The Go Giver Book Quotes & Sayings

Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"
At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.
Of course I told him about you," Liesel said. — Markus Zusak

Probably the reason Andrew was with her in the first place is that Andrew is a giver. Givers are sneaky. If you don't present them with gaping holes, they will create them just to have something to do. Here's the twist: although the givers get quite a bit of cred for how caring and generous they are, their motives are far from altruistic. The whole time they are giving and giving, you can be sure that they're secretly keeping an account book of services rendered and waiting for just the right moment to hand you the bill. — Meg Howrey

The man that I named the Giver passed along to the boy knowledge, history, memories, color, pain, laughter, love, and truth. Every time you place a book in the hands of a child, you do the same thing. It is very risky. But each time a child opens a book, he pushes open the gate that separates him from Elsewhere. It gives him choices. It gives him freedom. Those are magnificent, wonderfully unsafe things.
[from her Newberry Award acceptance speech] — Lois Lowry

'Gathering Blue' was a separate book. I wanted to explore what a society might become after a catastrophic world event. Only at the end did I realize I could make it connect to 'The Giver.' — Lois Lowry

I discovered in belles-lettres that the Giver can be transformed into his own Gift, that is, into a pure object. Chance had made me a man, generosity would make me a book. JEAN-PAUL SARTRE — Lewis Hyde

I tend not to think about audience when I'm writing. Many people who read 'The Giver' now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience. — Lois Lowry

although we move forward through a story, the entire story is already complete - we hold it in our hands. In this sense, fiction, the great life-giver, also kills, not just because people often die in novels and stories but, more important, because, even if they don't die, they have already happened. Fictional form is always a kind of death, in the way that Blanchot described actual life. "Was. We say he is, then suddenly he was, this terrible was." That is the narrator of Thomas Bernhard's novel "The Loser," describing his friend Wertheimer, who has committed suicide. But it might also describe the tense in which we encounter most fictional lives: we say, "She was," not "She is." He left the house, she rubbed her neck, she put down her book and went to sleep. — James Wood

Prometheus, thief of light, giver of light, bound by the gods, must have been a book. — Mark Z. Danielewski

She thinks: A gift is a gift; you don't get to choose, whether it be a secret kept, a polite falsehood, a book you've already read, or a sweater that does not fit. You open it, you open your mind, you do not think about how you might use it or whether indeed it is any use to you. You understand that the giver is giving you what she can, that she is doing her best.
You say thank you. — Carrie Snyder

When I speak elsewhere in the book of the multifaceted joys of the resurrected life in the new universe, some readers may think, But our eyes should be on the giver, not the gift; we must focus on God, not on Heaven. This approach sounds spiritual, but it erroneously divorces our experience of God from life, relationships, and the world - all of which God graciously gives us. It sees the material realm and other people as God's competitors rather than as instruments that communicate his love and character. It fails to recognize that because God is the ultimate source of joy, and all secondary joys emanate from him, to love secondary joys on Earth can be - and in Heaven always will be - to love God, their source. — Randy Alcorn

I write books because I have always been fascinated by stories and language, and because I love thinking about what makes people tick. Writing a story ... 'The Giver' or any other ... is simply an exploration of the nature of behavior: why people do what they do, how it affects others, how we change and grow, and what decisions we make along the way. — Lois Lowry

A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium
stage, film, music
doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way. — Lois Lowry

I think 'The Giver' is such a moral book, so filled with important truths, that I couldn't believe anyone would want to suppress it, to keep it from kids. — Lois Lowry

What book(s) changed your life and why? I could probably list books for days, so I'll just list a few favorites: The Giver by Lois Lowry, Ender's Game by Orson Scott Card, A Wrinkle in Time by Madeleine L'Engle, the Animorphs series by K.A. Applegate, 1984 by George Orwell, the Bible, Gilead by Marilynne Robinson, and Juliet by Andras Visky (which is a play, but I think it still counts). — Veronica Roth