Quotes & Sayings About Traditional Dance

In liberal democracy and anxious anarchy, the traditional classic dance, compact of aristocratic authority and absolute freedom in a necessity of order, has never been so promising as an independent expression as it is today. — Lincoln Kirstein

The Emperor and his ministers might dance Western dances and even, in violation of traditional Japanese propriety, smile Western smiles. But their underlying and deadly earnest aim was always to wipe the smiles off European faces. — Niall Ferguson

New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born. — Wynton Marsalis

A significant number of people believe tribal people still live and dress as they did 300 years ago. During my tenure as principal chief of the Cherokee Nation, national news agencies requesting interviews sometimes asked if they could film a tribal dance or if I would wear traditional tribal clothing for the interview. I doubt they asked the president of the United States to dress like a pilgrim for an interview. — Wilma Mankiller

I don't want to participate in traditional Indian religious ceremonies - dance in a sun dance or pray in a sweat lodge or go on a vision quest with the help of a medicine man. The power of these ceremonies has an appeal, but I'm content with what little religion I already have. — Ian Frazier

I'd been too intent on the room to hear her coming up the stairs. Leslie said that the capacity not to notice a traditional Dutch folk dancing band walk up behind you was not a survival characteristic in the complex, fast-paced world of the modern policing environment. I'd like to point out that I was trying to give directions to a slightly deaf tourist at the time, and anyway it was a Swedish dance troupe. — Ben Aaronovitch

That's a traditional Samoan dance. I was lucky that I was able to fly my cousins, who are professional dancers, up from Hawaii and they were able to be in the movie with me. We had a great time. — Dwayne Johnson

It's not that I wanted to be an actor; it's that I didn't want to be a dancer! I was trained in traditional Chinese dance, and after working so hard it seemed unfair to just disappear into a group. — Ziyi Zhang

I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives; it's part of our culture; we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music. — Karan Johar

When we teach a child to sing or play the flute, we teach her how to listen. When we teach her to draw, we teach her to see. When we teach a child to dance, we teach him about his body and about space, and when he acts on a stage, he learns about character and motivation. When we teach a child design, we reveal the geometry of the world. When we teach children about the folk and traditional arts and the great masterpieces of the world, we teach them to celebrate their roots and find their own place in history. — Jane Alexander

I grew up dancing salsa - you know, a traditional Puerto Rican dance. — Gina Rodriguez

Everybody recommends New Zealand. I really want to learn this haka, the traditional dance - I love it; it's so cool. — Luka Sulic

People everywhere, enjoying life, smiling, and just slowing down to let the world take care of itself for a few hours.
The feeling was contagious. Especially when I stepped into McPherson's Pub to grab a bite of the special and listen to some traditional Irish music. The fiddle made me want to dance with myself, and many did. The drum beat like my very own heart. And some little flute that looked no wider than a pencil reminded me of the Aran Islands floating not too far from Abbeyglen.
God was here tonight. In the strings of the guitar and the call of the singer's voice. I realize how often I overlook him back at home.
And I know I don't want to do that anymore.
The LORD will send His faithful love by day; His song will be with me in the night a prayer to the Gid of my life. — Jenny B. Jones

I wasn't raised with the skills and emotional practice needed to "lean into discomfort," so over time I basically became a take-the-edge-off-aholic. But they don't have meetings for that. And after some brief experimenting, I learned that describing your addiction that way in a traditional twelve-step meeting doesn't always go over very well with the purists. For me, it wasn't just the dance halls, cold beer, and Marlboro Lights of my youth that got out of hand - it was banana bread, chips and queso, e-mail, work, staying busy, incessant worrying, planning, perfectionism, and anything else that could dull those agonizing and anxiety-fueled feelings of vulnerability. — Brene Brown

A truly enlightened attitude to language should simply be to let six thousand or more flowers bloom. Subcultures should be allowed to thrive, not just because it is wrong to squash them, because they enrich the wider culture. Just as Black English has left its mark on standard English Culture, South Africans take pride in the marks of Afrikaans and African languages on their vocabulary and syntax.
New Zealand's rugby team chants in Maori, dancing a traditional dance, before matches. French kids flirt with rebellion by using verlan, a slang that reverses words' sounds or syllables (so femmes becomes meuf). Argentines glory in lunfardo, an argot developed from the underworld a centyry ago that makes Argentine Spanish unique still today. The nonstandard greeting "Where y'at?" for "How are you?" is so common among certain whites in New Orleans that they bear their difference with pride, calling themselves Yats. And that's how it should be. — Robert Lane Greene

In addition to the alienation of farmers, large parts of the Mittelstand, growing numbers of industrialists and of the nationalist right by 1928, there was a further worrying trend facing the regime, the progressive disillusionment of young people and of the literary and cultural elites. The First World War and its aftermath had shaken loose many of the traditional ties binding young people to their families and to their local communities. As the Koblenz authorities noted in the early 1920s, 'the present sad appearance of the young, their debasement on the steeets, in pubs and dance halls results from the absence of firm authority by fathers and by schools during the war. The children of that time are today s young people who have little sense of authority and discipline.' In Cologne, it was observed that young people were spending too much time on 'visits to pubs, excessive drinking and dancing'. As — Ruth Henig