The Future Film Quotes & Sayings

At the General Assembly of the United Nations in New York in 2012, just a fortnight after the murder of the American ambassador in Benghazi, President Obama talked about the YouTube video his administration were then still saying was behind the attacks. Talking about the excerpt ofa film called Innocence of Muslims, the President of the United States said, before the world's assembly, 'The future must not belong to those who slander the prophet of Islam.' He didn't say why it 'must not' belong to them any more than it 'must not' belong to the South Park creators who made The Book of Mormon or the ageing Monty Python team who made The Life of Brian. But the question was left to dangle. — Douglas Murray

The Singapore Media Festival brings together the most important Film and TV events in Singapore under one umbrella. With media convergence, I foresee that the SMF will encompass even more content formats in future, and will keep Singapore on the cutting-edge of media development. I am confident the SMF will be a signature media event for Singapore and the world for many years to come. — Calvin Cheng

I feel that film is inevitably the medium of the future. It has been for years, decades, but more so now than ever. — Sean Lennon

My dad, for the first 15 years of my career, on every visit he made to a play or a film set, would find the oldest person on set and say, 'Do you think my son has a future?' — Kenneth Branagh

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it? — Alison Mosshart

The Future," says Ian, in a film-trailer voice. "Coming soon, to a Present near you. — David Mitchell

'Mars et Avril' is a science fiction film. It's set in Montreal some 50 years in the future. No one had done that kind of movie in Quebec before because it's expensive, it's set in the future, and it's got tons of visual effects, and it's shot on green screen. — Martin Villeneuve

For the last fifty years or so, The Novel's demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can't in a lush, protracted mode. The first is the intricacy and beauty of language - especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end? — Lance Olsen

I think digital will displace film, yes. We're talking about digital as a thing of the future, but I'm afraid that it's here. — Mel Gibson

When I'm introduced as a two-time Oscar winner, I'm happy that a film of mine has found an audience and some acclaim because that keeps me in business. A filmmaker's greatest concern is the ability to make future films, so it helps keep me in business. — Alexander Payne

In the future we would have total storage, all of us would, our media libraries would dematerialise and just float above us, books would no longer sit on the shelves reminding us that we had not read them, music and TV and film formats would no longer clutter the den reminding us of all we had not yet listened to or watched. — Joshua Cohen

I'm working on a film called 'Bonnie.' Bonnie means water. It's in English, and it's dealing with a future world in a megacity - which is what the U.N. says we're going to be - but in this megacity, a city that runs out of water. — Shekhar Kapur

I would most like to do film or TV. Possibly theatre in the future, but I'm in L.A. a lot of the time at the moment and if I was going to do theatre it would be in London. — Freddie Stroma

Documentary film is the one place that our people can speak for themselves. I feel that the documentaries that I've been working on have been very valuable for the people, for our people to look at ourselves, at the situations, really facing it, and through that being able to make changes that really count for the future of our children to come. — Alanis Obomsawin

I think films are perishable, because they depend too much on technology, which advances too quickly and the films become old-fashioned, antiques. What I hope for is that technology advances to the point that films in the future will depend on a little pill which you take; then you sit in the dark, and from your eyes you project the film you want to see on a blank wall. — Luis Bunuel

I want to confess. I thought that her story was comprised of scenes. I thought the tragedy could be glamorous and her grief could be undone by a sunnier future. I thought we could pinpoint dramatic events on a time line and call it a life.
But I was wrong. — Nina LaCour

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth. — Anna Friel

I really love action. I really love doing my own stunts. I would love to do more of that. I've done a lot of TV, but my heart is really in film. I really look forward to the film possibilities. I would love to dance in a movie again. I love all those creative aspects, like playing an instrument or dancing. I look forward to all that stuff, in future roles. — Ksenia Solo

As you see you can't change what has happen in past if I could I do my best to don't happen in other words I will fix the error, like not watching this stupid film or video and this minutes which have taken to do this stuff, to be used for extra time in the future. But unfortunately I wake up and hear "Hello, Hello, hey, hey you are living reality what you want is madness! — Deyth Banger

There's no reason that anything should ever become obsolete, whether it be VHS tapes, celluloid film, print books or even the previous versions of a computer operating system, as long as even just one person still wants them around. After all, one thing leads to another, old inventions are the basis for new ones, inventors and designers and scientists and hobbyists worked hard to create all these things, so don't they deserve some respect, enough not to have their ideas buried in the dust by the latest trends and fads? — Rebecca McNutt

I was offered a choice of a flat salary up front or a percentage of the film's future earnings. I took the up front money. Nobody could have figured what Halloween would ultimately become. — Donald Pleasence

I think people in the future will come up to me and say, "Everything that you are and everything that you have is because of that butler [film]." Of course, that's Oprah's line from the movie, but I think it will resonate with my legacy with the movie. — Lee Daniels

The woman in the film drinks in a bar. She's in hair curlers, a chiffon headscarf tied over them like a tarp over a log pile. The hollows of the curlers, spaces for hope: something good might happen.

There was no sign of Sandro. I watched the film to keep myself awake while I waited.

A man bought the woman a beer. She took dainty sips in her hair curlers, in preparation for no specific occasion. Curler time seemed almost religious, a waiting that was more important than what the waiting was for. Curler time was about living the now with a belief that a future, an occasion for set hair, existed. — Rachel Kushner

In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film. — Thom Powers

I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging. — J.G. Ballard

What is good is what it's going to lead to, like the song "Jai Ho." If good numbers are going to come in the future, it bodes well for a lot of things. But then, who's going to maintain that. That's the question. So far they could never lead to an Indian song, like a normal film song in this that they can relate to. — A.R. Rahman

I feel Amazon is really bringing films into the future. So for me it was the best of both worlds. — Nicolas Winding Refn

The future of the world's film industry is in China because we have 1.3 billion people. — Wang Jianlin

In this image-driven age, wildlife filmmakers carry a heavy responsibility. They can influence how we think and behave when we're in nature. They can even influence how we raise our kids, how we vote and volunteer in our communities, as well as the future of our wildlands and wildlife. If the stories they create are misleading or false in some way, viewers will misunderstand the issues and react in inappropriate ways. People who consume a heavy diet of wildlife films filled with staged violence and aggression, for example, are likely to think about nature as a circus or a freak show. They certainly won't form the same positive connections to the natural world as people who watch more thoughtful, authentic, and conservation-oriented films. — Chris Palmer

What is this film (Mirror) about?It is about a Man. No, not the particular man whose voice we hear from behind the screen, played by Innokentiy Smoktunovsky. It's a film about you, your father, your grandfather, about someone who will live after you and who is still "you". About a Man who lives on the earth, is a part of the earth and the earth is a part of him, about the fact that a man is answerable for his life both to the past and to the future. You have to watch this film simply, and listen to the music of Bach and the poems of Arseniy Tarkovsky; watch it as one watches the stars, or the sea, as one admires a landscape. There is no mathematical logic here, for it cannot explain what man is or what is the meaning of his life. (Sculpting in Time) — Andrey Tarkovsky

I'm working on bringing the instant film camera back as part of the future. — Lady Gaga

There is a saying among the peoples of the Northwest Coast: "The world is as sharp as the edge of a knife," and Robert Davidson, the man responsible for carving Masset's first post-missionary pole, imagines this edge as a circle. "If you live on the edge of the circle," he explained in a documentary film, "that is the present moment. What's inside is knowledge, experience: the past. What's outside has yet to be experienced. The knife's edge is so fine that you can live either in the past or in the future. The real trick," says Davidson, "is to live on the edge. — John Vaillant

Arkady's smile was probably intended to be reassuring, but it was a trifle too wide; with his wild white hair sticking out from under his curly brimmed beaver hat he looked slightly manic, like Christopher Lloyd in 'Back to the Future', a film Nick had finally stopped renting after the girl at the video store started calling him 'Marty McFly'. — Bee Ridgway

Sadly, cinemas with film as the primary source are disappearing. We need to remain open to change. That does not require one to divorce the past but to respect and process both the present and the future. — Robert Richardson

In the end, neither fretting nor bravado could distract him any longer from the thought that he was fatherless. He and his father had in their jocular, gingerly fashion loved each other, but now that his father was dead, Joe felt only regret. It was not just the usual regret over things left unsaid, thanks unexpressed and apologies withheld. Joe did not yet regret the lost future opportunities for expatiation on favorite shared subjects, such as film directors (they revered Buster Keaton) or breeds of dogs. — Michael Chabon

... For love it is never the same. What goes on inside is never the same just like this music which changes every instant. For love there are a million variations, a million nights, a million days, contrasts in moods, in textures, whims, a million gestures colored by emotion, by sorrow, joy, fear, courage, triumph, by revelations which deepen the groove, creations which expand its dimensions, sharpen its penetrations. Love is vast enough to include a phrase read in a book, the shape of a neck seen and desired in a crowd, a face loved and desired, seen in the window of a passing subway, vast enough to include a past love, a future love, a film, a voyage, a scene in a dream, an hallucination, a vision. Love-making under a tent, or under a tree, with or without a cover, under a shower, in darkness or in light, in heat or cold. — Anais Nin

In the future, I kind of like the idea of doing music for film. I think that would be a nice job. I've always liked the sound aspect in movies. I guess once I have more instruments under my belt, it could be something I could do. — Christopher Abbott

I see film as a real opportunity to examine the human condition. No matter where the technology goes in the future, the basics don't change. Storytelling is a primitive tribal function. The elders sat around the fires and told these stories as a way to pass on the 'dos' and the 'don'ts.' That will never change. — Michael Schultz

More pathetic than the digital age is the people who love it. They buy right into the "newer is always better" ideology and they can't seem to grasp that the fun of VHS tapes, super 8 film, darkroom photography and vinyl records is far more worthwhile and human than the cold, high-tech atmosphere of everything being digitized. As the 21st century progresses, yeah, we'll have our Netflix and our cellular phones and our artificial intelligence and our implanted microchips - and future generations will have lost something valuable. Sadly, they won't even know what they've lost because we're taking it all away from them. — Rebecca McNutt

With its passive and unobtrusive despotism, the camera governed the smallest spaces of our lives. Even in the privacy of our own homes we had all been recruited to play our parts in what were little more than real-life commercials. As we cooked in our kitchens we were careful to follow the manufacturer's instructions, as we made love in our bedrooms we embraced within a familiar repertoire of gestures and affections. The medium of film had turned us all into minor actors in an endlessly running daytime serial. In the future, airliners would crash and presidents would be assassinated within agreed conventions as formalised as the coronation of a tsar. — J.G. Ballard

Falling in love: how does it work? Over the years we gather the odd clue, but nothing adds up. We'd like to think we have a picture of our future partner projected in our mind, all their qualities recorded as if on film, and we just search the planet for that person until we find them, sitting in Casablanca waiting to be recognised. But in reality our love lives are blown around by career and coincidence, not to mention lack of nerve on given occasions, and we never have respectable reasons for anything until we have to make them up afterwards for the benefit of our curious friends. — Michel Faber

Most immigrants agree that at some point, we become permanent foreigners, belonging neither here nor there. Many tomes have been written trying to describe this feeling of floating between worlds but never fully landing. Artists, using every known medium from words to film to Popsicle sticks, have attempted to encapsulate the struggle of trying to hang on to the solid ground of our mother culture and realizing that we are merely in a pond balancing on a lily pad with a big kid about to belly-flop right in. If and when we fall into this pond, will we be singularly American or will we hyphenate? Can we hold on to anything or does our past just end up at the bottom of the pond, waiting to be discovered by future generations? — Firoozeh Dumas

People always say that digital cameras are much more stable than film cameras, but the truth is that digital cameras, or any kind of digital technology, is one of the most unstable things in the world. A film camera can last decades if you know how to look after it, but digital things can break down instantly. A violent storm, a nuclear bomb, even something as minor as a cracked screen or the releasing of newer models, can make a digital product just a block of useless metal. — Rebecca McNutt

The future of American film lies on television. — David Hare

I'm keeping my day job, because Poptropica is something that really energizes me. I'd love to create a TV series or write a film that's not in the 'Wimpy' universe, but I know it will be difficult to create something from scratch. But I love creating good comedy for kids, so I hope to have another successful venture in the future! — Jeff Kinney

We now live in a world both in film and television where everything is based on something. You point out, "Star Wars" was an original screenplay, "Raiders of the Lost Ark," an original screenplay, "Ghostbusters" an original screenplay, "Back to the Future." All these things that people love were original ideas many years ago. — Alfred Gough

There are so many actors whom I can be paired with ... like Hrithik Roshan, but there hasn't been an opportunity. Abhishek and I looked good together in 'Sarkar.' And of course, there's Shah Rukh Khan, but I haven't been offered a film with him yet. I hope to work with them in the future; it's just a matter of time. — Katrina Kaif

Quite a few people still listen to vinyl records, use film cameras to take photographs, and look up phone numbers in the printed Yellow Pages. But the old technologies lose their economic and cultural force. They become progress's dead ends. It's the new technologies that govern production and consumption, that guide people's behavior and shape their perceptions. That's why the future of knowledge and culture no longer lies in books or newspapers or TV shows or radio programs or records or CDs. It lies in digital files shot through our universal medium at the speed of light. — Nicholas Carr

This is the third night you've kept me up crying. Thought I'd give your mother a rest. Right now you haven't mastered English yet so I thought I'd put this on film for you. I want to show you something. Tony, see that? I built that for you and someday you're going to realize that it represents a lot more than just people's inventions. It represents my life's work. Someday you'll figure it out, and when you do, you'll do even bigger things with your life. I just know it. You're the future. I've created so much in y life, but you know what is the thing I'm proudest of? You. My son. The secret to the future is here! — Alex Irvine

'Brave New World' dealt with a kind of proto-genetic engineering of the unborn, through really, as many dystopias do, it dealt with totalitarianism. The 1997 film 'Gattaca' updated 'Brave New World,' bringing us to a future where genetic testing determined your job, your wealth, your status in life. — Ramez Naam

The colonial films of the golden age of Hollywood were a clear proclamation of the Consensus historians' interpretation of the facts. These motion pictures encouraged audiences to believe that our nation could overcome all obstacles to its growth and defend itself against any future foreign aggression. — John P. Harty Jr.

There will always be big companies making big movies. But making film and distribution is changing in front of our eyes. I'm not sure what the future holds for this industry. — Clint Howard

There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction. — Neill Blomkamp

Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down. — Callum McDougall

In all sorts of markets - music, film, art, and politics - the future of popularity will be harder to predict as the broadcast power of radio and television democratizes and the channels of exposure grow.... The gatekeepers had their day. Now there are simply too many gates to keep. — Derek Thompson

I think Kellie Martin, Reese Witherspoon and Claire Danes represent the future for women in film, and I would be honored to share the stage with any one of them. — Fred Savage

I said earlier that we are all poets, though not many of us write poetry; and so are we all novelists, that is, we have a habit of writing fictional futures for ourselves, although perhaps today we incline more to put ourselves into a film. We screen in our minds hypotheses about how we might behave, about what might happen to us; and these novelistic or cinematic hypotheses often have very much more effect on how we actually do behave, when the real future becomes the present, than we generally allow. — John Fowles

And to stand together against homophobic, sexist, misogynistic, anti-Semitic and racist agendas. I'm an optimist. And I can't help but feel hopeful about the future of film, especially looking at all these beautiful people in this room. Martin Luther King Jr. said, 'Our lives begin to end the day we become silent about things that matter.' And I would like to encourage everyone in this room to please speak up. — Jessica Chastain

If you make a movie of the present day culture, in the future it'll be a horror film. — Jacque Fresco

Part of the excitement of doing independent film is the complete unknown of what lies in store for the film's future. — Rachel Miner

Oftentimes she wondered what had happened to super 8. Sure, it made perfect sense that nobody wanted the hassle of spending money on a three-minute cartridge of film and threading it through a projector, but though digital cameras were convenient and cheap, Mandy didn't care. Super 8 had integrity, it wasn't just nostalgia, it was art, it was history, it was a little recording medium that somehow possessed the power to evoke lost memories, to turn back time, and there was something dazzling about waiting excitedly for a reel of film to come back in its yellow and red Kodak envelope, eating buttered popcorn while the projector paraded life's best moments, and capturing something beautiful in only three minutes. — Rebecca McNutt

At one with the power of the American landscape, and renowned for the patient skill and timeless beauty of his work, photographer Ansel Adams has been visionary in his efforts to preserve this country's wild and scenic areas, both in film and on Earth. Drawn to the beauty of nature's monuments, he is regarded by environmentalists as a monument himself, and by photographers as a national institution. It is through his foresight and fortitude that so much of America has been saved for future Americans. — Ansel Adams

Back before 'Brick,' I wrote a short film that I never ended up shooting: hit men in the present who work for a mob in the future who send their victims back in time. A guy is sent his future self, he lets him run, and the whole short was them chasing each other across the city. That sat in a drawer for 10 years until after I made 'Brothers Bloom. — Rian Johnson

You can tell when a Hollywood historical film was made by looking at the eye makeup of the leading ladies, and you can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future. — Alfred Bester

In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance. — Misty Upham

A franchise is dictated on the success of doing one film right, so if you can get it done correctly, you've got a chance of something else, but sometimes it just doesn't work that way. Ideally, it's insurance for the future; if you can do something, if you can find a character that people really do like, then you're very lucky. — Jason Statham

In film schools of the future, professors will teach 'Tammy' as an object lesson in Making Everything Go Wrong. — Richard Corliss

The practical value of history is to throw the film of the past through the material projector of the present on to the screen of the future. — B.H. Liddell Hart