The Girl She Used To Be Quotes & Sayings

I locate the ladies' room. Luckily, it's empty, no one to see the vacant-eyed girl, staring in the mirror. Staring at a stranger who doesn't care if she dies. Maybe she wants to die. Who would care if I died? My face is hollow-cheeked, spiced with sores
the places where I stab at bugs. Tiny bugs, almost invisible, but irritating. Usually they come out at night, when I'm lying there, begging for sleep. I've been meaning to tell the manager that the apartment needs to be sprayed. Sprayed. Steam cleaned. Deodorized. My hair looks odd too. It used to be darker. Shinier. Prettier. Can hair lose color when you're only eighteen? What if I go all the way gray? Will Trey still love me? Will anyone? That is, if I fool them all and don't die. — Ellen Hopkins

Mr. Bingham said, "Hey, you guys are supposedly psychic. Why didn't you see that coming and warn the girl?"
Mom sighed. "Again, we don't see the future."
"Yeah. You're a bunch of frauds."
I'd had it. My frustration boiled over. I turned to Mrs. Bingham. "Do you know a Jane Sutherland?"
Confusion swept over her delicate features. "Yes, she used to be my husband's secretary before he was laid off. What about her?"
"He wasn't laid off. He was fired. The company has rules against boinking your secretary, even though your husband apparently has no qualms with the matter."
"Clarity!" Mom screamed. — Kim Harrington

Momsen was 15 when she joined Gossip Girl. Does she feel older and wiser at 17? "You get more insight as you get older, on everything. I kind of woke up one morning and I was like, 'Oh, I see what's happening, I get everything.'"

Then she stops abruptly. So what is it she gets exactly? "Well, I kind of woke up and was like, 'Oh, I get it, I'm a product.'" Which might be the saddest words ever to pass a 17-year-old girl's lips. But, with typical Momsen nonchalance, they're delivered with a shrug. — Hermione Hoby

I absolutely fell in love with David Cristofanos writing. THE GIRL SHE USED TO BE is that rare novel
its the one youve been looking for when you wander the bookstore aisles, hoping to find something that will grab hold of you and not let go. Eloquent, haunting, and totally enthralling, I was swept in from page one. — Johanna Edwards

Is this the girl?" Kieran's voice was very different: It sounded like waves sliding up the shore. Like warm water under pale light. It was seductive, with an edge of cold. He looked at Emma as if she were a new kind of flower, one he wasn't sure he liked. "She's pretty," he said. "I didn't think she'd be pretty. You didn't mention it."
Iarlath shrugged. "You've always been partial to blondes," he said.
"Okay, seriously?" Emma snapped her fingers. "I am right here. And I was not aware I was being invited to a game of 'Who's the Hottest?'"
I wasn't aware you were invited at all," said Kieran. His speech had a casual edge, as if he was used to talking to humans.
"Rude," said Emma. — Cassandra Clare

I like the color of the Caribbean." I paused and absorbed the warmth of her smile before adding, "Dogs, not cats. Boxers, not briefs. Redheads over brunettes ... " I glanced sideways at her, and she met my gaze. "I have a penchant for girls in velvet jackets ... and I think you're the most beautiful girl I've ever seen."
She choked in surprise, sputtered, and shook her head.
"You see? This is what I mean."
"What?"
"Nobody talks like that. I barely know you."
I was genuinely confused. Didn't girls like to hear this stuff? Besides, it was, conveniently enough, the truth. "Well, I talk like this. And you should be used to people telling you you're beautiful."
"Well, I'm not," she said, and she sounded like she was getting irritated with me again. The feeling was mutual.
I leaned against the wall and pulled up one knee. "Okay. I take it back. You are completely average. Dull, dull, dull. Unremarkable in every way. — Anne Greenwood Brown

My mother always used to say, 'Well, if you had been born a little girl growing up in Egypt, you would go to church or go to worship Allah, but surely if those people are worshipping a God, it must be the same God' - that's what she always said. The same God with different names. — Jane Goodall

My mom used to say, 'Life isn't fair,'" said Shadow.

"Of course she did," said Wednesday. "It's one of those things that moms say, right up there with 'If all your friends jumped off a cliff would you do it too?'"

"You stiffed that girl for ten bucks, I slipped her ten bucks," said Shadow, doggedly. "It was the right thing to do."

Someone announced that their plane was boarding. Wednesday stood up. "May your choices always be so clear," he said. — Neil Gaiman

The girl who lives in 8G used to be a lovely charming girl, but the girl is a monster bitch monster. The girl is infectious human waste, and she's confused and afraid to commit to the wrong thing so she won't commit to anything. — Chuck Palahniuk

If I had to name one thing that probably causes more conflict within the band, it's probably the fact that I'm the girl, and it takes much longer with hair and makeup and wardrobe. But they've gotten used to it. It's one of those things I think they realize that when they say she'll be ready in 10 minutes, it normally means 15 or 20. — Hillary Scott

She eyes him warily. Exactly the same way she did when he came into her office
years ago.
It comes into his mind to wonder why she is always so alert in his presence. In
college, he used to think that she was afraid of his intellect, but he's known
for years that this is the last of her worries. At Black Sun Systems, he
figured that it was just typical female guardedness -- Juanita was afraid he was
trying to get her into the sack. But this, too, is pretty much out of the
question.
At this late date in his romantic career, he is just canny enough to come up
with a new theory: She's being careful because she likes him. She likes him in
spite of herself. He is exactly the kind of tempting but utterly wrong romantic
choice that a smart girl like Juanita must learn to avoid.
That's definitely it. There's something to be said for getting older. — Neal Stephenson

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. — J.P. Delaney

You cannot be in the presence of my father," the girl said. "Fire and ice - it would not be wise."
"We're going together," Jason insisted, putting his hand on Leo's shoulder, "or not at all."
The girl tilted her head, like she wasn't used to people refusing her orders. "He will not be harmed, Jason Grace, unless you make trouble. Calais,
keep Leo Valdez here. Guard him, but do not kill him."
Cal pouted. "Just a little?"
"No," the girl insisted. — Rick Riordan

She repeated what her mother had told me, that she had been moved when she heard me playing as she passed the house. She had seen me on the street a few times, too, and begun to worship me. She actually used that word: worship. It made me turn bright red. I mean, to be 'worshiped' by such a beautiful little doll of a girl! I don't think it was an absolute lie, though. I was in my thirties already, of course, and I could never be as beautiful and bright as she was, and I had no special talent, but I must have had something that drew her to me, something that was missing in her, I would guess. Which must have been what got her interested in my to begin with. I believe that now, looking back. And I'm not boasting. — Haruki Murakami

The same source that tipped us off about her and Wu at Kvarnen says that she used to hang out with a bunch of girls there a while back. Some kind of girl band called Evil Fingers."
"Evil fingers?" Bublanski repeated.
"Seems to be something occult."
"Don't tell me Salander is some damned Satanist too," Bublanski said. "The media are going to go nuts."
"Lesbian Satanists," Faste said helpfully.
"Hans, you've got a view of women from the Middle Ages," Modig said. "Even I've heard of Evil Fingers."
"You have?" Bublanski said.
"It was a girl rock band in the late nineties. No superstars, but they were pretty famous for a while."
"So hard-rocking lesbian Satanists," Faste said. — Stieg Larsson

I used to be a good fighter." She looks out along the boxwoods, wipes off her sweat with her palm. "If you'd known me ten years ago..."
She's got no goo on her face, her hair's not sprayed, her nightgown's like an old prairie dress. She takes a deep breath through her nose and I see it. I see the white-trash girl she was ten years ago. She was strong. She didn't take no shit from nobody. — Kathryn Stockett

She's a nice girl and she doesn't deserve to be used as a pawn in my father's fucked-up game."
"I'm sorry she's involved and I'm sorry I got you involved. We'll find the money some other way."
Zane wanted to believe what John said, but how they were going to do that, he had no clue.
Alright, we'll figure it out when I get there."
"You on your way back tonight? John asked.
"Yeah, I just need to call Missy, and, hell, I don't know ... apologize, I guess."
"Apologize for sleeping with her because your father told you to? Are you sure you want to do that?" John asked.
"No, I didn't sleep with her." Zane could imagine how bad he'd feel if he had.
"You didn't have sex with girl?" There was shock in Rick's voice.
"What's the matter? Was she ugly? — Cat Johnson

Sometimes I remember the way I used to be," she said as we sat across the table from each other, "and I'm surprised nobody ever smacked me."
I took a long sip of my coffee so that I would not have to answer her. I wanted to tell her that she ought to be more generous to the girl she used to be, if not out of respect for herself, then out of respect for me, or more specifically for the boy I used to be, who loved that girl, after all. — Kevin Brockmeier

And now this talk of bringing the UN back into the picture.
But that old UN girl - it turns out that she just ain't what she was cracked up to be. She's been demoted (although she retains her high salary). Now she's the world's janitor. She's the Filipino cleaning lady, the Indian jamardini, the postal bride from Thailand, the Mexican household help, the Jamaican au pair. She's employed to clean other people's shit. She's used and abused at will. — Arundhati Roy

Outside the hospital, a young girl who was selling small bouquets of daffodils, their green stems tied with lavender ribbons. I watched as my mother bought out the girl's whole stock. Nurse Eliot, who remembered my mother from eight years ago volunteered to help her when she saw her comng down the hall, her arms full of flowers. She rounded up extra water pitchers from a supply closet and together, she and my mother filled them with water and placed the flowers around my father's room while he slept. Nurse Eliot thought that if loss could be used as a measure of beauty in a woman, my mother had grown even more beautiful.
(The Lovely Bones by Alice Sebold) — Alice Sebold

You have to understand that I'm not the girl I used to be," she said. "I'm a wife and a mother now, and like everyone else I'm not perfect. I struggle with the choices I've made and I make mistakes, and half the time I wonder who I really am or what I'm doing or whether my life means anything at all. I'm not special at all, Dawson, and you need to know that. You have to understand that I'm just ... ordinary." "You're not ordinary." Her look was pained but unflinching. "I know — Nicholas Sparks

The truck blasts through the trees and I stick my hand out the window, trying to catch the wind in my palm like bails used to, missing her, missing the girl I used to be around her, missing who we all used to be. We will never be those people again. She took them all with her. — Jandy Nelson

Listen you..you.."he sputtered.
"You what ? You've already used hellion,draft girl and missy' .i can think of several more degradation,but then again im not the one trying so hard to be intimidating."
"How about you,maddending,foolish,moronic little chit ?"
"Much better !" she applauded. — Kate Noble

I was a young man, and this is the kind of London it was, but so many people are just not here anymore. Not even Tina [Chow], who was to me absolutely the most important girl of the time. Tina was absolutely the chicest thing, the way she kept herself, the way she moved. You're born like that - you cannot acquire it. All those upper-class girls, people like Catherine Tennant, they used to be there in Chelsea, sitting on the couch. Now Chelsea is full of Russians. — Manolo Blahnik

I used to not be confident. My father certainly didn't add to my confidence. When I was 17 or 18, I was voted the most beautiful girl in England by the association of press photographers. When they called Daddy for a comment, he said, 'I'm amazed. She's a nice looking girl, but nothing special.' — Joan Collins

My gaze returns to earth and when it does, it's her eyes I see. Not the way I used to see them - around every corner, behind my own closed lids at the start of each day. Not in the way I used to imagine them in the eyes of every other girl I laid on top of. No, this time it really is her eyes. A photo of her, dressed in black, a cello leaning against one shoulder like a tired child. Her hair is up in one of those buns that seem to be a requisite for classical musicians. She used to wear it up like that for recitals and chamber music concerts, but with little pieces hanging down, to soften the severity of the look. There are no tendrils in this photo. I peer closer at the sign. YOUNG CONCERT SERIES PRESENTS MIA HALL. — Gayle Forman

When I'm performing for the people, I am me, then. I am that little girl who, when she was five years old, used to sing at church. Or I'm that 15-year-old young lady who wanted to be grown and wanted to sing and couldn't wait to be smokin' a cigarette, you know? — Etta James

My grandmother always used to wear this English perfume called Tuberose and then she died and then I dated this girl who wore the same thing. Every time I hung out with her, I could only think of my recently deceased grandmother. So sometimes a signature scent can be good and sometimes it can be bad. — Mark Ronson

Harwin's eyes went from her face to the flayed man on her doublet. "How do you know me?" he said, frowning suspiciously. "The flayed man ... who are you, some serving boy to Lord Leech?"
For a moment she did not know how to answer. She'd had so many names. Had she only dreamed Arya Stark? "I'm a girl," she sniffed. "I was Lord Bolton's cupbearer but he was going to leave me for the goat, so I ran off with Gendry and Hot Pie. You have to know me! You used to lead my pony, when I was little."
His eyes went wide. "Gods be good," he said in a choked voice. "Arya Underfoot? Lem, let go of her."
"She broke my nose." Lem dumped her unceremoniously to the floor. "Who in seven hells is she supposed to be?"
"The Hand's daughter." Harwin went to one knee before her. "Arya Stark, of Winterfell. — George R R Martin

The little girl I used to be, the one with blond hair, died years ago and I hate thinking about her. She was nice. She was happy. She was ... not someone I want to remember. — Katie McGarry

A great artist can look at an old woman, portray her exactly as she is ... and force the viewer to see the pretty girl she used to be ... more than that, he can make anyone with the sensitivity of an armadillo see that this lovely young girl is still alive — Robert A. Heinlein

I'm a jewelry girl. I became with friends with designer Irene Neuwirth a few years ago. At that point, I just used to wear my wedding rings. Very low key. Now, if I could, I'd be draped from head to toe in her jewelry all the time. Everything she makes is beautiful. — Busy Philipps

Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is ... and force the viewer to see the pretty girl she used to be ... and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart ... no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them. — Robert A. Heinlein

I'm still embarrassed and mad at myself. But after seventy years, I also feel sorry for the girl I used to be. She was awfully hard on herself. — Anita Diamant

She stopped and listened to him and somehow his cheerful, friendly little whistle gave her a pleased feeling
even a disagreeable little girl may be lonely, and the big closed house and big bare moor and big bare gardens had made this one feel as if there was no one left in the world but herself. If she had been an affectionate child, who had been used to being loved, she would have broken her heart, but even though she was "Mistress Mary Quite Contrary" she was desolate, and the bright-breasted little bird brought a look into her sour little face which was almost a smile. She listened to him until he flew away. He was not like an Indian bird and she liked him and wondered if she should ever see him again. Perhaps he lived in the mysterious garden and knew all about it. — Frances Hodgson Burnett

Every day she would spread her wings and tell herself today was the day she would fly - but every day a quiet, hateful old witch told her if she tried even once, she would fall. Told her little girls weren't meant to fly. Little girls were meant to stay at home and be pretty, and as long as she did that all the good things in the world would come to her." The words tasted foul. "And the little girl, who used to be fearless, learned fear. Just a little more each day, until her wings grew too heavy to lift her and her fear weighed her down to earth. — Cole McCade

It would take little effort for her to hurt him right now. She could hurt him badly.
But Griffin King could hurt her, as well, and he hadn't. Instead of using force or violence against her, he used patience and understanding. She had no defense against that.
When he let her go, she was shaking. Tears filled her eyes as she turned to her mother who stood staring at her in horror.
"My sweet little girl," her mother whispered. "I didn't know. I would never ... " Her words faded into a choked sob. Finley crossed the short distance between them on quivering legs and wrapped her arms around the shorter woman. She didn't care if Griffin or his nasty aunt saw her tears. If anything was worth crying over, the discovery that her father had made her a monster had to be one. — Kady Cross

A naked woman was amazing.

He'd never seen it this way, in full light, without half-off clothes or a beach blanket across the lap or sex in a dark car. This was her whole body naked in light, standing and lying and front and back and open and showing and then different when she walked, surer than he was, unclunky and smooth-moving, with parts that didn't bounce. She knew how to be naked. She looked like she'd been raised naked in this room, a skinny girl when she was a girl, probably, and skinny in a certain way, with a little bulgy belly and ashamed of her feet, but grown out of shyness and wrong proportions now, and being married of course, used to being seen, and she didn't have curves and swerves but was good looking naked and stuck to him when they fucked like a thing fighting for light, a great wet papery moth. — Don DeLillo

There were icons of the Magdalen on the walls and paintings in the Western manner, all kitsch, trash. Mary M., Lucas thought, half hypnotized by the chanting in the room beside him; Mary Moe, Jane Doe, the girl from Migdal in Galilee turned hooker in the big city. The original whore with the heart of gold. Used to be a nice Jewish girl, and the next thing you know, she's fucking the buckos of the Tenth Legion Fratensis, fucking the pilgrims who'd made their sacrifice at the Temple and were ready to party, the odd priest and Levite on the sly.
Maybe she was smart and funny. Certainly always on the lookout for the right guy to take her out of the life. Like a lot of whores, she tended towards religion. So along comes Jesus Christ, Mr. Right with a Vengeance, Mr. All Right Now! Fixes on her his hot, crazy eyes and she's all, Anything, I'll do anything. I'll wash your feet with my hair. You don't even have to fuck me. — Robert Stone

I should have cause to be proud of this year's work;' and Mrs. Jo sat smiling over her book as she built castles in the air, just as she used to when she was a girl, only then they were for herself, and now they were for other people, which is the reason perhaps that some of them came to pass in reality for charity is an excellent foundation to build anything upon. — Louisa May Alcott

Lainey is hot in a prom queen kind of way and we used to be friends back in grade school, but that was two lifetimes ago. Now she's a varsity soccer player and card-carrying popular girl who hangs out with the kind of mean girls and douchebags who get killed first in horror movies. — Paula Stokes

What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough. — Juliana Spahr

It occurred to him, for the first time, that it did unflattering things to a person when affection was taken away from them. For there had been a time when she had seemed gorgeous, and fun, and all of her naughtiness had had for him a kind of irresistible pull. It was only after he decided he didn't want her anymore that she became a shrew, and obliterated his memory of the girl she used to be. — Anna Godbersen

She's what my mother used to call "plain," by which she meant an unremarkable-looking girl who was worse off than "the ugly ones." That's how she would say it, and her explanation for such a vile statement couldn't have been more logical. At least in her limited way of thinking, and also in Dorothy's because she shares the same point of view. Pretty girls don't try at all because they don't have to. Ugly girls try harder for obvious reasons. That leaves plain girls, which usually is synonymous with smart girls, and they need to try but don't know any better or can't be bothered. — Patricia Cornwell

'Dirty Dancing', 'Grease', those were the movies that I used to watch over and over and over at my grandma's house when I was a little girl. I just remember watching them, and I always wanted to be Sandy, and I wanted to be Baby. I wanted to be the girl who's lifted in the dance, and she's beautiful and all those things. — Kathryn McCormick

Don't send your kids to Baylor. And don't send your kids to [Texas] A&M ... Texas A&M used to be a conservative university. It's lost all of its conservatism ... My daughter went there. You know, she had horrible experiences with coed dorms and guys who spent the weekends in the rooms with girls. — Tom DeLay