Through The Eyes Of The Dead Quotes & Sayings

He was still a kid inside. His body had grown, stretched, towered, tanned its skin, hardened its muscle, darkened its tawny shock of long hair, tightened its lines around jaw and eyes, thickened fingers and knuckles, but the brain didn't feel as if it had grown in sympathy with the rest. It was still green, full of tall, lush oaks and elms in summer; a creek ran through it, and the kids climbed around on its convolutions shouting, This way, gang - we'll take a short-cut and head them off at Dead Man's Gulch! — Ray Bradbury

Her soul died that night under a radiant silver moon in the spring of 1918 on the side of a blood-spattered trench. Around her lay the mangled dead and the dying. Her body was untouched, her heart beat calmly, the blood coursed as ever through her veins. But looking deep into those emotionless eyes one wondered if they had suffered much before the soul had left them. Her face held an expression of resignation, as though she had ceased to hope that the end might come. — Helen Zenna Smith

O all fair lovers about the world,
There is none of you, none, that shall comfort me.
My thoughts are as dead things, wrecked and whirled
Round and round in a gulf of the sea;
And still, through the sound and the straining stream,
Through the coil and chafe, they gleam in a dream,
The bright fine lips so cruelly curled,
And strange swift eyes where the soul sits free. — Algernon Charles Swinburne

Praise the name of baseball. The word will set captives free. The word will open the eyes of the blind. The word will raise the dead. Have you the word of baseball living inside you? Has the word of baseball become part of you? Do you live it, play it, digest it, forever? Let an old man tell you to make the word of baseball your life. Walk into the world and speak of baseball. Let the word flow through you like water, so that it may quicken the thirst of your fellow man. — W.P. Kinsella

Avada Kedavra!" "Expelliarmus!" The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling like the head of Nagini, spinning through the air toward the master it would not kill, who had come to take full possession of it at last. And Harry, with the unerring skill of the Seeker, caught the wand in his free hand as Voldemort fell backward, arms splayed, the slit pupils of the scarlet eyes rolling upward. Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snakelike face vacant and unknowing. Voldemort was dead, killed by his own rebounding curse, and Harry stood with two wands in his hand, staring down at his enemy's shell. — J.K. Rowling

We need adventure, we need meaning, we need identity. We need love. Someone who has seen us through loving eyes has awakened us from the ranks of the formerly dead. Most people bear the terminal stress of walking the world unseen, a mere number or cog in a lifeless machine. — Marianne Williamson

On the day of the dead, when the year too dies,
Must the youngest open the oldest hills
Through the door of the birds, where the breeze breaks.
There fire shall fly from the raven boy,
And the silver eyes that see the wind,
And the light shall have the harp of gold.
By the pleasant lake the Sleepers lie,
On Cadfan's Way where the kestrels call;
Though grim from the Grey King shadows fall,
Yet singing the golden harp shall guide
To break their sleep and bid them ride.
When light from the lost land shall return,
Six Sleepers shall ride, six Signs shall burn,
And where the midsummer tree grows tall
By Pendragon's sword the Dark shall fall.
Y maent yr mynyddoedd yn canu,
ac y mae'r arglwyddes yn dod. — Susan Cooper

Any of us, except in our dreams, truly expect to be reunited with our hearts' deepest loves, even when they leave us only for minutes, and on the most mundane of errands? No, not at all. Each time they go from our sight we in our secret hearts count them as dead. Having been given so much, we reason, how could we expect not to be brought as low as Lucifer for the staggering presumption of our love? So Eddie didn't expect her to answer until she did - from another world, and through a single thickness of wood. "Eddie? Sugar, is it you?" Eddie's head, which had seemed perfectly normal only seconds before, was suddenly too heavy to hold up. He leaned it against the door. His eyes were similarly too heavy to hold open and so he closed them. The weight must have — Stephen King

What would happen to a body that was starved, suffocated and then forced to drink poison? It would first suffer and then die an agonizing death. We willingly starve and suffocate our hearts by turning away form the remembrance of God. And then we poison our hearts through the bad company we keep, the garbage that goes into our eyes and ears, and emanates from our tongue ...
And then we wonder why our heart feels dead. — Yasmin Mogahed

I wish I would have been there for you." He finally found his voice. "I wish I would have been there to beat up all the children who bullied you, to shoot your father dead the first time he broke one of your bones. I wish I would have been there to sweep you out of town and save you from the horrors you went through."
Her eyes widened in surprise and then immediately narrowed as she shook her head. "I didn't need to have a hero in my life, Mark. I needed to figure out how to be my own hero. I took the easy way out. I allowed small-town people to label me and then I did my very best to live up to the label they'd provided. It's taken me thirty-seven years to realize I don't need a hero. I'm all I need and I'm strong enough to build the rest of my life alone. — Carla Cassidy

Life which we can no longer distinguish; life carefully buried up to its forehead in the carcass of a dead world. In every cinder of the universe Mercer probably perceives inconspicuous life. Now I know, he thought. And once having seen through Mercer's eyes, I probably will never stop. — Philip K. Dick

You said Is
there anything which
is dead or alive more beautiful
than my body,to have in your fingers
(trembling ever so little)?
Looking into
your eyes Nothing,i said,except the
air of spring smelling of never and forever.
... and through the lattice which moved as
if a hand is touched by a
hand(which
moved as though
fingers touch a girl's
breast,
lightly)
Do you believe in always,the wind
said to the rain
I am too busy with
my flowers to believe,the rain answered — E. E. Cummings

Photographs don't discriminate between the living and the dead. In the fragments of time and shards of light that compose them, everyone is equal. Now you see us; now you don't. It doesn't matter whether you look through a camera lens and press the shutter. It doesn't even matter whether you open your eyes or close them. The pictures are always there. And so are the people in them. — Robert Goddard

She jumped out from hiding. "You killed me, you son of a bitch!"
The Windigo stopped. As its bulbous red eyes fell on her, it occurred to her that, even though she was dead, there might be fates that could befall her spirit she should probably try to avoid. Swallowing, she stepped back.
But the Windigo made no move toward her. Its voice was a thing of ice cracking in the middle of a frozen lake. "I have eaten your flesh already, child. Your spirit is of no use to me. I need fresh meat and hot blood." Turning away, it continued through the forest.
"What? That's it? Take my body, then forget about me?" she yelled after its retreating back. "Obviously a guy," she muttered. — Douglas Smith

At that moment we caught sight of a drunken man, reeling along at the far end of the street. With head thrust forward, arms dangling, and nerveless legs, he advanced towards us by short rushes of three, six, or ten rapid steps, followed by a pause. After a brief spasm of energy, he found himself in the middle of the street, where he stopped dead, swaying on his feet, hesitating between a fall and a fresh burst of activity. Suddenly he made off in a new direction. He ran up against a house, and clung to the wall as if to force his way through it. Then, with a start, he turned round, and gazed in front of him, open-mouthed, his eyes blinking in the sun. With a movement of the hips, he jerked his back away from the wall and continued on his way. A small yellow dog, a half-starved mongrel, followed him barking, halting when he halted, and moving when he moved.

'Look,' said Marambot, 'there's one of Madame Husson's Rose-kings'. — Guy De Maupassant

This is what it means to be a fanatic - but a fanatic, that is to say, in a very special sense. It has little in common with the obsession of the politician or the artist, for instance, for both of these understand in a greater or lesser degree the impulse which drives them. But the sportsman fanatic - that is another matter entirely.
His thoughts fixed solely on a vision of that mounted trophy against the wall, the eyes now dead that were once living, the tremulous nostrils stilled, the sensitive pricked ears closed to sound at the instant when the rifle shot echoed from the naked rocks, this man hunts his quarry through some instinct unknown even to himself.
Stephen was a sportsman of this kind. It was not the skill needed that drove him, nor the delight and excitement of the stalk itself, but a desire, so I told myself, to destroy something beautiful and rare. Hence his obsession with chamois. ("The Chamois") — Daphne Du Maurier

[Stares at dead knight, killed by the Direwolves]
Ersen: If he had sounded his horn ...
Theon: Try and imagine it was you up there, Ersen. Its dark and cold. You have been walking century for hours looking forward to the end of your watch. Then you hear a noise and you move forward to the gate, and suddenly, you see eyes glowing green and gold in the torchlight.
Two shadows come rushing toward you faster than you can believe. You catch a glimpse of teeth, start to level your spear, and they slam into you and open your belly, tearing through leather as if it was cheese cloth.
[Shoves Ersen hard]
Theon: And now you're down on you back, your guts are spilling out and one of them has his teeth around your neck.
[Grabs Ersen around the neck and sqeezes]
Theon: Tell me, at what moment during all of this do you stop to blow your Fucking horn?
[Shoves Ersen roughly] — George R R Martin

Against the monster, I've always wanted meaning. Not for its own sake, because in the usual course of things, who needs the self-consciousness of it? Let meaning be immanent, noted in passing, if at all. But that won't do when the monster has its funnel driven into the back of your head and is sucking the light coming through your eyes straight out of you into the mouth of oblivion. So like a cripple I long for what others don't notice they have: ordinary meaning. Instead, I have words. The monster doesn't take words. It may take speech, but not words in the head, which are its minions. The army of the tiny, invisible dead wielding their tiny, spinning scythes, cutting at the flesh of the mind. Unlike ordinary blades, they sharpen with use. They're keenest in repetition. Self-accusation being nothing if not repetitive. There is nothing deep about this. It is merely endless. — Adam Haslett

Two dead men changed the course of my life that fall. One of them I knew and the other I'd never laid eyes on until I saw him in the morgue. The first was Pete Wolinsky, an unscrupulous private detective I'd met years before through Byrd-Shine Investigations, where I'd served my apprenticeship. I worked for Ben Byrd and Morley Shine for three years, amassing the six thousand hours I needed for my license. The two were old-school private eyes, hard-working, tireless, and inventive. While Ben and Morley did business with Pete on occasion, they didn't think much of him. He was morally shabby, disorganized, and irresponsible with money. — Sue Grafton

It's funny, isn't it?" you started quietly. "How you look up there and find a city, and I look at London and see a landscape?"

I frowned, glancing back at you. "What do you mean 'landscape'?"

"Just everything underneath, I guess." You rubbed your fingers against your beard, thinking. "All that earth and life, always just under the concrete, ready to push back through the pavement and take over the city at any time. All that life beneath the dead."

"London's more than just a pile of concrete," I said.

"Maybe." Your eyes glinted in the dark. "But without humans, the wild would take over. It would only need a hundred years or so for nature to win again. We're just temporary, really. — Lucy Christopher

We were the lucky ones, the notthese, we were the ones who had survived the aerial bombing and fire-clusters, the final flash. Regrettable, unavoidable, a war to end all wars, a war for democracy, a war for freedom, peaceful war. Sometimes war is necessary. Sometimes war is right.
But to the broken and the dead, to the wounded and the maimed, to the exploded and the shrapnelshattered, to minds gone dark, to eyes that have seen agony no tears can wash away, it hardly matters that the dead language of war repeats itself through time. The bodies that can say nothing have the last word.
What is it - the last word? No.
No more war. — Jeanette Winterson

In the lassitude after love Odysseus asks Circe, "What is the way to the land of the dead?"

Circe answers, "You are muffled in folds of heavy fabric. You close your eyes against the rough cloth and though you struggle to free yourself you can barely move. With much thrashing and writhing, you manage to throw off another layer, but find that not only is there another one beyond it, but that the weight bearing you down has scarcely decreased. With dauntless spirit you continue to struggle. By infinitesimal degrees, the load becomes lighter and your confinement less. At last, you push away a piece of coarse, heavy cloth and, relieved, feel that it was the last one. As it falls away, you realize you have been fighting through years. You open your eyes. — Zachary Mason

It was a woman, naked and not long dead. Her staring eyes still showed traces of kohl; her teeth gleamed faintly through half-parted lips. He tried to judge her as he had judged the women whose compliance he had secured for coins, to weigh her breasts with his eyes and applaud or condemn the roundness of her belly; he discovered that he could not do so, that in the way he sought to see her she was beyond his sight, unreachable as the unborn, unreachable as his mother had been when he had once, as a boy, happened upon her bathing. Eata's — Gene Wolfe

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes ... I have a love for simple basic song structure, although sometimes you'd never know it ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write. — Laura Nyro

She touched him, placing her hand over his curled fingers, straightening them so that they were palm to palm, then she interlaced her fingers with his. Her fingertips were icy. A silent, dangerous thrill coursed through him. He wanted to pull her atop him and show her what awaited a foolish young woman who slipped into a man's bedroom in the dead of the night after having devoured him all evening with those dark, intense eyes of hers, setting his blood to simmer over three long hours. — Sherry Thomas

Those who are unwilling to face the flinch are obvious, too. Their eyes are dead. Their voices sound defeated. They have defensive body language. They're all talk. They see obstacles as assailants instead of adversaries. Their flinch is the elephant in the room, and they don't want to hear about it. Any fight you want to win, a habit of pushing past the flinch can make it happen. Once you have adjusted to the pressure, once you learn to flinch forward, you have the resolve to pass through the impassible. In fact, it becomes certain that you will - it's only a matter of time. — Julien Smith

Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn't a mask, it couldn't be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn't a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher's knife. It was the knife that, a moment later, cut off her scream.
And her head. — Robert Bloch

Her parents, she said, has put a pinball machine inside her head when she was five years old. The red balls told her when she should laugh, the blue ones when she should be silent and keep away from other people; the green balls told her that she should start multiplying by three. Every few days a silver ball would make its way through the pins of the machine. At this point her head turned and she stared at me; I assumed she was checking to see if I was still listening. I was, of course. How could one not? The whole thing was bizarre but riveting. I asked her, What does the silver ball mean? She looked at me intently, and then everything went dead in her eyes. She stared off into space, caught up in some internal world. I never found out what the silver ball meant. — Kay Redfield Jamison

The short sharp shock of three thousand mother two hundred mothers. The ones who picked through the supermarket debris for pieces of their dead husbands. The ones who still laundered their gone son's bed sheets by hand. The ones who kept an extra teacup at the end of the table, in case of miracles. The elegant ones, the angry ones, the clever ones, the ones in hairnets, the ones exhausted by all the dying. They carried their sorrow - not with photos under their arms, or with public wailing, or by beating their chests, but with a weariness around the eyes. Mothers and daughters and children and grandmothers, too. They never fought the wars, but they suffered them, blood and bone. — Colum McCann

She's not dead. You didn't kill her, nor did the hunger birds, although they did their best to get to you through her. She's been given her ocean. One day, in its own time, the ocean will give her back.
I thought of corpses and of skeletons with pearls for eyes. I thought of mermaids with tails that flicked when they moved, like my goldfishes' tails had flicked before my goldfish had stopped moving, to lie, belly up, like Lettie, on the top of the water. I said, 'Will she be the same? — Neil Gaiman

She remembers blood.
A fine mist which goes deep into her lungs, over her skin and through the air. She remembers a desert at dusk. The sky indigo blue and the fire bright, so bright that she can see everything. Near the fire, in the night, all she knows is chaos wrapped in crimson. All is death and nightmare with a single solitary dancer who smiles cruelly as he moves. He is power and darkness. He is man and beast, silver coin eyes and that face, those claws and the agony of loss.
Time stretches wide; seconds like vast eons swallow up her world. Vince is dead, his mother, his brother and her small son ripped apart and gushing as he/it moves. She is screaming, a howl of agony beyond words, primal and wordless. Still he moves, faster than air, faster than she could ever be. Blood drips from her face as she grunts, running with her lungs on fire and her last remaining hope wrapped in her arms. — Amanda M. Lyons

I remembered a numeric code. He could have been using counters to help him write in it."
"Or," said Roshar, "your father will read the note, see one code when he expects another, and will send someone to the station, where there's a dead body."
"If so," Arin said, "then we're no worse off than we were before."
"Oh yes, we are. The general will know the letter's a ploy, and will do the opposite of what we want. He'll ignore the main road. He'll take back roads through the forests where our guns would be of dubious use and we wouldn't have the advantage of height. You know this."
Arin shut his mouth, glancing uneasily at Kestrel. Yes. He had known this, as had she. She felt worse for his effort to make her mistake seem smaller. He knew its true size.
Roshar leaned back in his creaking chair. His eyes slid from Arin to Kestrel, black as lacquer, the green lines around them fresh. "Can you tell me anything more cheerful than all this? — Marie Rutkoski

I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew
that after this, nothing would be the same .
And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's.
Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book. — Jennifer Sturman

The bullet will go through his skull, splashing warm blood and brain fluid all over. And from then on you'll have recurring nightmares of vivid colors and dead faces ... with their eyes popping out and leaking bits of brain. Are you sure you want to do this? — Minari Endou

Everything around us, dead or alive, in the eyes of a crazy photographer mysteriously takes on many variations, so that a seemingly dead object comes to life through light or by its surroundings ... To capture some of this - I suppose that's lyricism. — Josef Sudek

Some days he wishes that he could simply empty the chambers of the men, fill the halls instead with women: the short sharp shock of three thousand two hundred mothers. The ones who picked through the supermarket debris for pieces of their dead husbands. The ones who still laundered their gone son's bed sheets by hand. The ones who kept an extra teacup at the end of the table, in case of miracles. The elegant ones, the angry ones, the clever ones, the ones in hairnets, the ones exhausted by all the dying. They carried their sorrow
not with photos under their arms, or with public wailing, or by beating their chests, but with a weariness around the eyes. — Colum McCann

Stop this day and night with me and you shall possess the origin of all poems,
You shall possess the good of the earth and sun ... there are millions of suns left,
You shall no longer take things at second or third hand ... nor look through the eyes of the dead ... nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from yourself. — Walt Whitman

She said once that time is nothing to me but a series of bookmarks that I use to jump back and forth through the text of my life, returning again and again to the events that mark me in the eyes of my more astute colleagues, as bearing all the characteristics of the classic melancholic. — Dennis Lehane

THERE ARE ... ENEMIES, said Death, as Binky galloped through icy mountains. "They're all dead - " OTHER ENEMIES. YOU MAY AS WELL KNOW THIS. DOWN IN THE DEEPEST KINGDOMS OF THE SEA, WHERE THERE IS NO LIGHT, THERE LIVES A TYPE OF CREATURE WITH NO BRAIN AND NO EYES AND NO MOUTH. IT DOES NOTHING BUT LIVE AND PUT FORTH PETALS OF PERFECT CRIMSON WHERE NONE ARE THERE TO SEE. IT IS NOTHING EXCEPT A TINY YES IN THE NIGHT. AND YET ... AND YET ... IT HAS ENEMIES THAT BEAR ON IT A VICIOUS, UNBENDING MALICE, WHO WISH NOT ONLY FOR ITS TINY LIFE TO BE OVER BUT ALSO THAT IT HAD NEVER EXISTED. ARE YOU WITH ME SO FAR? "Well, yes, but - " GOOD. NOW, IMAGINE WHAT THEY THINK OF HUMANITY. — Terry Pratchett

Jaime Rivera gaped in disbelief as the cadreman took at least five direct hits and didn't go down. And then the trooper who should have been dead was coming straight at him, pistol in one hand and some sort of sword in the other.
The pistol came up, and Rivera recoiled as the first penetrator spalled his visor. It didn't punch through, but the incredible impact, less than ten centimeters in front of his eyes half-stunned him. It was only for an instant, no more than a single heartbeat, but that was long enough.
His vision had just begun to refocus when the force blade in Alicia DeVries' right hand decapitated him in a fountain of blood. — David Weber

Thus, his ambition led him not to relieve his patients' madness, but to exasperate it - to let it breathe with a life of its own. And this he did in certain ways that wholly eradicated what human attributes remained in these people. But sometimes that peculiar magic he saw in their eyes would seem to fade, and then he would institute his 'proper treatment,' which consisted of putting them through a battery of hellish ordeals intended to loosen their attachment to the world of humanity and to project them further into the realm of the 'silent, staring universe' where the insanity of the infinite might work a rather paradoxical cure. The result was something as pathetic as a puppet and as exalted as the stars, something at once dead and never dying, a thing utterly without destiny and thus imperishable, forever consigned to that abysmal vacuity which is the essence of all that is immortal. — Thomas Ligotti

I continue to be immensely moved by the impermanence of hotels: not in any mundane Travel-and-Leisure way but with a fervor bordering on the transcendent. Some time in October, right around Day of the Dead actually, I stayed in a Mexican seaside hotel where the halls flowed with blown curtains and all the rooms were named after flowers. The Azalea Room, the Camellia Room, the Oleander Room. Opulence and splendor, breezy corridors that swept into something like eternity and each room with its different colored door. Peony, Wisteria, Rose, Passion Flower. And who knows
but maybe that's what's waiting for us at the end of the journey, a majesty unimaginable until the very moment we find ourselves walking through the doors of it, what we find ourselves gazing at in astonishment when God finally takes His hands off our eyes and says: Look! — Donna Tartt

At any other time it's better. You can do the things you feel you should; you're an expert at going through the motions. Your handshakes with strangers are firm and your gaze never wavers; you think of steel and diamonds when you stare. In monotone you repeat the legendary words of long-dead lovers to those you claim to love; you take them into bed with you, and you mimic the rhythmic motions you've read of in manuals. When protocol demands it you dutifully drop to your knees and pray to a god who no longer exists. But in this hour you must admit to yourself that this is not enough, that you are not good enough. And when you knock your fist against your chest you hear a hollow ringing echo, and all your thoughts are accompanied by the ticks of clockwork spinning behind your eyes, and everything you eat and drink has the aftertaste of rust. — Dexter Palmer

He shifts and my eyes shatter into thousands of pieces that ricochet around the room, capturing a million snapshots, a million moments in time. Flickering images faded with age, frozen thoughts hovering precariously in dead space, a whirlwind of memories that slice through my soul. — Tahereh Mafi

I thought that you would be frozen in awe when you found the sequence, when you heard a bird's song repeating my Morse code, my cry for help, my S.O.S, when you saw the same numbers in the petals of a flower and the structure of a pine cone, when you saw with your own eyes the interconnectedness of all things.
But I was wrong.
You searched for a male god, a creator, an intelligent designer, or you banished the beauty and mystery of the world beneath the cold concrete grave of closed-eye skepticism. The few of you who could still hear my music felt tortured and misunderstood; you reached out for any conspiracy theory large enough to explain your alienated despair, your sense that the Earth was dying and no one cared.
But listen to me -- you are not alone. Run your fingers through the grass and grab it in your fists, feel my pulse echoing through your blood. You. Are. Not. Alone. And I -- I am not dead yet. — Sarah Warden

Whatever is he saying?" said a voice, very near, distinct and shrill through the warblings of the Super-Wurlitzer.
The Savage violently started and, uncovering his face, looked round. Five khaki twins, each with the stump of a long eclair in his right hand, and their identical faces variously smeared with liquid chocolate, were standing in a row, puggily goggling at him.
They met his eyes and simultaneously grinned. One of them pointed with his eclair butt.
"Is she dead?"he asked. — Aldous Huxley

Magnus pondered the twelve people taking up residence at the Hawk and Spear Inn, realizing that nearly half of them wanted him dead.

"And you're definitely one of them," he muttered as Nic trudged through the meeting hall, glaring as he passed the prince. Magnus was sitting alone at a table in front of a sketchbook he'd found in a drawer in his room. "Cassian, look," he called. "I drew a picture of you."

Magnus raised the sketchbook. His fingers smeared with charcoal, he held up a page on which he'd drawn an image of a skinny boy hanging from a noose, his tongue dangling from his mouth, two morbid Xs where the eyes should have been.

Nic, allegedly a very friendly fellow to everyone else in the world, shot Magnus a look of sheer hatred. "You think that's funny?"

"What? You don't like it? Well, they do say art is subjective. — Morgan Rhodes

At this very moment, ... the most frightful horrors are taking place in every corner of the world. People are being crushed, slashed, disembowelled, mangled; their dead bodies rot and their eyes decay with the rest. Screams of pain and fear go pulsing through the air at the rate of eleven hundred feet per second. After travelling for three seconds they are perfectly inaudible. These are distressing facts; but do we enjoy life any the less because of them? Most certainly we do not. — Aldous Huxley

I see men assassinated around me every day. I walk through rooms of the dead, streets of the dead, cities of the dead; men without eyes, men without voices; men with manufactured feelings and standard reactions; men with newspaper brains, television souls and high school ideas. Kennedy himself was 9/10ths the way around the clock or he wouldn't have accepted such an enervating and enfeebling job
meaning President of the United States of America. How can I be concerned with the murder of one man when almost all men, plus females, are taken from cribs as babies and almost immediately thrown into the masher? — Charles Bukowski

But Siegfried held up a restraining hand. "Just one moment," he slurred. "The windscreen is very dirty. I'll give it a rub for you." The ladies watched him silently as he weaved round to the back of the car and began to rummage in the boot. The love light had died from their eyes. I don't know why he took the trouble; possibly it was because, through the whisky mists, he felt he must re-establish himself as a competent and helpful member of the party. But the effort fell flat; the effect was entirely spoiled. He was polishing the glass with a dead hen. — James Herriot

Her eyes weren't blinking. There was still something almost dead in them, something very far away. She seemed to be seeing all the way through to the back of him and beyond, out into the cold space of the future in which they would both soon be dead, out into the nothingness that Lalitha and his mother and his father had already passed into, and yet she was looking straight into his eyes, and he could feel her getting warmer by the minute. And so he stopped looking at her eyes and started looking into them, returning their look before it was too late, before this connection between life and what came after life was lost, and let her see all the vileness inside him, all the hatreds of two thousand solitary nights, while the two of them were still with the void in which the sum of everything they'd ever said or done, every pain they'd inflicted, every joy they'd shared, would weigh less than the smallest feather on the wind. — Jonathan Franzen

Do you love me, Charlie?" An easy question to answer. "Yes. God, yes." "Then promise me something." He came over and stood above her, his eyes looking down into hers. "Anything." He took her hand and placed it in the middle of his chest where she could feel the heat of his body through the cotton T-shirt he wore. "If you betray me this time, shoot me. Straight through the heart. Make sure I'm dead because I don't want to live in a world where you betray me twice. Promise me. — Lexi Blake

Fire!
Your nose ignites,
flameless kerosene
(and, some say, Drano)
laced with ephedrine
you want to cry
powdered demons bite
through cartilage and sinuses,
take dead aim at your
brain, jump inside
want to scream
troops of tapping feet
fall into rhythm,
marking time, right
between your eyes
get the urge to dance
louder, louder, ultra
gray-matter power,
shock waves of energy
mushroom inside your head
you want to let go
detonate,
annihilate barriers,
bring down the walls,
unleashing floodwaters,
freeing long-captive dreams
to ride the current
through
arteries and capillaries,
pulsing, rushing,
raging torrents
pounding against your heart
sweeping you away — Ellen Hopkins

She's been, but she's coming back," he said. "I expect her every minute. Ah! there she is."

This was rather stupid of Stephen. He ought to have guessed that Lucia's second appearance was officially intended to be her first. He grasped that when she squeezed her way through the crowd and greeted him as if they had not met before that morning.

"And dearest Adele," she said. "What a crush! Tell me quickly, where are the caricatures of Pepino and me? I'm dying to see them; and when I see them no doubt I shall wish I was dead."

The light of Luciaphilism came into Adele's intelligent eyes... — E.F. Benson

And as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. — Lewis Carroll