Voice Warm Up Quotes & Sayings
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Top Voice Warm Up Quotes

Is this the girl?" Kieran's voice was very different: It sounded like waves sliding up the shore. Like warm water under pale light. It was seductive, with an edge of cold. He looked at Emma as if she were a new kind of flower, one he wasn't sure he liked. "She's pretty," he said. "I didn't think she'd be pretty. You didn't mention it."
Iarlath shrugged. "You've always been partial to blondes," he said.
"Okay, seriously?" Emma snapped her fingers. "I am right here. And I was not aware I was being invited to a game of 'Who's the Hottest?'"
I wasn't aware you were invited at all," said Kieran. His speech had a casual edge, as if he was used to talking to humans.
"Rude," said Emma. — Cassandra Clare

When she opened her car door, she noticed the electronic memo on the driver's seat. Scooping it up, she got behind the wheel. As she headed toward the gate, she flicked on the memo. Roarke's voice drawled out.
"I don't like the idea of you shivering unless I cause it. Stay warm."
Frowning, she tucked the memo in her pocket before experimentally touching the temperature gauge. The blast of heat had her yelping in shock.
She grinned all the way to Cop Central. — J.D. Robb

He ducked down under the wooden slats used to separate the stalls in the barn and crawled into the adjacent stall where he began rubbing the belly of the chestnut mare.
"Lay down, Lady. Please ... it's awful cold tonight. Please lay down."
The mare complied as she always did to the soothing tone in his voice. Drawing the blanket up tightly around him, he lay down beside the horse, moving in close to her side. He was careful to place his frozen feet near enough to her for warmth, but not so near that she'd protest.
"They had a real purty tree, Lady, with candles. Bet it didn't look as purty from the inside, though. Weren't no snow on the inside."
He snuggled in closer to the warm beast. "Merry Christmas, Lady," he whispered.
The mare nickered and moved her head in closer to the boy as he drifted off to sleep, the scent of hay and livestock surrounding them. — Lorraine Heath

In my opinion, the most fruitful and natural play of the mind is in conversation. I find it sweeter than any other action in life; and if I were forced to choose, I think I would rather lose my sight than my hearing and voice. The study of books is a drowsy and feeble exercise which does not warm you up. — Michel De Montaigne

The funny thing is that the studio that we recorded in was the same studio that Frank Sinatra and Bing Crosby and Nat King Cole used to warm up their voices in before they went across the street to CBS Radio. The owner has preserved it exactly the way it was in 1925. It was such a perfect coincidence that we were doing music inspired by that stuff in that room. It was incredible. — Hamilton Leithauser

Shut up." She put her finger to his lips, and his voice choked off. She said slowly, "I've learned I can live without you."
Kasimir's heart cracked inside his chest. He'd lost her. She was going to send him away, back into the bleak winter.
"But I've also learned," Josie whispered, "that I don't want to." Her brown eyes were suddenly warm, like the sky after a sudden spring storm. "I tried to stop loving you. But once I love someone, I love for life." Her lips lifted in a trembling smile. "I'm stubborn that way. — Jennie Lucas

She looked up from closing it to find Jace watching her through hooded eyes. "And one last thing," he said. He reached over and pulled the sparking pins out of her hair, so that it fell in warm heavy curls down her neck. The sensation of hair tickling her bare skin was unfamiliar and oddly pleasant. "Much better," he said, and she thought this time that maybe his voice was uneven too. — Cassandra Clare

How about that one? Is that a constellation?" I asked, pointing upward. We were down in the small valley where the truck was parked. Alex sat leaning against a rock; I was between his legs with my back against his chest, his arms around me as we stared up at the stars.
"Yeah, that's the Seven Sisters, the Pleiades." He bent his head, and I caught my breath as his warm mouth nuzzled at my neck. I hadn't gotten even remotely used yet to how good it felt to be kissed by Alex.
"It's so sexy how you know all of this," I said when I could speak again.
"Yeah?" I heard the grin in his voice. "I know the summer constellations, too. Will that get me bonus kisses?"
"I think it might, actually. — L.A. Weatherly

I am burning. I have to live, I have to sing, I want to transform myself into a thousand different characters and carry their life with me onto the stage where it's so bright and so dark at the same time, just knowing there are three thousand people out there longing to be swept away by the passion that's about to flood out from scarlet curtains, to this I consecrate my body and my soul, I can give no more than all of myself, I feel my heart is a throbbing engine and my voice is the valve, like a wailing train, it has to sing or blow up, there's too much fuel, too much fire, and what am I to do with this voice if I can't let it out, it's not just singing. I am here as a speck, but I don't feel scared or about to be blown away, I feel like all New York is a warm embrace just waiting to enfold me. I am in love. But not with a person. I am passionately in love with my life. — Ann-Marie MacDonald

When the girl returned, some hours later, she carried a tray, with a cup of fragrant tea steaming on it; and a plate piled up with very hot buttered toast, cut thick, very brown on both sides, with the butter running through the holes in great golden drops, like honey from the honeycomb. The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender, of the purring of contented cats, and the twitter of sleepy canaries. — Kenneth Grahame

Seeing you lights up my day, to hear your voice makes me smile all cheesy, to see you smile makes my heart all warm and fuzzy, when you say I love you makes my body weak. — Alice Gardner

She stood up and took the book from him, and as he smiled over his shoulder at some other kids, she threw it away and kicked him as hard as she could in the vicinity of the groin.
Well, as you might imagine, Ludwig Schmeikl certainly buckled, and on the way down, he was punched in the ear. When he landed, he was set upon. When he was set upon, he was slapped and clawed and obliterated by a girl who was utterly consumed with rage. His skin was so warm and soft. Her knuckles and fingernails were so frighteningly tough, despite their smallness.
You Saukerl." Her voice, too, was able to scratch him. "You Arschloch. Can you spell Arschloch for me? — Markus Zusak

Good Morning."
"You're not at work," he said, his voice raspier, sexier, than usual.
"Neither are you."
"Are you going in late?"
"Nope. And you're not either." I went to him, wrapping my arms around his waist. He was still warm from the bed. My sleepy, sensual dream come true. "We're going to hole up today, ace. Just you and me hanging out in our pajamas and relexing. — Sylvia Day

Cecy," he said, and closed the distance between them, though it was not much, and then he was kissing her-his hands awkward around her shoulders at first, slipping on the stiff taffeta of her gown before his fingers slipped behind her head, tangling in her soft, warm hair. She stiffened in surprise before softening against him, the seam of her lips parting as he tasted the sweetness of her mouth. When she drew away at last, he felt light-headed. "Cecy?" He said again, his voice hoarse. "Five," she said. Her lips and cheeks were flushed, but her gaze was steady. "Five?" He echoed blankly. "My rating," she said, and smiled at him. "Your skill and technique may, perhaps, require work, but the native talent is certainly there. What you require is practise." "And you are willing to be my tutor?" "I should be very insulted if you chose another," she said, and leaned up to kiss him again. — Cassandra Clare

She went on to say something else, but Jamie found his attention drifting. He was feeling sleepy, for it was warm, and he could lie there for ever, he thought, listening to the sound of Isabel's voice, in the way one listens to the conversations of birds, or the sound of a waterfall descending the side of a Scottish mountain; sounds for which we cannot come up with a meaning, but which we love dearly with all our heart, and loving anything with all your heart always brings understanding, in time. — Alexander McCall Smith

I smoke two cartons of unfiltered cigs and down a bottle of American rye whiskey as a warm up, generally. Then swallow beach sand and general aggregate to get some texture in the voice, followed by a stick of butter to smooth it all out. This works for me, but may not be for everyone. — Roger Craig Smith

I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly. — John Leguizamo

I have a half an hour warm-up I do that my voice teacher gave me. I exercise at least for an hour during the day. I don't have any superstitious rituals or anything like that. — Josh Young

Tyler." She looked up at him. "This is blasphemous."
He couldn't resist the heat of his desire, not with her mouth wet with rain and his kiss. Her neck and breasts were beaded with drops while the soft pinkness of her flesh showed through the cotton dress. Lovely, natural.
"This isn't sin." He managed the words in a voice thick with want. "It's sacred. Everything I do with you, every touch, every kiss, every word murmured in reverence against your flesh, is sacred. And you're cold. I want to warm you. — Joey W. Hill

She was on the way downstairs, running through the checklist of things to do in the morning before they left for the show, when she heard cursing. Curious, she followed the expletives into Devlin's study. He was crouching in the corner of the room, frustrated.
He looked up as he heard her approach. Their eyes met in the dim light, and the flash of attraction, which always flared whenever they were together, made her feel warm inside.
"Sorry for the colorful language." His voice was deep and low.
"Highly descriptive as well as educational." She tried to smile nonchalantly. "I didn't know you could do that to a filing cabinet. — J.R. Ward

His ears caught a sweet chiming noise, and a moment later a warm rush fell over his body. How we doing Rhage? Too hot? Butch's voice. Up close. The cop was in the shower with him. And he smelled Turkish tobacco. V must be in the bathroom too. Hollywood? This too hot for you? No. He reached around for the soap, fumbling. Can't see. Just as well. No reason for you to know what we look naked together. Frankly, I'm traumatized enough for the both of us. Rhage smiled a little as a washcloth scrubbed over his face, neck and chest. — J.R. Ward

I've seen ye so many times," he said, his voice whispering warm in my ear. "You've come to me so often. When I dreamed sometimes.When I lay in fever. When I was so afraid and so lonely I knew I must die. When I needed you, I would always see ye, smiling, with your hair curling up about your face. But ye never spoke. And ye never touched me."
"I can touch you now." I reached up and drew my hand gently down his temple, his ear, the cheek and jaw that I could see. My hand went to the nape of his neck, under the clubbed bronze hair, and he raised his head at last, and cupped his face between my hands, love glowing strong in the dark blue eyes.
"Dinna be afraid," he said softly, "There's the two of us now. — Diana Gabaldon

She didn't know Matt had followed her until he grabbed her shoulder, halting her headlong rush to nowhere. He turned her into his arms, pulled her against his chest, crushed her mouth in a searing kiss.
"Shane," he said when he raised his head from hers. "I love you. I love you."
Her heart opened and the wall inside her trembled as she clung to him. "Burn me up, Matt," she said, her voice a ragged whisper. "Burn it away. Please, please, burn it all away."
She heard him growl deep in his throat and he lifted her into his arms in one swift movement.
As he carried her back across the parking lot and through the door of her room, she rained kisses on his neck and the hard line of his jaw. His skin was warm and damp and tasted of salt and desire. — Jane Taylor Starwood

His voice was rough when he spoke again. "So beat me to flinders," he said. "Win. Overmatch me, Minnie. And when we're alone ... "
His fingers touched her chin lightly.
"When we're alone," he whispered, "look up."
He could have tilted her chin, forcing her to do so. But his forefinger remained warm and steady on her face. He waited, and in the end, Minnie couldn't help herself. She looked up. — Courtney Milan

Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose, her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air. — F Scott Fitzgerald

Because you have no survival instinct, Grace. You're like a tank, you just chug along< thinking nothing can stop you, until you meet up with a bigger tank. Are you sure you want to go out with someone with that kind of history?" mom seemed to warm her theory. " he couldhave a psychotic break. I read that people get those when they're twenty-eight. he could be almost normal and then suddenly go slasher. I mean, you know I've never told you what to do with your life before now. But what if-I told you not to see him?"
I hadn't been expecting that. My voice was brittle. "I would say that by virtue of your not acting parental up to this point, you've relinquished your abiblity to wield any power now. Sam and I are together. It's not an option."
Mom threw her hands up as if trying to stop the Grace-tank from running over her. "Okay. Fine. Just be careful, okay? Whatever. I'm going to get a drink."
And just like that her parental engergies were expendede. — Maggie Stiefvater

Therese was propped up on one elbow. The milk was so hot, she could barely let her lip touch it at first. The tiny sips spread inside her mouth and released a melange of organic flavors. The milk seemed to taste of bone and blood, of warm flesh, or hair, saltless as chalk yet alive as a growing embryo. It was hot through and through to the bottom of the cup, and Therese drank it down, as people in fairy tales drink the potion that will transform, or the unsuspecting warrior the cup that will kill, Then Carol came and took the cup, and Therese was drowsily aware that Carol asked her three questions, on that had to do with happiness, one about the store and one about the future. Therese heard herself answering. She heard her voice rise suddenly in a babble, like a spring that she had no control over, and she realized she was in tears. She was telling Carol all that she feared and disliked, of her loneliness, of Richard, and of gigantic disappointments. — Patricia Highsmith

His lips thinned in frustration like I should already know the answer. He inched closer until his knee touched mine, his eyes, curious and intense, boring into me. "Because you move like fire rushing across a floor," he said his voice hushed, velvety smooth, "like flames licking up a wall." The rest of the world crumbled away as he lifted my chin. "Your energy is liquid and hot. Even from a distance you burn, you scorch anyone who gets too close. You are wine on my tongue and honey in my veins, and I cannot get enough of you." He leaned forward and whispered into my ear. His warm breath sent shivers cascading over my body. "You intoxicate me, Lorelei McAlister. You will be my downfall. — Darynda Jones

Moving in this direction requires us to clarify - to ourselves and others - what's important to us. Having an authentic voice means that: We can openly share competence as well as problems and vulnerability. We can warm things up and calm them down. We can listen and ask questions that allow us to truly know the other person and to gather information about anything that may affect us. We can say what we think and feel, state differences, and allow the — Harriet Lerner

You smell good to me," he said, his voice deeper than before, like a warm autumn night, the vowels especially round. Not French. Italian? Spanish? He must have come with one of the other guests-one of the other guests who had wretched judgment when hiring stable hands. "I-" "And, por Deus," he said upon a catch in his throat, his eyes hard upon her mouth, "you are lovely." The rutting urge must have overcome him. The only male creature that had ever considered her lovely was Beast, and that was because she sometimes smelled like bacon. She must distract him. "I can help with that bruise on your brow," she said, struggling against panic. "Can you?" He seemed bemused. Jars to the head could scramble the brain. "It's starting to swell. It will leave a painful wound that could fester. Let me up and I'll ask the housekeeper for-" His mouth came down on hers without further warning. Not hard or violently or forcefully. But fully, with complete contact.
-Vitor & Ravenna — Katharine Ashe

And what, you think you can fix me?" she asks, turning in her stool to face me, shifting her body closer, so close I can smell the liquor on her warm breath as she whispers, "Think you can make me whole again? Save me from the world? Save me from myself? Fill me up, maybe fuck the feeling back into me, like the big, strong, man you are? Make me a real woman, instead of a broken little girl?"
There's a sickening sweetness to her voice that sends a chill down my spine. If I never heard a thinly veiled 'fuck you' before, that was certainly one for the books. I move closer to her, uncomfortably so, cocking my head slightly as I lean in, watching as her body tenses. She thinks I'm about to kiss her, my mouth just inches from hers, before I stop, my voice gritty as I say, "On the contrary, Scarlet, I don't think you need to be fixed at all."
"No?"
"No," I say. "I think you're perfect the way you are. — J.M. Darhower

Enzo looks up at me. Suddenly, the blackness in his eyes seems to fade, replaced by the familiar warm brown of his irises, the red slashes, the glow of life. I see a hint of his old self there, fighting through the darkness of the Underworld to gaze at me one last time. It is the look he'd given me when we used to dance.
This is the real Enzo.
"Let me go," he whispers. It is his voice. It is the voice that once comforted me, gave me strength. And as I try to take in his words, the final tendrils of the tether linking us unravel from around my heart, freeing me. — Marie Lu

Later she sat on the ground in the forest between school and home, and spring was so bright and beautiful, the warm air touched her so tenderly, she could almost feel herself changing into a flower. Her light dress felt like petals.
"I love everything," she heard herself say.
"So do I," a voice answered.
Pearl straightened up and looked around. No one was there. — William Steig

Racing up the wide staircase, I barreled through the double doors and smacked right into a brick wall.
Stumbling backward, my arms flailed like a cracked-out crossing guard. My over-packed messenger bag slipped, pulling me to one side. My hair
flew it front of my face, a sheet of auburn that obscured everything as I teetered dangerously.
Oh dear God, I was going down. There was no stopping it. Visions of broken necks danced in my head. This was going to suck so
Something strong and hard went around my waist, stopping my free fall. My bag hit the floor, spilling overpriced books and pens across the shiny
floor. My pens! My glorious pens rolled everywhere. A second later I was pressed against the wall.
The wall was strangely warm.
The wall chuckled.
"Whoa," a deep voice said. "You okay, sweetheart? — J. Lynn

Don't give me some stupid lecture about war when the person we're talking about losing is you!" I said, surprised by the savagery in my tone. At least my voice didn't shake.
His face blurred and I tasted salt on my lips. It was warm, warm like Pritkin's hands coming up and framing my face, his thumbs brushing over my eyelids, soft as his fingers in my hair. "One person is not so important in the scheme of things", he said, and his voice was gentle, gentle when it never was, and that almost broke me.
But you are important, I thought. And yet he couldn't see that. In Pritkin's mind, he was an experiment gone wrong, a child cast out, a man valued by his peers only for his ability to kill the things they feared. Just once, I wished he could see what I did.
"Then neither is this", I said, leaning in and pressing my mouth to his, the kiss lightened by desperation and weighted down by everything he meant to me. — Karen Chance

Anakin." Obi-Wan's voice had gone soft, and his hand was warm on Anakin's arm. "There is no other Jedi I would rather have at my side right now. No other man."
Anakin turned, and found within Obi-Wan's eyes a depth of feeling he had only rarely glimpsed in all their years together; and the pure uncomplicated love that rose up within him then felt like a promise from the Force itself.
"I ... I wouldn't have it any other way, Master."
"I believe," his onetime Master said with a gently humorous look of astonishment at the words coming out of his mouth, "that you should get used to calling me Obi-Wan. — Matthew Woodring Stover

Isaiah opens my car door and his warm silver eyes smile at me. "Hey."
I sweep my bangs from my eyes. "Hi."
He offers his hand and I accept. His fingers wrap around mine and heat surges up my arm, flushes my neck and settles into a blush on my face. He tugs gently and I slip out. I'm not sure if my body vibrates from the rumbling of the garage door closing or from the blood pounding in my veins.
Our fingers lace together, and his other hand smoothly cups my hip. I suck in a breath, surprised that someone touches me so easily and with such care.
"You look nice," he says.
"I'm in my school uniform." White button-down blouse, maroon-and-black plaid skirt, and a pair of white Keds. Nothing spectacular.
"I know." The seductive slide in his voice causes the back of my neck to tickle. — Katie McGarry

You're breaking my heart."
At the sound of Rider's voice, I wheeled around, clutching my bag to my side. First thing I noticed was the faded Ravens emblem stretched over his broad chest, and then I forced my eyes up. The slight scruff along his jaw was gone. Nothing but smooth skin today.
No notebook. Hands shoved into the pockets of his jeans, a familiar, crooked grin pulled at Rider's lips, causing the dimple in his right cheek to pop. He stepped forward, and my heart did a backflip as he dipped his chin. I felt his warm breath on the side of my cheek as he spoke.
"You didn't respond to my text last night," he said, and there was a light, teasing tone I didn't remember from before. "I thought maybe you didn't realize it was me, but that would mean someone else would be texting you good-night and calling you Mouse. I'm not sure how I feel about that. — Jennifer L. Armentrout

I lost my voice and my best friend too
On swift, fierce winds and wings of blue,
The cold rain fell where beams had shone,
So I wrapped up tight and safe. Alone.
But I missed my friend, I missed my voice,
And my heart still whispered of another choice
To break out of my binding, safe, and warm,
And see what the world looked like after the storm.
So I struggled free and was greeted by
Colorful brushstrokes across the sky,
The melody of the summer breeze
And blue wings like mine in hazel trees.
On the soft, sweet air of the mountain glade,
We gathered together in cool, green shade,
And told our stories, beginnings to ends,
And found our song in the hearts of new friends. — Elaine Vickers