Uncle Buck Melanoma Quotes & Sayings

When she finally pulled away from him - much to Aley's stuttering forward reluctance - he wanted only to echo Aley's words:
Oh! Do it again. — Charlotte Stein

When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas. Eventually, that process of using my voice to bring ideas across became more complicated, and I felt I could use it more as an expressive tool. — M. Ward

Hey, Jimmy."
"Yeah."
"You ever think about how long we're going to live?"
"No," he says. "Not really."
"Well, why not?"
"I dunno. Guess I'm too busy livin' it to think about it. — Ryan Winfield

There are three prerequisites to going out into the world to walk for pleasure. One must have free time, a place to go, and a body unhindered by illness or social restraints. — Rebecca Solnit

I'm also a devoted father, and you see that side of me at the same time. — Bill Goldberg

Maybe poetry's not so important, but ... it makes life worth living. — Arda Collins

Soybeans really need an uplift, being on the dull side, but, like dull people, respond readily to the right contacts. — Irma S. Rombauer

The way a woman or a man handles themselves, at a certain age I can't blame you for the way you act, because somebody didn't bring you up right, and the betterment is why I have a foundation titled Angels and Hearts. That's why I have Trey's Angels: to let women know that they are angels. — Trey Songz

Deconstruction seeks neither to reframe art with some perfect, apt and truthful new frame, nor simply to maintain the illusion of some pure and simple absence of a frame. Rather it shows that the frame is, in a sense, also inside the painting. For the frame is what "produces" the object of art, is what sets it off as an object of art - an aesthetic object. Thus the frame is essential to the work of art; in the work of art. Paint a $5,000 abstract painting on a railroad boxcar and nobody will pay a cent for it. Take a torch, remove the panel of the boxcar, install it in a gallery, and it will be worth $5,000. It will be art because it is now framed by the gallery. But at the same moment that the frame encloses the work in its own protected enclosure, making it a work of art, it becomes merely ornamental - external to the work of art. Thus is the frame central or marginal? Is the frame inside the work of art, essential to it, or outside the work of art, extrinsic to it? — James N. Powell