Thing Poem Quotes & Sayings

Every poem holds the unspeakable inside it. The unsayable ... The thing that you can't really say because it's too complicated. It's too complex for us. Every poem has that silence deep in the center of it. — Marie Howe

I try to write very fast. I don't revise very much. I write the poem in one sitting. Just let it rip. It's usually over in twenty to forty minutes. I'll go back and tinker with a word or two, change a line for some metrical reason weeks later, but I try to get the whole thing just done. — Billy Collins

What is this thing you call substance abuse?
All I wanna do is forget and get loose.
Drinking and smoking over and over
What's so great about a life that's sober?
There's nothing cool about being young
When the monsters of night have stolen the sun.
I'm tired of searching for words in the sky.
All I wanna do is drink and die.
Nothing is real. It's all a big lie.
All I wanna do is drink and die.
There's nothing cool about being young
When the monsters of night have stolen the sun. — Benjamin Alire Saenz

Every known thing used to be unknown
And every rock could become a stone
Someday nature will have to atone
When soul sees dead flesh leaving the bone — Munia Khan

And you know what the worst thing was?
The worst thing was that nobody ever believed how hard we tried. — Jack McCarthy

For there was now a wall of trees blocking any progress-
-and Inigo would not stop bleeding-
-and Westley would not start breathing-
-and Buttercup would not stop staring at him, her face lit with the hope that of all the creatures left stomping the earth, he, Fezzik, was the only one that could save her beloved and thereby stop her heart from shredding.
Fezzik at this heroic moment knew what he wanted most to do: suck his thumb forever. But since that was out of the question, he did the next best thing. He made a poem.
Fezzik's — William Goldman

I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know who understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother.
I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don't need days, or weeks, or months to think about why I love you. It's an easy answer for me. I love you because of you. Because of every single thing about you. — Colleen Hoover

I receive the reward for my willingness to participate in the object-subject reversal in the form of a private illumination - in the present case, as an aesthetic movedness. The torso, which has no place that does not see me, likewise does not impose itself - it exposes itself. It exposes itself by testing whether I will recognize it as a seer. Acknowledging it as a seer essentially means 'believing' in it, where believing, as noted above, refers to the inner operations that are necessary to conceive of the vital principle in the stone as a sender of discrete addressed energies. If I somehow succeed in this, I am also able to take the glow of subjectivity away from the stone. I tentatively accept the way it stands there in exemplary radiance, and receive the starlike eruption of its surplus of authority and soul. — Peter Sloterdijk

One thing in our favor: some of this "becoming kinder" happens naturally, with age. It might be a simple matter of attrition: as we get older, we come to see how useless it is to be selfish - how illogical, really. We come to love other people and are thereby counter-instructed in our own centrality. We get our butts kicked by real life, and people come to our defense, and help us, and we learn that we're not separate, and don't want to be. We see people near and dear to us dropping away, and are gradually convinced that maybe we too will drop away (someday, a long time from now). Most people, as they age, become less selfish and more loving. I think this is true. The great Syracuse poet, Hayden Carruth, said, in a poem written near the end of his life, that he was "mostly Love, now. — George Saunders

Identity the greatest thing that ever happened to all humanity on earth. Identity the source of knowing who you are and where you come from. Identity the source of understanding yourself and makes you proud to be the person who you are, the daughter, the son of the Most High God. — Euginia Herlihy

He drew a circle that shut me out-
Heretic , rebel, a thing to flout.
But love and I had the wit to win:
We drew a circle and took him In !
From the poem Outwitted — Edwin Markham

To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing. — Sam Shepard

In my relationship with a young guy I was going with in a band - his name was Sylvester, and I think he had another little girl on the side - I told him, 'If you lose me, you're going to lose a good thing.' And I went home and put that poem to music. — Barbara Lynn

To have been where you have been
And to still have joy,
Dazzling in your heart,
Now there's a thing to make the whole world smile. — Scott Hastie

I've always been more than a little mystified by poets who seem to think talking to people as directly as possible is a bad thing. I mean, I don't want to set up a straw man here: I understand that for many poets - and for me, at times - writing truly means writing in a way that is difficult, simply because the poem is trying to grasp for something elusive. So the difficulty of the poem is just unavoidable, and not in any way artificially imposed. So "as possible" is the key part of the phrase above, I suppose. — Matthew Zapruder

The most exciting thing is to read a poem out loud for the first time. — Eileen Myles

I found the best thing
I could do
was just to type away
at my own work
and let the dying
die
as they always have. — Charles Bukowski

On the opposite page, there was a poem. It described how beauty and truth mattered more than anything else. They were the same thing.
But it didn't matter how pretty you painted the world. — Brenna Yovanoff

He never described himself as a poet or his work as poetry. The fact that the lines do not come to the edge of the page is no guarantee. Poetry is a verdict, not an occupation. He hated to argue about the techniques of verse. The poem is a dirty, bloody, burning thing that has to be grabbed first with bare hands. Once the fire celebrated Light, the dirt Humility, the blood Sacrifice. Now the poets are professional fire-eaters, freelancing at any carnival. The fire goes down easily and honours no one in particular. — Leonard Cohen

People think genius a fine thing if it enables a man to write an exciting poem, or paint a picture, But in its true sense, that of originality in thought and action, though no one says that it is not a thing to be admired, nearly all, at heart, think that they can do very well without it. Unhappily this is too natural to be wondered at. Originality is the one thing which unoriginal minds cannot feel the use of. They cannot see what it is to do for them: how should they? If they could see what it would do for them, it would not be originality. — John Stuart Mill

Life doesn't stop. It doesn't stop progressing forward and it never stops trying to bring you to your knees. It will test your strengths and exploit your weakness, and I'm not sure that is always such a bad thing. — Christy Aldridge

My secret dream is to write an epic poem. That's probably the most pretentious thing I've said. — Laurie Anderson

If you meet a fencing-master on the road, you may give him your sword, If you meet a poet, you may offer him your poem. When you meet others, say only a part of what you intend. Never give the whole thing at once. — Paul Reps

Out there people are working and arguing and laughing, living their beautiful, terrible lives, falling in love and having babies and being bored out of their skulls and feeling depressed, then being consoled by some little thing like watching the patterns the light makes through the leaves of trees, casting shadows on the sidewalks.
I remember the line from that poem now.
Downward to darkness, on extended wings. — Kim Addonizio

If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings
excuse the expression. Like Manlius and Esposito and all those poor men. — J.D. Salinger

A Very Short Poem for Poor Lovers
You've got nothing,
I've got nothing,
And it's not a good thing. — Arzum Uzun

I think that poetry is an act of celebration, that anytime you're writing a poem, it means that you're celebrating something, even if it's a sad poem, if it's an angry poem, a political poem or anything at all. The fact that you're taking the time and energy to pick up this thing and hold it to the light, and say, "Let's take some time to consider this," means that you've deemed it worthy enough to spend time on - which, in my opinion, is celebrating. — Sarah Kay

there are only so many things
that you can fix with your hands.

...What they don't realize is I am not a thing to fix. — Danabelle Gutierrez

It happened that I had just finished co-writing a screen adaptation of Beowulf, the old English narrative poem, and was mildly surprised by the number of people who, mishearing me, seemed to think I had just written an episode of "Baywatch." So I began retelling Beowulf as a futuristic episode of "Baywatch" for an anthology of detective stories. It seemed to be the only sensible thing to do. Look, I don't give you grief over where you get your ideas from. — Neil Gaiman

It really gets on my goat that people keep quoting Dorothea Mackellar's 'My Country' as proof that there is no such thing as climate change. A poem written more than 100 years ago by a homesick 19 year old versus an ever-increasing body of refereed scientific thought ... hmm, hard to know which way to jump, really. — Judy Horacek

You keep talking about ego, my God, it would take Christ himself to decide what's ego and what isn't. This is God's universe, buddy, not yours, and he has the final say about what's ego and what isn't. What about your beloved Epictetus? Or your beloved Emily Dickinson? You want your Emily, every time she has an urge to write a poem, to just sit down and say a prayer till her nasty, egotistical urge goes away? No, of course you don't! But you'd like your friend Professor Tupper's ego taken away from him. That's different. And maybe it is. Maybe it is. But don't go screaming about egos in general. In my opinion, if you really want to know, half the nastiness in the world is stirred up by people who aren't using their true egos. Take your Professor Tupper. From what you say about him, anyway, I'd lay almost any odds that the thing he's using, the thing you think is his ego, isn't his ego at all but some other, much dirtier, much less basic faculty. — J.D. Salinger

Every time I try to disown that concept for myself, which is a really healthy perspective, they bring it back all the time. It's so serious and so real and so tangible that you don't want to taint it with anything other than the thing itself. I was tickled pink with my very zen self, walking around saying that I made a record because I wanted to make a record. That's so beautiful. It's like a haiku poem. That takes away all the tension and the expectation. I just want to try to do something interesting. — Gavin Rossdale

You must believe a poem is a holy thing, a good poem, that is. — Theodore Roethke

Sensuality isn't worth a hair more than spirituality, and it's the same the other way around. It's all one, everything is equally good. Whether you embrace a woman or make a poem, it's the same. So long as the main thing is there, the love, the burning, the emotion, it doesn't matter whether you are a monk on Mount Athos or a man about town in Paris. — Hermann Hesse

A Poem
By Max
White is the color of little bunnies with pink noses.
White is the color of fluffy clouds fluffing their way across the sky.
White is the color of angel's wings and Angel's wings.
White is the color of brand-new ankle socks fresh out of the bag.
White is the color of crisp sheets in schmancy hotels.
White is the color of every last freaking, gol-danged thing you see for endless miles and miles if you happen to be in Antarctica trying to save the world, which now you aren't so sure you can do because you feel like if you see any more whiteness-Wonder Bread, someone's underwear, teeth-you will completely and totally lose your ever-lovin' mind and wind up pushing a grocery cart full of empty cans around New York City, muttering to yourself.
That was my first poem ever.
Okay, so it's not Shakespeare, but I liked it. — James Patterson

The reason for the existence of the perfection conjured up in these fourteen lines is that it possesses ... the authorization to form a message that appeals from within itself. This power of appeal is exquisitely evident in the object evoked here. The perfect thing is that which articulates an entire principle of being. The poem has to perform no more and no less than to perceive the principle of being in the thing and adapt it to its own existence - with the aim of becoming a construct with an equal power to convey a message. — Peter Sloterdijk

A poem is a box, a thing, to put other things in. For safe keeping. — Marianne Boruch

As we know, Rilke, under the influence of Auguste Rodin, whom he had assisted between 1905 and 1906 in Meudon as a private secretary, turned away from the art nouveau-like, sensitized-atmospheric poetic approach of his early years to pursue a view of art determined more strongly by the priority of the object. The proto-modern pathos of making way for the object without depicting it in a manner 'true to nature', like that of the old masters, led in Rilke's case to the concept of the thing-poem - and thus to a temporarily convincing new answer to the question of the source of aesthetic and ethical authority. From that point, it would be the things themselves from which all authority would come - or rather: from this respectively current singular thing that turns to me by demanding my full gaze. This is only possible because thing-being would now no longer mean anything but this: having something to say. — Peter Sloterdijk

As we change, our writing changes too. You cannot write the same poem twice. And that's a good thing. — Katerina Stoykova Klemer

It was quite a sad thing,
the way I watched you sleep like nothing could go wrong and I did not want to harm it, I did not want to blur it, but how could I not
when everything I've ever known has slowly gone away. — Charlotte Eriksson

The only thing you can really say in a poem is what you really, really deeply believe. — Jonathan Galassi

As I think about anyone or anything
whether history or literature or my father or political organizations or a poem or a film
as I seek to evaluate the potentiality, the life-supportive commitment and possibilities of anyone or any thing, the decisive question is always where is the love? — June Jordan

THE THREE LAWS OF ALL

You are never to worship a living soul,
Except for three entities:
Three - YOUR FATHER
Two - YOUR MOTHER
And one - HE WHO IS ALL.


To begin to study All Things,
You must start with only three things:
Man,
Nature,
And the universe.
All three are a reflection of each other.
So simply study one,
To understand the other.

All of creation started with JUST three things,
And no living thing was created without them:
Water,
Light,
And dust.

Know these three basic laws.
And you will come to know
He Who Is All.
Forever big, yet sometimes small,
He is found in the heart
Of everything.


Suzy Kassem Poetry, Truth is Crying — Suzy Kassem

She was the only person in class who read her poem like it wasn't an assignment. She recited it like it was a living thing. Like something she was letting out. You couldn't look away from her as long as she was talking. — Rainbow Rowell

You know the worst thing is freedom. Freedom of any kind is the worst for creativity. You know, Dali spent two months in jail in Spain, and these two months were the most enjoyable and happy in my life. Before my jail period, I was always nervous, anxious. I didn't know if I should make a drawing, or perhaps make a poem, or go to the movies or the theatre, or catch a girl, or play with the boys. The people put me in jail, and my life became divine. Tremendous! — Salvador Dali

The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief. — Natasha Trethewey

How can you be so optimistic about the whole damn world but not about yourself?"
"My magic, you mean."
"Your neck, Pen."
She drew her head back as if he'd just shouted. His words struck her that forcefully.
"My . . . ?"
"I adore your neck. And your eyes. Do you know how long it's been since I thought the word 'indigo'? Maybe when I read it in a poem, years ago. But that's the color you use to stare at me."
Heat shivered up her spine, along the tops of her breasts and across her cheeks. Never. Not ever had she imagined such a treasure. So shocked, she said the first thing that came into her head. Pure instinct.
"Yours are like a clear piece of glass with the sky behind it."
He grinned lazily. "Is that what you think? Well, feel free to continue. — Ellen Connor

That amazing thing doesn't need my poem, but my poem still needs it, the way every poem still needs all the world. — Clive James

You can publish a poem you think is a very important poem, and you don't hear a word from anyone. You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context. — Lawrence Ferlinghetti

A thing may fail as a poem because it tries to do what a poem cannot do: it tries to become a treatise on cosmic truth ... We can best be exact about the cosmic things - God and truth, beauty, eternity and love - by not talking directly about them. — Miller Williams

I wrote a poem once - a simple thing, but instinct with longing - while sitting under a tree and listening to the cooing of a pigeon. But that was in the afternoon. My only longing now was for a gun. Three — Jerome K. Jerome

The last thing a young artist should do in poetry or any other field is think about what's in style, what's current, what are the trends. Think instead of what you like to read, what do you admire, what you like to listen to in music. What do you like to look at in architecture? Try to make a poem that has some of those qualities. — Robert Pinsky

You never know that. I don't know it; Robert Lowell doesn't know it; John Berryman didn't know it; and Shakespeare probably didn't know it. There's never any final certainty about what you do. Your opinion of your own work fluctuates wildly. Under the right circumstances you can pick up something that you've written and approve of it; you'll think it's good and that nobody could have done exactly the same thing. Under different circumstances, you'll look at exactly the same poem and say, "My Lord, isn't that boring." The most important thing is to be excited about what you are doing and to be working on something that you think will be the greatest thing that ever was. One of the difficulties in writing poetry is to maintain your sense of excitement and discovery about what you write. — James Dickey

After listing the vast array of famous composers, artists, and authors who had created works based on Dante's epic poem, Langdon scanned the crowd. "So tell me, do we have any authors here tonight?" Nearly one-third of the hands went up. Langdon stared out in shock. Wow, either this is the most accomplished audience on earth, or this e-publishing thing is really taking off. — Dan Brown

Reading a poem is a real thing, a worthy thing. So to be there right with the reader at that moment is part of the effect of a title like "Poem for" something or other. Matt Rohrer does this a lot in his titles, and I think I might have gotten some of the idea to do this, or at least been reminded of how it can work, from his recent amazing books. — Matthew Zapruder

Age in itself gives substance - what has lasted becomes a thing worth keeping. An older poem's increasing strangeness of language is part of its beauty, in the same way that the cracks and darkening of an old painting become part of its luminosity in the viewer's mind. — Jane Hirshfield

Does a poet create, originate, initiate the thing called a poem, or is his behavior merely the product of his genetic and environmental histories? — B.F. Skinner

For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss. — Ally Condie

Just as a child is really a thing that wants to become a man, so is the poem an object of nature that wants to become an object ofart. — Karl Wilhelm Friedrich Schlegel

One thing has led to the next in my life, but like lines of a poem. I suppose I've thrown in my lot with love, and don't know any other way to go on breathing. — David Guterson

It is clear enough that not every something can be elevated to the rank of a thing - otherwise everything and everyone would be speaking once more, and the chatter would spread from humans to things. Rilke privileges two categories of 'entities' [Seienden), to express it in the papery diction of philosophy, that are eligible for the lofty task of acting as message-things - artifices and living creatures - with the latter gaining their particular quality from the former, as if animals were being's highest works of art before humans. Inherent to both is a message energy that does not activate itself, but requires the poet as a decoder and messenger. — Peter Sloterdijk

The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading. — Edward Hirsch

Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like. — Joan Larkin

A poem is a flexible thing, and a poem is a poem. — Juan Felipe Herrera

She had turned thought and feeling into life, into reality, into creation. They speak of the _creations_ of the human intellect, of the human imagination! there is nothing man can do comes half so near the making of the Maker as the ordering of his way--except one thing: the highest creation of which man is capable, is to will the will of the Father. That _has_ in it an element of the purely creative, and then is man likest God. But simply to do what we ought, is an altogether higher, diviner, more potent, more creative thing, than to write the grandest poem, paint the most beautiful picture, carve the mightiest statue, build the most worshiping temple, dream out the most enchanting commotion of melody and harmony. — George MacDonald

... what I told them was 'a poem,' a thing made by a maker, a work of art, part history of long ago, part invention. — Ursula K. Le Guin

The Wolf trots to and fro,
The world lies deep in snow,
The raven from the birch tree flies,
But nowhere a hare, nowhere a roe,
The roe -she is so dear, so sweet -
If such a thing I might surprise
In my embrace, my teeth would meet,
What else is there beneath the skies?
The lovely creature I would so treasure,
And feast myself deep on her tender thigh,
I would drink of her red blood full measure,
Then howl till the night went by.
Even a hare I would not despise;
Sweet enough its warm flesh in the night.
Is everything to be denied
That could make life a little bright?
The hair on my brush is getting grey.
The sight is failing from my eyes.
Years ago my dear mate died.
And now I trot and dream of a roe.
I trot and dream of a hare.
I hear the wind of midnight howl.
I cool with the snow my burning jowl,
And on to the devil my wretched soul I bear. — Hermann Hesse

No poem is worth anything unless it starts from a poetic trance, out of which you can be wakened by interruption as from a dream. In fact, it is the same thing. — Robert Graves

If you're writing a song, you have to write something that can be understood serially. When you're reading a poem that's written for the page, your eye can skip up and down. You can see the thing whole. But you're not going to see the thing whole in the song. You're going to hear it in series, and you can't skip back. — James Fenton

The poem is not a thing we see; it is, rather, a light by which we may see. — Robert Penn Warren

I'm not your blue-eyed Czech,
I'm just a brown-eyed girl,
A little mix of rock your world,
And now you'll never be the same.
You grabbed me by the hand,
I grabbed you by the neck.
I changed the game,
and your convictions.
So is it criminal to steal a heart or two?
I keep them on the shelf,
Like only hunters do.
I like it hard
I like you high
I love your mouth
When it's on mine.
I wanna hear you make that sound,
Cause it's the greatest thing around.
Take it off now,
Take from here.
Watch your head spin
When I come near,
And you will lose every time,
Cause I won't stop until your mine.
And they say who the hell is she?
They either love me or they hate me.
But still they never look away,
This vixen's gonna give you everything. — Crystal Woods

I just know from experience that reading a funny poem aloud, especially at the beginning of a public reading, can have a certain effect. Somehow narrowing the spectrum of possible emotional reactions. So while I like it when people laugh at my poems, and I definitely enjoy being funny in them, I don't really think that's the most important thing that's going on, at least not to me. — Matthew Zapruder

My poem is called 'The Grand Inquisitor' - an absurd thing, but I want you to hear it. — Fyodor Dostoyevsky

I feel the most natural thing is for music to come that way because it's sort of like poetry. Though I do think with poets that I like, like Charles Olson or Ezra Pound, they were rewriting constantly, until the poem becomes a diamond.But with music I don't really feel that way. — Stephen Malkmus

In the midst of the ubiquitous dealings with prostituted signs, the thing-poem was capable of opening up the prospect of returning to credible experiences of meaning. It did this by tying language to the gold standard of what things themselves communicate. Where randomness is disabled, authority should shine forth. — Peter Sloterdijk

I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. — Jeanette Winterson

The form of the poem, in other words, is crucial to poetry's power to do the thing which always is and always will be to poetry's credit: the power to persuade that vulnerable part of our consciousness of its rightness in spite of the evidence of wrongness all around it, the power to remind us that we are hunters and gatherers of values, that our very solitudes and distresses are creditable, in so far as they, too, are an earnest of our veritable human being. — Seamus Heaney

Good poets have written in order to describe something or to preach something - with their eye on the object or the end. The essence of the poetry does not lie in the thing described or in the message imparted but in the resulting concrete unity, the poem. — Louis MacNeice

I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?
I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? -
Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That kill, that kill, that kill.
From the poem "Elm", 19 April 1962 — Sylvia Plath

There are some books in which every poem is a facet of the same thing. So the book is like a piece of music. And there are books of poems that I love so much that I carry them around with me. — Joan Larkin

I did that Grammys thing - I did a little freeform poem. — Beck

When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about. — Matisyahu

Poem

Things will go on like this for
Ever. No
Thing shall shatter. No
Tree. No
Blade of grass shall be
There. No
Thing but
Blue rocks shall
Fill the valley where I
Sleep.
Things shall go on like this for
Ever.
Things shall be un
Broken.
No action shall shatter. No
Thing shall escape and no
Body shall shatter ideas and no
Being shall shatter. No
Tree. No
Blade of grass shall
Be present to
Witness the
Incident.

********

Everything shall be always thus. No
Thing shall be turned or moved.
Touched.
All shall forever be so. — Paul Bowles

I don't think I have written a poem when I was completely sober. But I have written a few good ones or a few bad ones under the hammer of a black hangover when I didn't know whether another drink or a blade would be the best thing. — Charles Bukowski

Our contempt for any particular poem must be perfect, be total, because only a ruthless reading that allows us to measure the gap between the actual and the virtual will enable to to experience, if not a genuine poem - no such thing - a place for the genuine, whatever that might mean. — Ben Lerner

That's the thing about love
It can take you up to the mountaintop and can drop you
And the impact will either kill you or make you a new person — Kehinde Sonola

[The publication of his first poem] was wonderful ... but it taught me early on that the only thing that really matters is writing the next poem. Publication is best seen as a happy accident. — Dan Beachy-Quick

Read a nice poem or watch the sunrise, both are the same thing! — Mehmet Murat Ildan

The room was the poem, the day I was in. Oh Christ. What writes my poem is the second ring, inner or outer. Poetry is just the performance of it. These little things, whether I write them or not. That's the score. The thing of great value is you. Where you are, glowing and fading, while you live. — Eileen Myles

So Lightning says to Mud,
"What would happen if I struck your blood?"
And Mud says, "Brother,
It would hurt,
And make me the mother
Of every living thing.
But, Fire Boy, you ain't lifting my grass skirt
Until you burn me a ring. — Sherman Alexie

there's nothing to
discuss
there's nothing to
remember
there's nothing to
forget

it's sad
and
it's not
sad

seems the
most sensible
thing
a person can
do
is
sit
with drink in
hand
as the walls
wave
their goodbye
smiles

one comes through
it
all
with a certain
amount of
efficiency and
bravery
then
leaves

some accept
the possibility of
God
to help them
get
through

others
take it
staight on

and to these

I drink
tonight. — Charles Bukowski

You're always believing ahead of your evidence. What was the evidence I could write a poem? I just believed it. The most creative thing in us is to believe in a thing. — Robert Frost

The Old Man at the Wheel
Measured against the immeasurable
universe, no word you have spoken
brought light. Brought
light to what, as a child, you thought
too dark to be survived. By exorcism
you survived. By submission, then making.
You let all the parts of that thing you would
cut out of you enter your poem because
enacting there all its parts allowed you
the illusion you could cut it from your soul.
Dilemmas of choice given what cannot
change alone roused you to words.
As you grip the things that were young when
you were young, they crumble in your hand.
Now you must drive west, which in November
means driving directly into the sun. — Frank Bidart

With me it's the whole thing, it's the conceit, the idea, what the poem is saying. And it goes on just as long as is necessary to say what needs to be said. — James Laughlin

We know from accounts of Rilke's life that his stay in Rodin's workshops taught him how modern sculpture had advanced to the genre of the autonomous torso. The poet's view of the mutilated body thus has nothing to do with the previous century's Romanticism of fragments and ruins; it is part of the breakthrough in modern art to the concept of the object that states itself with authority and the body that publicizes itself with authorization. — Peter Sloterdijk

What the poet has to say to the torso of the supposed Apollo, however, is more than a note on an excursion to the antiquities collection. The author's point is not that the thing depicts an extinct god who might be of interest to the humanistically educated, but that the god in the stone constitutes a thing-construct that is still on air. We are dealing with a document of how newer message ontology outgrew traditional theologies. Here, being itself is understood as having more power to speak and transmit, and more potent authority, than God, the ruling idol of religions. In modern times, even a God can find himself among the pretty figures that no longer mean anything to us - assuming they do not become openly irksome. The thing filled with being, however, does not cease to speak to us when its moment has come. — Peter Sloterdijk

I lay there with my mind running amuck, on the brink of madness. And somehow, gradually, early Sunday morning, I became calm. I can't think of any other word for it. I was thinking about the beach poem again, and I started to feel that I was being looked after, that everything was OK. It was strange: if there was ever a time in my life when I had the right to feel alone this was it. But I lost that sense of loneliness. I felt like there was a force in the room with me, not a person, but I had a sense that there was another world, another dimension, and it would be looking after me. It was like, This isn't the only world, this is just one aspect of the whole thing, don't imagine this is all there is. — John Marsden

I feel the only thing you can do about life is to preserve it, by art if you're an artist, by children if you're not. — Philip Larkin

I've been writing since I was sixteen. At first, I wrote mostly short stories and poetry. The first thing I ever had published was a poem about a football game. It was printed in my local newspaper. — Jerry Spinelli

Someone who accepts that in the world as currently divided war can become inevitable, and even just, might reply that the photographs supply no evidence, none at all, for renouncing war - except to those form whom the notions of valor and sacrifice have been emptied of meaning and credibility. The destructiveness of war - short of total destruction, which is not war but suicide - is not in itself an argument against waging war unless one thinks (as few people actually do think) that violence is always unjustifiable, that force is always and in all circumstances wrong - wrong because, as Simone Weil affirms in her sublime essay on war, "The Iliad, or The Poem of Force" (1940), violence turns anybody subjected to it into a thing. No, retort those who in a given situation see no alternative to armed struggle, violence can exalt someone subjected to it into a martyr or hero. — Susan Sontag