The Film Up Quotes & Sayings

Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much. — Shannyn Sossamon

I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes. — Stephen Daldry

To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up? — Chinua Achebe

When I was at drama school in the U.K., I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, 'We've taught you Chekhov and Shakespeare; you are likely to be in a washing-up soap-liquid commercial.' — James Callis

I remember once when I was young, and I was coming back from some place, a movie or something.
I was on the subway and there was a girl sitting across from me and she was wearing this dress that was bottoned queer up right to here, she was the most beautiful thing I've ever seen.
And I was shy then, so when she would look at me I would look away, then afterwards when I would look back she would look away.
Then I got to where I was gonna get off, and got off, the doors closed, and as the train was pulling away she looked right at me and gave me the most incredible smile. It was awful, I wanted to tear the doors open.
And I went back every night, same time, for two weeks, but she never showed up.
That was 30 years ago and I don't think that theres a day that goes by that I don't think about her, I don't want that to happen again.
Just one dance ?. — Jack Engelhard

I was talking to one of the writers about our target audience, and he was insulted that I used that term. But if you're given $60 million to make a film, you'd better know who your target audience is. That's who's going to pay back the bills you run up. — Michael Bay

With stand-up, I can have an idea, go down the street to a comedy club and work on it, flesh it out, book a venue, people will come, then film it. I do all that myself; I never have to answer to anybody. — Aziz Ansari

When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with. — Ben Schnetzer

If I may, I'd like to take a moment to praise Mark Zuckerberg's parents for not procreating sooner. Praise be to all that is holy that Facebook didn't exist when I was that age and the Internet then was but a Usenet group for Star Trek fans. I feel like the luckiest person in the world to have grown up when cameras used actual film because the only thing that stood between infamy and me was the clerk who developed photos at Walgreens. Thank God for him. — Jen Lancaster

I want everything to be an honest extension of me. What better way than me talking? It's a direct connection with everyone. With film and television, you make great projects, but stand-up is the thing that is completely yours. — Jerrod Carmichael

You really have to soak up the culture of the people to get it right. If you're making a fiction film, it's entertainment, but you want it to be as real as possible. — Robert Duvall

When David Fincher called me up a few years ago and said, 'Hey, I'd like you to score this film 'The Social Network,' I said, 'I'm flattered, but I really don't have any real experience scoring films, and I'd rather not screw it up on a high-profile project. And I like you and I don't want to compromise our friendship.' — Trent Reznor

New York may end up being no more than a scrim, a spectral film that is none other than our craving for romance - romance with life, with masonry, with memory, sometimes romance with nothing at all. This longing goes out to the city and from the city comes back to us. Call it narcissism. Or call it passion. It has its flare-ups, its cold nights, its sudden lurches, and its embraces. It is our life finally revealed to us in the most lifeless hard objects we'll ever cast eyes on: concrete, steel, stonework. Our need for intimacy and love is so powerful that we'll look for them and find them in asphalt and soot. — Andre Aciman

TV and film for me are not as exciting as the live stand-up show and getting the immediate reaction of the crowd. TV is a lot of hurry up and wait for your shot and less immediate reaction from people. — Gabriel Iglesias

What do you do when you build yourself - only to realize you built yourself with the wrong things? You rip it up and start again. That is the work of your teenage years - to build up and tear down and build up again, over and over, endlessly, like speeded-up film of cities during boom times and wars. To be fearless, and endless, in your reinventions - to keep twisting on nineteen, going bust, and dealing in again, and again. Invent, invent, invent. — Caitlin Moran

With independent film, as an actor, you have more involvement - it's very much more connected. It's not just like I'm showing up and there's another actor on the call sheet; you're very attached to it. — Alia Shawkat

Paste Magazine needs to stay in business! It's the first non-sensational quality music and film publication that doesn't only attempt to appeal to middle-aged male Bob Dylan completionists! And there are still many of us who love to pick up a print magazine instead of going online. — Nina Persson

So, first, I wanted to be a part of the project because I thought it was an important story to tell. On top of that, it's rare to find roles for strong, young, feisty women, especially in a military film. And I love that Suarez ends up being the moral compass of the story, and that she's also brave enough to stand up to all these men. — Zoe Kravitz

When you live in LA and work in the movies, you experience the collapse of some of that fantasy. You know that the eyes glow like that because of lights placed at a specific angle, and you see the actresses up close and, yes, they are beautiful, but they are human size and imperfect like the rest of us. — Nina LaCour

The film itself involves a New York City radio storyteller, Gabriel Noone, who strikes up a friendship with one of his fans, an abused 14-year-old teenager who is suffering from AIDS, who does not have much longer to live. — Armistead Maupin

The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery. — Ray Winstone

I got an agent and went up for the part of my first film, Five Gates to Hell. — Shirley Knight

The short film project I just finished for W Hotels and Intel, I didn't have my script finished until a few days before we began filming. We edited it very quickly and now it's up online. It was great to conceive an idea and have it premiere just a few weeks later, compared to a feature, which takes a year or more. — Roman Coppola

The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other to tell this story. We also knew we needed to hold each other up as we told the story. — Lupita Nyong'o

In TV and film, a little goes a long way. I see the show as horror so a lot of the [violence] is suggested. But it is violent. It is gory. I don't see any need to up the gore. Just to keep it as real and visceral as possible. — Glen Mazzara

When I pick a role, one of the things that I aspire to is that somebody's parent will come up to me after the film has come out and say, "My daughter idealizes that character. You're her hero." That's what I aim for. We're in the business of making heroes. — Evangeline Lilly

The way that I look at it is that, when we film for eight months straight for a new 'Jackass' movie, I know that I'm going to wind up with at least two broken bones. I don't know when it's going to happen, but you can't contemplate how you're going to fall and what's going to happen. — Bam Margera

Horror films had died a little bit before Scream came around. That was one of the reasons I wrote it. I wanted to write something that wasn't being made right now and maybe sell if I come up with a new horror film. Because no one is watching those movies. Let's do it. That was my whole goal, and it paid off. I feel like it's never stopped. — Kevin D. Williamson

I think part of that comes from time's passed, and she's been in an environment where training is part of the thing. It's not like we do a montage of her discovering her powers like in every X-Men film but yeah, there's no montage. But she does have these new abilities that we pick her up with. — Elizabeth Olsen

They took 3-D digital photographs of my entire body. I had to pose stark naked, assuming a kind of Spider-Man position. After a minute, one of the technicians pointed to my genitals and said, Um, we're not getting enough data there ... It wasn't what you think. It turns out that the fancy digital camera doesn't pick up dark areas too well, and they were having trouble because of the hair down there. I actually had to spray on this highlighter stuff. (On having digital photos taken for the invisible man role in the film Hollow Man) — Kevin Bacon

I sort of jumped out of movies and into the lifeboat of comics. I loved it right away. It was the opposite of film school. Whatever was in my imagination could end up in the finished product. There were just no limitations. — Brian K. Vaughan

I guess I could be pretty pissed off about what happened to me, but it's hard to stay mad when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once, and it's too much; my heart fills up like a balloon that's about to burst. And then I remember to relax, and stop trying to hold onto it. And then it flows through me like rain, and I can't feel anything but gratitude - for every single moment of my stupid, little life. You have no idea what I'm talking about, I'm sure; but don't worry ... .you will someday. — Alan Ball

Most immigrants agree that at some point, we become permanent foreigners, belonging neither here nor there. Many tomes have been written trying to describe this feeling of floating between worlds but never fully landing. Artists, using every known medium from words to film to Popsicle sticks, have attempted to encapsulate the struggle of trying to hang on to the solid ground of our mother culture and realizing that we are merely in a pond balancing on a lily pad with a big kid about to belly-flop right in. If and when we fall into this pond, will we be singularly American or will we hyphenate? Can we hold on to anything or does our past just end up at the bottom of the pond, waiting to be discovered by future generations? — Firoozeh Dumas

Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before. — Richard Masur

The generation now below me were born into a world where if you're a kid with raw talent now, you can roll in and land a lead in a Scorsese film. You don't have to have prove yourself by working up the ranks, doing the classics, and getting the canon under your belt in the way the great Sirs and Dames of mom and dad's generation - the [Ben] Kingsleys and [Helen] Mirrens and [Anthony] Hopkinses and people of that ilk. — Benedict Cumberbatch

I could sing and play as well. I've got some brothers; one of them is the drummer in the band. They're good musicians. I play for fun. They play properly. Music in general, I grew up in a house of musicians. Everybody's life has a soundtrack, I'm sitting here talking to you but there are horns beeping outside. I know I'm in New York. That's an element in the film as well. How strong that sense can be. — Jonathan Rhys Meyers

My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film industry is in a declining state. — Randolph Scott

It is tricky because I do wear a lot of vintage on the red carpet, and usually when I'm getting ready, I'll say, 'We need to make sure that I don't look like I'm in a Scorsese film today.' Sometimes I do something a little bit more modern with my hair. You have to mix it up. — Christina Hendricks

See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making. — George Clooney

People in LA seem to have no concept of the time outside of their city. I've been trained for thirty years in the film industry of having whether its agents, lawyers, actors, or whoever calling up all night. — Matthew Vaughn

When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit ... in the world of film composition, you can't do that. — James Horner

I recently watched Peter Brook's Lord of the Flies, and it wasn't a favorite film. Then I saw the one that was made in 1990, which in my opinion didn't match up to the original. — Brendan Fraser

After a few months, I decided to do one more leg of the Le Noise tour and film the last show with Jonathan Demme in Toronto's Massey Hall/ It turned out to be a great night. Everyone was very happy because we had captured it. During a review of the digital files, we realized that the resolution was not full, it was a stepped down quality, not the best it could be. My own team's excuses were not adequate, because I was not informed of the decision to go to a lesser quality. Lesser quality is so accepted as normal now that even I had used it unknowingly. I went back to Massey Hall and set up a PA system like the one I used at the show, played back the mixes through the PA, and rerecorded the house sound at the highest resolution. I did the best I could with a bad situation. It does sound great now. Thankfully, the PA mix was only one step down from the highest resolution, so when it resonated in the hall and was rerecorded at the highest level, a high resolution hall sound was captured. — Neil Young

I didn't go to film school so my learning was done out in public and showed up on the screen. — Jonathan Demme

I do remember smiling quite a bit inside it though since I knew it wouldn't be seen on film - so of course while the poor planet is being blown up I'm smiling and laughing like mad! — David Prowse

When I came up with the character of Wicket for 'Return Of The Jedi', which was my first film, I was a kid of 11 years old, and I basically was playing a very young Ewok. — Warwick Davis

When you're working in the [film] industry and you're working with people who are well known and are so regarded, you do just pick up on things. Seeing the way that people hold themselves and compose themselves before a scene - it's inspirational. — Asa Butterfield

Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that. — Melissa Rosenberg

There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or three, or whatever. And we tell it. — Tim DeKay

We were up the whole night just talking, walking the city. You can walk those blocks forever, take a break on the edge of the fountain, eat pizza and snow cones, awed by the human carnival all around you. — Marisha Pessl

I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film! — Max Von Sydow

For me, the film has to be incredibly bad to make me want to pack up and leave. — Jacques Rivette

There are two kinds of filmmaking: Hitchcock's (the film is complete in the director's mind) and Coppola's (which thrives on process). For Hitchcock, any variation from the complete internal idea is seen as a defect. The perfection already exists. Coppola's approach is to harvest the random elements that the process throws up, things that were not in his mind when he began. — Walter Murch

So that would be my input and I'd go off and I'd work on another film, and then I'd catch up with them later on in the year. We just kind of nursed the piece along. There was no timeframe. We didn't have anyone pushing us except ourselves to make the film, and a desire. And then the organic kind of naming of Roger; then it happened really fast. — Pierce Brosnan

Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life. — Rania Attieh

In America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience. — Clint Eastwood

White people found that freedom was indeed indivisible. We had kept saying in the dark days of apartheid's oppression that white South Africans would never be truly free until we blacks were free as well. Many thought it was just another Tutu slogan, irresponsible as all his others had been. Today they were experiencing it as a reality. I used to refer to an intriguing old film The Defiant Ones, in which Sidney Poitier was one of the stars. Two convicts escape from a chain gang. They are manacled together, the one white, the other black. They fall into a ditch with slippery sides. The one convict claws his way nearly to the top and out of the ditch but cannot make it because he is bound to his mate, who has been left at the bottom in the ditch. The only way they can make it is together as they strive up and up and up together and eventually make their way over the side wall and out. — Desmond Tutu

The reality is that we have all these awards and all these festivals that give out awards, so you sort of go, 'okay, well, people liked the film, and I think it's a good film, and it's up for an award - well, I guess it should win the award then.' — Guy Pearce

The scripts for Marco Polo are absolutely, positively fantastic. The challenge of making that show in China has proved to be as formidable as we feared. It's not like making a movie in China where, once you load up and you leave, you're gone. We have to be able to come back and capture something that's going to feel like a major feature film, on a television budget, and do it, hopefully season after season, so we are taking more time than the producers thought. — Chris Albrecht

I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising. — Charlyne Yi

I admit that I've been beaten up so many times in films, but we do not fake it - we actually have to fight when we shoot to make it real and to save film and time. Even the props that are not real, like the bats are plastic, but they're still very hard, so it still hurts. — Min-sik Choi

On 11 September 2012 crowds of friendly locals in Kabul, Afghanistan, were chanting the usual 'Death to America' slogans. At the same time American flags were torched from London to Sydney. And in Benghazi, Libya, a group of 'spontaneous protesters' arrived at the US consulate with rocket-propelled grenades and savagely murdered the US ambassador. In Washington, members of the Obama administration were, as we have already seen, showing that they weren't taking any of this personally. It wasn't about them and it certainly wasn't about their ambassador, who had in fact been murdered by terrorists in a pre-planned attack. The administration was still claiming all this was caused by an excerpt from an amateur film which had been up on YouTube for weeks. — Douglas Murray

His name was Anderson and he had little gift for communication. Like most technicians, he had a
terror and a contempt for speculation. The inductive leap was not for him. He dug a step and pulled himself up one single step, the way a man climbs the last shoulder of a mountain. He had great contempt, born of fear, for the Hamiltons, for they all half believed they had wings - and they got some bad falls that way.
Anderson never fell, never slipped back, never flew. His steps moved slowly, slowly upward, and in the end, it is said, he found what he wanted - color film. He married Una, perhaps, because she had little humor, and this reassured him. Una wrote bleak letters without joy but also without self-pity. She was well and she hoped her family was well. — John Steinbeck

Film has to be reflecting the world that we live in, and that's all you want to be a part of. Actors inhabit the same planet as everyone else. It's a weird thing that happens when you're an actor because people hold you up because you somehow embody in parts groups of people or people's hopes or something. — Alan Rickman

I grew up watching my dad scout games live. They played on Saturday. Sometimes they wouldn't get the films until Monday. Sunday air shipping from wherever the college team was located - Starkville, Mississippi, or wherever the film was coming from. It took two days. — Bill Belichick

I managed to work for more than 50 years with just paper, pencils and film. My son's generation and the one coming up after can't work with just paper and pencils any more. I managed to avoid using a computer. I don't even have a cellphone. I feel lucky I managed to live like that. — Hayao Miyazaki

If you're strutting around Beverly Hills and hitting up these big industry parties every night when you're not making movies, then it's going to eventually consume you. But for me, I live most of my life in Boston. I do things no different from the way my buddies back home do them, except when I go to work, I go to a film set. — Chris Evans

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing. — Pete Doherty

As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing. — Spike Lee

I think, honestly, the film industry is eating up comics characters at such a fast pace, and spewing them out as so much unspeakable, stench-y, crap. I mean, I think people are going to get pretty sick of the comics product of superhero, per se. Super-heroism seems to be so visceral for these times. Nobody needs a big clunky guy to throw cars about. You know, we've got drunks in town here that can do that. We don't need that kind of superhero. What we need is a super-sage. We need a genuine group of wise people. We need to become wise. That's the job of tomorrow; becoming wise, and integrated, and understanding. — Melinda Gebbie

I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure. — Harry Melling

Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies. — Christopher Nolan

I was born in Faridabad but brought up in Delhi and Mumbai. My father had been living hand-to-mouth and literally slept on railway platforms when he came to Mumbai for the first time to become a film singer. My parents were both singers; they sang together and fell in love due to their singing. — Sonu Nigam

The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film. — Paul Feig

Falling in love: how does it work? Over the years we gather the odd clue, but nothing adds up. We'd like to think we have a picture of our future partner projected in our mind, all their qualities recorded as if on film, and we just search the planet for that person until we find them, sitting in Casablanca waiting to be recognised. But in reality our love lives are blown around by career and coincidence, not to mention lack of nerve on given occasions, and we never have respectable reasons for anything until we have to make them up afterwards for the benefit of our curious friends. — Michel Faber

My grandfather ran off the V-2 rocket film a dozen times and then hoped that someday our cities would open up more and let the green and the land and the wilderness in more, to remind people that we're allotted a little space on earth and that we survive in that wilderness that can take back what it has given, as easily as blowing its breath on us or sending the sea to tell us we are not so big. When we forget how close the wilderness is in the night, my grandpa said, someday it will come in and get us for we will have forgotten how terrible and real it can be. You see? — Ray Bradbury

I realised what a powerful position you are in if you own the rights to your film because then you control the distribution and I ended up getting 25 million viewers for McLibel and that's what it's all about for me. — Franny Armstrong

I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind. — Malgorzata Szumowska

That would be getting up at 5 am ... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end. — Terry Zwigoff

I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget studio film. — Nicole Holofcener

My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan. — Natalie Dormer

You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots." — Kimberly Peirce

I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film consuming population. — Jay Roach

In Madrid, there's a big street in the centre called Callao. I remember being there with my mum and pointing to one of the big film posters and saying, 'I want to be up there.' That was my dream, and I got it. — Maria Valverde

Well,the fun part of being a writer is that it's like making a wonderful film, with no limit on my budget. I can design the sets, the costume, the lightings, I write the script, and then I get to perform all the roles as I step into each character's skin, zip up, and adopt that point of view. So, to me, they are all compelling and fascinating. — Robin Hobb

We ended up with 19 hours of footage and had to narrow it down to an hour and a half. Our instructions were to film everything that came up, including the more mundane moments. — Joshua Leonard

They came there regularly every evening drawn by some need. It was as if the water floated off and set sailing thoughts which had grown stagnant on dry land, and gave to their bodies even some sort of physical relief. First, the pulse of colour flooded the bay with blue, and the heart expanded with it and the body swam, only the next instant to be checked and chilled by the prickly blackness on the ruffled waves. Then, up behind the great black rock, almost every evening spurted irregularly, so that one had to watch for it and it was a delight when it came, a fountain of white water; and then while one waited for that, one watched, on the pale semicircular beach, wave after wave shedding again and again smoothly, a film of mother-of-pearl. — Virginia Woolf

Here is a children's film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap. — Roger Ebert

I hang up. I feel like a serious man in the emotional climax of a film that ends with a teary defeat. I wish this was in a film. — Ben Brooks

I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns. — Rick Gonzalez

I was always prepared for my 'Fringe' journey to end immediately. I had only signed up for a guest role but they kept bringing me back in the third season as a recurring character. So pretty much every time I went to film a 'Fringe' episode I kind of said goodbye to the show, but then they kept bringing me back. — Seth Gabel

It doesn't mean I'm not thinking it. I always feel a bit defeated when I have to follow up with "I love you too". It's like the sequel to a film: I Love You and I Love You Too. You know the second one's always going to be a predictable reworking of the first. — James Hannah

If I can give a young author any advice, whatsoever, never let anyone announce the film sale of your first novel. Film rights are sold to almost every novel, but it shouldn't be the lead story in your first engagement with the press. Then you end up getting reviews like "a novel made for the screen" and things like that. — William Monahan

I never knew where I was going to end up when I started film. I didn't start film to be famous. Of course, it's a public medium, and of course we chose a public medium because we like people to pay attention to the work that we're doing. But I didn't know what I was going to end up. — Amy Seimetz

I love creating music and television and film. I love the hustle, I love the grind, I love working sixteen- and eighteen-hour days and waking up at four the next morning and going to the gym. I love that. — Will Smith

When you shoot a film, it takes six months, and it's very important keep the morale of the crew up top, all the time, and keep them on their toes, and keep them enthusiastic. — John Glen

I got too fed up with films that didn't make you think. I liked the idea of one that you'd have to be dancing around with. I like my mind to be engaged when I watch a film. — Guy Ritchie

Three and a half years in L.A. was enough for me. I would love to go back for short bursts if a film opportunity came up, but it's a unique place, and you can reach saturation point. For me it was a place where creative desire and ambition meets desperation. It's in the air; it's palpable - I just didn't want to be around that. — Darren Boyd

I didn't fill it up with movies every time because I was trying to just film one damn movie, but that's the heartache of independent films. — Shane West

I've wanted to work with my father for 30 years, and I'm really grateful that I finally had the opportunity, and it ended up - the experience and, I believe, the film - better than I could ever have hoped for. — Kiefer Sutherland