Quotes & Sayings About The Importance Of Poetry

One of the most treasured books that I own is Donald Allen's 'The New American Poetry, 1945-1960.' It was a totem of great importance and potency to my group of writer friends in college from 1960 to 1964. — Peter Coyote

Is there any purpose to translating poetry? A poem does not contain information of importance, like a signpost or a warning notice. — James Buchan

Poetry challenges you. Much of its importance is that it's one of the few places left in culture that makes things difficult-it asks you to think, to perceive and not to take for granted what we think about the world. — Dan Beachy-Quick

I was a victim of a stereotype. There were only two of us Negro kids in the whole class, and our English teacher was always stressing the importance of rhythm in poetry. Well, everybody knows - except us - that all Negroes have rhythms, so they elected me class poet. — Langston Hughes

Renaissance Humanism, which under Petrarch's formation and tutelage vindicated the importance of poetry and rhetoric as effectors of an intimate bond between reason and emotion, thought and action, intellect and will. Petrarchan Humanism became the historical force mobilizing thought and letters against the blind impulsiveness of an illusory popular culture and the elitism of the philosophical schools" (Trinkaus, 135). — Charles Edward Trinkaus

We cannot overlook the importance of wild country as source of inspiration, to which we give expression in writing, in poetry, drawing and painting, in mountaineering, or in just being there. — Olaus Murie

Had I only known my letters
Would be of such importance
I'd empty myself on paper
Every single morning'

And it was for such reason,
as she read his little stanza,
that she decided to stamp
one
final
letter:

'Every single morning
I'd empty myself on paper
You were my greater importance
That's why I wrote you letters. — Mie Hansson

In literature, questions of fact or truth are subordinated to the primary literary aims of producing a structure of words for its own sake, and the sign-values of symbols are subordinated to their importance as a structure of interconnected motifs. — Northrop Frye

Is it a wolf I hear,
Howling his lonely communion
With the unpiloted stars,
Or merely the self importance and servitude
In the bark of a dog?
How many millenia did it take,
Twisting and torturing
The pride from the one
To make a tool,
The other?
And how do we measure the distance from spirit to spirit?
And who do we find to blame? — Richard K. Morgan

Humility is just as much the opposite of self-abasement as it is of self-exaltation. To be humble is not to make comparisons. Secure in its reality, the self is neither better nor worse, bigger nor smaller, than anything else in the universe. It *is*
is nothing, yet at the same time one with everything. It is in this sense that humility is absolute self-effacement.
To be nothing in the self-effacement of humility, yet, for the sake of the task, to embody its whole weight and importance in your earing, as the one who has been called to undertake it. To give to people, works, poetry, art, what the self can contribute, and to take, simply and freely, what belongs to it by reason of its identity. Praise and blame, the winds of success and adversity, blow over such a life without leaving a trace or upsetting its balance. — Dag Hammarskjold

There should ne'er be a time
When a duty or dime
Doth outshine
The importance of family. — Richelle E. Goodrich

Poetry and prose are of equal importance to me as a reader, and there doesn't seem to be much difference in my own writing. — Kevin Powers

Poetry teaches us things that cannot be learned in prose, such as certain kinds of irony or the importance of the unsaid. The most important element of any poem is the part that is left unsaid. So the poetry frames the experience that lies beyond naming. — Sam Hamill

Poetry, I thought then, and still do, is a matter of space on the page interrupted by a few well-chosen words, to give them importance. Prose is a less grand affair which has to stretch to the edges of the page to be convincing. — Fay Weldon

You can publish a poem you think is a very important poem, and you don't hear a word from anyone. You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context. — Lawrence Ferlinghetti

Imaginatively she is of the highest importance; practically she is completely insignificant. She pervades poetry from cover to cover; she is all but absent from history. She dominates the lives of kings and conquerors in fiction; in fact she was the slave of any boy whose parents forced a ring upon her finger. Some of the most inspired words, some of the most profound thoughts in literature fall from her lips; in real life she could hardly read, could scarcely spell, and was the property of her husband. — Virginia Woolf

Always I find when I begin to write there is one character who obstinately will not come alive ... He never does the unexpected thing, he never surprises me, he never takes charge. Every other character helps, he only hinders. And yet one cannot do without him. I can imagine a God feeling in just that way about some of us. The saints, one would suppose, in a sense create themselves. They come alive. They are capable of the surprising act or word. The stand outside the plot, unconditioned by it. But we have to be pushed around. We have the obstinancy of non-existence. We are inextricably bound to the plot, and wearily God forces us, here and there, according to his intention, characters without poetry, without free will, whose only importance is that somewhere, at some time, we help to furnish the scene in which a living character moves and speaks, perhaps the saints with the opportunities for their free will. — Graham Greene

What does travel ultimately produce if it is not, by a sort of reversal, 'an exploration of the deserted places of my memory,' the return to nearby exoticism by way of a detour through distant places, and the 'discovery' of relics and legends: 'fleeting visions of the French countryside,' 'fragments of music and poetry,' in short, something like an 'uprooting in one's origins (Heidegger)? What this walking exile produces is precisely the body of legends that is currently lacking in one's own vicinity; it is a fiction, which moreover has the double characteristic like dreams or pedestrian rhetoric, or being the effect of displacements and condensations. As a corollary, one can measure the importance of these signifying practices (to tell oneself legends) as practices that invent spaces. — Michel De Certeau

Again, we can see the importance of imaginal practices such as journals, dream work, poetry, painting, and therapy aimed at exploring images in dream and life. These methods keep us actively engaged in the mythologies that are the stuff of our own lives. The — Thomas Moore

Heroic poetry tends in its simplest form to be concerned with immediate events and local heroes. A certain length of tradition is required before the epic poem, telling the story of the hero, becomes current. Heroic poetry assumes that the audience knew what the outcome of the battle was, and is concerned with individual feats; the context is of little importance. Epic poems only become attractive as a form when the audience needs to be told who the heroes were. — Richard Barber

It is worthwhile adding that the power of the poem to teach not only sensibilities and the subtle movements of the spirit but knowledge, real lasting felt knowledge, is going mostly unnoticed among our scholars. The body of knowledge locked into and releasable from poetry can replace practically any university in the Republic. First things first, then: the primal importance of a poem is what it can add to the individual mind.
Poetry is the voice of a poet at its birth, and the voice of a people in its ultimate fulfillment as a successful and useful work of art. — Guy Davenport

The importance of poetry is not measured, finally, by what the poet says but by how he says it. — Mahmoud Darwish

Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis's comments on them, and burned them. — A.S. Byatt

The reader reads aloud, with a sing-song up ... then down ... then down again cadence. My mood shifts from merely reluctant to derisive. It's a tired reading style. I'm sick of it. It attaches more importance to the words than the words themselves - as they've been arranged - could possibly sustain, and it gives poets and poetry a bad name. — Gabrielle Hamilton

Talent is a faucet. When it is on, one must write. Inspiration is a farce that poets have invented to give themselves importance. — Jean Anouilh