Quotes & Sayings About Tragic Plays

All fine films, novels, and plays, through all shades of the comic and the tragic, entertain when they give the audience a fresh model of life empowered with an affective meaning. — Robert McKee

Romeo and Juliet
Romeo and Juliet is a tragic play written early in the career of William Shakespeare about two teenage "star-cross'd lovers" whose untimely deaths ultimately unite their feuding households. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal "young lovers". (From Wikipedia) — Jane Austen

Shakespeare's plays often turn on the idea of fate, as much drama does. What makes them so tragic is the gap between what his characters might like to accomplish and what fate provides them. — Nate Silver

So successfully have we disguised from ourselves the intensity of our own feelings, the sensibility of our own hearts, that plays in the tragic tradition have begun to seem untrue. For a couple of hours we may surrender ourselves to a world of fiercely illuminated values in conflict, but when the stage is covered and the auditorium lighted, almost immediately there is a recoil of disbelief. "Well, well!" we say as we shuffle back up the aisle, while the play dwindles behind us with the sudden perspective of an early Chirico painting. By the time we have arrived at Sardi's, if not as soon as we pass beneath the marquee, we have convinced ourselves once more that life has as little resemblance to the curiously stirring and meaningful occurrences on the stage as a jingle has to an elegy of Rilke. — Tennessee Williams

He who climbeth on the highest mountains, laugheth at all tragic plays and tragic realities. Courageous, — Friedrich Nietzsche

But nobody lives in a universal thing called culture. They live only in specific cultures, each of which differ from one another. Plays written and produced in Germany are three times as likely to have tragic or unhappy endings than plays written and produced in the United States. Half of all people in India and Pakistan say they would marry without love, but only 2 percent of people in Japan would do so. Nearly a quarter of Americans say they are often afraid of saying the wrong things in social situations, whereas 65 percent of all Japanese say they are often afraid. In their book Drunken Comportment, Craig MacAndrew and Robert B. Edgerton found that in some cultures drunken men get into fights, but in some cultures they almost never do. In some cultures drunken men grow more amorous, but in some cultures they do not. — David Brooks

I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things. — Lee Hall

I love that he's both comic and tragic, and highly poetic but also just dirty at times ... I love that within the world of Shakespeare's plays, the whole world is sort of encompassed in a certain way. — Lauren Groff

Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end. — Charlton Heston

When Nietzsche made his famous definition of tragic pleasure he fixed his eyes, like all the other philosophers in like case, not on the Muse herself but on a single tragedian. His "reaffirmation of the will to live in the face of death, and the joy of its inexhaustibility when so reaffirmed" is not the tragedy of Sophocles nor the tragedy of Euripides, but it is the very essence of the tragedy of Aeschylus. The strange power tragedy has to present suffering and death in such a way as to exalt and not depress is to be felt in Aeschylus' plays as in those of no other tragic poet. He was the first tragedian; tragedy was his creation, and he set upon it the stamp of his own spirit. It was a soldier-spirit. Aeschylus was a Marathon-warrior, the title given to each of the little band who had beaten back the earlier tremendous Persian onslaught. — Edith Hamilton

The tragic hero prefers death to prudence. The comedian prefers playing tricks to winning. Only the villain really plays to win. — Mason Cooley