Tunnel Formwork Quotes & Sayings

Arms are instruments of ill omen ... When one is compelled to use them, it is best to do so without relish. There is no glory in victory, and to glorify it despite this is to exult in the killing of men ... When great numbers of people are killed, one should weep over them with sorrow. When victorious in war, one should observe mourning rites. — Laozi

I love to strive to be good at stuff that's really hard. — Rob McClure

The moon was up now and the trees were dark against it, and he passed the frame houses with their narrow yards, light coming from the shuttered windows; the unpaved alleys, with their double rows of houses; Conch town, where all was starched, well-shuttered, virtue, failure, grit and boiled grunts, under-nourishment, prejudice, righteousness, inter-breeding and the comforts of religion; the open-doored, lighted Cuban boilto houses, shacks whose only romance was their names — Ernest Hemingway,

I can tell Tajh Boyd is scared back there. He ain't no sitting duck, but you can see in his eyes that he's scared of our D-linemen. We know that coming into the game that we have him shook already. We get a couple hits on him and it changes the whole game. He's scared every time we play them. I know he's probably listening to this right now, but I'm just telling the truth, man. — Jadeveon Clowney

Because of new technologies, new wealth, new conditions of domestic life and of international relations, unprecedented criteria and issues are coming up for national decision. — Herman Kahn

Myrnin: I think your ghost girl's afraid I'll try to bite her. I believe she may have, you know, mental issues ... — Rachel Caine

Or should one recognize that one becomes a foreigner in another country because one is already a foreigner from within? — Julia Kristeva

For time flows on, and if it did not, it would be a bad prospect for those who do not sit at golden tables. Methods become exhausted; stimuli no longer work. New problems appear and demand new methods. Reality changes; in order to represent it, modes of representation must also change. Nothing comes from nothing; the new comes from the old, but that is why it is new. — Bertolt Brecht