The Road From The Past Quotes & Sayings

Forgiveness is a choice you can make to free yourself from the shackles of your past, from pain, hurt and resentment. Forgiveness is your road to inner freedom. It does not mean that you need to forget, deny or condone what has transpired. You choose to forgive because forgiveness is the only way to transcend painful experiences and to attain inner peace and freedom. Transcending Abuse & Betrayal. — Sasha Samy

The fact about contemporaries is that they're doing the same thing on another railway line: one resents their distracting one, flashing past, the wrong way- something like that: from timidity, partly, one keeps one's eyes on one's own road. — Virginia Woolf

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men's curiosity searches past and future
And clings to that dimension ... — T. S. Eliot

My favorite part about spending time in Key West is riding my bike everywhere. We have these old bikes: mine is orange, Amber's is white, but they both have sweet and cheesy floral baskets. Our bikes are so old you can hear us coming from a mile away - we just squeak, squeak, squeak down the road. We always take the back roads and go past the cemetery. My favorite tombstone says, "See? I told you I was sick." It's so much the spirit of Key West that even the gravestones make you smile. But this time it was also Katie Couric — Robin Roberts

The scenes in our life resemble pictures in a rough mosaic; they are ineffective from close up, and have to be viewed from a distance if they are to seem beautiful. That is why to attain something desired is to discover how vain it is; and why, though we live all our lives in expectation of better things, we often at the same time long regretfully for what is past. The present, on the other hand, is regarded as something quite temporary and serving as the only road to our goal. That is why most men discover when they look back on their life that they have been living the whole time ad interim, and are surprised to see that which they let go by so unregarded and unenjoyed was precisely their life, was precisely that in expectation of which they lived. — Arthur Schopenhauer

They held the funeral on the second day, with the town coming to look at Miss Emily beneath a mass of bought flowers with the crayon face of her father musing profoundly above the bier and the ladies sibilant and macabre; and the very old men - some in their brushed Confederate uniforms - on the porch and the lawn, talking of Miss Emily as if she had been a contemporary of theirs, believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years. — William Faulkner

I ate apple pie and ice cream - it was getting better as I got deeper into Iowa, the pie bigger, the ice cream richer. There were the most beautiful bevies of girls everywhere I looked in Des Moines that afternoon - they were coming home from high school - but I had no time for thoughts like that ... So I rushed past the pretty girls, and the prettiest girls in the world live in Des Moines. — Jack Kerouac

We all hurt. We all love. We're the same. And your past, who you live with, where you came from, it doesn't have to matter. You're creating your own future, and I want to see where the road forward takes you. — Elle Kennedy

Once, when I was about ten, we were approaching the ranch after veering north to look at some pasturage when we saw a small barefoot boy racing along the hot road with terror in his face. My father just managed to stop him. Though incoherent with fear, the boy managed to inform us that his little brother had just drowned in the horse trough. My father grabbed the boy and we went racing up to the farmhouse, where the anguished mother, the drowned child in her arms, was sobbing, crying out in German, and rocking in a rocking chair. Fortunately the boy was not quite dead. My father managed to get him away from his mother long enough to stretch him out on the porch and squeeze the water out of him. In a while the boy began to belch dirty fluids and then to breathe again. The crisis past, we went on home. The graceful German mother brought my father jars of her best sauerkraut for many, many years. — Larry McMurtry

Every age has its dreams, its symbols of romance. Past generations were moved by the graceful power of the great windjammers, by the distant whistle of locomotives pounding through the night, by the caravans leaving on the Golden Road to Samarkand, by quinqueremes of Nineveh from distant Ophir ... Our grandchildren will likewise have their inspiration-among the equatorial stars. They will be able to look up at the night sky and watch the stately procession of the Ports of Earth-the strange new harbors where the ships of space make their planetfalls and their departures. — Arthur C. Clarke

St. Cyril of Jerusalem, in instructing catechumens, wrote: "The dragon sits by the side of the road, watching those who pass. Beware lest he devour you. We go to the Father of Souls, but it is necessary to pass by the dragon." No matter what form the dragon may take, it is of this mysterious passage past him, or into his jaws, that stories of any depth will always be concerned to tell, and this being the case, it requires considerable courage at any time, in any country, not to turn away from the storyteller. — Flannery O'Connor

- Some roads to love aren't easy, and I've never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from streets of New York to West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I see. ( ... ) I promise to love you until I die. ( ... ) - I promise to never leave you alone in the dark, he whispered. — Abigail Roux

You know the rest. In the books you have read
How the British Regulars fired and fled,
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere. — Henry Wadsworth Longfellow

How it feels to me, and I guess to you as well, is that the present moves from the past to the future, like a tiny spotlight, inching its way along a gigantic ruler of time. Everything behind the spotlight is in darkness, the darkness of the dead past. Everything ahead of the spotlight is in the darkness of the unknown future. The odds of your century being the one in the spotlight are the same as the odds that a penny, tossed down at random, will land on a particular ant crawling somewhere along the road from New York to San Francisco. In other words, it is overwhelmingly probable that you are dead. — Richard Dawkins

Fairy Tales do not generally come true. If you mary a frog, he stays a frog. — Ina Caro

When she finally found her way onto the Trace, the sun was rising and, with it, her spirits.
The Natchez Trace Parkway, a two lane road slated, when finished to run from Nashville, Tennessee, to Natchez, Mississippi, had been the brainchild of the Ladies' Garden Clubs in the South. Besides preserving a unique part of the nations past, ... the Trace would not be based on spectacular scenery but would conserve the natural and agricultural history of Mississippi. — Nevada Barr

Let me but live my life from year to year,
With forward face and unreluctant soul,
Not hastening to, nor turning from the goal;
Nor mourning things that disappear
In the dim past, nor holding back in fear
From what the future veils; but with a whole
And happy heart, that pays its toll
To youth and age, and travels on with cheer.
So let the way wind up the hill or down,
Through rough or smooth, the journey will be joy,
Still seeking what I sought when but a boy
New friendship, high adventure, and a crown,
I shall grow old, but never lose life's zest,
Because the road's last turn will be the best. — Henry Van Dyke

The first job of the historian and of the journalist is to find facts. Not the only job, perhaps not the most important, but the first. Facts are the cobblestones from which we build roads of analysis, mosaic tiles that we fit together to compose pictures of past and present. There will be disagreement about where the road leads and what reality or truth is revealed by the mosaic picture. The facts themselves must be checked against all the available evidence. But some are round and hard
and the most powerful leaders in the world can trip over them. So can writers, dissidents and saints. — Timothy Garton Ash

Well my wife and I just had a baby ourselves and it makes it harder to be on the road. It isn't for everybody and it can burn people out, and that's what's happened in the past. We've just kept the ship running y'know what I mean? You change engineers from time to time and as long as everybody coming aboard knows what direction the ship is, everything's alright. — Al Barr

The only thing we can control is what we do in the present. The more we replay yesterday, the further we get from today's opportunities. And the further away we move from opportunities, the tougher the road is to get back. Opportunities never look as good coming as they do going, and they wait for no one. We need to be highly attentive to spot them. And we must be focused on our present capabilities, not past regrets. — John C. Maxwell

As you get past the first few weeks of your travel experience however, you'll discover that partying on the road is different from partying at home. At home, partying is a way of celebrating the weekend or taking a pause from the workaday world. On the road, every moment is a weekend, every day a break from the workaday world. Thus, falling into a nightly ritual of partying - as can easily happen in traveler hangouts anywhere on the planet - is a sure way to overlook the subtlety of places, stunt your creativity, and trap yourself in the patterns of home. Granted, you can have plenty of fun in the process; but if you travel the world merely to indulge in the same kinds of diversions you enjoy at home, you'll end up selling your experience short. — Rolf Potts

Then, slowly, my feet settled to the ground. Before I had taken six steps I sagged like a sail when the wind fades. As I walked back through the town, past sleeping houses and dark inns, my mood swung from elation to doubt in the space of three brief breaths.
I had ruined everything. All the things I had said, things that seemed so clever at the time, were in fact the worst things a fool could say. Even now she was inside, breathing a sigh of relief to finally be rid of me.
But she had smiled. Had laughed.
She hadn't remembered our first meeting on the road from Tarbean. I couldn't have made that much of an impression on her.
'Steal me,' she had said.
I should have been bolder and kissed her at the end. I should have been more cautious. I had talked too much. I had said too little. — Patrick Rothfuss

When you're cruising down the road in the fast lane and you lazily sail past a few hard-driving cars and are feeling pretty pleased with yourself and then accidently change down from fourth to first instead of third thus making your engine leap out of your hood in a rather ugly mess, it tends to throw you off stride in much the same way that this remark threw Ford Prefect off his. — Douglas Adams

He was looking past Amy's naked body, over the crescent line between her chest and hip, haloed with tiny hairs, to where, beyond the weathered French doors with their flaking white paint, the moonlight formed a narrow road on the sea that ran away from his gaze into spreadeagled clouds. It was as if it were waiting for him. — Richard Flanagan

And I felt next to nothing as I walked to the village; I paid my respects to the countryside yet was unable to detect solemn sympathy in its quiet or reproach in its stillness. Usually that road brought me miles of footage from the past: the bright-faced ten-year-old running for the Oxford bus; the lardy pubescent, out on soul-rambles (i.e. sulks), or off for a wank in the woods; the youth, handsomely reading Tennyson on summer evenings, or trying to kill birds with feeble, rusted slug-guns, or behind the hedge smoking fags with Geoffrey, then hawking in the ditch. But now I strode it vacantly, my childhood nowhere to be found. — Martin Amis

Understanding can lead to liberation. Knowledge can bring freedom from the past. For those who don't take the time to understand their past and are blind to how it has shaped them, the road to true love can be difficult. — Debra Fileta

In the dim past, Atticus had owned an old canvas-top touring car, and once when he was taking Jem, Henry, and Jean Louise swimming, the car rolled over a particularly bad hump in the road and deposited Jem without. Atticus drove serenely on until they reached Barker's Eddy, because Jean Louise had no intention of advising her father that Jem was no longer present, and she prevented Henry from doing so by catching his finger and bending it back. — Harper Lee

A radical love story is the only device that makes the time-chariot of a village, a city, a country, gallop faster. Such a love story pulls the wheels of that chariot from a murky, regressive past towards a spotlessly clean road under autumn-blue skies. And for that chariot to move forward, to bring change in the village, you don't have to be conscious of being a radical. You just have to fall in love. — Aruni Kashyap

Excerpt from "The Long Road from Perdition" for the day:
" ... I've always been drawn to the ocean. It is here that I now feel peaceful and can lose my thoughts while immersed in the deafening sounds of waves crashing around me. The spray and mist of the ocean's past seem to be a living, breathing yet wounded animal. The fury of the waves never settled and the spew of the foam touched all that dared to sit near it.
There is no reason to flinch as the waves spray and crash against the shore. It is a natural progression I have learned to endure. However, it is the rescinding of the waves and fluid release of fury that I struggle to understand and coexist with peacefully. I hope one day to master it. — J.R. Stone

Arthur and Bram stood on Bridge Street, just across from the
Jews' Burial Ground. Though it was quite dark, they could still
make out a few of the tallest headstones, chipped and ragged,
illuminated by the lights of the workhouse behind them. They
heard the groans of drunks from somewhere beyond, and from the
large road they heard the faint pitter-patter of prostitutes' feet
along the dirt. Arthur had not planned this return to the East End,
to be sure. But now that he was here, and had been venturing here
for the past two days, he realized that of course there was nowhere
else for this matter to properly end. — Graham Moore

Ahead, twin rows of crape myrtles dot the road. They're losing their flowers. Purple petals ring the trunks, fallen mementos of a past bloom like photos from college years. But unlike people, trees flower again in the spring; they age in great looping circles. We ride a roller coaster once around, shuddering up clacking tracks and then screaming our fool heads off all the way down. — Hugh Howey

Why is it so important for me to forgive that son-of-a-bitch? I'm not the one at fault here. It shouldn't be about me. He's the one that did wrong. Screw his feelings. He should feel like he's hated for what he did." Lisa added another used tissue to the growing pile on the table.
Lyn warmly smiled. "Forgiving Byron isn't for his sake, it's for yours. The block in your life's road can only be removed if you forgive him for what he did. If you don't, you'll just keep bumping into that block again and again. The life you live will be miserable. You'll never be able to break the chains of the past."
Lisa listened and let the words sink into her subconscious. She realized the only way to get to the end of the road was to take the first step. There was a block preventing her from moving forward in life. She had to find a way past it. — Dane Hatchell

Gon be hard from here on, Handful. Since that day a year past, I'd got myself a friend in Miss Sarah and found how to read and write, but it'd been a heartless road like mauma said, and I didn't know what would come of us. We might stay here the rest of our lives with the sky slammed shut, but mauma had found the part of herself that refused to bow and scrape, and once you find that, you got trouble breathing on your neck. — Sue Monk Kidd

Round a turn of the Qin Fortress winds the Wei River,
And Yellow Mountain foot-hills enclose the Court of China;
Past the South Gate willows comes the Car of Many Bells
On the upper Palace-Garden Road-a solid length of blossom;
A Forbidden City roof holds two phoenixes in cloud;
The foliage of spring shelters multitudes from rain;
And now, when the heavens are propitious for action,
Here is our Emperor ready-no wasteful wanderer. — Wang Wei

The mirror it was and life it spelled,
The road ahead, and the time past stepped,
All gathered in one; one to all paired,
My life is so different from all the world's threads.

My breaths are mine, my woes are too,
If my life were put through you,
You sure would unlikely pursue,
It should be left for me to gather,
I am its sculptor, mine would be the hammer. — Jasleen Kaur Gumber

The chains that keep you bound to the past are not the actions of another person. They are your own anger, stubbornness, lack of compassion, jealousy and blaming others for your choices. It is not other people that keep you trapped; it is the entitled role of victim that you enjoy wearing. There is a familiarness to pain that you enjoy because you get a payoff from it. When you figure out what that payoff is then you will finally be on the road to freedom. — Shannon L. Alder

The speed limited my vision to the tunnel of the Toyota's headlights. The body could drive, I told myself, while the mind maintained. Maintained and stayed away from the weird peripheral window dressing of amphetamine and exhaustion, the spectral, luminous vegetation that grows out of the corners of the mind's eye along late-night highways. But the mind had its own ideas, and Kihn's opinion of what I was already thinking of as my "sighting" rattled endlessly through my head in a tight, lopsided orbit. Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage. Somehow this feedback-loop aggravated the diet pill, and the speed-vegetation along the road began to assume the colors of infrared satellite images, glowing shreds blown apart in the Toyota's slipstream. — William Gibson

It has taken almost half my life away from Ireland for me to truly feel what home really is, and it is not what I was expecting. In the end it was not a place, or a past, or any sort of single, dazzling epiphany. It was all the little things. Cold butter spread thick on sweet wheaten bread or hot, subsiding potatoes; the scent of wet, black soil; a bushy spine of grass on a one-track road; wide iron gates leading to high beech corridors; the chalky smell of a cow's wet muzzle, and, most of all, in Seamus Heaney's words, the sound of rivers in the trees. — Trish Deseine

I am, apparently, of that rare breed that likes to write. The demands of a chapter pull me from bed in the morning, and regardless of how well I think I know the day's road ahead, there are always surprises. But the pleasures that come from writing about the American past, of discovering what I hope no one has seen before, are of course balanced by rough, often tedious stretches. Writing does not come easily for me; I work slowly, much like a sculptor with a chisel, only words rather than stone or wood are my medium. But when at the end of the day I have a page or two that seem right, I pull away from the desk certain that all is right in the world, regardless of what the evening news might tell me later. — David Freeman Hawke

Fuck anyone who thinks anything on someone like you could ever be anything beautiful. You should be proud of them, baby."
"Proud?"
"Yes, proud. They make you powerful. Each line is a road travelled, an experience you had, whether it was good or bad. Each mark is proof of pain in the past, not the present. You are a survivor, you are a warrior. These are the scalps hanging from your fucking belt. You took the beatings and here you are, in front of me. You are fucking amazing. — T.M. Frazier

Having studied art history, as opposed to political history, I tend to incorporate found objects into my books. Just as Pablo Picasso glued a fragment of furniture onto the canvas of Still Life with Chair Caning, I like to use whatever's lying around to paint pictures of the past--traditional pigment like archival documents but also the added texture of whatever bits and bobs I learn from looking out bus windows or chatting up people I bump into on the road. — Sarah Vowell

There pass the careless people
That call their souls their own:
Here by the road I loiter,
How idle and alone.
Ah, past the plunge of plummet,
In seas I cannot sound,
My heart and soul and senses,
World without end, are drowned.
His folly has not fellow
Beneath the blue of day
That gives to man or woman
His heart and soul away.
There flowers no balm to sain him
From east of earth to west
That's lost for everlasting
The heart out of his breast.
Here by the labouring highway
With empty hands I stroll:
Sea-deep, till doomsday morning,
Lie lost my heart and soul. — A.E. Housman

No bitter complaints about society whatever from this grand and ideal man who really loves me moreover as if I deserve it, but I'm bursting to explain everything to him, not even Big Sur but the past several years, but there's no chance with everybody yakking
And in fact I can see in Cody's eyes that he can see in my own eyes the regret we both feel that recently we haven't had chances to talk whatever, like we used to do driving across America and back in the old road days, too many people now want to talk to us and tell us their stories, we've been hemmed in and surrounded and outnumbered
The circle's closed in on the old heroes of the night
— Jack Kerouac

Buddy ran down the road, turned into another street, and vanished as if he had never been there, like another ghost from New Orleans's past. — Hunter Murphy

Remember: we all get what we tolerate. So stop tolerating excuses within yourself, limiting beliefs of the past, or half-assed or fearful states. Use your body as a tool to snap yourself into a place of sheer will, determination, and commitment. Face your challenges head on with the core belief that problems are just speed bumps on the road to your dreams. And from that place, when you take massive action - with an effective and proven strategy - you will rewrite your history. — Anthony Robbins

Have the past struggles succeeded?
What has succeeded? yourself? your nation? Nature?
Now understand me well - it is provided in the essence of things that from any fruition of success, no matter what, shall come forth something to make a greater struggle necessary."
-from "Songs of the Open Road — Walt Whitman

We shoot our heroes and enjoy peripeteia as a spectacle akin to sport and perhaps harshly disavowing the past protects us from the disappointment of our outsized hopes--who knows, really, but shifts in taste don't fully account for the phenomenon. At any rate, nearly everything urgent and alive becomes doo-wop down the road, at least in this country's pop culture, and along the way a somewhat self-hating irony lays waste not only to the work but to the desires it once carried. It's like we die into adulthood. — Charles D'Ambrosio