The Music Of What Happens Quotes & Sayings

I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens. — Stevie Wonder

We are conjured voiceless out of nothing and must return to an unknowing state. What happens in between is an uncontrolled dance, and what we ask for in love is no more than a momentary chance to get the steps right, to move in harmony until the music stops. — Louise Erdrich

Here's what I want from a book, what I demand, what I pray for when I take up a novel and begin to read the first sentence: I want everything and nothing less, the full measure of a writer's heart. I want a novel so poetic that I do not have to turn to the standby anthologies of poetry to satisfy that itch for music, for perfection and economy of phrasing, for exactness of tone. Then, too, I want a book so filled with story and character that I read page after page without thinking of food or drink because a writer has possessed me, crazed with an unappeasable thirst to know what happens next. — Pat Conroy

I wanted to do with Antarctica was say let's hit the reset button on that and see what happens to your creative process. Let's go to the most remote place that you can imagine, set up a studio and see what music comes out of it. — DJ Spooky

There is no piece of music that could relate to anything else but itself and its world. It is truly an independent. The one thing coplanar with music is the compositional aspect, the fact that you are composing something. Architecture is essentially a score, and what happens with it depends on the people who play it, enjoy it, use it, or hate it. — Rafael Vinoly

It is great to have direct, unfiltered, interaction with your fans on Twitter and FaceBook, or whatever. I am not totally convinced that it has revolutionized the sales model. Its not completely apparent to me that it is easier to sell music. Obviously, there is a possibility of smaller bands, having their music listened to, but I am not sure to what degree it actually happens. Just because it can happen, doesn't mean it does. — Chris Cain

We're often wrong at predicting who or what will transform us. Encountering certain people, books, music, places, or ideas ... at just the right time can immediately make our lives happier, richer, more beautiful, resonant, or meaningful. When it happens, we feel a kind of instant love for them, both deep and abiding. Now and then it can be something as trifling as a children's book, a returned telephone call, or a night at a seaside bar in Mykonos. — Jonathan Carroll

The Nile Project is the performing side of an effort that also includes education in music and environmental issues, raising awareness of the entire Nile basin as an ecosystem. With such vibrant music, the good intentions were a bonus; the Nile Project was a superb example of what I call small-world music, of what happens to traditions in the information age. — Jon Pareles

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens. — Russell Simmons

For the last fifty years or so, The Novel's demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can't in a lush, protracted mode. The first is the intricacy and beauty of language - especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end? — Lance Olsen

Music makes me forget myself, my true condition, it carries me off into another state of being, one that isn't my own: under the influence of music I have the illusion of feeling things I don't really feel, of understanding things I don't understand, being able to do things I'm not able to do ( ... ) Can it really be allowable for anyone who feels like it to hypnotize another person, or many other persons, and then do what he likes with them? Particularly if the hypnotist is the first unscrupulous individual who happens to come along? — Leo Tolstoy

With moviemaking, the audience always has to keep asking, 'What happens next?' If you have the wrong piece of music over a scene, people aren't going to get the scene. If you have the wrong camera angle, people aren't going to pay attention. That's as much a part of the process as getting people to talk to you. — Josh Fox

Music makes me forget myself, my real position; it transports me to some other position not my own. Under the influence of music it seems to me that I feel what I do not really feel, that I understand what I do not understand, that I can do what I cannot do. I explain it by the fact that music acts like yawning, like laughter: I am not sleepy, but I yawn when I see someone yawning; there is nothing for me to laugh at, but I laugh when I hear people laughing.
Music carries me immediately and directly into the mental condition in which the man was who composed it. My soul merges with his and together with him I pass from one condition into another, but why this happens I don't know. — Leo Tolstoy

I like a lot of old films, I like a lot old music, and a lot of it has to do with the fact that I like the idea of knowing what happens before, so that I can understand it. — Zooey Deschanel

Music gives pleasure because your mind keeps predicting what comes next. Each correct prediction triggers dopamine. You can't make good predictions for unfamiliar music, so you don't get the dopamine. But when music is too familiar, something strange happens. You don't get the dopamine either because your brain predicts it effortlessly. To make you happy, music must be at the sweet spot of novelty and familiarity. — Loretta Graziano Breuning

Music remains the most strange of the materials because we don't understand what happens when music moves you. — Michael Tippett

I never have a realistic sense of self. I either think everything I do is terrible and I'm the worst guy on the planet, or from time to time I'll think I'm the greatest gift to music and the coolest guy who ever lived, but that happens maybe an hour out of the week. Some days I'm more concerned with how my hair looks than what my guitar sounds like. — Dave Navarro

I revise my suicide plan to slow death by morphling. I will become a yellow-skinned bag of bones, with enormous eyes. I'm a couple of days into the plan, making good progress, when something unexpected happens. I begin to sing. At the window, in the shower, in my sleep. Hour after hour of ballads, love songs, mountain airs. All the songs my father taught me before he died, for certainly there has been very little music in my life since. What's amazing is how clearly I remember them. The tunes, the lyrics. My voice, at first rough and breaking on the high notes, warms up into something splendid. A voice that would make the mockingjays fall silent and then tumble over themselves to join in. Days pass, weeks. I watch the snows fall on the ledge outside my window. And in all that time, mine is the only voice I hear. What — Suzanne Collins

Generally, that's what happens-a fundamental rotting of the idea. They woke up with the wrong idea. It's just like music: If you don't have an innate love or calling for it, then no matter how much you study or how well you can play by looking at the score, it doesn't mean that you're going to make really good music. — William Eggleston

Films, truths!

Question 1

How you get sad in movie?

Mainly the music makes you sad if something happens and there isn't music... there isn't and sadness.

Question 2

How do you get in best level scared?

- It's need silence... footsteps... silence... silence and then from nowhere something to came out.

Question 3

How do you make people to love the characters?

- People like all kinds of characters, but to love them they should hear not what they want but what they won't expect, a character based on their problems and experience... — Deyth Banger

It's amazing how much of that music I still listen to actually. I was such a fan of music, even after I got started professionally I remained a fan. But what happens when you're so involved is you start spending all your time based on the music that you're involved with, you just don't have as much time. — Bernie Finkelstein

It is captivating, isn't it? England has such a great scene of electronic music, and I think that was very prominent in Pusher, and the nightlife was the beat of the film. I feel what is really great about Pusher is that it wasn't about drugs and guns and strippers. That was just all circumstantial. I felt like it was really about people and how decisions and circumstances can change relationships. Something just happens. Everything changes for a reason. — Agyness Deyn

I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone. — Lady Gaga

That's what happens when you study men: you find mare's nests. I happen to believe that you can't study men; you can only get to know them, which is quite a different thing. Because you study them, you want to make the lower orders govern the country and listen to classical music, which is balderdash. You also want to take away from them everything which makes life worth living and not only from them but from everyone except a parcel of prigs and professors. — C.S. Lewis

That happens every time I get behind a guitar, regardless of what I'm saying, 'cause music is freedom and being free is the closest I've ever felt to being spiritual. — Ben Harper

What happens when you get to the end of the world? Sometimes you find a party. This party has been going on for a long time. There is music, lights, people drinking and dancing. Strange things happen at these parties. It is the end of the world, after all. — Kelly Link

Rock will never be dead for me. Do I like a lot of what I hear on rock music radio? No, not for the most part. I'm not a fan of the regurgitated Pearl Jam and Nickelback crap that's the biggest thing in the Midwest. There isn't that big of a market for rock anymore. Every once in a while something happens and you like it. — Taylor Hawkins

I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out. — Corey Taylor

Evidently neither cats nor dogs, nor other animals that listen to human music, were constituted for the appreciation of it, for it is not of the slightest use to them in the struggle for existence. Moreover, they and their organs of hearing were much older than man and his music. Their power of appreciating music is therefore an uncontemplated side-faculty of a hearing apparatus which has become on other grounds what we find it to be. So it is, I believe, with man. He has not acquired his musical hearing as such, but has received a highly developed organ of hearing by a process of selection, because it was necessary to him in the selective process ; and this organ of hearing happens also to be adapted to listening to music. — August Weismann

The unchanging Man of history is wonderfully adaptable cloth by his power of endurance and in his capacity for detachment. The fact seems to be that the play of his destiny is too great for his fears and too mysterious for his understanding. Were the trump of the Last Judgement to sound suddenly on a working day the musician at his piano would go on with his performance of Beethoven's Sonata and the cobbler at his stall stick to his last in undisturbed confidence in the virtues of the leather. And with perfect propriety. For what are we to let ourselves be disturbed by an angel's vengeful music too mighty for our ears and too awful for our terrors ? Thus it happens to us to be struck suddenly by the lightning of wrath. The reader will go on reading if the book pleases him and the critic will go on criticizing with that faculty of detachment born perhaps from a sense of infinite littleness and wich is yet the only faculty that seems to assimilate man to the immortal gods. — Joseph Conrad

Comedy is the only form of entertainment where the audience doesn't know what to expect. In an evening, you might get ten comics doing ten different things. That's not what happens when you go to hear music. There isn't a classical performance followed by a hoedown followed by rap. — Jon Stewart

Nothing makes me feel better - calmer, clearer and happier - than being in one place, absorbed in a book, a conversation, a piece of music. It's actually something deeper than mere happiness: it's joy, which the monk David Steindl-Rast describes as 'that kind of happiness that doesn't depend on what happens. — Pico Iyer

In poetry I can let the language go, allow an image that seems out of place to enter and see what happens, always listening to the music that's being created, just like the world around us, never predictable, always shifting and intertwining, reflecting and echoing itself. — Pattiann Rogers

What happens in the music business is that if you step out of your little spot to do something else, the sand falls right into where you stood and you're gone, you're history. — Nancy Sinatra

Now I know what happens at a gig, I will be ready for it, next time
I will come in just a T-shirt and shorts and books, and fight my way to the front, like a quietly determined soldier, and then let the band take my head off. I want to walk into rooms like that every night, with a sense of something happening. — Caitlin Moran

If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. — Arca

And I like messing around in the engine room of music. Seeing what happens in the rhythm section area. — Bill Bruford

I've never really had a certain style of music in mind that I make, or am really adamant on how something should sound, but I like the process of not knowing, of just seeing what happens and what comes out. — Courtney Barnett

The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but also speak about the frustration or, rather said, the curse of both protagonists, even before happened what happens them. — Maurice Jarre

Actually, Wilson's art can't fit into these neat categories. My own take is that the best way to think of Wilson is as an outsider musician, but one who actually happens to have a huge amount of talent. Much like, say, Wesley Willis, Wilson is focussed on having huge commercial success, but has little to no idea what actually counts as commercial. He's very easily swayed by people around him, so if he's told he should be doing three-minute pop songs, he does three-minute pop songs, and if he's told he should do epic suites about the American Dream, he does those. But at all times there are two things that remain true about him: he has an unerring ability as an arranger, and a directness that makes his music more communicative than any other music I've ever heard. — Andrew Hickey

You see, pops, that's the kind of talk that's ruining the music. Everyone's trying to do something new, no one trying to learn the fundamentals first. All them young cats playing their wierd chords. And what happens? No one's working. — Louis Armstrong

Kalkbrenner has made me an offer; that I should study with him for three years, and he will make something really - really out of me. I answered that I know how much I lack; but that I cannot exploit him, and three years is too much. But he has convinced me that I can play admirably when I am in the mood, and badly when I am not; a thing which never happens to him. After close examination he told me that I have no school; that I am on an excellent road, but can slip off the track. That after his death, or when he finally stops playing, there will be no representative of the great piano-forte school. That even if I wish it, I cannot build up a new school without knowing the old one; in a word : that I am not a perfected machine, and that this hampers the flow of my thoughts. That I have a mark in composition; that it would be a pity not to become what I have the promise of being ... — Frederic Chopin

This music ebbs and flows, irregular, sad. It reminds me, weirdly, of watching the ocean during a bad storm, the lashing, crashing waves and the spray of sea foam against the docks; the way it takes your breath away, the power and the hugeness of it.
That's exactly what happens as I listen to the music, as I come up over the final crest of hill, and the half-ruined barn and collapsing farmhouse fan out in front of me, just as the music swells, a wave about to break: The breath leaves my body all at once, and I'm struck dumb by the beauty of it. For a second it seems to me like I really am looking down at the ocean - a sea of people, writhing and dancing in the light spilling down from the barn like shadows twisting up around a flame. — Lauren Oliver

For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap. — Chuck D