Touching Cloth Quotes & Sayings

The Ulfric had waded into the pack with my blood in his hands. They surrounded him, touching him, caressing, begging for him to share. He dipped his lingers in the nearly empty cup and held them down for the wolves to lick.
Edward came to stand near me. He said nothing, just helped me put pressure on the wound, got more napkins from under the bar and a clean cloth to tie it tight. Our eyes met, and he just shook his head, the faintest of smiles playing on his face. Most people pay money for information. — Laurell K. Hamilton

Mine. Kira had stood silently, embarrassed but proud, as the guardian examined the threading she had done. He made no comment, simply nodded and returned the small piece to her. But his eyes had been bright with interest, she could see. Each year following, he had asked to see her work. Kira always stood at her mother's side, never touching the fragile ancient cloth, marveling each time at the rich hues that told the history of the world. Golds and reds and browns. And here and there, faded pale, almost reduced to white, there had once been blue. Her mother showed her the faded places that remained of it. Her mother did not know how to make blue. Sometimes they talked of it, Kira and Katrina, looking at the huge upturned bowl of sky above their — Lois Lowry

I walk into the night forest. I reach out my hands on either side. I can feel the smooth bark of the Red Alder trees and the rough chasms of mature Douglas Fir, and then I can feel the stringy fibrous bark of the Western Red Cedar. I can push my fingers into the Cedar bark; it is like cloth to my fingertips. But here and there I can also feel the lacelike fingers of Hemlock and the prickly needles of Spruce touching my face and my neck. — Ned Hayes

She wanted to explain everything to him - how certain notes of the Moonlight Sonata shredded her heart like wind inside a paper bag; how her soul felt as endless and deep as the sea churning on their left; how the sight of the young Muslim couple filled her with an emotion that was equal parts joy and sadness; and above all, how she wanted a marriage that was different from the dead sea of marriages she saw all around her, how she wanted something finer, deeper, a marriage made out of silk and velvet instead of coarse cloth, a marriage made of clouds and stardust and red earth and ocean foam and moonlight and sonatas and books and art galleries and passion and kindness and sorrow and ecstasy and of fingers touching from under a burqua. — Thrity Umrigar

The faint aroma of gum and calico that hangs about a library is as the fragrance of incense to me. I think the most beautiful sight is the gilt-edged backs of a row of books on a shelf. The alley between two well-stocked shelves in a hall fills me with the same delight as passing through a silent avenue of trees. The colour of a binding-cloth and its smooth texture gives me the same pleasure as touching a flower on its stalk. A good library hall has an atmosphere which elates. I have seen one or two University Libraries that have the same atmosphere as a chapel, with large windows, great trees outside, and glass doors sliding on noiseless hinges. — R.K. Narayan

Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle. — Haruki Murakami

Autumn comes
like a buyer of cloth,
her long fingers
touching,
turning orange,
yellow, brown.

taking what she wants,
stretching
the bone taut air.

Her skin crackles beneath
our feet.

I didn't think anyone wanted me,

bruises pulled
like a sweater around
my neck.

We talk
in the pore tightening air,
branches bare,
about the girl buried in the chill
of prewinter.

We show each other
our mutilated children
in the guise of women
as autumn plucks
at our lips.

Each color,
blue, black, ochre
popping like kisses
on the rib lined flesh,
the puberty soft things.

And we muse
how women
keep bruises
hidden
beneath dead
leaves. — Janice Mirikitani