Quotes & Sayings About The Jazz Age

I started doing theater at the age of six. I also took tap and jazz lessons. I refused to take ballet, which is one of my biggest regrets to this day. — Brandon Uranowitz

The trick to loneliness is to spend a lot of time inside one's head. — Pat R

During the so-called Jazz Age, most of the music's key exponents focused their creative energy on soloing not bandleading, on improvisation not orchestration, on an interplay between individual instruments not between sections.
[...] Commercial pressures, rather than artistic prerogatives, stand out as the spur that forced many early jazz players (including Armstrong, Beiderbecke, and Hines) to embrace the big band idiom. But even in the new setting, they remained improvisers, first and foremost, not orchestrators or composers. — Ted Gioia

I do feel a responsibility because most people like me that are my age or younger, they don't quite make it over to the jazz side. They flirt with it, but they don't quite marry it. — Robert Glasper

I live in a house over there on the Island, and in that house there is a man waiting for me. When he drove up at the door I drove out of the dock because he says I'm his ideal. — F Scott Fitzgerald

Men whose first coronary is coming like Christmas; who drift, loaded helplessly with commitments and obligations and necessary observances, into the darkening avenues of age and incapacity, deserted by everything that once made life sweet. These I have tried to remind of the excitement of jazz and tell where it may still be found. — Philip Larkin

Jazz celebrates older generations and not just the youth movement. When you 'sell' only to people of a certain age, you get cut off from the main body of experience. — Wynton Marsalis

There is no more useless activity than that of periodization, the packaging of history, in particular cultural history, into discrete eras - the Jazz Age, the Greatest Generation, the Eisenhower years, the Sixties. Such periods can never be honestly articulated without recourse to so many demurrals and arbitrary demarcations, and the granting of so many exceptions, as to render them practically useless for any kind of serious historical purpose. In times of supposed license, repression reigns freely all around; in eras renowned for their conventionality, oddballs and freaks hoist their banners high. — Michael Chabon

I started as a musician. I play the saxophone, but from the age of 17, I realised that it's very hard to make a living as a jazz musician in Australia. So I went for an audition and got an acting job and, fortunately, I completely fell in love with that. — John Polson

He cared only about people; he was scarcely conscious of places except for their weather, until they had been invested with color by tangible events. — F Scott Fitzgerald

At any rate, let us love for a while, for a year or so, you and me. That's a form of divine drunkenness that we can all try. There are only diamonds in the whole world, diamonds and perhaps the shabby gift of disillusion. — F Scott Fitzgerald

There's nothing to be gained, and much to be lost, in trying to bend every child to match a one-size-fits-all notion of what it means to be a boy or girl of a specific age. Better to set a few parameters and then go with the flow. Call it 'jazz parenting.' — Ezekiel Emanuel

Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American. — Wynton Marsalis

I was curious and hungry at a young age, and jazz was such a mystery to me, an ocean where you can express yourself in the moment. It represented freedom, it represented wearing wings and going somewhere with music. — Paula Cole

Up to the age of 14 I had not heard a note of anything before 1750, never heard a note of Bach, never heard anything after Wagner, and never heard any real jazz. — Steve Reich

Empire of Deception is a sure thing
a book guaranteed to entertain and make you rich (in knowledge, that is). Dean Jobb has found a fascinating yet little-known jazz-age tale and told it with style and smarts. Get in on the action. — Jonathan Eig

I loved music from the age of eight. Jazz and blues. But also Little Richard and Elvis Presley. — Bryan Ferry

Well, I've been a musician my whole life. When I was two, I would sing the theme from Star Wars in my crib; my mom taped it for proof. Then, when I was five, I asked for a violin. No one knew why I would want one, but my wish was granted and I ended up a classically trained fiddler by age 12. The only problem with that was, when you're a classical violinist, everybody expects you to be satisfied with playing Tchaikovsky for the rest of your life, and saying you want to play jazz, rock, write songs, sing your songs, hook up your fiddle to a guitar amp, sleep with your 4-track recorder, mess around with synths, dress like Tinkerbell in combat boots, AND play Tchaikovsky is equivalent to spitting on the Pope. — Emilie Autumn

When I was very young, there was a lot of music at home, mostly jazz. I was walking around singing and pretending I was in bands from a very young age. But the first song that was really personal to me was 'Blue Suede Shoes'. — Nile Rodgers

As I've said before, "the Mod generation", contrary to popular belief, was not born in even 1958, but in the 1920s after a steady gestation from about 1917 or so. Now, Mod certainly came of age, fully sure of itself by 1958, completely misunderstood by 1963, and in a perpetual cycle of reinvention and rediscovery of itself by 1967 and 1975, respectively, but it was born in the 1920s, and I will maintain this. I don't care who disagrees with me, and there are dozens of reasons that I do so - from the Art Deco aesthetic, to flapper fashions (complete with bobbed hair), to androgyny and subtle effeminacy, to jazz. — Ruadhan J. McElroy

We couldn't go on indefinitely being swept off our feet. — Zelda Fitzgerald

In April war was declared with Germany. Wilson and his cabinet - a cabinet that in its lack of distinction was strangely reminiscent of the twelve apostles - let loose the carefully starved dogs of war, and the press began to whoop hysterically against the sinister morals, sinister philosophy, and sinister music produced by the Teutonic temperament. Those who fancied themselves particularly broad-minded made the exquisite distinction that it was only the German Government which aroused them to hysteria; the rest were worked up to a condition of retching indecency. Any song which contained the word "mother" and the word "kaiser" was assured of a tremendous success. At last every one had something to talk about - and almost every one fully enjoyed it, as though they had been cast for parts in a sombre and romantic play. — F Scott Fitzgerald

I am asking Scribners to insert as a subtitle in everything after the eighth printing
THE SUN ALSO RISES (LIKE YOUR COCK IF YOU HAVE ONE)
A greater Gatsby
(Written with the friendship of F. Scott Fitzgerald (Prophet of THE JAZZ AGE) — Ernest Hemingway,

Shook is the musical universe I created. I come from a classical and jazz background and my father is a jazz pianist, so my world bears largely the marks of this influence. As a sort of gateway, I started composing my own music on the computer at the age of 13. Before Shook, I had not yet discovered the kind of music I wanted to dedicate myself to, so I did a little of everything. — Shook

The best of humanity's recorded history is a creative balance between horrors endured and victories achieved, and so it was during the Harlem Renaissance. — Aberjhani

and were willing to suffer pain if necessary." A young woman in the spring and summer of 1967 was walking toward a door just as that door was springing open. A stage was set for her adulthood that was so accommodatingly extreme - so whimsical, sensual, and urgent - that behavior that in any other era would carry a penalty for the daring was shielded and encouraged. There was safety in numbers for every gorgeous madness; good girls wanting to be bad hadn't had so much cover since the Jazz Age. San Francisco - glowing with psychedelic mystique, the whole city plastered with Fillmore and Avalon posters of tangle-haired goddess girls - was preparing for a convocation (of hapless runaways from provincial suburbs, it would turn out), the Summer of Love, through which the term "flower children" would be coined, while in harsh, emotion-sparking contrast, helicopters were dropping thousands of U.S. boys into the swamps of Vietnam. — Sheila Weller

Something bright and alien flashed across the sky ... and for a moment people set down their glasses in country clubs and speakeasies and thought of their old best dreams. Maybe there was a way out by flying, maybe our restless blood could find frontiers in the illimitable air. But by that time we were all pretty well committed; and the Jazz Age continued; we would all have one more. — F Scott Fitzgerald

We are drawn to the Renaissance because of the hope for black uplift and interracial empathy that it embodied and because there is a certain element of romanticism associated with the era's creativity, its seemingly larger than life heroes and heroines, and its most brilliantly lit terrain, Harlem, USA. — Clement Alexander Price

Fitzgerald could sense that America was poised on the edge of a vast transformation, and wrote a novel bridging his moment and ours. The Great Gatsby made manifest precisely what Fitzgerald's contemporaries couldn't bear to see, and thus it is not only the Jazz Age novel par excellence, but also the harbinger of its decline and fall. — Sarah Churchwell

The age of 18 seemed the right time to try something different in my life. Moving to the U.K. was a risk, and I was never confident that I could ever make a full-time living being a musician, but I had to try. Initially, I worked as a jazz musician in pubs or with bands. — Manfred Mann

It was late morning when he woke and found the telephone beside his bed in the hotel tolling frantically, and remembered that he had left word to be called at eleven. Sloane was snoring heavily, his clothes in a pile by his bed. They dressed and ate breakfast in silence, and then sauntered out to get some air. Amory's mind was working slowly, trying to assimilate what had happened and separate from the chaotic imagery that stacked his memory the bare shreds of truth. If the morning had been cold and gray he could have grasped the reins of the past in an instant, but it was one of those days that New York gets sometimes in May, when the air of Fifth Avenue is a soft, light wine. How much or how little Sloane remembered Amory did not care to know; he apparently had none of the nervous tension that was gripping Amory and forcing his mind back and forth like a shrieking saw. — F Scott Fitzgerald

Fitzgerald coined the phrase the 'Jazz Age,' and now we're living in the Hip-Hop Age. — Baz Luhrmann

For the Age has itself become vulgar, and most people have no idea to what extent they are themselves tainted. The bad manners of all parliaments, the general tendency to connive at a rather shady business transaction if it promises to bring in money without work, jazz and Negro dances as the spiritual outlet in all circles of society, women painted like prostitutes, the efforts of writers to win popularity by ridiculing in their novels and plays the correctness of well-bred people, and the bad taste shown even by the nobility and old princely families in throwing off every kind of social restraint and time-honoured custom: all of these go to prove that it is now the vulgar mob that gives the tone. — Oswald Spengler

Jazz is the folk music of the machine age. — Paul Whiteman

It [the Harlem Renaissance] was a time of black individualism, a time marked by a vast array of characters whose uniqueness challenged the traditional inability of white Americans to differentiate between blacks. — Clement Alexander Price

New Age is a very small box. It was a term that was brought in by the music industry to classify music that is neither jazz, classical, pop or rock. They didn't know what to call it or what to do with it. So they threw it all together under this one name. — Yanni

I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun. — Geddy Lee

Roscoe was spiritually illegal, a bootlegger of the soul, a mythic creature made of words and wit and wild deeds and boundless memory. — William Kennedy

There was a period which I refer to as the 'Golden Age of Jazz,' which sort of encompasses the middle Thirties through the Sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time. — Sonny Rollins

Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders. — F Scott Fitzgerald

I felt quite frankly having been raised during the depression and looking back at the roaring twenties, the jazz age, which was a very magic timer in my mind because it was something that I had missed. — Hugh Hefner

Billy's native arrogance might well have been a gift of miffed genes, then come to splendid definition through the tests to which a street like Broadway puts a young man on the make: tests designed to refine a breed, enforce a code, exclude all simps and gumps, and deliver into the city's life a man worthy of functioning in this age of nocturnal supremacy. Men like Billy Phelan, forged in the brass of Broadway, send, in the time of their splendor, telegraphic statements of mission: I, you bums, am a winner. And that message, however devoid of Christ-like other-cheekery, dooms the faint-hearted Scottys of the night, who must sludge along, never knowing how it feels to spill over with the small change of sassiness, how it feels to leave the spillover on the floor, more where that came from, pal. Leave it for the sweeper. — William Kennedy

A gripper of a read ... Silence revives the cliff's-edge drama of those Jazz age climbs and drives home the tragedy of Mallory's death. — Bruce Barcott