Tolstoy On Writing Quotes & Sayings

I have found that a story leaves a deeper impression when it is impossible to tell which side the author is on. — Leo Tolstoy

All who have brought about a state of sex-consciousness are to blame, and it is they who drive me, when I want to stretch my faculties on a book, to seek it in that happy age ... when the writer used both sides of his mind [the male and female sides of his mind] equally. One must turn back to Shakespeare then, for Shakespeare was androgynous; and so were Keats and Sterne and Cowper and Lamb and Coleridge. Shelley perhaps was sexless. Milton and Ben Jonson had a dash too much of the male in them. So had Wordsworth and Tolstoy. — Virginia Woolf

There's no present left. This is the problem for a novelist. [The problem] is the present is gone. We're all living in the future constantly ... Back in the day Leo Tolstoy
what a sweetheart of a count and of a writer
in the 1860's he wanted to write about the Napoleonic Campaign, about 1812. If you write about 1812 in 1860, a horse is still a horse. A carriage is still a carriage. Obviously, there are been some technological advancements, et cetera, but you don't have to worry about explaining the next killer [iPhone] app or the next Facebook because right now things are happening so quickly. ("Gary Shteyngart: Finding 'Love' In A Dismal Future", NPR interview, August 2, 2010) — Gary Shteyngart

How interesting it would be to write the story of the experiences in this life of a man who killed himself in his previous life; how he stumbles against the very demands which had offered themselves before, until he arrives at the realization that he must fulfill those demands. The deeds of the preceding life give direction to the present life. — Leo Tolstoy

[R]eality and real people are too subtle and complicated for anybody's typewriter, even Tolstoy's, even yours, even mine. — Edward Abbey

Writing laws is easy, but governing is difficult. — Leo Tolstoy

Our profession is dreadful, writing corrupts the soul. — Leo Tolstoy

Chechnya forms the bookends to Tolstoy's career. He began writing his first novel, 'Childhood,' while in Starogladovskaya in Northern Chechnya, and his final novel, 'Hadji Murad,' is set in the Russo-Chechen War of the 19th century. — Anthony Marra

I've gained a lot from James Joyce, Tolstoy, Chekhov and R. K. Narayan. While writing, I try to see if the story is going to radiate spokes. Their literature has always done that and gifted me beautiful things. — Jhumpa Lahiri

The best stories don't come from "good vs. bad" but "good vs. good. — Leo Tolstoy

I must write each day without fail, not so much for the success of the work, as in order not to get out of my routine. — Leo Tolstoy

The epitaph that I would write for history would say: I conceal nothing. It is not enough not to lie. One should strive not to lie in a negative sense by remaining silent. — Leo Tolstoy

But perhaps it is always so, that men form their conceptions from fictitious, conventional types, and then - all the combinations made - they are tired of the fictitious figures and begin to invent more natural, true figures. — Leo Tolstoy

At the time we were all convinced that we had to speak, write,and publish as quickly as possible and as much as possible and that this was necessary for the good of mankind. Thousands of us published and wrote in an effort to teach others, all the while disclaiming and abusing one another. Without taking note of the fact that we knew nothing, that we did not know the answer to the simplest question of life, the question of what is right and what is wrong, we all went on talking without listening to one another. — Leo Tolstoy

Nothing prevents our denying life by suicide. well then, kill yourself, and you won't discuss. If life displeases you, kill yourself! You live, and cannot understand the meaning of life - then finish it, and do not fool about in life, saying and writing that you do not understand it. You have come into good company where people are contented and know what they are doing; if you find it dull and repulsive - go away! — Leo Tolstoy

Ivanov had been a party member since 1902. Back then he had tried to write stories in the manner of Tolstoy, Chekhov, Gorky, or rather he had tried to plagiarize them without much success, which led him, after long reflection (a whole summer night), to the astute decision that he should write in the manner of Odoevsky and Lazhechnikov. Fifty percent Odoevsky and fifty percent Lazhecknikov. This went over well, in part because readers, their memories mostly faulty, had forgotten poor Odoevsky (1803-1869) and poor Lazhechnikov (1792-1869), who died the same year, and in part because literary criticism, as keen as ever, neither extrapolated nor made the connection nor noticed a thing. — Roberto Bolano

This is not Tolstoy. I don't want to know what critics and professors think of what I'm writing. It might hurt my feelings. — Lisa Kleypas

I don't know why the publishers in New York don't take a tip from Hollywood and just publish the outlines of novels rather than the completed books. Let the audience use their imaginations, as my Maw always says about radio. I would much prefer to read an outline of War and Peace than slog through eight hundred thousand words. Why do I need Tolstoy to describe snow? I can imagine snow, whether Russian snow or just regular snow. But book publishers seem to think that the authors should do all the work, and the readers should be waited on hand-and-foot like a buncha goddamn prima donnas. — Gary Reilly

All great literature is one of two stories; a man goes on a journey or a stranger comes to town. — Leo Tolstoy

For Tolstoy ... anything that human beings do has its glory ... I think he can be said to have hated nothing that ever happened. — Mark Van Doren

You might learn as much about how to write by reading Shakespeare, Tolstoy, Wallace Stevens, Raymond Chandler, Saul Bellow, Paul Muldoon or a hundred other good novelists or poets than by seeing another round of John Ford revivals. — David Denby

Also during this era, writing was considered superior to reading in society. Readers during this time were considered passive citizens, simply because they did not produce a product. Michel de Certeau argued that the elites of the Age of Enlightenment were responsible for this general belief. Michel de Certeau believed that reading required venturing into an author's land, but taking away what the reader wanted specifically. Writing was viewed as a superior art to reading during this period, due to the hierarchical constraints the era initiated. — Leo Tolstoy

My writing is like those little carved baskets made in prisons ... — Leo Tolstoy

There are people who read Tolstoy or Dostoevski who do not insist that their endings be happy or pleasant or, at least, not be depressing. But if you're writing mysteries - oh, no, you can't have an ending like that. It must be tidy. — Martha Grimes

If you asked someone, 'Can you play the violin?' and he says, 'I don't know, I have not tried, perhaps I can,' you laugh at him. Whereas about writing, people always say: 'I don't know, I have not tried,' as though one had only to try and one would become a writer. — Leo Tolstoy

Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me. — Karl Marlantes

...And there really are men who believe in this, who spend their time in promoting Leagues of Peace, in delivering addresses, and in writing books; and of course the governments sympathize with it all, pretending that they approve of it; just as they pretend to support temperance, while they actually derive the larger part of their income from intemperance; just as they pretend to maintain liberty of the constitution, when it is the absence of liberty to which they owe their power; just as they pretend to care for the improvement of the laboring classes, while on oppression of the workman rest the very foundations of the State; just as they pretend to uphold Christianity, when Christianity is subversive of every government. — Leo Tolstoy

I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium ... Shakespeare can not be recognized either as a great genius, or even as an average author ... far from being the height of perfection, [King Lear] is a very bad, carelessly composed production, ... can not evoke among us anything but aversion and weariness ... All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language ... — Leo Tolstoy

I can't understand how anyone can write without rewriting everything over and over again. — Leo Tolstoy

All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake. — Jean Rhys

One of the greatest things about writing as a profession is that the words of Tolstoy, Chesterton and Dostoyevsky have lived for a hundred years and are just as powerful today. Their words have changed me just as much as the people I actually met. — Philip Yancey

If the world could write by itself, it would write like Tolstoy. — Isaac Babel

It is easier to produce ten volumes of philosophical writings than to put one principle into practice. — Leo Tolstoy

One's writing is good only when the intelligence and the imagination are in equilibrium. As soon as one of them overbalances the other, it's all up; you may as well throw it away and begin afresh. — Leo Tolstoy

One ought only to write when one leaves a piece of one's own flesh in the inkpot, each time one dips one's pen. — Leo Tolstoy

After reading Tolstoy's lengthy essay "On Life" in 1889, Ernest Crosby, a thirty-three-year-old American diplomat who was working in Egypt at the time, decided that diplomacy wasn't his calling and instead dedicated the next twenty-seven years of his life to writing and lecturing about Tolstoy throughout the United States. — Leo Tolstoy

In other words, if Dostoyevsky and Tolstoy showed more than their fair share of pathology it was due less to the requirements of their creative work than to the personal sufferings caused by the unhealthy conditions of a Russian society nearing collapse. If so many American poets and playwrights committed suicide or ended up addicted to drugs and alcohol it was not their creativity that did it but an artistic scene that promised much, gave few rewards and left nine out of ten artists neglected if not ignored. — Mihaly Csikszentmihalyi

Tolstoy does not tell us how things look to the author; he tells us how they look to the characters. In short, he does not use simile and metaphor. (That astonishing assertion in Wood's review is what got me started reading Tolstoy in the first place. How can anyone write without using metaphor and simile? That would be like - never mind.) — John Mark Reynolds

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean. — Toni Morrison

In everything, almost in everything, I wrote I was guided by the need of collecting ideas which, linked together, would be the expression of myself, though each individual idea, expressed separately in words, loses its meaning, is horribly debased when only one of the links, of which it forms a part, is taken by itself. But the interlinking of these ideas is not, I think, an intellectual process, but something else, and it is impossible to express the source of this interlinking directly in words; it can only be done indirectly by describing images, actions, and situations in words. — Leo Tolstoy