Tyliai Leidzias Quotes & Sayings
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Top Tyliai Leidzias Quotes

Good luck befriend thee, Son; for at thy birth The fairy ladies danced upon the hearth. — John Milton

Even when not in the act of writing Muscatine a letter, I was often composing one in my mind, situating the words just so, plunking one here, then one there, gauging how to sound worthy of his regard. — Timothy Schaffert

As, in religion, man is governed by the products of his own brain, so in capitalistic production, he is governed by the products of his own hand.10 — Karl Marx

He loved her; in some ways he was devoted to her. But he couldn't reach her, and it was the same on her side. It was as if they'd drunk some fatal potion that would keep them forever apart, even though they lived in the same house, ate at the same table, slept in the same bed. — Margaret Atwood

We must know the power of the Blood if we are to know the power of God. Our knowing experimentally the power of the Word, the power of the Holy Spirit, and the power of prayer is dependent upon our knowing the power of the Blood of Christ. — R.A. Torrey

Somewhere in the city, an orange cat finished chewing on a marjoram plant next to his studio apartment's door and leapt purring onto the shoulder of his owner, home early from work. Somewhere in the city, a young Chinese pianist sat down at a rehearsal hall and let his fingers play the first opening notes of the Emperor Concerto, notes that would envelop the small girl in row D of the Philharmonic that night in a shimmering cloud. A boy in Staten Island touched his finger to the lower back of the girl who had been just a friend until then. A woman in Hell's Kitchen stood in her dark attic garret, her paintbrush in hand, and stepped back from the painting of chartreuse highway and forest-green sky that had taken her two years to complete. A clerk in a Brooklyn bodega tapped her crimson fingernail on a box of gripe water, reassuring the new mother holding a wailing baby, and the mother's grateful smile almost made both of them cry themselves. — Stephanie Clifford

I think China represents huge opportunities for Europe. — Luca Cordero Di Montezemolo

The ear of the bridled horse is in the mouth. — Horace

The first, clearer, type suggests the musical pattern of theme and variations. The chosen theme persists through the six stages, in various aspects. The second type is more difficult to analyze. A recurrent leitmotiv is lacking here; instead six differerent stages whose connection is usually an inner one are joined together in mosaic fashion. But on both types, the so-called judgment is the tenor which is maintained through all the changes. — Hellmut Wilhelm