Till We Have Faces Character Quotes & Sayings

A man has more character in his face at forty than at twenty - he has suffered longer. — Mae West

In fact the "mask" theme has come up several times in my background reading. Richard Sennett, for example, in "The Corrosion of Character: The Personal Consequences of Work in the New Capitalism", and Robert Jackall, in "Moral Mazes: The World of Corporate managers", refer repeatedly to the "masks" that corporate functionaries are required to wear, like actors in an ancient Greek drama. According to Jackall, corporate managers stress the need to exercise iron self-control and to mask all emotion and intention behind bland, smiling, and agreeable public faces.
Kimberly seems to have perfected the requisite phoniness and even as I dislike her, my whole aim is to be welcomed into the same corporate culture that she seems to have mastered, meaning that I need to "get in the face" of my revulsion and overcome it. But until I reach that transcendent point, I seem to be stuck in an emotional space left over from my midteen years: I hate you; please love me. — Barbara Ehrenreich

I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it." — Paul Reubens

Those who are repeatedly passive in the face of injustice soon find their character corroded. — Julian Assange

Dead towns are the Cathedrals of Silence. They, too, have their gargoyles, singular figures, exaggerated, dubious, set in high profile. They stand out from the mass of grey, which takes all it has in the way of character, its twitchings of stagnant life from them. Some have been distorted by solitude, others grimace with a directionless fervour; here there are masks of cherished lust, there faces ceaselessly sculpted and furrowed by mysticism. Human gargoyles, the only figures of interest in this monotonous population. — Georges Rodenbach

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up- they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles. — Naomi Watts

When I'm writing, I don't put faces on the characters. When I finish the first draft of the script, I start visualizing, and sometimes then I think about one actor. — Pedro Almodovar

There is no such thing as beauty, especially in the human face ... what we call the physiognomy. It's all a mathematical and imagined alignment of features. Like, if the nose doesn't stick out too much, the sides are in fashion, if the earlobes aren't too large, if the hair is long ... It's kind of a mirage of generalization. People think of certain faces as beautiful, but, truly, in the final measure, they are not. It's a mathematical equation of zero. "True beauty" comes, of course, of character. Not through how the eyebrows are shaped. So many women that I'm told are beautiful ... hell, it's like looking into a soup bowl. — Charles Bukowski

Never before was it as incumbent upon every members to restate loyalty and exemplify fraternal obligation by consistent life and unimpeachable character. But these must be reinforced by a growing consciousness of the responsibilities that Alpha Phi Alpha faces in the world today, where, if ever the problems which beset us are to be solved and a way of deliverance discovered, it must be by the application of those principles upon which we are founded. — Jewel

For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville. — Matt McGorry

IT IS WITH OUR FACES that we face the world, from the moment of birth to the moment of death. Our age and our sex are printed on our faces. Our emotions, the open and instinctive emotions which Darwin wrote about, as well as the hidden or repressed ones which Freud wrote about, are displayed on our faces, along with our thoughts and intentions. Though we may admire arms and legs, breasts and buttocks, it is the face, first and last, which is judged "beautiful" in an aesthetic sense, "fine" or "distinguished" in a moral or intellectual sense. And, crucially, it is by our faces that we can be recognized as individuals. Our faces bear the stamp of our experiences and character; at forty, it is said, a man has the face he deserves. At — Oliver Sacks

What takes courage: no make - up. No make - up at all. Like The Matrix. I did the matrix and they had a rule all the characters in The Matrix, except the leads, of course, wore absolutely nothing on their face. — Ian McLeod

I knew he wouldn't die, because his life was like the roots of a tree that went miles into the soil and miles around its trunk and came up in my cousins, in their faces and their voices and their character. I didn't think you could kill a tree that big. Not even God could kill a tree that big. — Donald Miller

Each time, I try to find a family of interesting faces. I follow the tradition of films from the 40s - at this time, there were so many interesting faces in France. I often work with the same because there are not thousands and thousands in France. I'm looking for interesting faces and characters actors, and it's not for everybody. — Jean-Pierre Jeunet

I find that's one of the great things about acting-you have the opportunity to stand in somebody else's shoes. Each character faces a dilemma in her life, and as an actor you're able to step into that character's skin, look through her eyes. You leave transformed, a different person, because once you live a little bit of someone's life, it changes you. — Sally Field

Because Naughty Dog relies on their facial team to hand animate the faces of each game character and they do such a remarkable job, I think you can be more realistic with your acting. It gives the story and what's happening to you the feeling that it's a game. — Nolan North

The mythology of Doctor Who has built into it the continuation, evolution, and longevity of the character's mythical qualities through his regenerative process. I have to agree with Lou Anders, when he states: "Doctor Who is the truest expression of Joseph Campbell's Hero with a Thousand Faces ever conceived. The idea of an alien, come down to earth, repeatedly dying and resurrecting for the salvation of others is as close to the perpetual reenactment of the eternal Hero's Journey as you can hope to find."(6) — Anthony S. Burdge

You know, he would go and look at different funny books because he wanted his character to be different and make different faces. I saw a funny book in his room and it looked like the same character he was playing. It was about a duck. — Bubba Smith

When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex. — Jaco Van Dormael

For many men value appearances more than reality - thus they violate what's right. Everyone's prepared to sigh over some suffering man, though no sorrow really eats their hearts, or they can pretend to join another person's happiness forcing their faces into smiling masks. But a good man discerns true character - he's not fooled by eyes feigning loyalty, favouring him with watered-down respect. — Aeschylus

You have the wookie character, which is one of the biggest aliens in 'Defiance.' These guys are just walking about with these mechanical faces on, and it actually looks insane. The amount of diversity of all the aliens in the town is quite unbelievable. — Tony Curran

I just wish life was more like my books," Fern complained [ ... ] "Main characters never die in books. If they did, the story would be ruined, or over."
"Everybody is a main character to someone," Bailey theorized, winding his way through the busy hall and out the nearest exit into the November afternoon. "There are no minor characters. — Amy Harmon

Nothing is so discreet as a young face, for nothing is less mobile; it has the serenity, the surface smoothness, and the freshnessof a lake. There is no character in women's faces before the age of thirty. — Honore De Balzac

We face a hostile ideology global in scope, atheistic in character, ruthless in purpose and insidious in method. — Dwight D. Eisenhower

Phyllida's hair was where her power resided. It was expensively set into a smooth dome, like a band shell for the presentation of that long-running act, her face. — Jeffrey Eugenides

The humble woman is surprised by all the good that she sees around her rather than scandalized by what she cannot judge anyway. The humble woman is grateful for her successes but not disheartened by her failures. She enjoys her gifts and readily admits her mistakes. She maintains a sense of humor, whether the news from Wall Street is giddy or glum. She faces her character defects without getting discouraged. Her humble confidence in God's love and her enchantment with the kabod Yahweh shape a hedge of thorns against self-absorption and frees her for an unselfconscious presence to others. — Brennan Manning

I guess I'm the perfect young lead actress. I'm not Chloe Sevigny - I'm not really a character actress. Some actors have "character" faces. — Berenice Bejo

He faces the burdens of belittlement a third time as he grows older, and settles into an existence that he has embraced, or that has been forced upon him. A carapace of routine, of compromise, of silent surrenders, of half-term solutions, and of diminished consciousness begins to form around him. He turns himself over to the rigidified version of the self: the character. He begins to die small deaths, many times over. He fails to die only once, which is what he would desire if he were able fully to recognize the value of life. This third encounter with belittlement reveals belittlement for what it in fact is: death by installments. — Roberto Mangabeira Unger

Thomas Merton to write: The modern child may early in his or her existence have natural inclinations toward spirituality. The child may have imagination, originality, a simple and individual response to reality, and even a tendency to moments of thoughtful silence and absorption. All these tendencies, however, are soon destroyed by the dominant culture. The child becomes a yelling, brash, false little monster, brandishing a toy gun or dressed up like some character he has seen on television. His head is filled with inane slogans, songs, noises, explosions, statistics, brand names, menaces, ribaldries, and cliches. Then, when the child gets to school, he learns to verbalize, rationalize, to pace, to make faces like an advertisement, to need a car and in short, to go through life with an empty head conforming to others, like himself, in togetherness.3 — Brennan Manning

I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie. — Ted Naifeh