulties that came before them. What I didn't really like about this book is that many people came in between the love that Ivy and Triston had. — Elizabeth Chandler

It's very important not to talk down to kids, and to give them something which they think is quite grown-up and hardcore. Kids themselves are very good at self-censoring. If they don't like something, if they think it's too strong for them, they'll simply stop reading. That's the thing about a book, you can't force someone to read it ... I think there's a lot in my books about friendship, leadership, about society and how it works, how we learn to live with each other and what skills do we need to make a viable society. Kids don't need to know any of that, they just want someone to be eaten again. — Charlie Higson

I'd say that what I do is like a crack in the mirror. If you go back over the books from Carrie on up, what you see is an observation of ordinary middle-class American life as it's lived at the time that particular book was written. In every life you get to a point where you have to deal with something that's inexplicable to you, whether it's the doctor saying you have cancer or a prank phone call. So whether you talk about ghosts or vampires or Nazi war criminals living down the block, we're still talking about the same thing, which is an intrusion of the extraordinary into ordinary life and how we deal with it. What that shows about our character and our interactions with others and the society we live in interests me a lot more than monsters and vampires and ghouls and ghosts. — Stephen King

One of my heroes, almost necessarily from what I'm saying, of course, is Borges, who is a supreme master of doing thing
being a data bank
and the beauty of this economy is that he could have written War and Peace in three or four pages; who knows, it might have been a better book. — Peter Greenaway

The last thing we decide in writing a book is what to put first. — Blaise Pascal

In the lead-up to the launch of my new book I Was Here, I've seen a lot of discussion about depression and suicide and mental health and YA dealing with such intense matters. What I haven't seen discussed is kittens. — Gayle Forman

I understand that what I am to do is to be a bridge between the people who would never set foot in a church in their entire lives and people who would like to get them there. So I write books that Christians can give to their non-Christian friends that they will actually read. — Andy Andrews

A good picture book should have events that are visually arresting - the pictures should call attention to what is happening in the story. — Chris Van Allsburg

Now that the book is out in the world, I'm amazed all over again at what my friend did for me in prompting me to ditch realism for a more magical approach. In some ways, the Golem and the Jinni are the ultimate immigrants. They aren't just new to New York or America; they're new to people. Like those around them, they wrestle with issues of religion versus doubt and duty versus self-determination - but as inescapable aspects of their own otherworldly natures. For seven years I've lived with their questions, arguments, and adventures, and it's been one of the greatest gifts of my life. — Helene Wecker

I believe eros dwells in our innermost being as the spirit of creative expression. To me, eros is a great path that we must walk, a song we listen to, a game that we hunt and enjoy, a lesson to learn, a garden where flowers bloom, a prodigious puzzle to solve, a book to read, a chapter to write, and an ocean to swim in. That's what eros is to me. — Salil Jha

In 2011, the NASSCOM team introduced me to Aloke Bajpai, who, like others on his young team, cut his teeth working for Western technology companies but returned to India on a bet that he could start something - he just didn't know what. The result was Ixigo, a travel search service that can run on the cheapest cell phones and helps Indians book the lowest-cost fares, whether it is a farmer who wants to go by bus or train for a few rupees from Chennai to Bangalore or a millionaire who wants to go by plane to Paris. Ixigo is today the biggest travel search platform in India, with millions of users. To build it, Bajpai leveraged the supernova, using free open-source software, Skype, and cloud-based office tools such as Google Apps and social media marketing on Facebook. They "enabled us to grow so much faster with no money," he told me. It — Thomas L. Friedman

A book comes and says, 'Write me.' My job is to try to serve it to the best of my ability, which is never good enough, but all I can do is listen to it, do what it tells me and collaborate. — Madeleine L'Engle

When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own. — John Berger

What did the others give to each other?
Nothingness.
Granger stood looking back with Montag. Everyone must leave something behind
when he dies, my grandfather said. A child or a book or a painting or a house or a
wall built or a pair of shoes made. Or a garden planted. Something your hand
touched some way so your soul has somewhere to go when you die, and when
people look at that tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The
difference between the man who just cuts lawns and a real gardener is in the
touching, he said. The lawn-cutter might just as well not have been there at all; the
gardener will be there a lifetime. — Ray Bradbury

We sometimes drive ourselves crazy with how our books will be "seen," when in fact we already know what they're about, and where our obsessions are. If we can spin those obsessions into fiction, then there's a decent chance they will be "fiction-worthy," as you call it. The idea of the "sweep of ideas" is a complicated one. — Meg Wolitzer

People aren't quite sure what it means when a book is a Booker Prize winner. They're not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different. — Kazuo Ishiguro

It's been a harder book to write for personal reasons too. What gets me most are not the scary scientific studies about melting glaciers, the ones I used to avoid. It's the books I read to my two-year-old. Looking For a Moose is one of his favorites. It's about a bunch of kids that really, really, really want to see a moose. They search high and low - through a forest, a swamp, in brambly bushes and up a mountain, for "a long legged, bulgy nosed, branchy antlered moose." The joke is that there are moose hiding on each page. In the end, the animals all come out of hiding and the ecstatic kids proclaim: "We've never ever seen so many moose! — Naomi Klein

Film is not like a book; it's not a writer's baby at all. So many people have put in their talent, by that time that you feel grateful for what they've done, you don't feel possessive about it in any way. — Ruth Prawer Jhabvala

The face that greeted me, however, was far from welcoming, it was a miniature stick insect of a woman with wiry white hair and enormous glasses that emphasized her heavily wrinkled face. She blinked twice and looked me up and down. By the look on her face, she wasn't that impressed with what she saw. "Who is it, Ethel?"
She responded, "It's some homeless woman. She looks like she needs money and a good wash."
And I thought I'd already reached the lowest point of my day. — Suzanne Kelman

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

The only thing I hope for is that, regardless of what the outward world is for different people, different nations, I hope their internal world is similar. And if I, hopefully, have managed to somehow describe my inner world in this book, all I count on is that it will have some resonance among the American readers, or, at the very least, the American readers will treat this book as a kind of a guidebook for my inner world, strange as it may appear. — Vera Pavlova

Man knows, and in the course of years he comes to know it increasingly well, feeling it ever more acutely, that memory is weak and fleeting, and if he doesn't write down what he has learned and experienced, that which he carries within him will perish when he does. This is when it seems everyone wants to write a book. Singers and football players, politicians and millionaires. And if they themselves do not know how, or else lack the time, they commission someone else to do it for them ... engendering this reality is the impression of writing as a simple pursuit, though those who subscribe to that view might do well to ponder Thomas Mann's observation that, 'a writer is a man for whom writing is more difficult than it is for others — Ryszard Kapuscinski

Usually, a number of events will be going on around me to start me on a book. What I mean is, I will have read a poem or seen a picture that is lingering in my mind. — Chris Raschka

Of course there's pressure, and it's still there with every book. Each one is harder to write than the last, basically because you're always trying to write a better book. You won't always succeed, of course, but that has to be what you're shooting for. — Mark Billingham

Rather than get hung up on historical details, we need to keep coming back to the question, 'What does God want to tell us?' If we hang our faith on the absolute historical accuracy of Scripture in every detail, we risk making Scripture a sort of 'magic' book that turns up the right answers to all sorts of rather irrelevant questions, instead of being a book that gives us, in the wonderful words of the Coronation service, 'the lively oracles of God'. The Bible is not intended to be a mere chronicle of past events, but a living communication from God, telling us now what we need to know for our salvation. — Rowan Williams

People think children's books are about teddy bears and little flowers. I realize people sometimes don't know what to do with my books because they say, 'Is it a children's book, and what age group?' — Peter Sis

Have you ever been reading a book and found yourself having to pause for a second and read a certain part again because the author has summed up in a few sentences exactly what you were feeling at a certain point in your life; a feeling you'd never been able to put into words before and there it suddenly is laid out before you, written by someone you've never even met? It's kind of a tragically wonderful feeling. — Emily May

Snow-melt in the stream: Mama Nature turning winter's storms into nourishment for the soil, fecundity, and beauty. This is what I must now learn to do with the stormy weather I've been passing through: turn it into beauty, turn it into art, so new life can germinate and bloom.
One example of a creative artist who does this is my friend Jane Yolen, who wrote her exquisite book of poems The Radiation Sonnets while her husband was undergoing treatment for the cancer that would eventually claim his life. This is what all artists must do: take whatever life gives us and "alchemize" it into our art (either directly and autobiographically, as in Jane's book, or indirectly; whatever approach works best), turning darkness into light, spinning straw into gold, transforming pain and hardship into what J.R.R. Tolkien called 'a miraculous grace. — Terri Windling

There is nothing but water in the holy pools. I know, I have been swimming there. All the gods sculpted of wood or ivory can't say a word. I know, I have been crying out to them. The Sacred Books of the East are nothing but words. I looked through their covers one day sideways. What Kabir talks of is only what he has lived through. If you have not lived through something, it is not true. — Kabir

What's that map?" I asked.
"Spells of Coming Forth by Day," he said. "Don't worry. It's a good copy."
I looked at Carter for a translation.
"Most people call it The Book of the Dead," he told me. "Rich Egyptians were always buried with a copy, so they could have directions through the Duat to the Land of the Dead. It's like an Idiot's Guide to the Afterlife."
The captain hummed indignantly. "I am no idiot, Lord Kane."
"No, no, I just meant ... " Carter's voice faltered. "Uh, what is that? — Rick Riordan

... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book. — E.A. Bucchianeri

He knows I have a soft spot for RLS and not just because he was sick or because we have the same initials but because there's something impossibly romantic about him and because before he started writing Treasure Island he first drew a map of an unknown island and because he believed in invisible places and was one of the last writers to know what the word adventure means. I could give you a hundred reasons why RLS is The Man. Look in his The Art of Writing (Book 683, Chatto & Windus, London) where he says that no living people have had the influence on him as strong for good as Hamlet or Rosalind. Or when he says his greatest friend is D'Artagnan from The Three Musketeers (Book 5, Regent Classics, London). RLS said: 'When I suffer in mind, stories are my refuge, I take them like opium.' And when you read Treasure Island you feel you are casting off. That's the thing. You are casting off and leaving behind the ordinary dullness of the world. — Niall Williams

Whenever people ask me, "How are your books doing?" or, "How is your book doing?" I just say, "It's okay." I mean, what am I supposed to say? I'm a writer; that means I write because I need to write, because that's how I breathe and that's how I bleed. I'm not an author; I'm a writer. Even when I don't want to write; I can't stop! So, how are my books doing? The hell I know! The moment after I publish one book, I'm writing another one! I don't know how my books are doing! I just know that I'm writing them! I'm a writer, I'm a writer. I'm not an author. — C. JoyBell C.

When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe up onto the top of a hill, and you see something else. Then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process. — Roald Dahl

To vest a few fallible men - prosecutors, judges, jurors - with vast powers of literary or artistic censorship, to convert them into what J.S. Mill called the "moral police" is to make them despotic arbiters of literary products ... If one day they ban mediocre books as obscene, another day they may do otherwise to a work of a genius. Originality, not too plentiful, should be cherished, not stifled. An author's imagination may be cramped if he must write with an eye on prosecutors or juries ... — Jerome Frank

My heart's toward youth ministry, but I don't know. I never would have thought I would have written a book. And God kind of directed that. So we'll see what the next is. — Tony Dungy

What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches. — Adrian Lyne

What I love about the thriller form is that it makes you write a story. You can't get lost in your own genius, which is a dangerous place for writers. You don't want to ever get complacent. If a book starts going too well, I usually know there's a problem. I need to struggle. I need that self-doubt. I need to think it's not the best thing ever. — Harlan Coben

What a dazzlingly generous, gloriously unpredictable book! Maggie Nelson shows us what it means to be real, offering a way of thinking that is as challenging as it is liberating. She invites us to 'pay homage to the transitive' and enjoy 'a becoming in which one never becomes.' Reading The Argonauts made me happier and freer. — Eula Biss

Snooki is a bestselling author? Huh? What? I don't know if I should dumb down my book, shoot myself or find a publisher who'll settle for a rough draft written on a Pop-Tart and a coconut lotion handie.. — Geoffrey Hill

Rick Bass is one of a dwindling handful of American fiction writers still celebrating the importance of place, the natural world, and the struggle of a few brave souls to live and work respectfully in what's left of our western wilderness ... The Lives of Rocks is his most lyrical and powerful book to date ... a masterwork. — Howard Frank Mosher

What many people don't know about 'Peter Pan' is that it's a very violent book and Hook is one of the most finely observed villains ever. — Eoin Colfer

Lots of people want to have written; they don't want to write. In other words, they want to see their name on the front cover of a book and their grinning picture on the back. But this is what comes at the end of a job, not at the beginning. — Elizabeth George

I think William Trevor is as good as it gets. Whenever I want a book to do exactly what it says it will, I read him. — Padgett Powell

The aim of great books is ethical: to teach what it means to be a man. Every major form of literary art has taken for its deeper themes what T.S. Eliot called "the permanent things"-the norms of human action. — Russell Kirk

All the while that Jean was listening to him, he was vaguely conscious that what gives literature its reality is the result of work accomplished by the human spirit, no matter what the material facts that may have stimulated it (a walk, a night of love, a social drama), of a sort of discovery in the world of the spirit, of the emotions, made by the human intelligence, so that the value of a book is never in the material presented by the writer, but in the nature of the operation he performs upon it. — Marcel Proust

So what is it that you are doing - seeking security in your restlessness? The desire to be secure is one of the most curious things. And that security must be recognized by the world; I don't know whether you see this. I write a book and in the book I find my security. But that book must be recognized by the world, otherwise there is no security. So look what I've done - my security lies in the opinion of the world!...So it means I am deceiving myself constantly. — Krishnamurti

It's a matter of resisting what something made you feel before. And resisting that as a consumer is not easy. I know it isn't for me, and not just when I consume pop culture. When I go into a book and it feels too familiar, I don't have the energy to do it. My whole reason for reading it is to be in a fictive space that is unfamiliar to me. — Lucy Corin

So the difference between most books about love and Love For No Reason is that traditional love books focus on love as a stream of energy between two people, whereas this book focuses on love as a deep state of being that you can live in no matter what's going on in your life. — Marci Shimoff

We have a generation of kids who may never see a bookshelf or never see books in houses. What are they going to think about books? How will books become meaningful in their lives except as yet another form of digitalized content? A book is not just digitalized content. — Jeanette Winterson

What I will say is that you have to exercise your writing muscle. Write every day. Get better at it. Read a lot of good books. As a professional writer, I force myself to write when I don't feel like it. I don't wait to feel inspired. It takes discipline and grit and sacrifice to be able to bring a book out to the world. It's so much work, and it's very difficult, but it is also the most fun I've ever had. I love making things up. I love amusing myself. — Melissa De La Cruz

But any book that is any good must be, to some extent, autobiographical, because one cannot and should not fabricate emotions; and although style and narrative are crucial, the bulwark, emotion, is what finally matters. With luck, talent, and studiousness, one manages to make a little pearl, or egg, or something ... — Edna O'Brien

Socrates called himself a midwife of ideas. A great book is often such a midwife, delivering to full existence what has been coiled like an embryo in the dark, silent depths of the brain. — Clifton Fadiman

I started the first drafts of the book during my sophomore year of college. I wasn't thinking at all about kids at the time. But I was thinking. A lot. About everything. I wish I could capture that head-space again; everything meant something to me in college. Every leaf, every sound, every lecture, every textbook. It's like I was on drugs, 24/7. I am glad I was able to pair that ceaseless pondering with plenty of time to write. What came of that time was the first draft of the novel, a lengthy, unnecessarily angst-driven pile of crap. Years later, with Zoloft, I approached the novel with a more level head, and came away with a much, much better novel. My advice to writers, I suppose, is write your novel when you feel like shit; edit when you feel great. — Caleb J. Ross

It's one of my biggest memories of my father reading. I had pneumonia, remember, but I was a little better now, and madly caught up in the book, and one thing you know when you're ten is that, no matter what, there's gonna be a happy ending. They can sweat all they want to scare you, the authors, but back of it all you know, you just have no doubt, that in the long run justice is going to win out. — William Goldman

Clary raised her eyebrows at Jace. "You hate bergamot?"
Jace had wandered over to the narrow bookshelf and was examining its contents. "You have a problem with that?"
"You may be the only guy my age I've ever met who knows what bergamot is, much less that it's in Earl Grey tea."
"Yes, well," Jace said, with a supercilious look, "I'm not like other guys. Besides," he added, flipping a book off the shelf, "at the Institute we have to take classes in basic medicinal uses for plants. It's required."
"I figured all your classes were stuff like Slaughter 101 and Beheading for Beginners. — Cassandra Clare

Finally I had made that necessary imaginative leap - which is a real necessity, since most of us writers can't be out there living like crazy all the time. These days, very few are the writers whose book jackets list things like bush pilot, big game hunter, or exotic dancer. No, more often we are English teachers. We have children, we have mortgages, we have bills to pay. So we have to stop writing strictly about what we know, which is what they always told us to do in creative writing classes. Instead, we have to write about what we can learn, and what we can imagine, and thus we come to experience that great pleasure Anne Tyler noted when somebody asked her why she writes, and she answered, I write because I want more than one life. — Lee Smith

My cousin Helen, who is in her 90s now, was in the Warsaw ghetto during World War II. She and a bunch of the girls in the ghetto had to do sewing each day. And if you were found with a book, it was an automatic death penalty. She had gotten hold of a copy of 'Gone With the Wind', and she would take three or four hours out of her sleeping time each night to read. And then, during the hour or so when they were sewing the next day, she would tell them all the story. These girls were risking certain death for a story. And when she told me that story herself, it actually made what I do feel more important. Because giving people stories is not a luxury. It's actually one of the things that you live and die for. — Neil Gaiman

Did you know that Jacques Benveniste, one of the world's leading homeopathic "scientists," now claims that you can *email* homeopathic remedies? Yeah, see, what you do is you can take the "memory" of the diluted substance out of the water electromagnetically, put it on your computer, email it, and play it back on a sound card into new water. I mean, that could work, right?
(Nick's thoughts after reading Francis Wheen's book "How Mumbo-Jumbo Conquered the World") — Nick Hornby

Our host drifted away, and Vidia and I continued chatting about this and that. Swift judgments came down. The simplicity in Hemingway was "bogus" and nothing, Vidia said, like his own. Things Fall Apart was a fine book, but Achebe's refusal to write about his decades in America was disappointing. Heart of Darkness was good, but structurally a failure. I asked him about the biography by Patrick French, The World Is What It Is, which he had authorized. He stiffened. That book, which was extraordinarily well written, was also shocking in the extent to which it revealed a nasty, petty, and insecure man. "One gives away so much in trust," Vidia said. "One expects a certain discretion. It's painful, it's painful. But that's quite all right. Others will be written. The record will be corrected." He sounded like a boy being brave after gashing his thumb. The — Teju Cole

Even if I only wrote erotica, I wouldn't care what you have to say. I make people happy! Blake and I provide readers with fun and entertainment and an escape from their lives, which is a damn good thing because life is hard and really sucks sometimes. Life isn't a fairy-tale and not everyone in gets a happily-ever-after, but in our book world they do. — Karina Halle

You know you're ready to write a book when you have a feeling that you should do it, no matter what anybody says. It's like falling in love or starting a company. When you're still wondering if you should get married or you're still wondering whether you should start a company that might be not the right person or the right idea. And writing is the same way. When you've locked on to the topic, you'll just write it. — Guy Kawasaki

What fun it is to generalize in the privacy of a note book. It is as I imagine waltzing on ice might be. A great delicious sweep in one direction, taking you your full strength, and then with no trouble at all, an equally delicious sweep in the opposite direction. My note book does not help me think, but it eases my crabbed heart. — Florida Scott-Maxwell

Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book. — Ron Rash

Ain't nothing to be shamed of. Having a baby is the most natural thing there is. The Good Book call children a gift from the Lord. And there ain't no place in that Bible of His that say babies is sinful. The sin is the fornicatin', and that's over and done with. God done forgave you of that a long time ago, and what's going on in your belly now ain't nothin' to hang your head about
you remember that. — Gloria Naylor

What makes it worth it though, is I love drawing. I LOVE IT. I love making comics. I love starting a new page and buying new paper, ink and brushes. I love telling stories! I love the people I work with, I love the people I meet. I love thinking about the syntax and language of comics. I love esoteric discussions about the comic book industry. I love the opportunities I've had in life because of comics. The second I stop loving it I will find something else to do.
Comics are hard work. Comics are relentless. Comics will break your heart. Comics are monetarily unsatisfying. Comics don't offer much in terms of fortune and glory, but comics will give you complete freedom to tell the stories you want to tell, in ways unlike any other medium. Comics will pick you up after it knocks you down. Comics will dust you off and tell you it loves you. And you will look into it's eyes and know it's true, that you love comics back. — Becky Cloonan

Death is God's way of taking people away from evil. From what kind of evil? An extended disease? An addiction? A dark season of rebellion? We don't know. But we know that no person lives one day more or less than God intends. "All the days planned for me were written in your book before I was one day old" (Ps. 139:16). — Max Lucado

Fitzpatrick: Back when I was doing Perl-even for people that knew Perl really well-I would recommend MJD's Higher-Order Per!. The book is really fun in that it starts somewhat simple and you're like, "Yeah, yeah, I know what a closure is." And then it just continues to fuck with your head. By the end of the book, you're just blown away. — Peter Seibel

Jay Wexler is my kind of writer
a weird one, and a wry one, and one who isnt afraid to act silly in a sort of bait-and-switch that, to the readers surprise, moves him as much as it makes him laugh. Like all the best comedians, Wexler is clearly nursing a heart that the world broke a long time ago. Ed Tuttle is a book that cant decide what it wants to be when it grows up, but as with most cases of arrested development, theres something very serious going on behind all the antics. Plus, there are pictures. — Ron Currie Jr.

My books are not about different components that fit together like pieces in a jigsaw puzzle, it's about creating the space around the components, which is almost as important as the components themselves. And that space changes and blends depending upon what the components are. — Richard Grossman

The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was. — Lin Yutang

A lot of my books deal with very controversial issues that most people often don't want to talk about, issues that, in my country, are more likely to get put under the carpet than get discussed. And when you talk about moral conundrums, about shades of gray, what you're doing is asking the people who want the world to be black and white to realize instead that maybe it's all right if it isn't. I know you'll learn something picking up my books, but my goal as a writer is not to teach you but to make you ask more questions. — Steven Tyler

Indeed, the best books have a use, like sticks and stones, which is above or beside their design, not anticipated in the preface,not concluded in the appendix. Even Virgil's poetry serves a very different use to me today from what it did to his contemporaries. It has often an acquired and accidental value merely, proving that man is still man in the world. — Henry David Thoreau

As a guide I had only my own feelings for what is appealing or moving, and for many the guide was inevitably often at fault. Some who have read the book, or at any rate have reviewed it, have found it boring, absurd, or contemptible; and I have no cause to complain, since I have similar opinions of their works, or of the kinds of writing that they evidently prefer. But — J.R.R. Tolkien

There are two questions that you ask yourself as a writer, and one of them is, 'But why?' The question that takes the book forward is, 'What if? What if x y or z happened? How would those characters react?' — Penny Jordan